Incognia is a sharp and high-contrast long-serif type family of 10 fonts inspired by classic roman typography. Ranging from light to bold with matching italics, Incognia offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for display purpose such as titling or headlines, branding, editorial, book covers, and packaging. Incognia has extended latin character set that supports 200+ latin-based languages.

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Aquinas is distinguished by the contrast between its upright, generous capitals and its narrow, slanted lower case letters which look almost like italics. The combination of these so different alphabets creates an opportunity to give texts an unusual yet elegant look. Aquinas is suitable for both running text and headlines and should be used in point sizes of 10 or larger. The lyrical and sophisticated feel of Aquinas makes it a particularly good typeface for poems, songs and other artistic texts.

Config Rounded is a condensed geometric sans with rounded corners. Config’s sibling, this typeface was influenced by geometric sans with circular forms on the tops and bottoms of characters, but the proportions have been condensed by incorporating straight sides for a design that is efficient yet friendly. Use it for a subtle softness that still looks modern and strong. With 10 weights, there are options to fit the need—black and thin for extreme uses and intermediates for more common needs.

Bluenote is a font based on Franklin Gothic condensed. In the 60s and 70s the record label Blue Note published all those classic jazz records of my youth. Someone at their arts department cut letters to ribbons and designed wonderful record covers with those fragmented glyphs. I recently had a look at my music collection and rediscovered these letters. Being a hard-working type designer I couldn't resist the challenge, here is the result from your dilligent designer Gert Wiescher

Lessa is an elegant classic serif font family consisting of simple style serif fonts with a vintage look, with appropriate cursive calligraphy italics based on a number of humanist italic scripts, perfect for creating templates, posters, brochures, logos and more. This font consists of upright and italic fonts (10 in total) all of which have the same number in each letter, Lessa is equipped with multi-languages and is supported by various languages from various countries. Mail support : maculinc@gmail.com Thank you! Maculinc

vastra is a slim, futuristic, bauhaus inspired typeface. It has plenty of those pesky foreign glyphs and various alternates of the standard alphabet. It’s available in 5 different weights from light to Heavy and is complimented by 5 italicized versions of the 5 different weights too. I wanted this font to look like background set typography in a 70’s sci-fi movie. D A N G E R You can buy it in singles, pairs or the whole damn brood.

Happy Fingers are a truly mad font! The font contains 10 different versions of each letter - and no two letters are the same - it's a lovely mix of upper- and lowercase, serfifs and sans, grunge, comic, sci-fi, fantasy, computer ... everything you can imagine. And they are all handmade! Of course there is multilingual support and I have even added a black version, for you to use as massive fill, or perhaps a cool shadow! Go crazy, go Happy Fingers!

Meutas is a sans serif font family which geometric and humanist make a blend. Make it more attractive and dynamic. Meutas is designed for display and body text. Maximizes thickness while maintaining balance in each form. This makes it especially suitable for all kinds of creative projects. Meutas comes with 10 weights and a matching oblique, making it 20 styles. Some alternative glyphs will be an attractive choice. Makes every project you work on easier, and will certainly be awesome!

The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. 'a' remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.

Introducing my new font, Jennifer elis font made with a pen brush refined to look neat. like dance letters, smooth, clean and simple. Jennifer elis font are perfect for weddings, events, invitations, escort cards, table numbers, Quotes, displays, logos, blog sliders, special addresses, stamps, packaging, greeting cards, etc.Features: Basic Latin A-Z and a-z Numeral & Punctuation Ligatures 10 Alternate Swashes Script 592 Glyphs Sans 354 Glyphs Latin Pro Support Character ** Thank you for downloading my font, hopefully it’s useful **

Clarize is an elegant high contrast serif fonts family, with the best features of the Didone style. Designed with consideration for more functionality with smooth details and a touch of modern and luxury, this font is perfect for designers who are developing in the field of books, fashion, magazine, blog, advertising, packaging, branding, etc. The family includes 10 styles: five weights from Light to Black Multilingual Languages. Clarize includes Ligature and discretionary "ct" and "st" that can be accessed via an access feature.

