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  1. Saj JY by JY&A, $39.00
    Designed by Jure Stojan, JY Saj is a typeface family that successfully balances the artistic and the conventional. With 10 weights (UltraThin to ExtraBold, with italic complements), it works at a variety of sizes, in print and on screen. There are both oldstyle and lining figures, the rupee symbol is supported, and roughly 3,500 kerning pairs were added per font.
  2. Churchward Isabella by BluHead Studio, $25.00
    Churchward Isabella is a five weight typeface family originally designed during the 1980's by the late type designer Joseph Churchward, from New Zealand. A straightforward, geometric sans serif, it is a no-nonsense, highly legible workhorse design, readable on screen as well as in print, for text, headline and display. The family includes Light, Regular, Medium, Bold and Extra Bold.
  3. SUSHI by Fontsphere, $5.00
    SUSHI is an unusual font family (2 styles), created by Bartosz Panek. The idea was created while working on the design of a certain logo. With time, a whole font was created from modular elements, which in its form brings associations with food, fish and sushi. The font contains uppercase characters, numerals and a large range of punctuation (over 220 glyphs).
  4. Super Bob Triline NF by Nick's Fonts, $10.00
    One of countless variations possible from the modular lettering system called "Super Veloz", developed by Spanish type designer Joan Truchut-Blanchard in the 1930s. This particular variant, for whatever reason, was called "Bob" in the style sheet announcing the system, and it seemed particularly apt. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.
  5. Shine Bright by Bosstypestudio, $12.00
    Shine Bright is a script type family of four fonts. It is inspired by Lovely Fonts and has a soft and welcoming look. Shine Bright can be used for branding, packaging and wherever you need a script font that is easy to read and smooth. Shine Bright has many ties, strokes, and alternative characters that will make your designs unique and beautiful.
  6. Snell Roundhand by Linotype, $29.99
    Snell Roundhand Script was designed in 1965 by Matthew Carter. Conception and design were both based on the 18th century round hand scripts. The font has an elegant and festive feel and its capitals can also be used as initials mixed with other alphabets. Snell Roundhand Script is well-suited to middle length texts and headlines. Featured in: Best Fonts for Logos
  7. MB Picture House by Ben Burford Fonts, $30.00
    Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly 'Out of Focus' look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may uses.
  8. Silent Death by Senekaligrafika, $12.00
    "Silent Death" Has hard strokes and a signature styles that speak to instant nightmare sensations,it was inspired by horror and thriller movie posters from the old era. "Silent Death" will help you to create special and touching typographical design for your horror and dark projects, for .branding, labeling, clothing, movie title, album cover, logos and many more. The owner of endless possibilities!
  9. Chaser by Larin Type Co, $12.00
    Chaser is stencil font inspired by aviation and military style includes 3 sections ( clean, rough, printed). this font is a narrow specialization, it will be an excellent option for projects in the military style in both modern and vintage versions. This font also includes several illustrations that may be useful for creating your project and will be a useful addition.
  10. Salzburger Plakat NF by Nick's Fonts, $10.00
    A poster by Otto Baumberger for an Austrian winter sports festival in 1907 inspired this charming confluence of medieval and Art Nouveau influences. As such, its appeal is timeless, and well suited for storybook romances of all stripes. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.
  11. Anarchists Stencil by Dimka Fonts, $15.00
    Anarchists' Stencil is Stencil a font with support for all European languages. A total of 556 glyphs are spread across Latin, Greek, and Cyrillic scripts. Clearly distinguishable from a distance, it provides a high contrast and readability. Anarchist slogans graphite was inspired by abandoned highway billboards in Arizona, because the design was looking very bold and was very easy to read.
  12. Cyrillic Latino by Wiescher Design, $39.50
    Cyrillic Latino is a combination of the cyrillic and latin version of my Bodoni-Classic-Text typefaces. The typeface comes in very handy if you want text to look Russian but can be read by everyone. Since it is a combination of two of my typefaces I only charge the price for one typeface. Your trying-to-be-fair designer, Gert Wiescher
  13. Just Note by Java Pep, $15.00
    Introducing the newest font and doodle that called Just Note and Note Doodle. Just Note font is inspired by the sticky notes that we always use to note everything. This font is made with the natural concept of handwriting for more stunning and outstanding we add 50+ of the doodle (Note Doodle) design to complete it so you can mix and match.
