I would like to introduce this cool font, The Blacklight Script, which is a Bold script font with a touch of charming Retro style. This font also looks interesting because I added some alternative features that you can use. stay relevant for a charming modern look. there's nothing wrong if you feel all the experience of using this font in your design, make this font one of the font collections on your computer what will you get: Blacklight scripts Alternative PUA features coded We hope you enjoy this font! feel free to comment if you have any thoughts or feedback. Thank you for buying and happy creating! :)

Introducing...!!! Delucy, a new serif font that is charming, sophisticated, and luxurious. A very versatile font for your design projects, both large and small. This font is made for those of you who need a font with a sophisticated and luxurious style, especially for large design projects. This font is also provided with several alternative fonts, so that they can be adapted to your project. Features : 1. Complete basic character. 2. Multilingual support. 3. Numerals & punctuation. 4. ligatures. 5. Alternate characters. This font is PUA encoded, which means you can access the extra glyphs very easily. Any question? just ask. Free updates Thank you

The combination of two different font styles 'script and sans' . Poptis font available in Regular, Bold, and Rough version as a choice to mix and match your design. This script font comes with multiple alternates that will make your words look like a custom lettering. With additional Serif font you will be able to create the beautiful combination. Both of these font is great for Logos, Lettering, Clothing Design, Poster, Label, Quotes, etc.

Every design project needs fonts, and the WUSHIN Blackletter font is ideal for any that calls for a gothic touch. A great place to look for fonts for your most recent logo, label, badge, music video, or film is the WUSHIN Blackletter font! This font is ideal for any project that requires a bit of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project.

A serif font with a hint of retro. Includes a display font for larger words and a text font optimized for reading. Use them alone or pair them together to create amazing compositions and designs. Beauty Outside Text: a serif font with loose letter spacing suited for reading great for larger blocks of text. Beauty Outside Display: a serif font with with tight letter spacing suited for larger type and headlines. Multilingual

Are you ready? Ready to touch a completely unique font? The true postmodern typeface in history. Ready for a design revolution? This is the Revolancer font. This font will give you freedom. The freedom to be unique, not like everyone else. These are not just ordinary rotated letters. Each character in Revolancer font knows its place, and it is impossible to achieve such a smooth and organic flow of words using a regular font.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. The US No. 4 design was derived from a typical antique US-American stencil-plate. This revolving stencil-plate was invented by Eugene L. Tarbox and patented in 1868. It was a mass factored product and a very common tool in the United States until the success of the interlocking stencils. In case of US No. 4 an original early stencil plate from New York Stencil Works was used. The Regular font style is a clean font design featuring an extended Latin glyph set including some typical stencil ornaments and tabular figures. The Paint font style is made from true stenciled letters and features all the letters of the stencil-plate only. If you like the later interlocking design have a look to my Vtg Stencil US No.2 font. More info: pdf specimen

Spirited, unaffected and buoyant, the ITC Oldrichium type family pays homage to the calligraphy and typeface designs of Czech designer Oldrich Menhart. “I came upon one of Menhart's typefaces over a decade ago,” says George Thompson, designer of ITC Oldrichium. “I've been collecting examples of his work ever since.” Thompson was born in Chicago and grew up in north-west Indiana. “While I've been an educator and general graphic designer for over 30 years, lettering and type design have always been an important part of my work,” he says. Thompson now spends much of his free time designing typefaces. ITC Oldrichium is a subtle melding of the shapes and proportions of Menhart's Manuscript typeface, the energetic strokes of his calligraphy, and Thompson's own design skills. The result is a distinctive, powerful, and exceptionally versatile typeface family. Available in light, regular, demi bold and bold weights, with corresponding italics for all but the bold, ITC Oldrichium is comfortable setting both text and display copy. In addition to the basic weights, Thompson has created an Engraved version for those times when an especially powerful statement is called for.

Whether with pen on paper, or in digital, realistically connecting vertical handwriting is never an easy task to accomplish. After working with many handwriting fonts, and after intently dissecting so many different handwritings, one tends to expect such things to be quirky, disconnected, and almost never upright. In fact, in spite of vertical handwriting’s academically-sung virtues of rationality, efficiency, clarity and logic, very few people manage to deviate from the natural slant when writing. Even fewer manage to make the vertical handwriting connect and keep its natural flow. Calligraphy and upright cursive aside, it is almost impossible to make a vertical letters connect and maintain a real handwriting appearance. This is where the genius of this design comes in to bridge the gap between upright handwriting and calligraphy. Sincerely is based on one of the most fascinating handwriting designs to ever come out of Germany: Karlgeorg Hoefer’s 1968 Elegance for the Ludwig & Mayer foundry. It is a handwriting with the full meaning of the word, yet it possesses the rare, very commanding and appealing trait of being both vertical and connected while managing to remain realistic. It is the ultimate branding iron of handwriting fonts. When set and printed, Sincerely simply cannot be ignored. Ideal for humanity-asserting poster designs, lettering of short wording with plenty of space, poetry, notes, greeting cards, craft literature, book covers, history-related designs, and a whole range of other applications.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

A tribute to calligraphy, with the thinness of modern times. So Prolix is presented as a calligraphic typography with uniform sketches and very particular features. Its harmonious and soft rhythm will impregnate every word with a great personality. Elegant, strong and harmonious, So Prolix irradiate its own style on every character. Rescuing particular features, So Prolix is even a modern typography and useful, giving distinction to words.