Introducing Culoare V2.0 is the second version of the space bright color gradient font. (The first version is here - Culoare) This is a new set with completely new color combinations, bright and saturated like neon. 3 types of stylization in 9 different color gradient combinations with soft transitions. Letters seem to be backlit and it looks very original in addition to stylish minimalist glyphs. Lots of design use cases. Ideal for promotional illustrations, headlines and covers. Font family is based on the Regular font Boldini - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. P.s. Have suggestions for color combinations? Write me an email with the subject "Culoare V2 Color" on: ld.luxfont@gmail.com Features: - Free Demo font to check it works. - Uppercase and lowercase the same size but different colors. - Transparency in letters. - Kerning. IMPORTANT: - Multicolor version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Introducing Echowarp is an unusual COLORED font family. Main idea of ​​this font is that a colored echo spreads and fades from minimalistic letters to the sides. Distorted letters give the effect of temporary refraction. The originality of this family is primarily suitable for a bold design. And if you add a random distortion in a graphics program to the finished heading written in this font, the inscription will turn into an absolutely unique and inimitable one. Futuristic set has 23 fonts in the family! Do not limit your imagination, because the font opens up a huge space for creative experiments. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. Features: Free Demo font to check it works Letters with color echo & distortion 23 OTF SVG color fonts in the family Gradient and hologram fonts Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Corleone was originally designed as a two font family in 2001 and offered for free. This year we've expanded the font family to twelve fonts including small caps and italics. While the new Corleone has been greatly refined and is a much more professional quality font we've decided to still offer the original two fonts for free. Corleone is the perfect font for t-shirts and other merch, the new small caps make this font stand out and bring attention to whatever you use it on. Corleone is the font you can't refuse. Tech notes: Corleone was designed after a famous movie logo in the 1970's with a title name that sounds a lot like The Grandfather if you know what I mean. The movies had three installments, my original font was patterned after the logo for the third movie, the new Corleone Primo and Secondo versions are patterned after the logos of the first two movies. The differences are noticed mostly in the lowercase letters. One thing you will not find in this font family is the puppeteer or puppet master hand because it's been registered as a separate trademark of Paramount Pictures. If you're using an application that works in layers then you'll be interested in the four extra over score glyphs included in some of the versions of this font. Sorry, MS Word does not work in layers so this feature will not work in MS Word. When you open up the glyph map in Adobe Creative Suite you should see the over score glyphs when you scroll down to the bottom. These extra over score glyphs allow you to extend the top line of a single capital letter, with four different lengths you should be able to mix and match to achieve the length that you desire. When using the over score glyphs it's best to divide your word or headline into separate text objects, the cap being one object and the remaining letters being the second. If you try using the over score glyphs on a single text object then with each over score that you add the text after it will get pushed down the line.

Overview of BD Megatoya Consists of 41 fonts, including nine upright, nine italics, nine extended, nine extended italics, all in nine weights from thin to black. 4 outline version in black weight. 1 variable with three axes (weight, width, slant). 1,470 glyphs in each font. Opentype features include small caps, stylistic alternates, ligatures, complete numeral figures, ordinal, case-sensitive forms. language support: Western European, Central European, and Southeastern European. About BD Megatoya Taking a geometric sans serif approach, we designed the letterform with details on round characters to pursue harmony and leave a slightly boxy feel to the extended style. The stylistic alternate is one of our concentrations to make them versatile yet still preserve consistency in stem and metrics to provide good readability in small text. Overall, the various treatments for each character will encourage each other to dynamic colours, flexible, and functional impressions in their application. Slicing edges The edge of the letter slice in 45 degrees will give the impression of a sparkle of light when you look at them for the first 2 seconds (our experience). This is what we did a few years ago when working on automotive branding. The word-mark logotype with slicing form gives an exclusive and different impression from its crowds. If you agree with us, does BD Megatoya deserve to be called a problem solver in branding projects? Jump over to .ss07, .ss08, .ss09, and .ss10 to find them! The Features BD Megatoya font family includes 41 great fonts in nine weights, an extended character set of over 1400 glyphs, multilingual support such as Southeastern Europe, Central Europe, Western Europe. Also advanced & useful open-type features: case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Use BD Megatoya BD Megatoya is very suitable for branding projects and many designs purpose like advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. It's a FREE Get one weight from the BD Megayoya family for Free! Apply to your amazing projects and enlarge your creative tools by adding the complete BD Megatoya family to your font library.

