Hello Christmas is the christmas-themed version of Zetafonts' Hello Script family including a set of Icons (designed by Cristiana Pezzatini), both featuring multilayer color fill. An high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes.

PT Orden™ was designed by Oleg Karpinsky in 2000-2001 and licensed by ParaType. Orden is a genuine Cyrillic typeface, it contains antique Cyrillic letter forms such as d, z, N with a diagonal stroke, symmetrical Y ,× and Ù, rare in modern typography. Another specialties: one alphabet and old style figures. Lower case consists of upper case letters except for some alternative variants of the capitals. For use in advertising and display typography.

Diamond Jim JNL was inspired [in part] by an image of a 1970s Letraset® dry transfer typeface made entirely of small stars. By creating his own layout using tiny diamond shapes, Jeff Levine has produced a font that takes on multiple appearances. At 24 point it resembles dot matrix printing; at 48 point the diamonds are clearly visible; and overall, the design has a distinctive 70s retro feel. Limited character set.

In the years 1937 and 1938 Paul Renner drew these both styles of the Ballade font family. Now freshly redesigned and extented for contemporary use, both styles have reappeared. These fonts contain the historical long s, which can be reached by typing the integral sign [ ∫ ] or by turning the round s into the long s via using the OT feature historical forms. It is also recommended to activate the OT feature discretionary ligatures.

Maraka is a handwritten font family, drawn with a paint marker on rough paper, then scanned and turned into vector format. Maraka has a lot of alternative letters and is available in three versions: “Regular”, characterized by an unique look obtained by drawing the letters on a rough sheet, "Solid" and "Serif". Maraka is ideal for large headers, straplines and typographic compositions, but it still gives a great dynamic effect when writing wordy paragraphs.

HU Sansans KR is a San-serif Korean fonts. It is a solid and trendy full square typeface that contains powerful and bright energy. I created a young and bright feeling by making a blank at the bottom of the first consonant of the initial letter, and the curve of the first part continued the bright feeling of the font. By configuring 4 types of font families, the usability of typefaces has been increased.

Nevoa is a typeface inspired by the vernacular calligraphy from the streets of Brazil. While walking in the streets of some small towns, I felt so inspired by those rounded letters painted on the walls. That is what inspired Nevoa. Nevoa is a soft and smooth serif typeface, with dynamic curves. It is available in Condensed, Semi Condensed, Regular, Semi Extended and Extended to adapt to various uses, such as visual identity, magazine, branding, ...

Sentex is a font from the Cyberpunk universe, inspired by the logo and created by order of the corporation itself. The font conveys the spirit of cyberpunk and its atmosphere. The font has many alternative characters and contains a basic set of letters, punctuation and numbers. The font is perfect for prints on clothes. For logos, posters and titles. A lot of alternative symbols and language support gives great freedom to creativity!

Introducing a brand new typeface, meticulously crafted by your hands. Inspired by the rich culture and heritage of the Arabic language, this typeface embodies your unique vision and artistic expression. It combines modern techniques with a deep understanding of the language's aesthetics. This typeface has been developed using advanced techniques to ensure excellent clarity and readability. Every shape, line, and detail has been carefully studied to strike a perfect balance between elegance and legibility

"Culpa" is a children's themed handwritten font. This font looks cheerful and without being bound by standard rules, just like the nature of children who have not been constrained by standard rules. This font has almost the same lowercase and uppercase sizes, so it can be mixed up in words and sentences. "Culpa" is very suitable for use in designs with children's themes, such as posters, clothes printing, children's books, birthday greeting cards, etc.

HU Sansans is a San-serif latin alphabet font. It is a solid and trendy full square typeface that contains powerful and bright energy. I created a young and bright feeling by making a blank at the bottom of the first consonant of the initial letter, and the curve of the first part continued the bright feeling of the font. By configuring 4 types of font families, the usability of typefaces has been increased.

An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001) of the same name. In Armenian 'Bardi' means 'Poplar'. Extra compressed decorative stenciled typeface. Its letterforms resemble many Neo-Classicism extra compressed faces and magazine lettering of the 1950s-60s. For use in advertising and display typography especially in magazine headlines and logos.

