File Clerk JNL was based on Cushing, a typeface found within the pages of the 1901-02 Pettingill & Co. (Boston) specimen book, and is available in both regular and oblique versions.

Built from the petroglyphs found on the island of Santa Catarina - Brazil. With elemental geometric signs and figurative human representations. It is a printer with a decorative characteristics of Art Deco.

Letterpress Embellishments JNL is another typographic collection of assorted stock advertising cuts, ornaments, cartoons and other miscellany found within the type drawers of letterpress printers and based on vintage source material.

Created for captions and similar serif situations where small type is required, Freight Micro is amazingly illustrative for large type too. This half-wedge, half-slab design provides the firmest of foundations to build your design on. The abruptness of the sharply carved italics take emphasis to a higher form. Freight Micro is an exercise in whispering very loudly.

WIP Macho Man depicts the handwriting of man with a strong need for independence combined with spontaneity and high potential. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Centennial appeared in 1986 in honor of Linotype’s 100th birthday. The roman and light cuts of the font are reminiscent of the Century typeface, particularly on that of Linn B. Benton and Morris F. Benton, designed around the turn of the 19th century for the American Type Founders. Like Century, Centennial too embodies a cool, reserved neutrality.

“News Gothic” has been a reliable workhorse of a font since it was created by Morris Fuller Benton and first offered for sale in 1908 by American Type Founders. A clean, legible design used for text copy, it can also double as a light headline face. This reinterpretation (named Columnist JNL) is available in both regular and oblique versions.

This timeless classic is patterned after the typeface Camelot, designed by Morris Fuller Benton for American Type Founders in 1926. Its elegant lines and pleasing color make it suitable for both headline and text use. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

I was doing the laundry the other day and, as usual, I was going through the pockets of my jeans. After I had emptied my party pockets, I figured it was a great name for a new font! So, without further ado: here’s Party Pocket: a handwritten all caps font - great for product packaging, greeting cards and posters!

This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all kinds of formal ballyhoo. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

This font set was developed for the Albright-Knox Art Gallery and is inspired by their collection of Pop Art. Artists such as Warhol, Lichtenstein, and Rauchenberg sought to blur the lines between high and low art as well as the boundaries between art and everyday life. The alphabets and extras in this set reflect that spirit.

This revival of the Bruce Foundry’s No. 11 is typical of the nineteenth century types derived from the work of Didot and Bodoni; the face remains popular with lawyers and government printers. In fact, Theodore Low De Vinne opposed this kind of design as hard to print and read; he had Century designed to replace it.

This elegant titling face is based on an American Type Founders release from the 1920s named Sterling. Hairline serifs and graceful curves give this typeface a certain grace and charm that will brighten up any project. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

WIPEU The President depicts the handwriting of a versatile and energetic man of vision at the highest stage. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Lydian is an unusual sans serif face with strongly calligraphic letter shapes, originally cut by American Type Founders. The eye-catching nature of the Lydian font family has made it popular for use in magazines and advertising as well as in newspapers for headlines and introductions. The cursive has an even more marked pen-drawn structure.

Two classics from American Type Founders specimen catalogs of the 1880s—Othello and ATF Black Caps—inspired this powerful headline face with a decidedly menacing quality. Suitable for creepy, eerie and spooky occasions. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Here's a stencil version of another Nick's Fonts typeface based on Chic, a Morris Fuller Benton creation for American Type Founders from the 1920s. Stylish and sophisticated as always, and now with an arts-and-crafts flair. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

In an 1896 specimen catalog for American Type Founders there is a design called Geometric Gothic. The lettering style looks as if it’s ahead of its time; foreseeing the 1980s. With its squared characters, some pointed overhangs and modified character shapes, this type design is now available as Squared Off JNL, in both regular and oblique versions.

From today's point of view Katarine has a rather unusual origin. Initially an all-caps display face, what was to become the Medium weight of the family was augmented with a lower case, then the character set was completed by adding all the missing glyphs. The next step was the creation of the Light and the Bold weights with matching Italics. This working method compromised the relationships between the characters across the different weights After some consideration the decision was made to start over and draw the complete family from scratch. This time the "conventional" process was followed — first the Light and Bold weights were designed. Those extremes were used to interpolate the Regular, Medium and Semibold weights. When compared to the original, the glyphs of the new fonts are slightly wider. The construction of the letters is sturdy, with an x-height that varies from the heaviest to the lightest weights. The relationship of the stem weight between the horizontal and vertical strokes is carefully balanced. Characters are open and firm; the italics have room to breathe. The original fonts included two sets of small caps — Small Caps and Petite Caps. However neither set were suited for emphasis, with the Small Caps being too tall and the Petite Caps too short. We decided to replace them both with one set of traditional small caps, slightly taller than the x-height, perfectly suited for emphasis in text usage. The original version of Katarine was partly incorporated into the new OpenType versions. Thus most of the original arrows, frames and boxes can be found in the new Katarine. Each individual weight now contains 830 glyphs, nine sets of numerals, small caps, numerous ligatures and fractions. An additional font named Numbers contains numerals in circles and squares, and is now augmented with accented caps and a number of terminal alternatives, which can easily be accessed through stylistic sets. We also added two extra variants, Experts Regular and Experts Black (in inverted form). Katarine Std preserves the solid construction and excellent legibility of the original family, but has now become a fully featured OpenType typeface. Katarine is suited for a broad range of applications, from simple layouts to intricate corporate systems. It is the typeface of choice where the cold, austere character of modern sans serifs are inappropriate, yet simple shapes and good legibility are required.