Introducing is a fun and playful pouty Baluno font. Font has embodied the graphic trend of cartoon flat illustrations and will successfully complement modern designs. The font has 2 types of faces, which can be used both independently and together by alternating letters in one word to avoid repeating letters, creating a unique heading. Family is ideal for children's themes, because the font resembles inflated balloons. Creates a relaxed mood and has fun. Set comes in many different carefully selected colors and gradient color options. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. P.s. Have suggestions for color combinations? Write me an email with the subject "Baluno Color" on: ld.luxfont@gmail.com Features: Free Demo font to check it works. 2 types of faces. Lots of ready-made matched colors. Gradient color variants. Kerning. IMPORTANT: - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the other fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Upon numerous demands of highly esteemed users of our fonts I decided to supplement the Walbaum type family by display and poster cuts. Because I obviously cannot compete with world’s renowned type foundries which already offer a number of renderings of forenamed typeface, I thought proper to decline a bit from the original Walbaum’s design, strictly speaking, from the apprehension we commonly keep about this typeface. Therefore I didn’t set forth the way of modernizing (shame!), but rather the opposite direction: towards an analysis of the original neo-classical intention. I took the 10-point character, magnified it enormously and cut off progressively all the optically thickened bobbles which raised by small-size correction. I ended up at the size of about 120 points, where it became obvious that any further thinning would lead to an undesired manneristic fragility. Resulting 8-member family Walbaum 120 is naturally usable in variety of sizes, as well as cuts marked “10” you can use, say, from 6 to 30 points. I only hope that mister Justus Erich won’t pull me by the ear when we’ll meet on the other side...

Nympha Family Features: 4 Styles 2 Weights Over 800 characters per style (3200 in total) Up to 10 stylistic variations for each character (!) European Language Support Hundreds of Ligatures, Swashes and Stylistic Alternates Old Numerals True Italics & Much More Trailer: https://vimeo.com/471556131 Nympha is an elegantly crafted and luxuriously exuberant serif typeface, exuding femininity and glamour but also a side of exquisity. Its hard contrast and refined details, along with its opulent swashes and voluptuous curves, create a beautiful and powerful statement to any typographic composition, mixing glamour with a contemporary aesthetic. One could say Nympha has two distinct, yet connected, personalities in the form of two stylistic sets of characters: a contemporary and elegant one and an exquisite and unusual one, both can (and should) be mixed to achieve surprising results. Nympha offers a vast amount of swashes, alternates and ligatures, featuring up to 10 stylistic variations for each character, making it possible to generate endless compositions with ease. Available in 4 styles, 2 weights, offering over 3200 characters. Visit https://www.behance.net/gallery/106734865/Nympha-Typeface/ for a full walkthrough of everything Nympha has to offer.

Trigomy is a proportional pixel font designed on a 5 pixel grid. It is intended for either very small text or as huge display font for posters and the like. To get a crisp look this font should be used at 10 pt or multiples of 10 pt. (A tip for Adobe Creative Suite applications is to change the standard anti-aliasing method from “sharp” to “crisp” and to align the text to whole pixels. Also avoid centered text.) To get started with type design I thought it was best to start with a pixel font because you don't have to focus much on the design itself, but rather have to focus on how kerning and spacing works and the various features you can implement with OpenType. And of course I wanted to have a pixel font that had all that I was missing from other pixel fonts. We were learning trigonometry at the time I started designing Trigomy, and most of the time I misspoke it “trigometry”. So, when I had to come up with a name for my first font I thought: "Why not go with Trigomy?"

