Praha Deco was inspired by the Prague art deco movement at the turn of the 20th century. Spiced with our own creative blend, this is our tribute to that wonderful era in architecture. The Praha Deco typeface contains a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Jolly Jester is an irregular and whimsical typeface inspired by old type playing card jokers. Great for any humorous occasion, whether you're designing headlines, greetings, fairy tales or any number of other projects. Jolly Jester includes a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

This font was inspired by the hand-written 1648 Munster peace treatise signed by French King Louis XIV and German emperor Ferdinand II. It is a Cancellaresca font style, meticulously written and almost legible. It contains Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures made the font looking like a real various hand.

Power, speed and modern creature comforts characterized rail travel in the 1930s. To reflect those characteristics, legendary French poster artist A. M. Cassandre employed strong graphic elements and a chiaroscuro letter treatment to the 1939 poster lettering that inspired this font. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

The "Octavia VV" font family includes Regular, Italic, Bold, and Bold Italic fonts. Sans serif font type. The whole font family includes a large set of additional characters and letters with diacritics. Standard and Latin Extended support such languages - English, Danish, Spanish, German, Norwegian, Polish, Portuguese, French, Swedish. Standard and extended Cyrillic are supported by languages - Russian, Belarusian, Bulgarian, Macedonian, Serbian, Ukrainian, Kazakh, Kyrgyz.

Minou is a French cat’s name. There are more: you could name your cat Léo, Fripouille, Orion, Orphée or Tigrou, but I kind of like Minou. Minou font is a very cute, handmade affair, that started from some doodles I had drawn. Use it for children’s book covers, pyjama party posters, toy packaging and inspirational quotes. I am sure it’ll do the job purrfectly!

Hello! Introducing Quartell - modern display typeface family. Font looks amazing as alone words and as full text blocks. Also it good for bright captions and unforgettable logos It have supporting for many languages as: Czech, Danish and Norwegian, Deutsch, English, Espanol, French, Italiano, Magyar, Nederlands, Polish, Portuguese, Finnish, Swedish, Turkish, Russian and other based on extended latin. Thank you for purchasing and happy designing :)

The common Slavic word Osnova means basis in English. This universal but still distinctive typeface can make a good foundation for any design project. There is the main Osnova version and separated faces Osnova Alt, Osnova Fancy and Osnova Small Caps for Western Latin, Greek and Cyrillic languages.

Soda Land is a fancy font that will bring playful feel to your designs. It is inspired by Summer theme typographies and it looks casual and natural. Soda Land is perfect for branding purposes such as logo, label, title, headline, product, social media, business card, quotes, and others

Pinkus is a nice, uncomplicated serif font. It was hand drawn on plain white copy paper, hence the roughness. Pinkus is an all-caps affair, but upper and lower case letters can be interchanged. Pinkus can be used on posters, postcards, books, magazines and whatever else you fancy. Enjoy!

Introducing the new font, Mighty Rogers. Mighty Rogers is a bubble font. If you tracking this font, this font looks like a graffiti. Match for your business food, drink, branding design, typography, video motion etc. Whats Included Inside The Fonts ? Uppercase Lowercase Symbols Numerals European Multilingual Thank You, Regards.

Tall and narrow in stature, elegant by design and Art Deco in style, Deco Elongated JNL is a wonderful type design for setting long lines of copy in less space. The retro elements of this font conjure up images of fine fashions, fancy nightclubs and big band music…

Vilaka is a Fancy Modern vintage serif typeface with beautiful ligatures. It is a very versatile font that works well in small and large sizes. Perfect for editorial projects, Logo designs, product packaging, magazine headers, Clothing Branding or just as a stylish text overlay to any background image.

Introducing Keshia, a fun and fancy script font with a lot of alternates character. The flourish touch is unique, its help you to make wonderful lettering. Keshia is perfect for logotype creation, lettering compositions, wedding invitations, fashion projects, book cover design, magazines, cards, packagings, posters, branding and more.

