Another Speedball pen alphabet from master draftsman Ross George, this face is bold and lively. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

D Hanna Soft is a sans serif type family of 9 weights plus matching italics. It is inspired by the geometric style sans serif faces with a mix of rounded shapes and a little bit of black in some corners. The medium weights serve very well in body text, while the thinner and bolder styles make an excellent choice for headlines . D Hanna Soft is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc.

Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.

Franklin Ave. is a condensed sans serif in the style of the classics Franklin Gothic and News Gothic. Nostalgic and gives a great vintage feel. It's bold and comes in two styles: Regular and Oblique. Franklin Ave. is best used in headlines and large formats or in logos or branding.

Franklin Type Foundry's 1897 specimen book offered the patter for this face. Numerals maching the lowercase are standard but, if you want numbers to match the uppercase letters, activate Stylistic Alternates in OpenType-savvy applications. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This font set was created in collaboration with the Philadelphia Museum of Art to coincide with the Benjamin Franklin Tercentenary. This font set includes faithfully reproduced letterforms digitized directly from images of impressions made by Benjamin Franklin and his printing office circa 1750. The printing conditions of the time involved handmade paper with textured surfaces and handmade inks which were hand-applied for each impression. By digitizing the printed type in its real-life state, an authentic look of Franklin's actual work is achieved and, ultimately, has a timeless appeal.

The name says it all. Gothic from the old literary style and/or current subculture genre. And Gothic meaning a block or sans serif style of lettering. The concept was to take the classic German style lettering and create a contemporary extended block letter typeface. The result is a fusion of old and new.

Cormac is a humanist typeface characterized with it's large x-height and slightly flared stems. The word that best describes our ideas in the beginning of the project is "simple" - the idea behind it was to strip the letter forms of everything unnecessary, and yet keep the typeface interesting. The typeface is friendly without being too cheezy thanks to its humanistic character, flared ascenders and stems reminding of its calligraphic origin. The proportions are closer to the traditional old style typefaces. Cormac is open and readable typeface coming in 7 weights plus their matching 'true' italics - from Extra Thin to Bold. The family comes with Cyrillic support, great range of numerals, fractions, ligatures, alternates and a lot of special characters making Cormac a great solution for greate range of design work - branding, editorial, web, wayfinding, etc.

Norway Is Authentic Display Font Inspired By Classic Characters. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Introducing NORWALK - Modern Serif Font. Our latest digital modern serif font - a sleek and sophisticated typeface perfect for any creative project. With clean lines and elegant curves, this font is sure to make your designs stand out. Get your hands on it today and elevate your designs to the next level! Ready to take your design game to the next level? Whether you're creating a logo, website, or printed materials, this font is the perfect choice for adding a touch of class and sophistication.

Mortale is a display font a typeface which is inspired by vintage lettering. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. Features : Uppercase & lowercase Numbers and punctuation Alternate & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

A French form of Fat Face, derived from the British; matrices survive at Berthold in Berlin.

Norwill is a modern display font. Made for any professional project especially that related to the sports. Beside that, this font can be used for printing, branding and quotes. Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

The sarmal font contains ligatures that are functional and useful. It can be a stylish font choice for your posters, t-shirts, prints and many more works.

Dorsal is a display typeface that is based on a rare bit of lettering from a 1910 German lettering book.

Normaliq is a geometric and modern sans serif family that exudes a unique and minimalist charm. comes in nine weights, ranging from Thin to Black, combined with an Italic style, as well as the addition of Black Outline and Black Italic Outline. The balance of hard lines and subtle curves provides strength and eye-catching for every weight of the family. Each font in the family can stand alone, dynamic and authoritative. This font family offers versatility for a variety of design needs, designed specifically for looks such as titles, branding, logos, books, branding and other impactful editorial work.

The "Zornale", is an original manuscript that contains a large amount of data, providing a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488. Zornale is a family of text fonts in five weights that can be combined with the variant Caption with short ascenders and descendants. The family is completed with true italics in two weights (light italics and italics) specially designed for use in reading texts. These fonts have been designed with precise kerning and full OpenType features: Small caps, old-style numbers, Swashes, stylistic and contextual alternates, ligatures and case-sensitive forms. Each font contains 549 glyphs for complete control and enhance typographic refinement.