You can download usiful link: Bodrum Sans PDF Type Specimen Bodrum Sans is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Sans is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Bodrum Sans a harmonious and sensible appearance for both texts and headlines. Bodrum Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sans 14 Regular” forms the central point. "Bodrum Sans" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy in all graphic programs. Bodrum Sans is the perfect font for web use.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

Movida™ is a 101-font mega family - modern, spurless, with geometric flat-sided nature. Its versatile character and huge choice of styles let it serve as a charismatic display typeface as well as clean contemporary tool for setting paragraph text. Its dynamic personality fits perfectly to such industries as sports, gaming, technology, streetwear, automotive. Movida works great for logo design & branding, magazine editorial use, web design, user interfaces and mobile applications. Movida features a super-flexible 3-axis variable font allowing fluent adjustments to width, weight and italic angle. This single font contains all the styles and features of the whole mega family. Main features: 5 widths (Narrow, Condensed, Normal, Expanded, Wide) 10 weights for each width (from Hairline to Black) + 10 corresponding italic styles 1 variable font (3 axes: weight, width, italic angle) modern, slick & sharp spurless design large x-height improving legibility in small sizes flattened oval shapes, adding vertical rhythm and elegance to narrow styles extended latin language support OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Chaweng is a coastal region on Ko Samui, an island in the Golf of Thailand, about 20 miles off the mainland. The design of Chaweng is based on some 'Latinese' characters Peter Rosenfeld detected while celebrating Chinese New Years Eve with people from Thailand and China on the beach of Chaweng. Ralph M. Unger took on the idea and developed a completely new typeface, very beautiful, very 'Latinese'. Chaweng obviously shows some of the typical characteristics of Chinese ideograms, still keeping a high level of legibility. To add something really special, Unger digitized the Chinese signs of the zodiac which change annually, on the occasion of the Chinese New Years Eve.Chaweng is perfect for signs and small texts, e.g. for any Asian restaurant and shops, menues, displays, China towns etc.

Engraving inspired typeface The AW Conqueror Carved encapsulates perfectly the lettering styles in fashion during the 19th century quite often in the frontispieces of books. It wasn’t rare to see these kinds of typefaces, with their variations in depth and relief effects, adorning boxes and other forms of packaging of the time. AW Conqueror superfamily AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skilful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast. Club des directeurs artistiques Prix 2010 European Design Awards 2011

Carousel is a fat faces display type designed by Gary Gillot in 1966. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Carousel could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Carousel is a highly crafted typeface. Give it a spin in your next advertising campaign! Carousel's fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.If you like Carousel check out wearing Annlie, another fat face from 1966."

Bougainville was inspired by many of my favorites and has been on the drawing board in excess of ten years. Only this year I decided to expand the original 1994 design to include other weight variants. The quirky Binner Gothic-inspired high axis and its funky g, rounded e, angled stroke endings together with the influence of contemporary designs such as Officina Sans, Din Mittelschrift and MetaPlus, Bougainville exhibits a similar flavor and compactness to Bodega Sans. This typeface family has been named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey. Bougainville makes for effective headings at any size and is equally readable at semi-display sizes.

Poster artist A.M. Cassandre designed one of the most evocative typefaces of the Art Deco era, Bifur. This type was unusual in many ways, but one of the most distinct features was that besides a regular one-color font, it was also available as a two-part font for a chromatic treatment which was highly unusual for metal typefaces. This "bifurcated" type is almost impossible to find in print shops or even in specimen form. It has however become recognizable as a true icon of the Art Deco genre. The IHOF version of P22 Bifur features the addition of a lower case alphabet as well as multiple options for the shading layer, allowing for a wide range of design applications from straight-forward Deco headlines, to abstracted and de-constructed experimental design.

Arnold Therhoernen. (Arnoldus ther Hornen, Drucker des Dictys , Arnold ter Hoernen, Arnold ther Hoernen, Arnoldus TherHornen.) Who was this guy? He was a printer active in the city of Cologne, having graduating from the university there. He learned his craft under Ulrich Zell. He printed books from 1470 to 1482 when the plague carried him off. Was he just another printer of the era? No, he brought out the first edition of the "Fasciculus temporum'' (The most popular work by a living author at that time.) And he was the first to use both a title page and page numbers. His page numbers, an idea probably suggested to him by Werner Rolevinck, were interesting in that they were centered half way down the page on the outer margin and were set in Roman Numerals.