  14. Sackem PB by Pink Broccoli, $14.00
    There’s just nothing quite like a heavyweight geometric typestyle with tiny counters, you just love it like the Bee Gees. Sackem started as a digitization of a singular film typeface called Benman Jumbo by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of playful widths and obliques: from the condensed “Slim” style to the original “Jumbo” style.
  15. Libertad Mono by ATK Studio, $15.00
    A new dynamic and industrial display font with octagonal shape and rounded inner contours. Constructed with a modular system. It includes a full set of letters (uppercase), numerals, and symbols. Libertad Mono family comes with 6 weights, from Thin to Black. Designed by Radinal Riki Mutaqin. This type features a Latin Pro character set, covering multiple languages written with the Latin script.
  16. Creaty by Dilbadil, $14.00
    Hi, introduce my new font Creaty. This is a simple and sweet script font. Suitable for various designs such as t-shirt designs, quotes, weddings, business cards and more. This font supports multiple languages and also alternates. For alternates y, g, j, z you can use them easily, by typing: y2, g2, j2, z2 Hope you enjoy it Thank you
  17. Omar by Ahmet Altun, $-
    The Omar Font was completely created by graphic tablet. Omar font family comes in two weights; Normal and Italic. They're all capital but lowercase and capital letters are different from each other.It is legible in small type sizes. With its decorative view, you can get matchless products in typographic works, t-shirt prints, posters, logos and every kind of graphic works.
  18. Melange by Calamar, $18.00
    Melange is my new serif font inspired by the good old past, but it still has a strong modern appearance. The font includes stylish alternate upper and lowercase characters. And that is why it's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines, posters and much more. Font is available for Western European, Central European and South Eastern European Languages.
  19. Masserini by Studio Sun, $16.00
    Masserini is inspired by the 20's art deco era of colorful posters, fonts, and typography with a vintage flair. With its strong geometric shapes and letters, like a style of sans serif that was used in signs and posters during that time period. This collection consists of a variety of widths, weights, and variants to suit your creative needs.
  20. Castaway by Studio K, $45.00
    Fun, footloose and fancy free, Castaway is a font family that knows no boundaries: equally at home in Naples and Nairobi, Rimini and Rio, Tijuana and Timbuktu. It was inspired by those ‘far away places with strange sounding names’, and will bring a touch of the exotic to tourist and travel promotions, and a breath of fresh air to any graphics project.
  21. Boomerang JY by JY&A, $39.00
    Based around the Australian boomerang, Greg Bastin’s design originally appeared on private Christmas cards and individual projects. It was formalized into a font in 2002 by David Philpott (JY Circles) and brings a quirky antipodean style to the JY&A Fonts range. This display family is available in Solid and Outline forms, the latter containing patterns that parody those of Aboriginal culture.
  22. Response by PizzaDude.dk, $20.00
    Response is 100% handmade with a worn look to it. Comes with 5 different versions of each letter, and by using the contextual alternates they automatically cycles as you type! Response is good if you need a response regarding your next project - that being an invitation, packaging or something that needs a worn handmade look! Besides that, Response is full of international characters!
  23. Lafisken Signature by Tebaltipis Studio, $12.00
    Lafisken Signature is a typeface with personality. You can use it as a logo, badge, insignia, packaging, headline, poster, etc The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Stylistic Sets, and Ligature. The OpenType features can be accessed by using OpenType program such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign. Thank you!
