We are pleased to offer a unique typewriter font. Consists of two versions, namely regular and italic, Smart Chameleon has more than 650 glyphs and can be used in more than 150 languages. We present it in a handwritten version with untidy curve that makes you even more exasperated. Smart Chameleon has a vintage style that is packaged in the current version. Suitable for all styles, you only need to replace the color and background of the design and the appearance will totally change, from children's style to fancy, retro or modern youth style. Just like a chameleon that changes according to the conditions. Enjoy.

Mazaeni is a bold serif font family that includes 5 Weight regular to Extra Black which is inspired by something simple, elegant, usable, and versatile. Mazaeni is a daring and playful display typeface perfect for logotypes, posters, and editorial use. Includes wide language support, optional ligatures, OpenType alternates, and more. One thing to note about Mazaeni is the letter spacing. It was intentionally for clean reading if you wanted to use it for the body type, so I recommended setting the spacing a little tighter for display use (around -5 to -25 should do!). All typefaces from Kereatype include free updates, new features, and free technical support.

The Oronteus Finaeus map, published in 1531, shows Antarctica before it was "discovered" and how it looked ice-free. There is still much controversy about the validity of the map, but I was intrigued by the letter forms which appeared on the map itself. I used the typeface appearing on the map as a visual guide in developing my design for Oronteus Finaeus regular and old style figures. I liked that it reminded me of old maps, exploring and adventure. Definitely oldish and roughish in character. This new font is perfect for all those old style and antique applications, or for that vintage typography look.

IMPuzzled uses the OpenType feature of Contextual Alternatives to alternate two sets of characters. The sets are on two puzzle pieces that tessellate, that is, fit together to fill the plane with no gaps or overlaps. Empty pieces are on the brace keys and can be used to fill spaces. The black or solid style is designed to be used in a layer under the regular style, though it can be used alone if adjacent pieces are given different colors. This unusual font has limited uses but may be appropriate when the topic is related to the broad areas of puzzles, puzzled, and fitting pieces together.

Hibrush is a font that comes in 2 versions, a brushed texture regular version and a solid style. Hibrush is perfect for logos, apparel, T-shirt, hoodies, product packaging, or anything else. It includes Uppercase and lowercase characters, Supports international languages, contains numerals, punctuations, ligatures, stylistic alternates, and stylistic sets. Those are accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. Thanks for looking, and I hope you enjoy it. Please don't hesitate to drop me a message if you have any issues or queries. Omotu (ibnu.blawong2@gmail.com)

This humanist sans-serif typeface was exhaustively designed, full-featured typeface family that reveals its character and distinctiveness in complex text. It features a large complement of ligatures, lining and old-style figures, expert characters, dingbats (arrows, brackets, and symbols for both Regular weights). In the original Lisboa Pro the forms of the letters are humanist, with hooked headterminals, the characters contains medium contrast with a left-angled stress on the strokes. After ten years from the first version publication, this new version (0.2) is available with Latin (Western, Central Europe) and Cyrillic alphabets. It was selected by Our Favorite Fonts of 2005 (Typographica).

Robert's Script is a fresh brush calligraphy typeface with a smooth flow. The Family consists of two weights, Light and Regular. Its stylistic character is based on an elegant brush style. It can be used in various forms of communications. It contains OpenType Features such as Stylistic Alternates, Contextual Alternates, Standard Ligatures, Terminal Forms, Old Style Figures for numbers and Fractions. All European latin languages are covered with diacritics and special characters. For more details on the features and how to make the most out of this font, please refer to the OpenType guide at https://drive.google.com/file/d/1exEp9VcLM1rmrF9ptO2OWlQKKA-uyb4r/view?usp=sharing Cheers & Enjoy!

This humanist sans-serif typeface was exhaustively designed, full-featured typeface family that reveals its character and distinctiveness in complex settings. It features a large complement of ligatures, lining and old-style figures, expert characters, dingbats (arrows, brackets, and symbols for both Regular weights). Lisboa Sans lacks the hook-head terminals, but its structure and proportions are the same. The simplicity of the sans weight created very strong readability at small sizes. After ten years from the first version publication, this new version (0.2) is available with Latin (Western, Central Europe) and Cyrillic alphabets. It was selected by Our Favorite Fonts of 2005 (Typographica).

