A revival design by Ron Carpenter and Malcolm Wooden of DTP Types Limited.

This font represents the type style created by this very famous classic typewriter.

A grunge font, drawn largely by hand. Characters are deliberately dissimilar. Very informal.

Password was inspired by the randomly generated characters used for extra online security.

Van Wyck JNL was inspired by some old printing found in a catalog.

Based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Best selling baseball script, Distinctive brush stroke inspired by retro 20th century’s movie.

Sayonax is an oriental simulation typeface, in digital pixelated styles, by Intellecta Design.

Architect is inspired by blueprints and technical drawings. This is an outline font.

An original design by Malcolm Wooden and Lisa Wooden of DTP Types Limited.

Mystery Stencil JNL was inspired by lettering spotted on images of European kitchenware.

This font was inspired by music from the band The Devil Wears Prada.

A bold slab-serif typeface influenced by Spagetti Western posters of the 1960s.

The height of various characters was designed by reinterpreting the woodblock print Worinseokbo.

Inspired by the look of elegant, hand-painted calligraphy using a pointed brush.

A technical square-edged font influenced by modern architecture and computer aided design.

A set of ornaments was designed at ParaType in 1992 by Elvira Slysh.

Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.

Syntax was designed by Swiss typographer Hans Eduard Meier, and issued in 1968 by the D. Stempel AG type foundry as their last hot metal type family. Meier used an unusual rationale in the design of this sans serif typeface; it has the shapes of humanist letters or oldstyle types (such as Sabon), but with a modified monoline treatment. The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. Meier wanted to subtly express the rhythmical dynamism of written letters and at the same time produce a legible sans serif typeface. This theme was supported by using a very slight slope in the roman, tall ascenders, terminals at right angles to stroke direction, caps with classical proportions, and the humanist style a and g. The original foundry metal type was digitized in 1989 to make this family of four romans and one italic. Meier completely reworked Syntax in 2000, completing an expanded and improved font family that is available exclusively from Linotype GmbH as Linotype Syntax. In 2009 the typeface family was renamed into a more logical naming of "Syntax Next" to fit better in the Platinum Collection naming." Syntax® Next font field guide including best practices, font pairings and alternatives.

Designed by Aulia Rahman and Hendra Maulia, Nagaiya is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /a, or the spiky spurs of the other lowercase letters. That's where the fun begins.

Roxborough CF is a dramatic serif, influenced by calligraphy and hand lettering. Built around a distinctive single-storey 'a' and full of rich detail, Roxborough pairs well with its expressive italics, lending an artful touch to text across print and digital. Roxborough CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

After the Second World War, the Ionic style replaced Modern Face as the favored typeface for newsprint. A couple decades later, it was in turn replaced by the next generation of newspaper fonts, a mix of Old Face, Transitional and Modern Face forms. Olympian itself tends toward the Old Face style but is nevertheless an example of this new generation, a result of a time of change and experimentation.

Indentia is a very interesting font, which has been inspired by Art Deco art. It is formed from very careful lines with stylistic sets and ligature features. Indentia has 200+ glyphs consisting of two styles: Indentia Regular and Indentia Black. Suitable for any graphic design projects, prints, logos, posters, t-shirts, packaging and applicable for some types of graphic design. Indentia is compatible with any software without any pain.

GESTIA is a modern sans serif font with mystical motives. The font is created in classic proportions and decorated with candle inspired elements. GESTIA is represented by sans serif lowercase and ornate uppercase. The font is suitable for the design on the theme of candle design, astrology, mysticism, spirituality, witchcraft, magic, esotericism. GESTIA has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Industria is one of the simplest font in Prop-a-ganda series. In spite of its simple letter form, the bold stroke is very powerful and sophisticated.　This font leaves an impact even just a few words.