Nazhdak is a handwriting sans serif of three styles sketched with a felted pen and digitized afterwards. Designed in 2001 under the impression of Erik van Blockland's FF Kosmik typeface. Nazhdak is searching and investigating boundaries between regular and irregular typefaces. In spite of ragged letterforms and general laxity the face is rather good for small sizes, and in large sizes it completely shows its crude fascination. The main destinations are small informal text compositions and display typography. Nazhdak was designed by Zakhar Yaschin and released by ParaType in 2009.

Adantine offers the opportunity to bring Victorian Elegance and Character to modern design work. It is inspired by the hand-lettered captions often seen on old sepia-toned postcards, but also has some of the spirit of 19th century advertising cuts. Adantine is offered in regular and text faces, as well as all and small Capitals forms with purpose made swashed capitals, and in a decorative embossed form. It can be used to set small amounts of text, as well as for headings and display purposes. Bring some steam-age elegance to your next project!

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Azalleia is a new exaggerated flourished caps typeface. Well elaborated and unusual design, inspired by old cross-stitch and craft books. Works great when used for display artworks. Entirely designed by hand, without use of auto-tracing and available in two different designs. Buying the two fonts pack you get free the exclusive collection of Azalleia native colored eps vectors, zipped with the font and ready to use. Take a look at the banners in the gallery section to see samples of this nice collection of eps free vectors.

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua. The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Bardot is a versatile swashed type family that combines modern elegance with technical structure. It features swashed alternate caps, as well as various ligatures and alternative characters. Uppercase swash alternates can be applied to all characters or just the first of each word. These alternates can be accessed easily through any OpenType-enabled application for specific needs. Bardot works best as a display font at large sizes but is equally adept to paragraphs of text or small pull quotes. Graceful, curvaceous and attention seeking, Bardot offers elegance and charm in abundance.

Attic Antique by Three Islands Press. Flipping through a friend’s old hardbound collection of John Burroughs nature essays a while back, I thought it'd be fun to try to develop a typeface with the same uneven, imperfect look to it. I picked and chose among various printed characters, enlarged them somewhat with a photocopier, then hand-rendered each. Had to custom-make some of the accents and symbols, then added a couple goofy dingbats just for the heck of it. The result: an amazingly legible serif family akin to the Century faces.

Say hello to the new Magallanes Condensed Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Koala was originally designed in 1999 by Eric de Berranger with an individual, independent character. A distinguishing characteristic of this sans serif font is its marked stroke contrast, typical of Modern Face fonts. The open, airy forms are reminiscent of ancient Roman capitals. The lower case letters display traits similar to those often seen on posters and in advertisements of the 1930s and 1940s. The lively Koala is particularly good for shorter texts and headlines in larger point sizes and combines well with fonts with little stroke contrast.

MVB Hotsy Totsy is Akemi Aoki’s first typeface design. Aoki created the letters in cut paper. Once digitized, the design was expanded to offer several weights and styles. Exaggerating the triangular serifs and tapering strokes of “Latin” typefaces, MVB Hotsy Totsy is the perfect party face, appearing frequently on board games, product packaging, and in children’s books. It is named for (what was at the time) a dive bar in Albany, California. The bar has since been renovated but its neon sign was preserved, a local landmark of San Francisco’s East Bay.

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine "Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. About Al Retto: "Al" means "Alessio Leonardi" and Retto "straight", but if you read it as an italian world means "in the a**".

Big is beautiful. Barle font has an extremly heavy weight and wide shape. A sans-serif display font that's perfect for large headlines, posters, packaging and any graphic design that requires a font that will stand out to audiences. Barle font has two faces, a standard character and a sliced version which can be accessed through the Stylistic Alternates feature. This font consists of 4 fonts; upright and italic style in the normal version and the outlined version. If you just want to use the sliced version, you just need to purchase Barle Alt.

An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001) of the same name. In Armenian ‘Haverj’ means ‘Eternally’. The face resembles many regular text serif fonts but elements like serifs and terminals make it eccentric and a little bit funny. The shape of diagonal legs in capital K and R resembles book lettering of the 1950s—60s. Using it in text, advertising and display typography may lead to surprising effects.

Federico is a typeface based on the handwriting of Federico Garcia Lorca, the eminent Spanish poet and playwright (1898-1936). Original version was designed for a book about Lorca. The face has two styles. One looks like an original poets writing, the second looks like if Lorca would write with a ball pen. Federico includes many alternative glyphs and ligatures, which make it look like a real writing of an emotional, negligent, creative man. Despite the fact that Garcia Lorca has written in spanish, the font has western and eastern european, cyrillic, turkish letters.