LiteOn is a lovely sans serif font family with a contemporary feel. The elegant design was achieved by combining modern and minimalist elements. When it comes to choosing the right typographic color for your project, the different weights give you a lot of options. The available Ligatures and alternate glyphs provide a diverse range of characters to make your project design stand out. 6 Weights (Thin, Light, Regular, Medium, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Created in 2009 by V.H. Fleisher, Monod is a geometric sans-serif typeface. The font has OpenType features that can be accessed in programs like the Adobe Creative Suite. These features include titling caps which are heavier & more tightly spaced than the regular caps, alternative punctuation marks, and arbitrary nut fractions (for single digit numerators & denominators). By clicking on the "gallery" tab above, you can see an illustration of the OpenType features. The "ff" tab on the "Sample Text" bar below allows you to test the OpenType features with your own text. Supported languages include: Albanian, Czech, Danish, Dutch, English, Faroese, Finnish, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanish & Swedish.

2015 First Prize TipoType award. Agatha is a new typeface for titles and short texts in big sizes. It can be use both in editorial publishing and brand design. From gothic geometric bases, the letters resemble the Nordic style in order to be more feminine, rhythmical and vertical. The two versions, Regular & Outline, let the designer choose between two contrasts: one heavy version that emphasize the rhythm and a lighter one that intensifies the subtlety. The third version, Blossom, combines light and color with ornaments that highlight the style. The three fonts have in addition a ligature set and some decorative glyphs that increase the possibilities of use.

Peroba rosa is a modern sans serif type family featuring a blend of modern, classical, and playful characteristics. The simple, clean forms and classically inspired proportions give it a timeless quality and interesting visual rhythm. Peroba rosa is perfect for logo design, magazine headers, product packaging, branding projects, clothing or simply as a stylish text overlay to any images or websites. WHAT’S INCLUDED? • Comes with regular, thin, light, italic, bold, thin italic, light italic, bold italic and bold italic font styles. Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Worthing aims to combine Victorian charm with modern-day requirements for legibility and clarity, and we hope, demonstrates that traditional elegance still has its place in the modern world. Meanwhile, for those who are curious about the naming of our fonts, Mr Lloyd our designer was reading Mr Wells (H. G.) War of the Worlds recently. No doubt some of you will remember the part that Worthing in Sussex played in that story. Worthing is offered in three styles: regular, alternate and shaded. It's ideal for Victorian and Edwardian era inspired design work, posters and signage, as well as for book covers, chapter headings and so forth.

Nata is a sans serif family with fourteen weights plus matching italics. It was designed by Candi Erwanto in 2019. This sans serif family is based and influenced by geometric styles that were popular during the 1920s and 30s and have been optically corrected for better readability. Nata has a functional look with a warm touch. While thin and black weights are great players in display size, lightweights, regular, and medium are suitable for longer texts. Small x-height and curbed shape provide a distinctive elegance. Nata is equipped for complex and professional typography. This OpenType font family has extended characters to support Central and Eastern European and Western European languages.

This small family can be counted as 4 fonts in 2. Because both weights contain small caps, 12 sets of stylistic alternates, and a decorative swashed form. That’s not counting dozens of ligatures in both multilingual latin and Cyrillic scripts. Plus ordinals, case-sensitive forms, and manual hinting. Due to its geometric nature, designers can manipulate vectors to change letters' dimensions for logotypes. They may seem modular, but every glyph was shaped individually to give handmade imperfections, reminiscent of wood type press. This allows for plenty of details at large sizes. Regular versions are multilingual but include only standard ligatures and case-sensitive forms.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

Eckhardt Bold JNL continues a series of sign painter-inspired type designs and is named in honor of the late Al Eckhardt, a talented sign man who was a good friend of Jeff Levine for about 18 years until his passing. The font is available in both regular and oblique versions and was inspired by an example found in the 1928 edition of E.C. Mattthews' "How to Paint Signs and Sho' Cards". Both squat and wide for maximum use in wall and window applications, the original name for the design is "Heavy Plug". Plug was the sign painter's term at the time for describing this type of letter form.

Ravenstonedale is a village in Cumbria, England. There’s not much to see in this quaint village, but the landscape surrounding it is beautiful. This font was sort of based on a number of handwritten letters by English author D.H. Lawrence. It is not a true reflection of the man’s handwriting, though, as I had to design a lot of missing glyphs myself; it was merely an inspiration. Ravenstonedale comes in a slightly slanted ‘regular’ version and a more slanted ‘Italic’ version. In order to stay true to the handwritten nature of this script, I have added a lot of ligatures, plus all the diacritics you could hope for.

Geller Sans typeface have been developed based on his serif predecessor’s proportions. He’s quite handsome, quite organised. Looking at thin–extraheavy styles he has enough of charm to stand out in advertisement. In text styles you can relay on him. He’s able to meet demand of complex design tasks. Geller Sans has been fitted with wide range of OpenType features. As Geller Serif, he has bullets & dingbats, for easier entry-point making. Entire font family comes in 4 width (Regular, Narrow, Condensed, Compressed). Each width finds its best application in different typographic fractions what makes Geller Sans easy to apply in editorial graphic design. Who’d like to challenge him?