A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine's design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version cleverly combines stark geometry with Art Nouveau sensibilities to produce a kind of Digital DNA feel. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Muffin is a soft and rounded humanistic low-contrast sans serif based on broad nib writing. It comes in five weights ranging from Regular to Black. The friendly character of the font becomes even more pronounced in the darkest styles. Muffin is well suited for food packaging, menus, children's products, while Regular may be easily used for long runs of text. The font was designed by Natalia Vasilyeva and released by Paratype in 2017.

Ancient Olympian god of the sea, brother of Zeus; Poseidon is the bearer of a trident, the three pronged spear of tunny fishers and is drawn along by monstrous sea creatures-half horse, half serpent. Around him travels an entire retinue of dolphines, nereids, seals and different spirits of the sea. Likewise, the Poseidon font family is accompanied by the waved serifs and flourishes that enable its character to retell these ancient Greek myths.

Introducing a new softest retro font family called Blufy. Heavy influence by Cooper black typeface by Oswald Bruce Cooper and ballon letters form from 60s - 70s era. Blufy Font Family contains 2 style regular and oblique. It comes with Stylistic Alternate, ligature, Stylistic Set 01-10, & swash. Ayr Blufy Font Family is best used for headings, logotype, quotes, apparel design, invitation, poster, flyers, greeting cards, packaging, book cover, printed quotes, cover album, movie, & etc

Raleigh was produced in 1977 by Robert Norton based on Carl Dair’s Cartier typeface which was designed for the 1967 Montreal World's Fair. It was renamed after Dair’s death. Adrian Williams added three weights for a display series, and Robert Norton developed the text versions. A contemporary old style serif with calligraphic features. For use both in text and display typography. Cyrillic version was developed at ParaType in 2001 by Vladimir Yefimov.

Geffroge Authentic is an elegant modern classic Sans Serif font. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 2 Font Style: - Regular - Italic Geffroge Authentic Features: - Uppercase - Lowercase - Numbers & Punctuation - Ligature - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

Milchella is a luxurious and elegant Serif font. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, travel promotions, layout magazines, beauty products, product packaging, quotes, or simply as a stylish text overlay onto any background image. 2 Font Style: - Regular - Italic Milchella Features: - Uppercase - Lowercase - Numbers & Punctuation - Alternate - Ligature - Multilingual Support - Simple installation All features and special characters of this font are included in one file. So that it is easily accessible by using a program or software that supports opentype such as Adobe Illustrator, Adobe Photoshop, and Adobe Indesign). This font is also very easy to use as it is compatible for all supported software even for non-opentype. Please comment us if you have any questions Thank you and have a nice day. Thank You

Kompakt is one of the early typefaces of type designer Hermann Zapf, whose Palatino has long been a standard in almost every area of application. Kompakt consists of a single weight and was designed in 1952, two years after Palatino. It was produced by the foundry D. Stempel AG in Frankfurt am Main, Germany, where Zapf was at the time in the artistic department. The figures of this extremely strong and heavy typeface are decidedly those of a broad tipped pen. When enlarged, the sharp outlines of the characters can be clearly seen. The unique dynamic of the alphabet is a result of its strong serifs, which on the lower case letters almost connect the letters in a line. Together with the slight slant to the right, this gives Kompakt the character of handwriting, making it look like it is always striving to go forward. Kompakt is an excellent choice for advertisements, especially for posters which should display a hint of nostalgia, and should be used only in headlines.

MGN Kinetic is an innovative font iconography type product released by Morgana Studio in 2023. This unique font set offers a fresh and dynamic approach to incorporating icons into your designs. MGN Kinetic features a one-of-a-kind design that sets it apart from other font sets, making it an ideal choice for designers who want to create eye-catching and memorable designs. One of the standout features of MGN Kinetic is its ability to bring movement and energy to your designs through its dynamic icons. These icons are designed to convey a sense of motion and fluidity, adding a new dimension of interest to your work. With MGN Kinetic, you can create designs that are not only aesthetically pleasing but also convey a sense of action and movement, making your work more engaging and memorable. Whether you're designing for a website, app, or other digital media, MGN Kinetic is the perfect choice for designers who want to elevate their work and stand out from the crowd

