Introducing:Rachela Lovely Calligraphy! A new and beautiful font, created to meet your needs in creating a beautiful and elegant design, this font is special for you. Rachela Lovely Calligraphy Font is perfect for branding, wedding invitations, magazines, mugs, business cards, quotes, posters, and more you can use on your big project would be very beautiful. This font has been equipped with OpenType features and has many glyphs. By having many of these glyphs will be able to choose the letters according to your liking, lots of variations and options for each letter, so you can customize your design choices and also have other languages ​supported. This font is perfect for use with programs that support OpenType features like Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. I've also included a special alternative so you can use any program. This font can be used by everyone! If you have any questions, please feel free to contact me by email at hello.mrletters@gmail.com. Thank you and congratulations designing :-)

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

A cute and funny kid-friendly typeface inspired from bears and handmade with passion and joy. Will you believe if we say, HollaBear is made by bear cubs. The typeface is essentially simple but very uniquely expressive when it comes to the design of posters, flyers, cartoons graphics, logotype, web and display usage. Please see the examples shown above to get an idea about the capability of this typeface. HollaBear comes with Extended Latin character sets including Western European, Central European and South Eastern European character sets. The typeface comes in 6 variants (Regular, Italic, Outline, Outline Italic, 3D and 3D Italic).

Fatum™ is a new original ultrablack slab serif typeface that was initiated by the impression of the TDC 2011 exhibition. Redundant stem thickness and closed character shapes make a feeling that counterspaces are the narrow slits cut in massive character bodies. Fatum can be used in large sizes in placards, playbills, in the headings of magazines, newspapers and Web-pages, as initials in book setting, for typographic illustrations and compositions. Ultrablack weight also gives a possibility to insert pictures, ornaments or other decorations into the contours of letters. This typeface was designed by Sveta Morozova and released by ParaType in 2013.

Kubo Sans is a Typefamily based on square geometric shapes and subtle as possible. It is designed to be as thick and strong as possible following its basic shape as well as being versatile. Equipped with 10 weights ranging from Thin to Extra Black, making Kubo sans very suitable for use on the body and even perfectly applied to headlines / titles, giving a bold and strong impression to the design. With a complete weight, Kubo sans will be very integrated for design needs such as, Poster, Cover, Magazine, Web Ui, social media posts, advertisements, books, quotes, movie screens, thumbnails, and many more.

Greater Albion Has been toying with thoughts of a “unicase” typeface for a while. On the other hand we’ve always wondered just what practical use they are. It is also a while since we’ve introduced a ‘handwritten’ design. Therefore, It struck us that one answer was something ‘hand-lettered’. These days many people do write in a sort of informal unicase don’t they? But, at the same time, we wanted it to have a little character. So here it is, a bit calligraphic, with a touch of black-letter and a cunning mix of upper- and lower-case forms Uncia Black!

Project a powerful image with Sommet. Sommet is a sans-serif with a high-tech web 2.0 feel. The typeface family is a powerful and sharp design that is highly legible onscreen even at small sizes. Sommet features a tall x-height, and its letterforms are compressed, perfect for when layout space is at a premium. Updated in early 2010, the Sommet family now includes six weights and italics for plenty of design options and is suitable for body copy and display text. Be sure to check out Sommet’s companion faces, Sommet Rounded and Sommet Slab.

STF Eclectic Three contains dingbats and a special set of glyphs which make it simple and easy to create registration and fill-in forms for print materials. Create rules with hash lines, fill-in boxes and many other variations. Also includes handicapped, recycled and arrow right/left symbols. The Eclectic family is legendary, with a cult-like following among the inititated. With over 100 characters in the complete set, you'll find yourself using Eclectic Three almost daily to add spice to your otherwise san-serif typographic existence. Available in Mac and PC formats. License it today!

Aw, aren't they sweet? This lettering is based on a 1950s note a husband wrote to his wife shortly after they were married. His beautifully controlled and strong handwriting knows no lowercase characters; he gets his point across in uppercase only. In today's world of email and internet writings, we know that uppercase means shouting and is considered quite rude, but he didn't know that when he wrote this letter to his lovely wife! Love Ya Honey is very legible and looks beautiful when used for headlines, titling or even long expanses of body copy. Perfect for scrapbooking too!

Gramma is a compact sans with big x-height, a robust and balanced typeface that work well both for headlines and main bodies of text. The initial constructions, assembled from a few well-defined geometric modules, were later polished into more organic forms; the letters’ arches are quite squared, and the counters and other internal negative spaces push outward, creating a tension that balances the forms’ compression. Gramma’s most evident characteristic is its “bird-beak” terminals (present in many letters, including the c, e, f, s...) that replicate the unconnected junctures between stem and curve, visible in the a,b,d,g,h.