Scatio is squarish with vertical terminal cut, a multi-purpose sans serif which can be use for many kind of graphic design projects. The Light, Regular and Medium weight have good legibility for text, the bolder and lighter weights can be used for headlines, display, posters, and more. Each members of the Scatio family contains 400+ glyphs which covers Western and Eastern Latin based languages. Each font is also equipped with some useful OpenType Features, such as: Fraction (frac) Numerator (numr) Denominator(dnom) Standard Ligatures (liga) Localized Forms (locl) Ordinals (ordn) Proportional and Tabular Lining (pnum & tnum) Superscript and Subscript (sups & subs) Scientific Inferior (sinf)

Sequal is a handwritten graffiti tag script. It was drawn and created by Måns Grebäck between 2018 and 2020. Its round and soft letters are youthful and active, and cool while being cute. Sequal is a typeface family of five weights: Thin, Light, Regular, Bold and Black. The different weights ensures usability in any context, while also giving the ability to emphasize phrases or words. The font supports hundreds of languages, including European and Asian Latin scripts. Composed of over 1250 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It also contains OpenType features such as alternates and ligatures.

Yonky Display is a really fun hand-drawn font. Consists of two styles namely regular & extrude. Perfect for poster designs, quotes, merchandise, logos and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual & Ligatures. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

Chips Snack! A hand-written font with 2 styles, regular (brush texture) and solid. Chips Snack is perfect for short typography, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster. Whats Include? 1. Uppercase and lowercase characters 2. Supports international languages 3. Numerals, punctuations 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word 5. Multilingual support Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

I used to live in the English Lake District, where I worked in an outdoor gear store. I bought a bright red mountain bike and each day, after work, I cycled up the mountain and hurtled down - heavy metal blasting from my MP3 player. Of course, the bike was a regular MTB, so it got some serious damage after a while, but the adrenaline rush was great! Downhill Dive is a great brush font (made with actual brushes and ink on paper - no tablets involved here!). It is an ode to that wonderful time spent in England. Downhill Dive comes with some really nice ligatures.

Altone was created in a pursue of regularity and conventional geometric sans serif typeface which tend to be easy to receive by it's reader, broad usage possibility, shown a simple, bold and strong personality. The letterforms are more likely associated with Grotesk rather than the original classical Bauhaus style, formed in moderate and proportional width, flat apex, closed aperture with straight cuts stroke ends. Consist of 9 weight from Thin to Heavy with each matching Obliques. Contain several OpenType features: Stylistic Alternates, Figures Variation (fraction, tabular lining, numerator, denominator), and also covered broad latin languages. Provided also variable fonts in two styles; Upright and Oblique

Introducing Slothy Jelly! A fun font for everyone. Slothy Jelly is a cute handwritten font that has fun and happy characteristics. This font is authentically handwritten with the marker pen for a consistent look. This font also has alternates so you can mix and match the letters and make it more fun! For some extra hand-drawn cuteness, this font is also thrown in a bonus font with symbols like emojis, hearts, underlines, arrows, and circles - and drawn with the same pen to perfectly go with the writing. So it will help to make your design more cute and happy. This font is suitable for branding, posters, children's books, magazines and others. Your download will contain the following fonts such as Slothy Jelly Regular - a pretty and cute handwritten including a set of uppercase, lowercase, alternates, ligatures and multilingual support. Slothy Jelly Symbols - a dingbat font of many hand-drawn elements These fonts will work in any program, but please note that the alternates and ligatures of the font can only be accessed on software that supports OpenType features. Thank you for your purchase! Hope you enjoy this font

Proudly present Chemicalife - Hand Drawn Letterpress Type, created by ikiiko Take advantage of "Chemicalife," a stunning hand-drawn letterpress typeface created to take your poster designs to new heights, and embrace its retro appeal and aesthetic attraction. The distinctive "Regular" and "Rough" forms of this typeface, each with its own compelling personality, provide your projects an unsurpassed degree of versatility. Discover the world of purposeful imperfection with Chemicalife's "Rough" aesthetic. This variation celebrates the natural flaws of handcrafted artwork and is inspired by the genuine charm of vintage letterpress prints. Every word and character exudes an artistic rawness that gives your posters a sense of true craftsmanship. These imperfections and uneven edges are the telltale signs of an artist's touch. This typeface is perfect for an vintage poster, movie title, packaging, food & beverages, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weight : Regular & Rough Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