Waltowns is a dynamic and expressive typeface that captures the essence of street art with its bold and energetic design. The letters are characterized by organic shapes, reminiscent of marker strokes on urban surfaces. The font exudes a raw and brave vibe, reflecting the spirit of graffiti culture. The font includes a diverse set of characters, allowing for creative and eye-catching compositions. Whether you’re designing posters, album covers, or any other graphic project, Waltowns inject a sense of urban attitude and artistic edge. Its versatility makes it suitable for a wide range of applications, making your designs stand out in the crowd. Waltowns is not just a font; it’s a statement. It represents expression, the vibrancy of the streets, and the bold creativity that defines graffiti art. Use Waltowns to bring a touch of urban authenticity to your design projects and let your creativity run wild on the walls of the digital world. FONT FEATURES Additional Accents 68 Languages Kerning SOFTWARE RECOMMENDATION Adobe Photoshop CC 2020 or later Adobe Illustrator CC 2020 or later

Kitchen Knife - Display Font a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Kitchen Knife will give your designs that alternative minimal look and make your creative work look supercharged. Kitchen Knife was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. With a Kitchen Knife , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Internacional, inspired by the International Style, is a Latin American-flavored neo-grotesque sans serif typeface made with organic ingredients and sweetened with organic sugar and chocolate. Internacional is well-suited for corporate identity, branding, publishing projects, logotypes, magazines and advertising. Its large x-height and small difference between x-height and cap-height make it a high-impact font, ideal for powerful headings, while providing legibility. Internacional was designed for use with short and mid-length paragraphs that require a balanced type color. Internacional is an extended width font with rounded forms and angled terminal ends, in characters such as “c” or “a”, which make it suitable for use in advertising and branding. The proportional relation in height between uppercase and lowercase letters may be useful when composing text in German language. The Internacional font family comes in 7 weights with matching italics and includes an alternative version, with the same number of styles, yet it tastes differently. Special thanks to everyone in the Latinotype Team (especially to Rodrigo Fuenzalida) for their support, help with corrections and digital editing.

Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next has a creative palette able to meet the modern typographic demands. Its OpenType features will provide you almost unlimited multilingual support as well as small caps, case sensitive forms, proportional and tabular figures, slashed zero, numerators, superscripts, denominators, scientific inferiors, circled figures, subscript, ordinals, fractions, arrows and f-ligatures. Also extremely functional for professional editorial design, Interval Next has a pro kerning and would be extremely suitable for mobile applications, e-books, web sites, headlines, posters, signage and many more. Interval Next covers a large spectrum of languages such as West European, East European and the Cyrillic.

Spectrum font is based on a design by Jan van Krimpen, who worked on his font from 1941 to 1943 for use in a Bible of the Spectrum publishing house in Utrecht. The bible project was later cancelled but the font was so beautifully formed and universal that the Monotype Corporation in London completed it. Distinctive are the reserved elegance and unmistakeable beauty of form. The italic was kept fine and is a wonderful complement to the other weights, making it perfect for emphasis in text. The form of the lower case italic g is reminiscent of van Krimpen's italic for Lutetia and Romanée. A similar font in form is the Perpetua from Eric Gill. It displays not only similar forms to those of Spectrum, both fonts also have uniquely designed old style figures. The 7 is particularly unusual with its slanted horizontal stroke and marked bend to the left in the lower third of the form. Spectrum is an extremely legible font even in smaller point sizes and is just as suitable for headlines as for long texts.

Cypher is a techno looking font that attempts to employ the Gestalt principal of closure. It may, at larger sizes look like some sort of code or a bunch of dots and dashes, but when viewed at smaller sizes it falls together into legible words. This font family was first inspired by an experiment to try to make a legible upper and lower alphabet with the smallest grid possible that would still describe the letterforms. The original conclusion was that it could be done in a 3x6 grid. This made a fun design exercise, but it makes a lousy font. The grid was expanded a bit for aesthetic reasons to a 3x8 grid, But not restricted so severely and so occasionally goes wider than 3 for the certain letterforms. From this a whole family of widths and weights was born, and rather than simply obliquing for italics, a true italic of sorts was created. Cypher is a versatile family of 24 fonts – 4 widths, each with 3 weights and their accompanying italics.

