Boku is a brush font inspired by Suiboku-ga/Sumi-e paintings and Japanese calligraphy. This hand made font is a soft, charming, and a versatile brush font to add to your collection! In addition to a full alphabet, Boku comes with 10 unique Suiboku-ga inspired illustrations.

Rabbits is a super emotional hand-written font family that unites 10 different fonts. We’ve united these fonts with one common theme - childhood. Use these fonts to create any products for kids — children’s books layouts, mobile applications for children, as well as nursery interior design. We’ve given each rabbit a unique name. The names are arranged as the first 10 letters of the Latin alphabet: A — April, B — Bro, C — Chili, D — Dummy, E — Elf, F — Fatso, G— Goody, H — Hyper, I — Idol, J — Junior. Each rabbit has its own character, and you’ll definitely like Rabbits because of that. We’ve used an individual writing tool for every font. All the fonts were created on paper first and then digitized. Now, what’s your favorite rabbit?

Appetite Pro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full Western Latin, Cyrillic (Russian, Belarusian, Ukrainian) and basic Greek support. The Appetite Pro font family is specially designed for food identity and packaging design projects. In addition to standard letter cases, Appetite Pro also includes dingbats set. Due to the 10 weights font palette, you can solve a wide variety of professional problems without spending money on extra fonts for titles, subtitles, and main text. Try and buy!

Funkydori is a typographic homage to the groovy ‘70s, updated for 21st century designs. Like most children of the ‘70s, I rocked the rainbow-striped bellbottoms, decorated my room with black-light posters of unicorns, and watched The Electric Company on TV. Funkydori is my tribute to the era that brought me so much happiness. Funkydori’s bodacious letterforms can be enhanced with extravagant swash capitals, alternates, and endings. Complement your design with 38 ornaments and patterns. See what’s included! http://bit.ly/2c98AZD *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Rotulo Variable is a contrasted sans family which combines the Thick & Thin signpainter's style and some 70s feeling in a huge font family with three axis: Width, Weight and Slant. A visit to an exhibition of Spanish movie posters by Jano was the beginning of Rótulo (Spanish for Sign) project. Classic thick & thin signpainter style was featured in many letterings of those posters, as it was a very common style in 60s and 70s Spanish design. Unfortunately, today very few Contrasted Sans are seen, something that was quite common years ago has fallen into disuse in favor of Helvetic monotony. Rótulo recapture all that personality, with an extense range of weights and widths to be used in striking headlines and short texts.

Hi! It took me almost a year to design Ecatherina script. Finally it is available to purchase! Ecatherina script is an opentype font-family (15 fonts: 5 styles for 3 line thickness) with a bonus (editable wedding invitations, menu, quotes, letters, and more) HOW TO GET ACCESS TO ALTERNATES? Absolutely easy, just type a number after any letter: a1, a2, a3 etc Capital letters have 3-4 options and more. So just type E1, E2, E3 etc and find your favourite one! I found this method the most useful when you need to experiment with design very fast. All characters are available through Glyph panel as well, even more each of the alternate letter has it’s own unicode (PUA) so you can copy/paste from Apple Font Book or Windows Character Map. Total amount of glyphs 1436. Compatible with SILHOUETTE & CRICUT DESIGN SPACE WHAT IS INCLUDED BP-Ecatherina OTF & TTF It goes with 5 weights: Thin, Medium, Regular, Bold, UltraBold BP-Ecatherina-Ex1 The only difference between previous font is that thin line is a bit thicker. BP-Ecatherina-Ex2 Even more thicker line. Help.pdf Help file with most common questions. Bonus - Ecatherina.fig with editable wedding invitations (10+ designs 5x7 inches), menu, quotes, letters. Important! You need to install Figma application (it is free) to access files. With Figma application you can import bonus files and edit the text, export as png, pdf, svg and print it. Bonus - help.pdf file with general information how to work with Figma if you are new. It is very easy application and I recommend it to you! It works with MS Word, I included example.docx file so you can understand how to work.

Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.

Hearts contains 70 groovy heart illustrations and repeat patterns. It’s great for designing unique and personal t-shirts, greeting cards, gifts and even wrapping paper. You can use individual characters as illustrations and create repeat patterns and borders by selecting a character and pressing the same key over again. Easy!