Cross Stitch Gothic is not intended for text use. It was designed for use as fancy monograms or initials. Cross Stitch Gothic is based on upper case characters 28 stitches tall and contains the characters A-Z. Most characters extend above the capital line or below the base line.

Chauncy Pro is a bouncy, artistic, childish handwriting font that comes in four practical weights: Regular, Italic, Bold and Bold Italic. The jaunty little font is based on the left-handed penmanship of an artist and it's ready to go play with some of your fanciful, light-hearted designs.

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

This script font was inspired by a lot of manuscripts, notes and drafts, written by the famous french novelist Émile Zola (1840-1902). Specially, letters and notes from the period he was writting "Germinal" one of his very famous novel (published in 1884-1885) depicting the french minor's life in the past middle of eighteens. It is an elegant pen written type, sometimes connected, sometimes disrupted, but always regular and legible, with many variants, ligatures and contextual alternate glyphs specialy numerous in the OTF version. It is used as variously as web-site titles, posters and fliers design or greeting cards, all various sorts of presentations, menus, certificates, letters. This font, in spite of its small size, supports very strong enlargements as well as small sizes ( the original size was about 22 to 30 pts ). When printed, it remain perfectly legible and elegant from 12/14 pts even if using an ordinary inkjet printer.

The name “Parchemin” is derived from the word in old English for “parchment.” Our modern word “parchment” changed its spelling to conform with French spelling practices during the French occupation of England. The font was created to suggest an informal but antique form of handwriting written on parchment with a quill pen. The scratchiness of the old quill pen is conveyed in the roughness of the characters. The font was loosely based on the font Queen. Use this font whenever you want to suggest rough informality or antique handwriting. The characters have been letter-spaced and kerned in such a way that they join perfectly with one another giving a completely convincing imitation of genuine handwriting. The font is fully professional in terms of its character set. It contains more than 235 characters — (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

The Chlorines are two unique fonts, for they look as if they have been corroded with some sort of caustic material. Could it have been chlorine? Who knows? Both fonts have a modern appeal to them and fancy up any document. And when you can pick both of 'em up for only $45 how can you resist that corrosive, yet clean appeal? Chlorine Serif is a unique font, for it looks as if it has been cleanly corroded with some sort of caustic material. Could it have been chlorine? Who knows? This font has a modern appeal to them and fancy up any document. And when you can pick it up for only $25 how can you resist that corrosive, yet clean appeal?

While Walking along the shore of our Main Port to Europe in Rotterdam, The Netherlands, my 14 year old son Jules first hardly dared to step in the mud for he was wearing his brand new sneakers. Concentrating in where he put his feet, he noticed he made a character! The FootPrint-Regular was born! The FootPrint-Regular is a powerful header-typeface, but funny enough it's usable as small copy too! Blaze your Trail! Anything you can imagine on Police investigations, Bloodhound Thrillers, Trails, Tracks and Traces, anything about Outdoor Stores, Tracking or even maybe Pedestrian Clubs, or things like Survival Sports, Walking Events or Hiking Gear; Blaze'm your FootPrint-Regular Trail on all Banners, Blimps, Ads and Doormats!

The Chlorines are two unique fonts, for they look as if they have been corroded with some sort of caustic material. Could it have been chlorine? Who knows? Both fonts have a modern appeal to them and fancy up any document. And when you can pick both of 'em up for only $45 how can you resist that corrosive, yet clean appeal? Chlorine Sans is a unique font, for it looks as if it has been cleanly corroded with some sort of caustic material. Could it have been chlorine? Who knows? This font has a modern appeal to them and fancy up any document. And when you can pick it up for only $25 how can you resist that corrosive, yet clean appeal?

If you are like me, you love to doodle in a sketchbook when traveling abroad to capture the indescribable moments that a camera or video would miss. Years ago, on a trip to Spain, I penned out this fanciful handwritten script and just fell in love with it. I came across that old sketchbook recently, and the love affair was renewed. Gonte brings back all of the magic and charm of that trip, and I hope that it will bring a little magic to whatever flights of fancy you might use it for. Double letter Ligatures, Contextual Swashes to start and finish letterforms, and Stylistic Alternates for the lowercase v and w all lend to keeping the carefree hand-penned style.