Hello! Introducing a decorative font — Qimzy. It's a smooth shape bold typeface with seamless sticky effect. This font includes lots of multilingual characters (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

A modern font with a Typeface display style, very attractive, coupled with several lowercase ligatures. This font is available in 3 thickness styles such as regular, Bold, and Out line . This font has uppercase, lowercase, numbers, punctuation, and language support.

Can't decide whether you're feeling archaic or modern today? Try Fidelma. Fidelma is drawn entirely with straight lines, no curves, giving it a rough but still readable look.Includes four fonts: Regular, Bold, ExtraBold, and a nifty set of Drop Caps.

Cybernaut is a bold, distinctive display font with a futuristic feel. It is ideal for all branding, advertising and publishing projects, and particularly well suited to science and science-fiction based applications. It boldly goes where no font has gone before!

Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

Bohemian Hunter Bohemian Hunter is an All-Caps contemporary display / spur serif typeface. It comes packed with 9 different font files including 3 weights. What's included? 9 Font Files Light, Regular, Bold Clean, Rough, Stamp Versions Western European Characters Included

Goodbees is built from a bold base, unique combinations, smooth curves, and sharp edges. Goodbees is best uses for headings, Logo types, quotes, apparel design, invitations, flyers, posters, greeting cards, product packaging, book covers, printed quotes, album covers, movies and more.

Hushy is a Rounded Bold and modern display typeface featuring characters that stand out from every background. It has multilingual language, it useful for your a cool and coolest project up next. Suitable for logos, posters, packaging, branding, cool invitations, etc.

Blink Urgent - Modern Bold Serif Font is a stylish font It has both modern and retro look. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more.

Silk Display is a serif retro and bold display font. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! It would look great on headlines, magazines, logos, branding and so much more!

"Polythem" is a beautiful high bold script font that makes for gorgeous logos, posters, wedding invitations, blog posts, social media, and more! Polythem Script includes ligatures to make everything look totally hand-done, and alternates for each letter. Thanks for visited

Paletone is hand lettered sans in two style, Regular & Bold. With the organic and handmade feels, you can use this font for any project. This minimalist font also suitable for the project with earth tone color. Also good for quotes.

Hurley 1967 is a bold script, with clean lines and smooth curve combined with beautiful features! Simply amazing fonts, comes with 7 styles. Hurley 1967 has a bunch of styles as a families to designed lettering style logotype using the fonts.

Hendrix bubble is a modern and classic display font with its own unique style and modern looks. This typeface is perfect for an elegant & bold logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Mad Rascal is an Extra Bold display serif with large and soft inktrap. It comes with 24 styles and Variable support. It’s ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements, and much more.

I was watching last episode of Tonight Show with Letterman when I develop NT Tonight Show. My idea, I want to make a font that represent showbiz industry. Voila, here's Tonight Show. A contrast, bold, versatile. With swash and alternate option.

A sans-serif font that I created when long raining in my city. The shape is clean with a dynamic semi-bold stroke. It's suitable for a minimalistic, "less is more" design and useful for display and larger body text.

A bold and dynamic typeface that exudes energy and creativity. With its expressive brush strokes and commanding uppercase characters, Maxigo brings a distinctive and modern feel to your design projects, making it perfect for headings, titles, brandings, packagings, flyers and logos.”

Alonga is modern serif family that comes in 3 weights: Light, Regular and Bold. Characterized with high contrasted stems and sharp triangular serifs ñ all wrapped in elegant geometric letter shapes. Contains Tabular and OldStyle Numerals, Ligatures, Numerator, Denominator and Fractions.

Jelly Billy is a fun handwritten font featuring a quirky, bold, and modern style! It will work perfectly with packaging products, merchandise or pretty much any design of spring or summer season that requires a touch of happiness and joy.