This typeface incorporates round smooth corners and distinct design elements in several characters like 'a, g, k, m', without compromising legibility. In order to retain its sharpness, inner corners as well as junction points were left steep. This is a balanced typeface which works very well in long texts at small point sizes. Since its first release it has been used in numerous magazines, advertising campaigns and corporate applications. Handbook Pro comes loaded with a number of special features. The family consists of 14 fonts -from black to extra thin- including true italics. It supports 21 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. There is also a set of very interesting stylistic alternates which can be used to add a refreshing flair to your designs. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Introducing ND Kern, a contemporary geometric sans-serif font that blends classic elegance with modernity. This versatile typeface is perfect for branding, advertising, editorial design, and any project that requires a clean, stylish look. With its tall x-height and clean, modern letterforms, ND Kern is ideal for headlines, titles, and short blocks of text. Its sleek and minimalistic design, combined with unique details that draw inspiration from Cyrillic script, makes it a perfect choice for modern and sophisticated designs. ND Kern includes a full set of uppercase and lowercase letters, numerals, punctuation, and multilingual support for both Latin and Cyrillic scripts. The font family also comes with a range of OpenType features, including ligatures, alternate characters, and stylistic sets, which offer even more design possibilities. Whether you're creating a minimalist logo, a trendy fashion campaign, or an edgy editorial spread, ND Kern is the font you need to stand out. With its balance of classic and modern design elements, influenced by both Latin and Cyrillic scripts, ND Kern is a versatile choice that will add a touch of sophistication to any project.

Hivives – A Geometric Sans Serif Typeface Hivives is a contemporary geometric sans serif typeface that embodies a harmonious balance between precision and warmth. With its clean, straight lines and minimalist design, this typeface exudes a modern aesthetic while maintaining a sense of approachability. The geometric construction of Hivivies lends it a distinct and timeless quality, making it versatile for a wide range of design applications. The letterforms are characterized by consistent stroke widths, sharp angles, and well-defined geometric shapes, resulting in a visually cohesive and sophisticated appearance. Hivives stands out as a stylish choice for branding, editorial design, and digital interfaces, where its crisp and clear lettering contributes to a polished and contemporary visual identity. Hivives is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

While there can be similar handwriting styles out there, no two handwritings are exactly the same. I like to think that I have the same handwriting style as my father, but I had never seen him write with lowercase letters, only in all capitals, except when signing his name on something in cursive. I recently came across a letter my father had written long ago to a friend. It was returned to sender, yet he kept it intact. The letter primarily thanked his friend for his hospitality when my father unexpectedly dropped in for a visit while traveling. I was so taken by the handwriting, that I decided to make it into a font, not only to remember my father, but also to forever preserve his handwriting. Generous Hospitality not only taps into the character of the person the letter was written to, it also reflects the personality of my father. If you are looking for a masculine handwriting type style for your designs, I think this font could be a nice fit.

Cartier was Canada’s first roman text typeface, created in 1967 to celebrate Canada’s centennial. Its designer, Carl Dair, was one of the country’s most celebrated graphic design pioneers, and a fine designer indeed — but he was not a trained type designer. He had spent a year at the Enschedé type foundry and printing works in the Netherlands, but that probably wasn’t enough to fully grasp all that was required to make an effective text face. It is also possible that Dair simply compromised his own design by not allowing any of the much needed alterations to be made to his working drawings when they were handed over to Linotype for production. Cartier, though a strikingly original oldstyle, never became the influential allround text face it might have been. A display typeface derived from it, Raleigh, was more successful. Realizing that Dair’s design was sound in concept, if not in execution, Rod McDonald began working on a new digital version in 1997. The final family is convincing proof that Cartier could have been the functional text face that Dair originally wanted.