Kecumik, a stunning Glamour Serif typeface, seamlessly blends elegance with modern sophistication. Its graceful letterforms exhibit a harmonious balance of curves and serifs, exuding a timeless allure that captivates the eye. Kecumik’s intricate details and refined strokes contribute to its distinctive personality, making it an ideal choice for projects that demand a touch of glamour and a nod to classical aesthetics. Whether used in editorial design, branding, or luxury packaging, Kecumik’s versatile charm elevates any visual composition, embodying a sense of refined beauty that resonates across diverse design applications.

Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 205, most notably featuring a traditional, double-storey lower case a and g.

Colmena studio presents Chula, a geometric typeface 100% original, traced in the beginning by hand, chula is not based in any other typeface, each glyph was drawn in base of circles and rectangles, the tail of certain glyphs gives to the typeface and designs fluency and movement. Chula is fresh and modern but with a little touch of vintage, ideal for big texts and formats, but also legible in small size. You can use it in 3 versions, regular, medium full and full. It works perfectly in logos, monograms and patterns.

Designed by Les Usherwood. Argus is a flared serif font family. Its analog form was designed by Les Usherwood (Typsettra) in the 1980’s, and Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) designed the digital version exclusively for the Red Rooster Collection in 1992. Argus is an expressive, graceful typeface that was inspired by Baroque typography. Its diamond-shaped punctuation shares similarities with other glyphic typefaces, such as Arthur Baker’s ‘Baker Signet.’ The font family gives a beautiful gravitas to any project, whether it be packaging, motion picture, or magazines.

Kopik is a modern hand-drawn script inspired by the 1960's architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of written applications. Details include 440 characters, three weights with matching italics, alternative a, g, and y four numerals variations. Opentype features inferiors, superiors, fractions and language support covering Western, South and Central Europe.

Candide Condensed is the complement for Candide and widens greatly the possible applications of the Candide family. Through Its moderately condensed proportions, it also works superbly as a discrete space saving text face. Candide Condensed comes with the same character layout and features as Candide. Candide Condensed consists of 16 styles. It comes in OpenType format and provides an extended language support. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Alejandro Lo Celso’s tribute to Bodoni takes the form of a humorous fat face for display use, in both solid and engraved forms. Four years after Bodoni’s death, Margherita, Giambattista’s widow, published the two volumes of the famous Manuale Tipografico, a significant catalogue even today. Margarita’s curves are extremely sensual, it should be set only at huge sizes. The typeface includes several ligatures both standard and discretionary, and a set of contemporary ornaments to set nice frames and patterns. We hope you enjoy working with this fancy type. See more at PampaType.com.

Vernata, an enchanting and elegant serif font, captivates with its timeless sophistication and refined charm. Each letter is meticulously crafted, embodying a perfect balance of curves and straight lines that exude a sense of grace and luxury. The delicate serifs add a touch of classic flair, while the overall design maintains a modern sensibility. The spacing and proportions of Vernata are expertly calibrated, ensuring readability and an effortless flow of text. Whether used for invitations, branding, or editorial design, Vernata brings a magical allure to any project, seamlessly blending tradition with contemporary aesthetics.

Say hello to the new Magallanes Family, a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.

Savoye was created by Alan Meeks in 1992. The spirit of the Jugendstil lies behind the design of this font. Graceful upright letters combine to create delicate, flowing word figures. The light stroke contrast and slant to the right emphasize the liveliness of Savoye. Generous capitals contrast with small, demure lower case letters whose distinguishing characteristic is their high ascenders. This contrasts beautifully with the relatively reserved descenders. The capitals can also be used as initials combined with other alphabets. Savoye is the perfect font for invitations, greeting cards and other personal correspondence.

Talbot Type Klamp 205 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 205 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 105, most notably featuring a more modern, single-storey lower case a and g.

The Tabac type system is a static typeface with modern shapes and distinct, wedge-shaped serifs. It is primarily designed for the setting of newspapers, magazines and books. Tabac boasts great variability in terms of letter weight in all of its styles. Each style works as a font of its own, featuring the full set of glyphs. The styles may be combined depending on the user; the choice of text and title face thus depends fully on the designer’s own taste, on the needs of the readers and the technologies of printing in use.