Xotor is a double styled typeface family destined for use in titling and headlines. The main style, the Triline weight, is a modular typeface composed of three strokes and is best used in large sizes. For smaller bodies of text, the second Regular style is based on the same letter construction but in a simple, solid stroke. Both weights can either be used individually or combined to add extra effect to any layout. With an extended Latin language support, Xotor covers most Latin based scripts and equally features a range of Opentype features, from ligatures, alternative letters or different styles of numerals.

Timernis is humanist multilingual contrast sans serif available in eight weights from thin to black. All caps have this super elegant, classic proportions old school look and is based on 1940 stone engraving commemorative plaque. The engraving itself boasted sophisticated clean look and was a joy to look at. All caps: Would suit display usage such as: signage, titles, headers, engravings, high end packaging. Do try putting space between the letters in your selected word for suave and chic feel. Expanded round shapes are prevalent in lowercase, which is legible in small sizes and pleasant to the eye.

Elizabeth a script that carries the imperfections of a hand written brush script. It includes regular and discretionary ligatures, as well as stylistic alternatives and swashes. If you are working in a program that supports Open Type, I would suggest purchasing the Pro version as it includes all the features Elizabeth has to offer. If you are not working with Open Type but want to have the option of the swashes are stylistic alternatives, then you can buy both the regular Elizabeth and the swashes version. It will allow you to have most of the functions of Open Type.

Base Neue is the reincarnation of the basic typography (adaptation) of modern civilization. InkTrap is applied and many variations that can be used for this typeface, from very narrow media to extra-large publications. Weights from thin to black and then there are widths from Super Condensed to Super Expanded, which of course are all used in various media, from heading or titles to body text. Base Neue provides a total of 108 styles consisting of 782 glyphs per style. 95 different languages are supported, and it also has access to alternative letters and interesting ligatures.

Duran is a strong, versatile geometric sans with industrial quality. Inspired by technical style letterforms with simple construction, the typeface is useful in both large format and body text. Its compact lateral shape helps save space across layouts and is good to go across a wide range of modern applications. Details include seven weights with matching italics and over 670 characters per style. Opentype features consist of eight variations of numerals, including inferiors, superiors, fractions, case figures and circled figures. Additional features include case-sensitive forms, stylistic alternates, ligatures, game symbols, arrows and language support covering Western, South and Central Europe.

Atomette is a bouncy sans that is friendly without being flippant, warm yet still stylish. The upper case and lower case options provide letters with less or more animation. Five weights plus an inline provide a neat mini-family to cover all your requirements. Suitable for snack packaging, comic books, toys, celebratory banners, book covers and games. Contains two or three options for each letter, including automatically-substituting letter-pairs to prevent repetition, plus an alternate set of numbers in circles. These can be chosen from the Glyphs palette or toggled on and off in the Opentype panel.

Montix is a narrow, constructed type family that developed by the German designer Diana Fischer in 2003. With five weights (light, light italic, regular, regular italic, and bold), Montix is a particularly effective small family, especially when used for headline or display purposes. Montix's letterforms have relatively long ascenders and descenders, which compared with its horizontally compact body gives it its unique style. Words or lines of text set in Montix would look best when some amount of white space is left around them. Because of this, the faces are well suited for logos and corporate identity uses.

The hand lettered word ‘puzzles’ from the box cover of a 1940s set of metal “connected” puzzle pieces manufactured by the A.C. Gilbert Company was the initial typographic model, but some additions and changes were made. Instead of the right side of the ‘P’ being a semi-circle, it was changed to a more conservative ‘’squared’ look. After drawing out all of the necessary glyphs, the overall height of the characters was extended to make the letters and numbers appear taller and narrower. The end result is Narrow Deco JNL, which is available in both regular and oblique versions.

Roadie was inspired by a 1981 Hallmark card with lettering that was full of frolicking fun. Filled with a childish persona and a playful bounce, this Roadie has a lot to offer. As with some of my previous type designs, it is a typographic dance, wonderfully skipping across designs, surprising with each letter typed. With an extensive character set, and clean sharpie marker-like look, Roadie is a joy to typeset with, and it comes with a stylistic alternates feature that shuffles the Capitals and lowercase that share similar unicase forms that add to the quirky playfulness.

Here's a fun collection of cute, weird, crazy and goofy drawings. They are all drawn within a box, which makes it easy for you to align them in a grid, or perhaps make your own colouring book or picture lottery. The shapes of the drawings are typically simple: triangles, circles, squares etc. I use drawings like these in my work as a kindergarten teacher. These simple, but yet appealing drawings, are a great inspiration for kids (especially the ones who never draws or are insecure on how to draw) to start drawing themselves, or as a kickstarter for their imagination!