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation led me to the study of the font Hass Unica, a so called improvement to Helvetica. In order not to replicate and become a clone of Unica I redrew all the characters from scratch improving optical appearance, developing subtle corrections and reshaping individual letterforms. The result is a remixed neo-grotesque font that has strong general optical balance with great rhythm under close tracking. Details include 10 weights, an extended European character set, true italic, manually edited kerning and Euro symbol.

Voggiet is a beautiful, high-contrast serif font with a distinctive look. the Voggiet font also combines organic details with strong geometric shapes. Voggiet font has a unique and organic character. With a range of different styles, you can change the feel of your designs from more organic to more standard. The typeface also offers many options, such as modern (fancy) Alternates and Ligatures. This elegant font is a must have in your collection and is perfect for your fancy design projects. Examples include fashion, logo design, branding design, wedding design, product packaging design, advertising, products, labels, photography, social media, and other products. This font is also PUA encoded, which means you can easily access all the glyphs and strokes.

Style and elegance in 14 styles PS Fournier, created by Stéphane Elbaz, is designed in tribute to Pierre Simon Fournier. Fournier was the prolific Parisian type designer whose work is best known for its iconic representation of French transitional style. PS Fournier elegantly represents the transition to the modern era of typography. Featuring three optical sizes, PS Fournier is designed to perform in any context. The Pierre Simon Fournier heritage Pierre Simon Fournier (1712—1768) was a leading innovative type designer of the mid-18th century. Early in his career, the young Pierre Simon developed a strong aesthetic that he cultivated throughout his life. His art is representative of the pre-revolutionary “Age of Enlightenment” (Siècle des Lumières). Precursor of the Modern style, Fournier’s body of work deeply influenced his times, and created the fertile ground from which the Didot family and Giambattista Bodoni developed their own styles. During the historical period of the 18th century, Fournier exemplified the intellectual pursuits of the times with his own research on type, documenting in detail the typefounding process. He also offered a unique vision: he is the first to clearly comprehend the concept of “type family,” sorting a set of similarly styled alphabets by sizes, width, and by x-heights. In addition, Fournier is one of the earliest advocates of the point system to organize the practice of typography, the point system that contemporary typographers continue to use to this day. The refined and discreet elegance of PS Fournier With a close look at the family, one finds you’ll find that the difference between the optical sizes (Petit, standard and Grand) is more than a contrast variation between the thin and the thick; the eye can also denote a palette of distinct tones: More streamlined and robust in the smaller sizes (Petit), more refined and detailed in the larger sizes (Grand). The PS Fournier standard family is designed to adapt to any situation with its intermediate optical size, from body copy to headlines. With a bit of tracking, PS Fournier Petit will make the smallest captions perfectly readable. However, Petit family is not limited to body and captions — its “slabby robustness” will make a relevant headline choice as well. PS Fournier Grand presents a higher contrast adapted to large text sizes, displays or banners. Its refined elegance makes it a perfect choice for Design, Fashion or Luxury publications. As a “modern” type PS Fournier Grand features a larger x-height than the preexistent old style typefaces such as Garamond or Jenson. These proportions provide any basic text set in PS Fournier Grand a strong typographic texture. As a result, the PS Fournier global family is a versatile alternative to the Modern typefaces commonly used in the publishing industry. The optical sizes, the large range of weights, and the design variations make this family adaptable to captions, paragraphs, and pages, as well as to large texts and displays. A leading-edge typography in the 18th century In the spirit of modernity, Pierre Simon Fournier did not find any use for the conventional swashes still produced by peers such as Caslon or Baskerville. Nevertheless the French designer created many inventive elements to decorate the page and set delightful variations in the text itself. To this regard PS Fournier includes a large set of glyphs variations, ligatures and more than one hundred glyphs for borders, rules and ornaments or — as called in French — “vignettes.” PS Fournier: A tribute to the French modern typography era by Stéphane Elbaz