Get to know the natural and neat font "Cogsworth"! This beautiful neat retro font with imperfect ink edges and a little careless shading is inspired by nature. Eco-friendly fashion takes into account the health of consumers, the health of the planet. The "Cogsworth" font is perfectly combined with any stylized graphics, watercolors, and also looks great on its own as part of a minimalist design. Play with letters to get different effects. Great for branding, wedding invitation design, packaging design, quotes, label design and more. Font Features A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thanks for checking it out, and feel free to drop me a message if you had any queries! ~ Anastasia

Introducing Paneur – Expressive Serif Typeface Serif Playfulness Paneur – Serif Typeface is far from your typical, formal serif font; it introduces a delightful touch of playfulness to traditional design. Informal Strokes Notably, Paneur’s strokes take on an informal quality, adding an expressive flair to your projects while steering clear of the formality usually associated with conventional serifs. Endless Expressivity What sets Paneur apart is its ability to offer endless expressivity. It’s the perfect choice for those who wish to break the monotony in design, infusing each project with an invigorating energy and dynamic spirit. Never Boring Design Indeed, Paneur is the antidote to boring and conventional design. Its informal serifs guarantee that your creations are never dull, but rather lively, captivating, and bursting with personality. In Conclusion In summary, Paneur – Serif Typeface is the font of choice for non-traditional expressiveness. It introduces a playful and informal touch to your projects, breaking free from the constraints of traditional serif fonts. By choosing Paneur, you ensure that your designs are engaging, full of life, and far from mundane.

Stacked Letter – Display Font a bold, quirky display font with a fun, trendy street style vibe. Stacked Letter was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. Stacked Letter suitables from posters designs to t-shirts and packaging, Stacked Letter will give your designs that alternative look and make your creative work look amazing. With a Stacked Letter , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Diad was born on 2000 in order to design posters about second World War. The original idea was obtained by breaking, burning and getting wet a bunch of written copies with an old writing machine. Today, Diad is a small typographic system useful for bringing relevance to any content with a grunge look. Each and every detail passed through a strict experimentation process. Its outrageous and unconventional spirit travels from high leveled corrosion, up to a delicate visual neglect. Diad 2 and 3 work for designing words. Diad 1 is ideal for long phrases and titles. Diad dingbats includes 26 illustrations about motocross. In total, adding Diad 1,2 and 3, it has around 260 glyphs. Diad will make your design shine providing different graphic atmospheres, optimizing time and work to its users. Diad is perfect for graphic design on contexts such as death metal, drum and bass, films, war and horror video games. It could work also for logos, words, titles and short texts in covers, tags, clothes, wraps, cards, stickers, toys, bicycles, surf boards, etc.

In Axios Pro the rational language of the early XX century geometric sanserifs is complemented with an structure deeply attached to the renaissance typefaces; the uppercase proportions proceed form the roman canon while its lowercase was constructed following the humanist ductus. This blend produce a typeface of modern, clean and contemporary appearance that has implicit on its core a classic vibe, nourishing the text with a timeless elegance.In use, the form and function balance of its design allow it freely travel through a diverse range of fields and possibilities like short text settings, brands, headlines or signage systems with grace and naturality. Axios Pro is available in variable font format and in 20 different individual styles (10 weights), with a set of more than 1000 glyphs per style, supports over 200 latin languages and including an extensive repertoire of opentype features like small caps, ligatures, stylistic alternates, proportional and tabular figures, swashes, borders and many other resources to please your typographic urges. Designed by Rodrigo López Fuentes & Sergio Leiva Whittle

A little more flower and a little less power, please. Fun, friendly, fashionable, and feminine to a fault, Jojo takes display typography to a whole new level, where eyes can’t help but appreciate the day and the design at hand. It takes a graphic designer very little imagination to see these letters on posters, book covers, clothes, and craft paraphernalia. Or how about a sign over a bakery? A music sleeve? A romantic comedy titling? Cosmetics products? Pretty much anywhere! Jojo takes its name from a Beatles song about getting back to where we once belonged. It also takes most of its shapes from vintage photo-setting days, when an art nouveau typeface called Spring, by B. Jacquet, was putting happy times back where they belonged, which was everywhere. The original photo-setting face came in just 26 letters and 10 numerals. This digital retooling optimizes the original forms and expands on them, for a full character set of over 430 glyphs, including ligatures and stylistic alternates, and support for the majority of Latin languages.

Kaytek™ Headline completes the Kaytek typeface family with seven weights optimized for display purposes. Like the Kaytek Sans it is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design Every style of the typeface takes up exactly the same amount of space, thanks to the careful creation by Radek Lukasiewicz. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style Kaytek Headline comes in seven weights, from Thin to ExtraBlack. Kaytek Sans, Kaytek Slab, and Kaytek Rounded, are also available.