Excentra Pro, being a sans serif inspired by the typefaces of 1920s, features the humanistic stroke variation with inclined axis. The peculiar elegant drawing makes Excentra Pro suitable for use in magazines as well as in all kinds of branding applications including body-copy typesetting. The typeface comes in 8 weights + real italics, each supporting numerous Latin-based and major Cyrillic languages. Its OpenType features include ligatures, small caps, 6 sets of digits, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates. It also features the newly adopted German capital Eszett.

Worn Gothic, a typeface from the Grit History™ B family, creates rock solid text-- characters that are weathered, defined and strong, like the body of a gargoyle. Worn Gothic is rugged but legible, whose words stay firmly liquid, like dates stamped in concrete. Disjointed K legs create an unnerving look that makes you stare into the structure of the type. Oddities like this complement the integrity of its fluctuating strokes and consistent X-Height. It offers a few stylistic alternates to maintain readability at any size, in many languages. Worn Gothic offers full Greek character support as well as all punctuation.

ITC Juanita is the work of Argentinian-born designer Luis Siquot and was inspired by a text set only with woodcuts which he was reading during a long international flight. ITC Juanita is a series of six distinct typefaces which Siquot sees as a personal reinterpretation of designs that originated in the 1930s and 40s and were still popular during his childhood in the 1950s. For me, Juanita is like a toy, charming, expressive, and also dramatic," says Siquot. The ITC Juanita series offers designers a range of variations based on similar structures, each variation with its own look."

Tioga is a highly legible typeface designed specifically to display clearly on low-resolution displays. With superior readability even at small sizes, Tioga is an ideal typeface for developers of set-top boxes and digital televisions. Tioga is metrically compatible with Tiresias, a widely-used typeface designed for digital TV applications and adopted by the DVB and MHP standards. Tioga was fine-tuned to be more readable and aesthetically pleasing. Individual characters were adjusted for improved legibility and the letter spacing was revised to improve appearance and readability. Tioga bold was created to make the design more versatile.

Say hello to Saturday Script! A a care-free, casual, handwritten script with authentic tell-tale dry brush imperfections. Saturday Script has the added bonus of having 'multiple personalities'! Saturday Script has 2 sets of lowercase stylistic sets, allowing you to make each word look completely unique to the next. Whether you need "flaunty & loud" or "soft & romantic" Saturday Script has the look for you. There are 2 variants of Saturday Script, to add even more flexibility to your designs: Regular, and Oblique

Bandira Script gives you the handcrafted feel that is perfect for logotypes, apparel, invitations, branding, packaging, advertising, and more. This typeface comes in a clean and rough version with uppercase, lowercase, punctuations, symbols and numerals, 06 stylistic set alternate, ligatures, swashes, multi-lingual support and is already PUA encoded. To access the swashes just type _1 ... _3 in the end of the word, example Bandira_1, Bandira_2, Bandira_3 If you have any other question feel free to reach us at rillatype@gmail.com Thanks.

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric. Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles. This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

Stancilo is a type of serif font that offers uniqueness in its form. With a distinctive design and superior aesthetics, this font gives each character an elegant and modern touch. Stancilo font has nine different thicknesses, ranging from thin to bold, providing flexibility and variation. Thus, this font can be used for various design purposes, from main headings to body text, with the ability to adjust the desired intensity and emphasis. One of the advantages of Stancilo is the presence of alternate letters and ligatures that provide character variations for each letter. Allows users to combine alternate letters or use special ligatures to create more harmonious combinations and relationships between characters within words. This feature adds a sense of personalization and additional creativity to the design. Furthermore, Stancilo font also supports multiple languages, making it suitable for multilingual design projects. With the support of diverse languages, this font enables effective and comprehensive visual communication in various cultural contexts. Stancilo is a prominent serif font with a unique form, providing nine different thicknesses, alternate letters, and ligatures. These advantages make it suitable for elegant, modern designs and allow for creative exploration in using its letters. With support for multiple languages, this font becomes a versatile and inclusive choice for diverse design projects.

