M Gothic Gold PRC is a modulated style Simplified Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Simplified Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

F. O. T. R. is experimental sans serif display font. Space travelling is near so I decided to bring you a brand new typeface based on insight into the future. Clean shapes, a lot of atypical alternates and the futuristic appearance. F. O. T. R. typeface is conceptually connected with a chronophotography project FUTURE OF THE RHYTHM.

Say hello to Gothica. It’s a display geometric sans designed with Stencil-like elements and letter cutouts specifically created for visual impact—ideal for logo, branding and advertising purposes. The font includes capitals and capital alternatives in the lower case keystroke positions—it’s like having 2 display fonts in one. In addition, Gothica includes various opentype features that allow graphic designers to tailor the type for custom needs. The development of Gothica started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. An experimental design, Gothica is specifically introduced as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Gothica—check out similar gothic alternates like Decrypt 01, Decrypt 02, Decrypt H1 and all of Type Innovations fonts from Alex Kaczun.

Gothic is a stylized script style, with a wide selection of characters. A bold script font that looks cool. Gothic is perfect for branding projects. You can access swash by changing numbers 0-9 -Features of fonts Lowercase, Uppercase, Numbers & Punctuation, Lowercase alternatives, swash variant ligature Stylistic set 1 (for the end of the word) Stylistic set 2 (for the middle of the word) Stylistic set 3 (for the beginning of the word) Stylistic set 4 (for the end of the word) multilanguage

Gothiks is a powerfull 6-weight display sanserif influenced by Texturas. The rithm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this compact sanserif a very unique personality. The intermediate weights can be used for short texts while extreme weights are excellent for big sizes. It has an extensive character set — with extensive language support — and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase.

From original samples of Rudolf Koch's Maximilian, Gothicus and Gothicus Alternate have Fraktur style captials, Gothicus Roman has Roman capitals. All three have the same lower case which includes three swash characters for g, s and t, available as discretionary ligatures in OpenType versions, and manually otherwise. All include two authentic ornaments, also penned by Koch. Gothicus Roman has three additional floret ornaments.

Introducing TT Commons™️ Pro, version 3.300! We’ve extended our bestseller and made it even better by adding the Greek alphabet and updating the OpenType features. The TT Commons™️ Pro typeface currently includes: 5 different subfamilies: Standard, Condensed, Compact, Expanded, and Mono; 102 font styles + 2 variable fonts: TT Commons™️ Pro Variable and TT Commons™️ Pro Mono; 1546+ characters in each Mono font style set and 1656+ characters in each Standard, Condensed, Expanded, and Compact font style; 275+ languages support, along with the Vietnamese and Greek alphabets (in all subfamilies but Mono); flawless kerning and manual TrueType hinting; 32+ OpenType features.

Introducing TT Norms® Pro Serif, version 1.100! The updated font now has new OpenType features and localization for the Serbian and Bulgarian languages. TT Norms® Pro Serif is a functional serif based on our studio's main bestseller—the versatile sans serif TT Norms® Pro. Together, they form an ideal font pair. Although these typefaces are made for each other, they can easily be used independently and paired with other fonts. So, TT Norms® Pro Serif is a self-sufficient and elegant serif, neutral at the same time. It is easy to recognize due to its gentle proportion dynamics, open aperture, slanted oval axis, and low stroke contrast. Another distinctive feature of this font is brutal serifs that adjust in length according to the weight of the font. As well as TT Norms Pro, there are Italic font styles in TT Norms® Pro Serif. However, for this serif, we have designed true italics instead of simple slanted font styles. Their key feature is the ability of the lowercase letterforms to change in reference to the roman font styles. They become more rounded, moving towards handwritten shapes. The nature of the italics turned out sharper than that of the roman font styles. It can be used to place accents that would attract attention without interfering with the process of reading. TT Norms® Pro Serif is capable of solving multiple design tasks. It is highly readable, which makes it convenient for small point sizes. This serif's application range is broad and diverse: it can be used for websites, printed materials, and packaging design. The font is well-suited for projects in the domains of culture, art, history, or literature and can be implemented into the designs of signs, posters, or premium products and services. TT Norms® Pro Serif, version 1.100, consists of: 24 font styles: 11 roman, 11 italic, and 2 variable fonts (one for the roman font styles and another—for italics); 1380 glyphs in each font style; 31 OpenType features, including options for localization.

Up until the late 1920s, it was a popular habit in American songwriting to use African Americans as the topic of compositions using denigrating themes, words and even exaggerated character illustrations on the covers of the published sheet music. One such example of what was considered "entertainment" for its time was a piece entitled "Little Black Me". While this now socially and morally unacceptable piece of forgettable tripe is collected by some only for the historical documentation of the times they reflected, one good "positive" came out of this negative chapter of our country's musical heritage: The beautiful floral ornamented letters in the song's title has yielded Fancy Free JNL. Originally hand-lettered on an arc, these spurred Roman letters have been re-drawn, and are offered in both the regular design and a companion version with the ornamentation removed for lettering that is less ornate.

Toward the end of the 1920s, Art Deco influences were starting to creep into modern design. The hand lettered title on the cover of the1928 sheet music for “Fascinatin’ Vamp” not only embraced the new Deco movement, but sent it on a wild typographic ride. Letters of mixed thicknesses and stylings made up the two word title, and this unusual group of letter shapes became the inspiration for Free Form Deco JNL, which is available in both regular and oblique versions.

Sultan free is an Arabic text typeface for desktop applications. Sultan free is a freestyle script. It is available in One style, calligraphic, and very dynamic. This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a support for Arabic, Persian, and Urdu. Sultan free typeface comes with many opentype features.