DecoSpring is a decorative art-deco family that was inspired by one word in an advertisement in a 1978 edition of my local newspaper. I could not find a typeface that matched it so decided to create one, which became DecoSpring-Regular. It is caps only, with an alternative set of capitals on the lower-case keys. Characters with very thick stems invite interior decoration and I opted for floral decorations. DecoSpring-Flowers can be used alone or it can be layered on top of the regular style to create colored flowers. Changing the width of the bolder stem resulted in two more style, the light and thing styles. Another set of four styles, the Simple set, was formed by eliminating the split in the stems by merging the two parts. All the DecoSpring faces are display faces to be used in small doses, and especially the bolder ones, at large point sizes.

Introducing DEKORYA – a brand new serif with all the nostalgic vibes! DECORYA typeface is a beautiful and inspiring mix of classic calligraphy and modern serif with 46 unique ligatures and special alternates. Comes in 3 versions: Condensed, Regular and Expanded DECORYA is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood boards, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design What's Included? Dekorya Main File 46+ Special Alternates and Ligatures Condensed, Regular and Expanded Instructions (Access special characters in all apps, even in Cricut Design) Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thank you Dharmas Studio

As a beautiful yet eccentric unconnected script, Milroy Upright SG Regular can be a refreshing alternative to the formal upright scripts seen on so many anniversary and wedding announcements today. This nineteenth century classic was designed by Max Rosenow and Julius Schmol for Barnhart Brothers & Spindler in 1895. Milroy Upright was originally known as Oliphant. It was later renamed Advertisers Upright Script in 1925. This new version, Milroy Upright, contains many new alternative characters including a modified cap X and cap Z, a two-story lowercase g, and a matching set of oldstyle figures. Milroy Upright SG Regular is now available in the OpenType format. Some new characters have been added to this OpenType version including stylistic alternates, discretionary ligatures, and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Introducing Syntage – a brand new serif with all the nostalgic vibes! I've started seeing classic, tightly-spaced serifs of the 80s & 90s making a comeback, and wanted to create the perfect one for you too! Syntage is a beautifully nostalgic upper and lowercase typeface and has 80+ Special Alternates that looks incredible in both large and small settings as a display and body text. I've been loving combining the Regular and Outline, whether all in word or in body text! What's Included? Syntage Main File 80+ Special Alternates Regular and Outline version Instructions (Access special characters in all apps, even in Cricut Design) Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thank you Dharmas Studio

Uniform Rounded is a type family based on the 2014 Miller Type Foundry release, Uniform. This superfamily is comprised of three widths (regular, condensed, and extra condensed) each with six weights. The result is a fun and playful typeface that is extremely versatile and is a great asset for any project on any medium. Uniform Rounded is a multi-width geometric type family designed around the circle. The O of the Regular width is based on a circle, the O of the Condensed width is based on 1.5 circles stacked (with straight sides) and the O of the Extra Condensed width is based on two circles stacked with straight sides as well, and all other characters are derived from this initial concept. This unique idea creates a remarkably fresh type family that bridges the gap between circular geometric typefaces and condensed straight-sided typefaces. Uniform Rounded also includes many opentype features like Old Style Figures, Tabular Lining Figures, Alternate characters, Ligatures and more.

Bandung is home to numerous examples of Dutch colonial architecture, most notably the tropical Art Deco architectural style. This typeface was adapted from the finest Art Deco landmarks and signage in Bandung, Indonesia and strongly added native elements of traditional Art Deco typefaces style. The main character is an example of a harmonious mixture between West and East architectural styles, repackaged into the Art Deco type design. With two different styles, it comes as regular and Deco styles, the regular style is constructed with all caps setting, with some different characters between uppercase and lowercase. The Deco style uses more stripes in the right shapes, it was naturally inspired with the most common art deco typefaces. The additional Opentype Features loaded in this typeface; some stylistic alternates, accessible catchwords in the discretionary ligatures, and the art deco ornaments, This typeface is highly usable with large scaling size and will fit with posters, movie titles, and signage designs.

