Bulgary Rose is a Signature Script Font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, social media, magazines, marketing materials, and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Bulgatty Signature is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to.. What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature - Works on PC & Mac - Simple installations - Multilingual support - PUA Encoded

Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Necia consists of 8 styles. Each containing small caps and several alternate characters.

Inspired by illustration lettering, Pocket has a contemporary, quirky feel. Its combination of narrow and round forms give it a humorous feel.It has support for most western and central European languages, and has alternates for most letterforms, allowing for variations that make it look authentically hand-drawn. Check out other fonts in the Pocket family: Pocket Serif and Pocket Swash

Damonte is an extraordinary adventure style font that embodies a sense of exploration and wonder. Its distinct letterforms are inspired by rugged landscapes and daring expeditions, making it a perfect choice for projects that seek to evoke a spirit of adventure and discovery. With its unique and captivating design, Damonte adds a touch of mystique to logos, book covers, and outdoor-themed designs.

Aguda font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Aguda consists of 8 styles. Each containing small caps and several alternate characters.

Arazatí was inspired by Edward Johnston’s typefaces, although its design is not based on a literal reconstruction. It has 48 variants of 422 glyphs each. In addition, it offers two monospaced variants for free. Arazatí is the name of the place where Johnston was born in 1872, located in San José, Uruguay. This typeface is a tribute to his birthplace.

Square "robocap" typeface containing some little bit of experimental letters such as "t" or "f". Designed by Dusan Jelesijevic who wanted to make a font that would look heavy as building construction printed on your shirts. Even if it looks strong and stable, it is surprisingly very readable at small sizes which make it perfect for titles, posters or logotypes.

The Srostky font is willful and stubborn. It is rude, but it is as natural as a country boy. The characters of this font were inspired by an image of the Russian countryside. The letters look as if they were felled with an ax. It is named after the village in Altai region. This font is suitable for short sayings and titles.

Redoneta Rounded is an extension of Redoneta font family created by Rafael Jordan, adding kindness to the rational geometry, keeping its workhorse vocation mixing efficiency and the beauty of simplicity. Redoneta Rounded is available in 6 weights and its matching italics. It has an extended collection of OpenType features, including seven stylistic sets to customize how performs in multiple ways.

CIAO MAMMA is a vintage-style font, inspired by old almanacs and classic comics. It is ideal for auteur comics as well as commercial products. It is made with a marker, has contrast-free letters and regular spacing helping its legibility and clarity. The font is elegant and graceful and is reminiscent of the history of comics, evoking great, timeless comic strips.

Eliptik is a typeface with disruptive shapes, inspired by the aesthetics of technology from the 80s and 90s, when they had a very particular style of seeing the future. It is an ideal typeface for large size display texts and wordmarks, designed in upper and lower case, it also has many stylistic variables (OpenType features) that give it more memorable and unique personality.

Playthings Handwritten Display Font is a type of font designed by hand to provide a unique and personal touch to your design projects. With its cheerful and gentle handwriting style, this font brings about a relaxed yet captivating ambiance, making it suitable for various creative endeavors. With its soft line details and natural characteristics, the Playthings Handwritten Display Font exudes warmth and familiarity.

Paveline is a punctuated script; by which we mean it has the look and character of handwriting, but the glyphs are discrete entities to aid legibility. It is actually based on a moderately stylized adaptation of our chief designer's handwriting. Use it to give a handwritten touch to your work. Paveline works well as small handwriting or large scale poster captions.

Howdy is a modern French Clarendon revival typeface inspired by late 19th-century woodblock type and sign painting. Its ties to the American West evoke a distinctive western and retro flair. It was designed with flexibility in mind. Intended for use as a display type, its reverse contrast forms make an impact from tall or wide headlines and anything in between.

This typeface derives both its style and its name from a logotype design for an eponymous magazine, executed in the 1940s by Catalán type designer Joan Trochut Blanchard, of Supertipo Veloz fame. Its strong geometric forms and large x-height make for commanding headlines. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Introducing QEDYSANS Typeface 💚💚QEDYSANS💚💚is a sans serif font that has an elegant romantic concept, supported by 813 glyphs. The QEDYSANS font has a lot of alternative characters, from swash, ligature and of course it is also supported by multilingualism. In addition, QEDYSANS also has 14 families from Thin to Heavy. So it can be used for body text and header text. Qedysans is very suitable for design concepts that are elegant, simple, minimalist and romantic. Can be used for wedding card designs, shop signs, logotypes, promotions on Instagram and so on.