Gontela - Inspired by typeface on 70s era, Gontela the handwritten vintage font. combine it with ending swash for better letterform. Gontela is perfect for children product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Ending swash - Multilingual Support

Maincode is a font Family declined in 7 weights, 7 widths and oblique. There is also a variable version. The family was composed of 542 glyphs, Latin & Cyrillic alphabets and 10 OpenType Features (numerator, denominator, superscript, subscript, fraction, Tabular form, case sensitive form, discretionary ligatures, contextual alternate, all access alternate).

Yoda is a super-compressed font family with some suitable special characters. Perfect for posters, display copies, headlines, magazine header copies. It comes in 10 weights ranging from extra light to black so it is versatile. The extra lightness can give you great height because of how narrow it is.

Yourz Truly is a happy little serif font that doesn't take itself too seriously. It is a headline font with a full character set. Yourz Truly is second in the Love Letters Series following Dearest John . It was in the 2011 Typodarium Page-A-Day Calendar on 10-16-2011.

Redoura Font is a script typeface inspired by 70's font style and Script Sports font style which is absolutely awesome for logotype / wordmark, especially for sports theme logos. Redoura Script font includes upper & lowercase characters, punctuation, numerals, and multilingual support. It also has many open type alternates and ligatures.

Compton is a clean modern slab serif face that emphasises simplicity of line and legibility. It's offered in three weights: regular, bold and light. Compton brings the spirit of the 60s and 70s to the present day. It is ideal for clear, simple graphic design that makes an immediate impact.

Introducing Thrope the irregular retro display font family heavy influence by motter ombra typeface, geometric basic shape, and 60s to 70s pop culture. Thrope typeface includes 3 font family (regular, bold,& heavy) it comes with stylistic alternates 01-04 & ligatures. Thrope font family best used for logotype, headline, header, signage.

Gendos is a sans serif condensed font family that is designed with a simple but unique shape. This font family has 10 styles consisting of 5 normal shapes and 5 italics. Gendos font can be used for logos, book or magazine cover titles, product brands, or just for writing articles.

Introducing retro sci-fi label font duo named Space Journey. This display font is inspired by movie posters from the 60s and 70s. Font family has two styles: Regular and Rough. This font will look good on any retro sci-fi styled designs like a poster, T-shirt, label, logo, etc.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

Go out into the wilderness. Cut down a tree. Stop and smell the roses. And then treat yourself with this unplugged, hand-lettered typeface. LiebeGerda is an effortless-but-refined, spontaneous-but-elegant brush font. She is ready for your next project, and she wants to add that little crafty something that makes the difference. Her natural breath of fresh air lets you escape those same old monotonous script fonts you’ve been using. After our successful first brush font, LiebeDoris, and our first interconnected script, LiebeLotte, we’re combining both genres and taking them to the next level: an interconnected brush script. OpenType magic varies LiebeGerda’s letterforms: Most characters have no less than three different variations that are automatically shuffled and inserted as you type. Plus, the “All-Caps” OpenType feature exchanges uppercase letters with less-swashy variants. Now you know why every one of the four styles contains more than 1,200 characters! Ulrike of LiebeFonts painted LiebeGerda’s four styles individually from scratch and carefully adjusted every detail by hand. Rather than being one typeface with different weights, LiebeGerda is a package of four individual fonts that go together really well. Ulrike’s high level of type-nerdy craftsmanship shows. When you use LiebeGerda, your designs will easily convince your audience that they’re looking at a hand-crafted piece of lettering. Feel free to add a few of the stacked ligatures like “the”, “for”, and “new” to round off the illusion. Last but not least, LiebeGerda has a lot more detail than most other brush fonts. That means there’s no ugly, lazy bézier artifacts in the brush traces. You can print words at billboard size, and people will still believe they smell the paint from your brush!

Voltexa is a sans-serif font that offers 10 thickness levels, ranging from thin to extra black. Designed with a bold and firm style, it aims to provide a broad range of options for every designer. What sets Voltexa apart are its sharp curves in each letter, creating an elegant and modern yet strong impression. Tailored to meet diverse design needs, Voltexa can adapt to various contexts. With 10 available thickness levels, designers have the freedom to express their creativity limitlessly. This font also comes with OpenType features for ease of use and flexibility. Voltexa also supports multilingual use, allowing it to be utilized in various languages. Let's bring forth inspiring and powerful designs using the Voltexa font. With its 10 available thickness levels, this font offers designers the opportunity to create unique and standout works. The distinctiveness of each letter will enhance the aesthetic value of every design project. Use Voltexa to add an elegant, modern, and assertive touch to your creative works. With its comprehensive features and multilingual capabilities, this font will be a loyal partner in expressing your design ideas and visions into extraordinary works. Features: A – Z Character Set a – z Characters set Numerals & Punctuations Ligatures & Alternates Multilingual

Frozen Memory is a heavy-boned cartoon display font. Even though it was completely made by hand (using a roller ball pen and some quality paper), it has a clean look, crisp lines and generous curves. Frozen Memory comes in three distinct styles, helping you to create versatile designs. Frozen Memory urges you to eat more ice-cream, but just beware of that brain freeze!