  24. Mencken Std by Typofonderie, $59.00
    An American Scotch remixed in 27 fonts Mencken has twenty seven styles, divided into three widths, three optical sizes, romans and italics. Generally, optical size typeface families belong to a same common construction. It falls into the same category of type classification, while presenting different x-heights or contrasts. Mencken is unique because it is designed according to different axis and optical sizes. Firstly, Mencken Text is a low-contrast transitional typeface, designed on an oblique axis, asserting horizontal with featuring open counters. Its capitals follow Didots to better harmonize the rest of the family. On the other side of the spectrum, Mencken Head (and narrow variations) is designed on a vertical axis, high contrast, in a contemporary Didot style. The Mencken is therefore a typeface answering to different sorts of uses, whose design is different according to its uses: from oblique axis in small size to vertical axis in large sizes. Vertical proportions (x-height, capitals height, etc.) were calibrated to be compatible with many Typofonderie typeface families. Lucie Lacava and I followed the idea launched by Matthew Carter few years ago for some of his typefaces intended for publications. From Baltimore Sun’s project to Typofonderie’s Mencken It is a bespoke typeface for American newspaper The Baltimore Sun started at the end of 2004 which marks the beginning of this project. The story started with a simple email exchange with Lucie Lacava then in charge of redesigning the American East Coast newspaper. As usual, she was looking for new typeface options in order to distinguish the redesign that she had started. At the time of its implementation, a survey of the newspaper’s readers has revealed that its previous typeface, drawn in the mid-1990s, was unsatisfactory. The Mencken was well received, some reader responses was particularly enjoyable: “It’s easier to read with the new type even though the type is designed by a French.” Why it is called Mencken? The name Mencken is a tribute to H. L. Mencken’s journalistic contributions to The Sun. According to the London Daily Mail, Mencken ventured beyond the typewriter into the world of typography. Because he felt Americans did not recognize irony when they read it, he proposed the creation of a special typeface to be called Ironics, with the text slanting in the opposite direction from italic types, to indicate the author’s humour. Affirming his irreverence, the Mencken typeface does not offer these typographic gadgets. Henry Louis Mencken (1880 — 1956) was an American journalist, satirist, cultural critic and scholar of American English. Known as the “Sage of Baltimore”, he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements. Creative Review Type Annual 2006 Tokyo TDC 2018
  25. Tulipán Broken Caps Pro by Estudio Calderon, $40.00
    Tulipán Broken Caps Pro is new variable/complement of Tulipán Broken Caps, it includes 200 interesting ligatures, specially designed for games, apps, books, logos and packaging. Its bold structure is perfect to give great effects.
  26. Cybrox JNL by Jeff Levine, $29.00
    Cybrox JNL takes a simple bitmap font and regenerates it into its most distressed form. The design is perfect for "technology-gone-bad" messages, radical headlines and anything with an electronic, techno or digital theme.
  27. Leader Kids by Awan Senja, $14.00
    Leader Kids is a fun and unique display font. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!
  28. Anchora by TFA, $7.00
    Anchora is a contemporary sans serif font. Its characteristic feature is that it provides clear text at smaller sizes besides has a stulistic stance on screen sizes. The font contains Latin Characters support many languages.
  29. Maribast by Brithos Type, $11.00
    Maribast is a flowing and relaxed handwritten font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!
  30. Stargold by Rockboys Studio, $19.00
    Stargold is an elegant and bold script font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!
  31. White Buttell by Trustha, $14.00
    White Buttell is a handwritten brush script font. It has a natural style of a dry marker which makes it perfect for branding, advertising, poster designs, logos, book covers, magazines, packaging, website headers, and more.
  32. Sandikza by Falling Angel, $-
    Sandikza started out as an idea for a metal titles and some games. Or anything that was printed distorted. In other word something harsh. It makes a death or dirt feeling anywhere it is used.
  33. Bagorly by Tadiar, $9.00
    Bagorly is Font Family of SMOOTH and SHARP fonts. It is good to use as a header, text, logo, lettering composition etc. Use it in such areas as Clothing, Luxury, Fashion, Alcohol, Jewelry, Vintage Retro.
  34. Eatboy by Figuree Studio, $15.00
    Say hello to Eatboy font. Made with love and joy. Comic look, Bold, Thick, so it will make your design more beautiful, cute, fun, and colorful. It comes In two awesome styles, regular and italic.
  35. Ruby by SparkyType, $25.00
    Ruby is a poster font with proud geometry and rounded terminals. With its roots in skateboard graphics it is young, fresh, strong and confident. Ruby comes with two complimentary styles for adding that precious sparkle.
  36. Instant Hero by PizzaDude.dk, $15.00
    A scribbled kids handwriting kinda font without overdoing it, which makes it super legible, even at very small sizes. I have added 5 different versions of each letter, and they automatically changes as you type!
  37. Walytime by Stringlabs Creative Studio, $29.00
    Walytime is a relaxed and timeless handwritten font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!
  38. Zurdo by Haiku Monkey, $10.00
    Zurdo is a handwriting font with a unique, left-handed flavor. It can be used large for display purposes, and it also scales down to small sizes beautifully. Put some singular character into your designs!
  39. Julmeme-Kun by Julmeme, $25.00
    Julmeme-Kun is a fully italic font. This unique characteristic added to its tall and elegant proportions makes it a very dynamic typeface. Applicable for any type of graphic design, especially for posters and logotypes.
  40. Kaluny Pro by Muykyta, $12.00
    Kaluny Pro is a humanistic style font. It has two versions: one slab serif and one non-slab serif. Modern and with some classic features, it is easy to read and forms a homogeneous set.
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