Does the world really need one more vernacular pop culture typeface? We here, at astroluxtype shout a resounding yes! Sure, at myfonts.com, you can find the apex of fine font design that will have your mind and eyes burst with joy at the level of sophistication and craftsmanship they exhibit- Koo Koo Puff Light Condensed and Regular Condensed are not one of those fonts. But if kooky goofy is your thing, we're selling it at the astroluxtype booth. Koo Koo Puff Regular Condensed is the companion font to Koo Koo Puff Light Condensed. Both fonts includes an upper and lowercase glyph set. Regular Condensed has a different upper and lowercase “O” from the original Koo Koo Puff Light Condensed. Spacing metrics are looser, as well. The font is not a match for Light Condensed, it is a separate font. Both are headline display faces, for optimum usage it is recommended to be set at 48 points or larger in size. Look to astroluxtype’s Sugarbang ! as the first in a series of fonts inspired by vintage product packaging, Koo Koo Puff is the second release in the Cerealboxx series. The third font is in the fridge getting cool now, watch for it in the future. Rave on you design genius.

Buckthorn is a genus of about 110 species of shrubs and small trees, native to North America and Asia. Its uses are varied: it is used for dye, oil, printing ink and oil. That concludes the botany class for today, on with Buckthorn ‘The Font’. Buckthorn is a handmade typeface with a lot of character. It is severely eroded, giving your designs an authentic look. It comes in 4 styles, including a ‘hollow’ style, plus a dingbat font with very nifty shapes. Buckthorn is quite a pleasing font and comes with a rich harvest of diacritics.

Finador is a modern, soft geometric sans family. The functional style of a geometric sans has been soften by open apertures and rounded corners. This makes it functional and friendly. The default version has open, modern apertures. Stylistic Set 2 includes the whole set with closed, classic apertures. A slightly different look. It´s like having a second font in just one font. So it´s up to you to choose the right look for your projects. The Finador family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. As a versatile allrounder Finador supports almost every of your needs. It has the ability to become your next favorite workhorse family.

Re-introducing the classic mid-1500s Garamond forms for the twenty-first century is never an easy task. But Hans van Maanen makes a fine attempt at just that by remodeling the traditional shapes through a modern lens with stunning results. Aragon is a workhorse family that performs very well in a variety of text sizes, from footnotes and legal copy to lengthy body sets. Its combination of wedge serifs with uniquely tapered stems offers a sturdy Dutch touch that improves legibility altogether, while at the same time the slight stress shift to the top half of the characters makes the immersive reading experience very open and comfortable. The Aragon family comes in a standard two-weight set with corresponding italics, a roman small caps font with its own italics, and very attractive initials for display uses. All fonts come in the usual popular formats, and include a glyph repertoire that covers Western, Central and Eastern European languages, as well as Turkish and Welsh/Celtic.

Designed in 1950s Japan by Okanao & Kushiro, the perfect partnership until artistic temperaments drove them apart. The duo spent years crafting the font with the working title “Messenjā”, Okanao bringing technical expertise to craft letterforms, while Kushiro made it his life, obsessively working late into the night to check pages for errors. For him the project was never about making money, it was an artistic endeavor to reprint the great Western works of literature. When he found out Okanao had secretly sold the rights to the font for use as a logo for a major Japanese manufacturer, Kushiro burned all evidence of the designs in a fit of passionate fury. The two reportedly never spoke again. “Messenjā” was thought lost forever until a type specimen was discovered in a vintage typewriter box bought on eBay. Now redrawn and available as 57-nao, a faithful and beautifully crafted monospace characterized by what is considered Okanao’s defining moment, the angular loop on the lowercase ‘a’.

Afrik is a hand painted font which letterforms were inspired by Proto-Saharan Ancient African writing system and scripts for African languages such as Mande and Vai. Drawing technique I took from Ethiopian Tribe Karo body painting. I drew each letter with my finger using self-made paint from crushed charcoal. Afrik is uppercase font and instead of tall capital letters uses wide. They can be used instead of double letters or just to diversify a typing. Also, I included up to 4 alternate "decorations" for most of the letters which will help you to create unique artwork (use "Contextual Alternates" feature to randomize look automatically). Afrik perfectly fits for posters, clothes design, and any design​ with a ​wild ethnic mood. Afrik Features: Handmade pant texture Up to 4 Alternative styles for each letter Carefully tuned kerning If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Afrik!

Hasler Circus packs amusement park, Old West, folk art, and tattoo shop all into one colorful font. Characteristic of reverse-contrast faces, Hasler Circus swaps the weight of its stems and serifs creating an unexpected yet charming rhythm. The font also features an added bonus: split stroke endings to crank up the flavor. Inject a dose of novelty into toy packaging, candy wrappers, cook books, vintage signs, or festival marketing. Drawn in the 1950s for Photo-Lettering, Inc. by influential British designer and typographer Charles Hasler, Circus was digitized by Erik van Blokland in 2011, with a helping hand from Ken Barber. HASLER CIRCUS CREDITS: Typeface Design: Charles Hasler Typeface Digitization: Erik van Blokland, Ken Barber Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.