Rainbowie is a font that's ideally used for festivals, artists and logos. It has 3 different widths to make it ideal to use in small and wide spaces. The font has a stencil style that can be used in suprising ways for an unique touch in your design. It also provides several special characters with a star, sun, cloud, trees, guitar, lightning bold and heart.

"Summer Monogram" is a combination of script and monogram fonts with coconut tree and beach decorations in the monogram letters. This font is very unique and beautiful, so it is perfect for summer moments. This font is equipped with monograms, basic characters, swash, titling, alternates, multilingual support, numerals and punctuations. Very suitable for summer, spring, autumn, mother's day, christmas, holiday, winter, wedding and other moments.

Fundevogel is a Brothers Grimm fairytale about a boy who was found in a tree. The story, of course, has all the obligatory characters in it: a fair maiden, a wicked cook, an old forester and lots and lots of shapeshifting. And, yes, a happy end! Fundevogel font is a handmade fairytale font. It comes with extensive language support and all the cuteness you could wish for.

Qoronfull is an exuberant industrial display typeface, full of curves that create neat alignments. and it's our second collaboration with Hey Porter! Qoronfull means clove, (a dried flower buds spice tree native to Indonesia), Qoronfull's esthetics, curves, and lines are representing the flowers, leaves, and stems of clove, applied on a strong base of Arabic Kufi calligraphy style, with a big group of type compositions and ligatures.

Braveold is a serif font family with swashes, making it multifunctional. It is inspired by classic and retro fonts in the 70 and comes with 5 weights which can be selected for body text or headlines. Alternative swashes will be an attractive choice, so that your project becomes more beautiful and dynamic.

This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish specific characters, plus old style numerals, ct, st and f standard ligatures. The two styles are both legible from 10-11 pts.

From the title screens and comic books of the Hair Bear Bunch comes the fun and funky Wonderbear typeface. All that 70’s flavor packed into a Caps/Alt Caps typestyle reminiscent of a lovable limited run cartoon show. The Hair Bears miss you as much as you miss them. Relive the laughter.

Sortemun is a modernist display font based on heavy metal band graphics with a touch of horror movies from the 70/80’s. Bold, mysterious and vampiric it’s suitable for use in various projects such as rock/metal albums, scary games, horror movie titles, swag graphics, headlines, book covers, Halloween based parties etc.

Magical Vintage Font - Retro 70's Script Style. It comes with open type features like style alternatives, style sets, contextual alternatives & binders. This Retro styled font will help you create amazing designs. It offers beautiful typographic harmony for a wide variety of design projects, including logos & branding, social media posts, advertising & product designs.

The family Night by Nicolai Gogoll includes 10 styles – five serifs and five sans. Both variants harmonize well with each other and each come in five weights, which allows for good use in CI. Combining the Serif and Sans also enables versatile and hierarchical design, which is great for interfaces and infomedia.

Calliform is a modern script calligraphy font with an elegant classical touch, featuring sharp strokes and carefully designed curves. Equipped with 70 decorative alternate characters, it is a suitable choice for various design projects such as logos, branding, greeting cards, wedding designs, printing, advertising, packaging, wall decoration, titles, web design, and more.

Introducing Belora Vintage, a bold serif font with soft, bold edges and curves giving it a groovy 70s feel. Belora Vintage has separate lowercase and uppercase letters, as well as numbers, punctuation, and multilingual letters. With alternates and ligatures it's perfect for fancy retro-style logos, or bold header text and much more.

Reepika is a thick serif font inspired by 70-90s design styles, A mix of groovy styles combined with streetwear styles but still looks not stiff. Perfect fit for logo design. posters, branding, album covers, fashion, apparel, merchandise, and more. What's included? Uppercase Characters Lowercase Characters Alternates & Ligature Support 75+ Language FEATURES Reepika