Portal is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Norman Variable contains all the weights in between Norman Regular and Norman Fat. Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

Get to know Norman Fat a new version of our best seller Norman, elegant and fashion forward. This new condensed high contrast and heavy weight serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman Fat is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

Norman Stencil, is a new Norman. An high contrast, serif and narrow font. 2 styles and 2 weights. Norman Stencil it works perfectly on big texts, logos, headline and others display purposes. Activate your opentype features and you will enjoy all the ligatures and alternates.

Agatized Formal is a chunky stencil typeface with slightly condensed letterforms and tight spacing. Designed primarily for display use, it’s ideal for posters, logos, advertising, book cover designs or small chunks of text such as pull-out quotes. It exudes authority without taking itself seriously, like a plump jolly uncle in charge of a brass band. Agatized Formal is a big, bold typeface with a charismatic presence that commands attention – in a friendly way, of course. But what really makes this typeface come alive is its arsenal of alternative characters and ligatures. There is a saying: Use sparingly. Whoa! Not here, no, no, no. Make your Glyphs palette earn its money. Flex your OpenType muscles: get stylized, contextualized, indulge in some ligaddiction. This typeface is a peacock that likes to put on a show, spread its plumage and strut around in all its blazing glory. Agatized, according to Wiktionary, means: A living thing converted into the form of agate; fossilized. I felt the name suited the solid, almost rock-like letterforms, but most of all I just wanted a typeface name that began with the letter A. Although Agatized Formal is a single-weight typeface it has a sibling, Agatized Informal, an older, more casual brother, rougher round the edges with craggy good looks and an altogether more jaunty style.

Provan is a contemporary humanist sans serif with roots in calligraphy and incised letters. These timeless inspirations result in a typeface family that transcends fashion and adds a strong sense of authenticity to brands. The regular version of Provan has angled stem endings and oblique stress in curved shapes which add to its friendly and legible warmth. Provan Formal straightens these stroke endings to bring a more refined alignment of letters. The typefaces include swash capitals, small capitals, old style figures and special Celtic capital variants. The Inline version of Provan is useful for drop capitals, book covers and posters. Provan bucks the ubiquitous neutrality of geometric typefaces and exudes a sense of humanity, craftsmanship and warmth.

Grunge Formal started out as a more upright, formal version of one of my fonts, Figment. A most versatile contemporary typeface, Grunge Formal works equally well from funky to formal, from giant size headers to pint size body text, from movie posters to wedding invitations. If you've ever needed a font that has a grungy, deconstructed look but works well for all sizes, a font that you can use for funky, gritty designs, and also for formal wedding stationery, Grunge Formal is a perfect choice. From the formal viewpoint, the font presents as a regular serif typeface with deconstructed edges, giving the antique look popular in wedding stationery design. Here it can be used from header to body size. For in-your-face design, Grunge Formal, when oversized, is really powerful and its deconstructed outline provides a raw, rough contrast to your background images. Grunge Formal has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation.

Mosquito Formal, by Éric de Berranger, takes the original jaunty design of Mosquito and dresses it in a tuxedo. The stressed character strokes, simple, straightforward shapes, relatively large x-height, open counters and hint of Peignot are still there, but the cursive strokes and lively terminals have been replaced with traditional designs. The result is a more serious-and more sophisticated typeface. The idea," says Éric de Berranger, "was to assuage the drawing of Mosquito. To 'calm' it; and eliminate its idiosyncrasies while preserving character structure and general appearance." Although still distinctive, as Éric de Berranger puts it, "Mosquito Formal is more to be read than seen, it is more invisible and thus, more readable than my earlier design." He does, however, use both typefaces in his graphic design projects: Mosquito for headlines and in applications where the lively design is appropriate, and Mosquito Formal for those instances that require a quieter more sophisticated look. Mosquito Formal is available in three weights with complementary italic designs in addition to a suite of small caps and old style figures. "