Rever is an experimental typeface by a young designer Sasha Smirnov. It clearly alludes to 19th century typefaces with reverse contrast, but still the character shapes are as simple and geometric as possible. Rever answers the question “What can a reverse-contrast typeface look like today?” Its set of styles is non-traditional: in addition to a regular one, there are also an oblique (slanted to the left, not to the right!) and a stencil styles. The typeface can work for typographic experiments of any kind -- web, print or motion design. The font was released by Paratype in 2019.

Cigar is a revival of a 1970s and 1980s typeface called Cucumber or Nassel Black or Scanner. It has been carefully redrawn and expanded into a full-featured OpenType font. Cigar Octo and Cigar Quarto are new angular reinterpretations of Cigar. In Cigar Octo, most round shapes have been replaced by octagonal shapes. In Cigar Quarto, most round shapes have been replaced by rectangular shapes. Use Cigar to get attention. Use it for headlines, advertisements, magazines, brochures, book covers, corporate design, presentations, websites, signs, event announcements, and for other things that need attention. For more information about Cigar, download the PDF Specimen Manual.

Maat is a modular geometric stencil display font that includes a number of modular pattern characters, and can be used to create designs that echo early Modernism by merely applying letters, patterns and color. Maat is a loose interpretation of a hand lettered alphabet by the late Dutch designer Jurrian Schrofer called Sans Serious which was included in Wim Crouwel's publication Letters of Maat. It is inflected with a bit of influence from British designer Ken Garland's similar lettering form the cover of his textbook, The Graphics Handbook. Maat derives its name from the title of Couwel's booklet.

Marit Otto about New Daily: This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and Art Deco (type) styles. And modernized it by cultivating the beautiful curved features of both styles and playing with the stylish fluid lines and open structures. By adding a bit of the no-nonsense office look of a typeface like Nimbus Sans a new but familiar look occurs. This typeface is very readable and useful for many purposes. It has a playful distinguished character.

Bassanova is a dynamic display font inspired by lettering on the "Love in the Afternoon" movie poster by Saul Bass. The font captures the minimalistic, yet very distinct look that is so typical for his designs. Bassanova offers four versions for each letter that change automatically and give the font a handlettered feel. It also contains over 100 discretionary ligatures to add even more dynamic letter combinations to the mix. This cool all-caps typeface fits a wide range of design applications, and it features a full international character set. Please activate Open Type Features to get the most out of this font.

Armando and Armando Rough Armando a work that is purely a result of handwriting and writing by using a liquid ink pen, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Armando a work that is purely handwritten, has its own characteristics with the style of monoline It is perfect for invitations, signatures, blogs, social media, business cards, product brands. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Dare is a bold, single-weight titling font in capitals only. It is built from flat-pen strokes, with looping bowls and sharp, incised darts. It borrows a pinch of the hand-drawn swagger of Bauer's Cartoon (designed in 1936 by H. A. Trafton), used as Dan Dare's signature logo in the British boy's comic Eagle, and also the upward-pointing serifs of machine-moderne typefaces such as Dynamo (designed by K. Sommer for Ludwig & Mayer in 1930). Suitable for book covers, magazines, branding, packaging – any place where an impactful, contemporary statement is required, but still with an undertone of 20th century tradition.

Bang was designed by David Sagorski in 1993 as a playful font of spirals. It consists of two capital alphabets which can be combined like the usual capitals and small caps, although both have the same height. They differ from one another only in the decorative forms which adorn them and the highly decorated characters of one set are complemented by the slightly more reserved characters of the second. Serious this font is not, rather, with its circles and spirals, Bang is best in point sizes 12 and larger and is meant for short texts and headlines.

Heliuk is a condensed type of font that has a different character from the previous condensed font, Heliuk has a strong but soft character, with a cheerful and fresh theme, supported by 4 choices of font types, Heliuk is able to answer your current needs who are designing something great. and what's even more interesting you get a very cool free vector bonus. Its weight is superior in posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to see it. Inspired by the design styles that are currently popular, let's make your imagination come true with heliuk.

Lark is a modern calligraphic sans inspired by a rich history of broad-edge and translation contrast calligraphy. By combining its sharp geometry with flared curves, Lark exhibits a nice warmth as a display face. Lark was initially conceived as a final project as part of the Type@Cooper West Extended Program's post-graduate certificate program in typeface design, so its journey has benefitted from routine feedback from experienced typeface designers. Comes in Bold, Medium, Regular, and Light weights for both roman and italic, and supports multiple languages including Danish, Dutch, English, French, German, Italian, Portuguese, Spanish, Swedish, and more.