Pinto, designed by Vienna based typographer Georg Herold-Wildfellner, lets you transform type into an exciting and beautiful piece of work. The irregular, hand-lettered look adds a real human touch to things and comes along with a lot of loving details. Combine all font-styles the way you want, add some ornamental swashes or banners and even a single word becomes magnificent. · Four subfamilies plus hundreds of ornaments in 1 font combo! Pinto shows a great flexibility and variety. It works similar to a toolbox: four subfamilies including shadow-, outline-, display- and layer-variations. On top of that is NO_05, a set of more than 800 different ornaments to dress up any typographic project. Browse through tons of swashes, flourishes, dividers, corners, ribbons, banners, frames, arrows, hearts and stars. The extensive character set includes uppercase letters in two automatically alternating versions (activate OpenType “Contextual Alternates”). All ornaments are abundant with details and often available in different stroke thicknesses. Scale them up to meet your personal needs! · The Pinto Family at a glance • NO_1: Narrow Sans Serif (additional option: NO_01 Shadow) • NO_2: Slab Serif (plus a playful variant with serifs drawn as outline) • NO_3: Serif (plus 3 versions: Shadow, Engraved & Engraved Display) • NO_4: Western style – this one is for free! (extra: two layer-option) • NO_5: 800+ typographic ornaments in 3 fonts, separated into stylistic sets · The Pinto family in total includes 14 hand-drawn styles and is tailored for food-, magazine-, book- and packaging-design. · Enjoy! Georg Herold-Wildfellner | FaceType · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for Pinto / 195 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Aymara, Bashkir, Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Lule, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Liliana is a geometrical typeface, born throughout comprehensive formal studies while testing new ways of displaying certain words and sentences. The essential structure of Liliana is very conservative: It can look similar to other geometrical typographies, however, it has unique features that make this project very special. Liliana is a typeface that will work perfectly while setting short texts, words, and phrases as well. It shall perform greatly even when the paragraph is too short. Thanks to the versatility of its alternate characters, Liliana is perfect to achieve eye-catching texts. The spirit of this typography is focused on its “s” character, which originates from manuscript writings and provides a very special identity. If the text does not contain the letter "s", the intended personality can still be achieved by using alternate characters such as "f", "l", “r” and “L”, which are aligned with the same concept. On top of that, may all this still not be enough, you can furthermore use its ligatures and swashes. It is actually hard not to set a spectacular text with Liliana! Liliana is a typeface optimal for being used in marketing assets, packaging design, magazines, branding, film captions, headlines, editorial, quotes, logos, corporate identity, and motion graphics. The italic version has a 10-degree slant. This feature is intended to convey a gorgeous feeling of tension, power, and agility. It’s very interesting to realize how the dynamism in the italic characters works when compared with the regular ones. The typeface has 9 weights, ranging from “thin” to “heavy”, and two versions: "regular" and "italic". Its 18 files contain 642 characters with ligatures, alternates, and swashes. It supports 219 Latin-based languages, spanning through 212 different countries. Liliana supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.

A Blocky face with a slight hint of angularity. The Omnilots are a free addition to the set.

The displayfont Shiver is characterized by its strong shaped letters and the mix of angular and round shapes.

Saline is a angular and bumpy brush script. It includes set of nautical ornaments as an OpenType feature.

Introducing the Buckwheat Font Collection; Each and every font within the Buckwheat Collection was carefully created to be timeless, super versatile, and effortlessly cohesive. An essential kit to come back to time and time again for any number of design projects; from clean and modern, to rough and organic. What's Inside? - Buckwheat TC Regular: A condensed heading/titling font boasting real small caps (along with numerals, currency glyphs and more to match the small caps). - Buckwheat TC Sans: A rounded sans-serif font with several stylistic alternatives for various capitals (A, B, G, H, J, K, P, and R). - Buckwheat TC Script: Tying everything together, a simple yet effective monoline script font designed to look great big or small. - Rough and Smooth Styles: All of the aforementioned fonts are available in both smooth and textured styles. The textures are consistent throughout the collection, improving the cohesion of the fonts and eliminating the need to texture them yourself. - All of the typefaces within this collection include multilingual support and a full western character glyph range.

Emoli is a strong font family with a laid-back style. Inspired by the strong bending of iron, a unique character can be felt through controlled letterforms and blunt finishes. Each font in this family is standalone, and strong and cute. Emoli consists of ten fonts Emoli-Thin & Emoli-Thin Italic, with the thinnest complexion looks luxurious in high appearance. Emoli-Light and Emoli-Light Italic looks elegant combined with the weight of the Emoli Font family. Regular and italic emojis, the basis of emollient fonts, balance shapes, and letter uniqueness are found in this weight. Emoli Bold and Emoly Bold Italic will gently emphasize a strong character. Emoli Extra Bold and Emoli Extra Bold Italic, the thickest weights that will facilitate legibility and strong attitude. FEATURES 10 weights / Italics / Lines / Numbers & Signs Font family Emoli works well on applications, brands, logos, magazines, films. Different weights give you the full range to explore a variety of applications, while illustrated fonts give a modern, relaxed and powerful feel to any project.