The Poole Chiselcut faces are a useful companion to the regular Poole fonts. In the Standard weight, the diamond shapes inside each character, work toward an elegant, sophisticated look. In the Mid and Heavy weights the chisel cut makes the alphabets look Victorian. In particular, the Heavy weight look is that of a circus letter. Of course the 2 color options for this group are endless. Used in concert with the rest of the Poole Family, or as stand alone fonts, the Poole Chiselcut set is a useful addition to your library.

Hollenbeck JNL is the Art Deco, all-caps cousin of Jeff Levine's Hallandale JNL typeface. This version utilizes the thick-and-thin stroke weights so popular during the Art Deco era, while retaining the look of hand-lettered copy. Best suited at larger point sizes, this font is a nice alternative to the over-used display faces reminiscent of that time period.

Wood Type Grotesk JNL was re-drawn from a set of vintage wood type purchased from a closed rubber stamp shop. Although the style of lettering is referred to in old type catalogs as a "grotesk" face, in truth the lettering has charm and effectively gets the printed point across to the reader. This typeface is available in both regular and oblique versions.

Louisiana originated from the lovely handwriting style of Melanie Snedeker. Lettering Artist Charles Borges de Oliveira then refined the letter forms to produce this one of a kind handwriting script. When you need a legible handwriting font, Louisiana is the perfect choice. Louisiana Grab Bag is a fun little add-on to Louisiana. Chockfull of arrows, smiley faces and other little goodies.

Cirkulus is an experimental display face, constructed using combinations of hairline circles and straight lines. The typeface was designed by Michael Neugebauer in 1970. The letters exude a constructivist aura, reminiscent of both the revolutionary 1920s, and the digital experiments of the 1990s. Cirkulus is a unicase alphabet, with a very lightweight appearance, and should be used solely in large display sizes.

Embrace the aqua-infused elegance of our modern serif font. With fluid, graceful strokes, it captivates with its contemporary charm and timeless sophistication. Let the cascading aqua serifs dance across your designs, creating a harmonious symphony of visual delight. Elevate your typography and unleash its captivating power. Experience the fluidity and immerse your audience in its mesmerizing beauty, leaving a lasting impression.

BonaVia is an adaptation of Greater Albion's Bonning and Bonnington families. Its purpose made to enable the construction of banners and mastheads in the style of traditional streetsigns, and offered in Regular and 'Blanc' faces. A selection of decorative ends and fleurons are included. BonaVia is splendid on posters, signage, book and CD covers and labels with a period feel.

Eccentric was designed in 1881 by Gustav F. Schroeder. It is an all-capital, narrow-bodied, monoline display face that could be described as high waisted. With cross-bars and main junctures more than halfway up the letterforms, every letter - except the W - has a long-legged appearance. Eccentric has a wide range of display uses, from playbills to fashion advertisements.

Graphite/4b pen illustrations from the past resurrected as vector/tattoo-art! The detailed illustrations can be displayed at large sizes/full magazine layout page down to thumbnail size! a-l: The full Zodiac of Chaos m-u: Parts from the Tarot of Chaos v-z: Faces of Chaos A total of 26 unique illustrations. Upper case A-Z hold mirrored versions. Enjoy!

Saloon Girl is a revival of an old classic font used by sign painters and includes the rarely seen lowercase. Saloon Girl comes with extra fill fonts, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts. In this all new 2020 version we've added case sensitive form, small caps and italics.

Arioso was a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. The calligraphic style of Arioso stems from an early form of Old Face developed in the 14th and 15th centureis in Italy. It is a mixture of Roman capitals and Carolingian lower case.

Introducing Calathea! This is an elegant calligraphy font that has a casual and luxurious style. This is an upright script font that is made slowly and thorough which aims to convey the character of the writing that is elegant, neat, simple, graceful, firm and still stylish. Available 584 glyphs in it! So, you can get used it freely and follow the current trends.

Gaius is a beautiful script face with a nice relationship between the broad-edged pen and the proportions of the letterforms. It is very flexible and gives a personal touch due to its various alternate fonts with swash beginners, ending and ligature letterforms. Like Zapfino from Hermann Zapf, Gaius offers a great variety and makes the text more personal and readable.

Gracious Azaleas, the flourished ornaments typeface, was designed entirely by hand, without use of auto-tracing, by Iza W. Its well elaborated and unusual design was inspired by old cross-stitch and craft books. Good to use in arts and crafts works, books of arts, stationery, publishing stuff and many other applications. Another recherché masterpiece by Iza W from Intellecta Design.