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.

Linotype Syntax™ Serif is the serif typeface that complements Linotype Syntax™, both created by Swiss type designer Hans Eduard Meier in 2000. With this new design, Meier has at last given shape and structure to the invisible muse that inspired him in the 1950s when he conceived his monoline sans serif based on humanist or Oldstyle letterforms. The calm legibility of this workhorse text family is accented by Meier’s signature of subtle dynamic movement, making it ideal for longer texts in books and magazines. It combines harmoniously with the other Syntax typefaces, Linotype Syntax™ and Linotype Syntax™ Letter.

Pardesi font is named after a song from Raja Hindustani, a 1996 Bollywood movie directed by Dharmesh Darshan. The lead roles were played by Aamir Khan and Karisma Kapoor. Together they sing: 'Pardesi, pardesi, jaana nahi', meaning so much as: 'Foreigner, foreigner, don't go'. I remember this song very well, as I was backpacking through India and Nepal at the time and it was played over and over again on all long distance buses I took. Pardesi font is a fat, rounded, marker-pen font, ideal for books and posters. It comes with extensive language support.

Perhaps the greatest tragedy in all English history began in 1642 when, for five years, families and friends were divided by violent struggle. Respect for the monarchy was as great then as it is today; but it was squandered by Charles I and Civil War ensued. Out of Cromwell's eventual victory came a period of absolute rule just as arbitrary. In communicating the affairs of Court, Mercurius Aulicus can claim to be England's first regular newspaper, printed at Oxford and reprinted in London almost throughout the entire war. This typeface family echoes the calligraphic scripts of newspaper cartoons of the time.

Monotype Old Style is a nineteenth century update of Caslon Old Face with characteristics of the moderns built in. Monotype Old Style was recut by Monotype in 1901 from a Stephenson Blake & Company version. The design originated at the Miller and Richard foundry in 1860. In some respects it can be seen as transitional between old style and modern, but the spirit of the old styles predominates. By the turn of the century it had become a successful rival to the moderns. The Monotype Old Style font family is an attractive design which gives a light, airy feel to text.

Niveau Grotesk—the companion of Niveau Serif —is a type family of six weights plus matching italics and small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth-century faces, the fonts are based on geometric forms. Because of its straight architecture, Niveau Grotesk has a “punch” in big sizes but is very legible in smaller sizes and longer texts—in print or on screen. Niveau Grotesk is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Introducing Boiller Typeface 💖💖Boiller💖💖is a sans serif font that has an elegant romantic concept, supported by 736 glyphs. The Boiller font has a lot of alternative characters, from swash, ligature and of course it is also supported by multilingualism. In addition, Boiller also has 14 families from Thin to Heavy. So it can be used for body text and header text. Boiller is very suitable for design concepts that are elegant, simple, minimalist and romantic. Can be used for wedding card designs, shop signs, logotypes, promotions on Instagram and so on.

Motoride is an authentic handcrafted lettering that transformed into a font. It was inspired by the world of custom motorcycles. It's vintage style is suitable for every design which needs a timeless typeface, such as logotype, apparel, branding, packaging, advertising, Instagram quotes and more! This font features a wealth of OpenType features including alternate glyphs, ligatures, and swashes. This font is multi-language and also PUA encoded which means you can access all of the alternate glyphs with ease. We hope you will enjoy the font, please feel free to comment if you have any thoughts or feedback.

Run your hand under the tap and then thrust your fingers in the electrical outlet nearest to you* and you'll get the same effect that our latest release, ZZZAP will have on comic book readers everywhere when Electro, The Shocker, Black Lightning, Storm and Darth Sidious turn the dark side of the force on them. *The management accepts no responsibility for any adverse effects experienced by comic book font users who stick moistened digits into the power supply after installing this font for the purposes of comparison (it's probably best to just take our word for it). Batteries not included, void where prohibited.

Mantul Pro is inspired by the sans-serif style and a little modern touch, making this font luxurious & neat. Mantul itself has a meaning (Mantap Betul = Really Good), because it requires very good accuracy in doing so making this font the best. After a long journey of doing this font work, finally finished.made very carefully has 19 font styles that are luxurious & extraordinary.This font is done for a very long time, and therefore the font can be considered as a very extraordinary and best font. Can be used for designs, logos, labels, badges, clothing designs, letterhead and titles, stationery, etc.