Zitter Decorative Serif is a serif-style product font that looks luxurious and elegant. This font has many features that will make your designs look more beautiful and elegant. It is very suitable to be used as a type of logo and for branding your brand, and there is still much that you can do with Zitter Decorative Serif. Its unique shape adds a creative impression to it, so it can also use for any fancy, unique, vintage, and elegant themed designs. Languages Support :Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations OpenType Multilingual

Sebastian Bobby is an authentic & organic hand-drawn script font, crafted using a real fountain pen. This font has been carefully designed to re-create natural handwritten text, and includes 78 custom ligatures to achieve those free flowing pen strokes. Sebastian Bobby lends itself perfectly to handwritten quotes, signature-style logos, stylish branding projects, and hand-crafted product & stationery designs. This product includes 4 fonts; Sebastian Bobby • A handwritten script font containing upper & lowercase characters, numerals, and a large range of punctuation. Sebastian Bobby Alt • This is a second version of Sebastian Bobby, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Regular & Alt Slanted Versions • These can be used for a more italicised, fast-hand flow to your text. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you. Language Support • Sebastian Bobby supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

OkayCursive began over coffee, in a local flower shop, where my wife takes a floral arrangement class. I discovered a book there, with old photographs from Paris of flower shop displays. What caught my eye in the background of one of these photos, was the hand-painted lettering on a sign. Inspired, I quickly sketched some of the letters on a napkin and stuck it in my pocket. I began to sketch more over the next few days, looking to construct a full-out cursive font with this distinct French look. I wanted my design to be creative & free flowing, but I also wanted it to be at least somewhat proper. So, I consulted some schoolbooks for reference on the correct cursive forms. After more drawing, I began to create the final vector art. Gradually, these ideas -- plus many hours of careful kerning and metrics -- came together to form OkayCursive. Use OkayCursive any time you want fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text -- go ahead and have fun with it. OkayCursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Gothic Initials One was inspired by the beautifully-written gothic scripts of medieval scribes. The font contains the upper case letters A through Z under both the character set and shift+character set. This font is intended for use as initials, monograms, drop caps or wherever fancy letters are desirable.

Gothic Initials Three was inspired by the beautifully-written gothic scripts of medieval scribes. The font contains the upper case letters A through Z under both the character set and shift+character set. This font is intended for use as initials, monograms, drop caps or wherever fancy letters are desirable.

Miralight™ is a fresh and casual script. It will give a fresh and trendy touch to your artwork. Modern and stylish, Miralight™ also comes with fancy alternate characters like ending swashes and tales.The font has an extended character set supporting most Central European and Eastern European languages. Enjoy :)

Gothic Initials Seven was inspired by the beautifully-written gothic scripts of medieval scribes. The font contains the upper case letters A through Z under both the character set and shift+character set. This font is intended for use as initials, monograms, drop caps or wherever fancy letters are desirable.

Michiamelly is a fancy, bold font with multilingual support. This is a very versatile font that works well in both large and small sizes. Michiamelly is perfect for branding projects, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations or any project you're working on.

Diaspora is fancy modern sans serif font. Designed to give the impression of elegance and luxury. Contains uppercase & lowercase characters, all punctuation & numerals. Diaspora is absolutely perfect for editorial projects, Logo design, Wedding, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Gothic Initials Four was inspired by the beautifully-written gothic scripts of medieval scribes. The font contains the upper case letters A through Z under both the character set and shift+character set. This font is intended for use as initials, monograms, drop caps or wherever fancy letters are desirable.

A highly decorative and playful font, inspired doodle drawings. It has this Scandinavian vibe in a funny and lively way. If you don't fancy the decorative thingies, you can use the Regular version, which is a classic cartoonish font. The Decorative version has 4 different versions of each lowercase letter

Balava Is A Modern Duo Font Character Inspired By Serif and Script Style SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Have a Good Day !