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Probably the most innovative of these was Nebulae, in which the lettershapes have been dissolved into clouds of bubbles; the three versions can be layered to obtain a denser (and more legible) structure which can also be multi-coloured. A fourth version called ThreeDee (3D) offers a convincing simulation of three-dimensional bubble-like type floating in space.

Some words from the designer... Like a tree rooted in ancient philosophy with branches reaching into the new age, ITC Holistics encompasses 82 pictographs of astrology, healing, magic, nature and spirituality. In an illustration style that originates from hand-carved rubber stamps, west coast designer Teri Kahan shines new light on these timeless symbols. ITC Holistics is functional collectively and individually for graphics and logos. As with Teri's companion font ITC Connectivities, ITC Holistics can also be used as a divining tool. Just type your name in caps and lower case and see what the images tell you!

Snow Away - Quirky Winter Font. Snow Away a quirky playful font with 6 different style of the font. Each style has a difference in the decoration of the ornaments. This font is a winter theme font, so all the decorations are winter-related, such as: snow flag, ribbon, bell, Christmas earmuff, Christmas tree, and sparkle. With these decorations, this font will be perfect for your winter-themed projects. This font is also suitable for logos, branding, quotes, posters, stickers, greeting cards, invitation cards, birthday cards, quotes, crafting, svg, banners, movies, headlines and more. This font is also support multi language.

Thanks for checking out LineArt ECLECTRICE (pronounced EHCK-LEHCK-TREES) Light Aligned font by Rene Toussaint (otherwise known as DJ THINK) of LineArt Foundry and Brand. This font is designed in the vein of graffiti art with stylings of hip-hop and hieroglyphic appearance. Try it in a preview window and check out if it will meet your needs for something cool and hip for your next flyer design or other type of graphic art image. Keep in mind that this is a light design and may require extra thickening in your vector program of choice with outline thickness options.

Brrrrr is supposed to represent snow-covered letters, though it could also be letters covered with frosting. The lower case letters are identical to the upper-case letters. Buried in the font is another set of letters on Christmas tree ornaments. (They are on unicode characters in the 2400 block, circled digits and letters. See here.) The OpenType Stylistic Sets feature makes accessing these letters easier than using unicode, and another font, InsideLetters-Christmas, develops them further. The Brrrrr-Icing style can be used in a layer over Brrrrr to give the snowcap any color, not just the background color.

Looking back on my production to date, neither so little nor so large, it does not come as a surprise to find myself now introducing Lady René. A brief review of my career would read as follows: graphic designer graduated from Buenos Aires University, a 10-year professorship in Typography in the same institution, an illustrator in the making. For almost 15 years now my work has focused on the design of editorial pieces, predominantly books and CD sleeves. Typography proper has always been central to my research projects. All my obsessions eventually embodied as much the search for a perfect, spotless text as for a daring and provoking one. In my view, "how-to-say-something" ranks highest amongst a graphic designer’s responsibilities. It was in this vein that I called in the written word to illustrate, to draw, to narrate. Why not reverse the saying and proclaim that “a word is worth a thousand images”? If so, one single word could trigger endless meanings, associations, ideas, and memories in every reader’s mind. Language, we know, has a strong power and is a living expression of a culture. In my illustrations, letters and drawings reunite in one synergy said and unsaid, the finiteness of the message and the freedom of the free reading. And this is how and when, Lady René, my first born type font sees the light of day conceived out of a love of illustration and a reverence for the written word, recalling the whimsicality of the handmade drawing and reflecting its sensitive, warmth and spontaneity. Enabled by the characteristics of Open Type and the hard, outstanding work of designer Ale Paul, Lady René succeeds in composing texts in a simple, organic way by means of its contextual and stylistic alternates, swash characters, ligatures and connecting words. A bundle of decorative miscellanea completes the set of signs, enabling the user considerable freedom to create new typographic landscapes. Lady René is then prepared, very much like a character in a short story, to come to life in the reader’s mind. I expect you will enjoy her as much as I did creating her. Laura Varsky