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I made Company into a font after several inquiries from designers in America. I always liked Company and was quite happy to digitize it.

Moonlight In Tokyo is an authentic signature script font. This handwritten beauty is suitable from high-end sophisticated branding to simple memorable Instagram quotes.

Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942.

Fancy Flowers was inspired by textile designs from the nineteenth century. There is an assortment of 47 flowers located under the character set keys.

Display Roman JNL is derived from examples of some vintage sign letters, and features a condensed style with somewhat square letterforms and slab serifs.

Antique Embellishments JNL collects more vintage wood type ornaments and embellishments from the late 1800s and is a perfect companion to Antique Ornaments JNL.

Retrozoid is the first Open Type font from Pizzadude. It has got loads of different autoligs, just take a look at the preview pic!

Bored by ancient Western typefaces? Try Secca Saloon. If you like the ornaments in the back, have a look at the Accolades from Astype.

Print Oddities JNL gathers various cartoons, embellishments, spot illustrations, border elements and arrows into one nostalgic collection; all re-drawn from vintage source material.

Stencil Extras JNL contains twenty-six stencil borders, frames, arrows, pointing hands, plants, wildlife and decorative embellishments all re-drawn from vintage source material.

French Stencil JNL was inspired by images of a set of metal stencils from France that were offered for sale in an online auction.

Ding pro! is a typographic family that contains many alternatives from ligatures to styles like Rough, Hand, UltraLight-Heavy, special for children-Youth titles.

Ramshackle JNL was modeled from a 1940s lettering stencil and takes its place amongst the many vintage stencil font designs redrawn by Jeff Levine.

Elegant Ornaments was inspired by typographic ornaments from historic sources. There is an assortment of 47 ornaments all located under the character set keys.

Belynos, a simple and elegant didone. Plus a bit of triangular! Font family contains from Light to Black and suitable italic for various designs.

More treasures from the heyday of letterpress printing are found in Letterpress Retro JNL, with plenty of great cartoons, catch words, embellishments and more.

Tribal Tattoos comes from the German tattoo artist Otto Maurer. This clean vector Tribal art is best for making good plott or printed art.

The Vtg Stencil series of fonts from astype are based on real world stencils. All styles offering an extended Latin character set. » pdf specimen «

Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.

Thistle Borders are yet another "trouvaille". Great borders made out of thistles, teasles and flowers from the meadows of Victorian times by Gert Wiescher

Plant Assortment was inspired by plant renderings from historic sources. This font contains an assortment of 47 plants located under the character set keys.

Modest Ornaments was inspired by simple typographic ornaments from historic sources. There is an assortment of 47 ornaments located under the character set keys.

Framingham JNL is a widened version of Nostrand JNL that takes on a new look quite different from the original condensed wood type design.

Rettaya is a cool, bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

A classy and elegant serif from DooleyType. Valfieris includes a number of advanced OpenType features, including alternates, ligatures, small caps and old style figures.

The influence for this font came from the Fred Africian's uppercase letter composition shapes, published in "The Art of Letter-type" album, Yerevan, 1984.

Solander is as sharp display typeface inspired from middle east movies. With small caps, this font suit for movie posters, cinema, fantasy movies, etc.

Günter Gerhard Lange designed this “fun” typeface for Berthold in 1957. Although a departure from his more serious designs, Champion shows Mr. Lange’s diversity.

Schwabacher was the predominantly used typeface in Germany from about 1470 until about 1530. It has round character forms other than Textura or Fraktur.

A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.

Westpart was born from the previous three brush fonts: 1. Northen, 2. Easttalia and 3. Southen. This font is part of the 4 directions that cannot be separated. It has a styling brush that is very different from before, because the Westpart has its own advantages. Westpart has a bonus splatter, ligature, and swash that has a very detailed brush effect. In addition, Westpart is very supportive of the use of 27 languages.

Ornata E is the fifth of a series of old ornaments that I am trying to save from oblivion. I am completely redesigning the ornaments from scratch, trying in this one to keep the rough "letterpress" character. These ornaments were designed around 1910, I could not find out by whom. This set is perfect to design flowery frames since it has an enormous amount of flowery things. Your digitizing type-designing savior, Gert Wiescher

Adeston is a modern multilingual serif enhanced by ligatures & alternates. Adeston is a very versatile font - with it's classic forms and modern features it will cover a wide range of design projects starting from greeting cards to magazines, wedding invitations, websites etc. The amount of alternates is tremendous, from simple stylistic alternates to ligatures and their alternates. Languages supported: English, German, French, Italian, Spanish, Swedish, Portuguese, Irish, Norwegian, Luxembourgish, Basque, Breton, Corsican, Faroese, Galician, Icelandic.

Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco. Though developed from a few hand-lettered words found on a 1930s poster, it retains a contemporary flavor. The shaded version is designed to be layered over Sidewalk Cafe Underlay, to create contrasting color possibilities, as both share the same kerning values. Supports Western and Central European Latin languages, in addition to Baltic, Celtic, Esperanto, Romanian and Turkish.

The original release notes from England’s Stephenson Blake Type Foundry say it all: “a type of some waywardness in design, judged from any typographical standard…a type that seems unable to decide whether to be a roman or a script." Stephenson Blake called their release "Recherché"— sought after or in great demand, which seems quite appropriate. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).