Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. The Fodor letterforms were created for the magazine published by Museum Fodor, Amsterdam. To save cost it was designed to be ‘typeset’ on their own electric typewriter. The resulting monospaced effect was combined with a background of orange overlaid with pink dots that provided a page grid to align the text to. The title set on the dot matrix formed the 'system' for construction of the ‘digital effect’ letterforms. Now Architype Fodor recreates these letterforms as a truly digital font.

Ebisu is a sans serif family consisting of 10 different weights. Designed by Alex Haigh in 2010, and influenced by one of his original designs from 2008 Hiruko - Ebisu loses the soft sans serif curves, for a more robust geometric styling. But it’s much more than a geo-replica. The lowercase characters also have a more exaggerated sharpness that gives the whole family a unique look and feel. The kerning has been individually crafted for each letter, with vigorous attention - to ensure that each letter from is produced in a way that works with every member of the set, for a tightly knit sans serif family. It speaks many languages too. The open type features have an extended character set to support Eastern and Western European languages. With each weight conveying a different personality, Ebisu is set to become the modern new sans serif family to sit alongside you classics for versatility, cleanliness and a crafted edge.

The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PhD student Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each has its own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties that are stylistically consistent. Adagio Slab - Slab variety combines qualities of the Sans and Serif varieties. It has the same contrast as Sans. As distinct from Serif, Adagio Slab contains strong, beamy and symmetrical serifs in the form of pillows. Thanks to large X height, and highly stretched descenders, it also works correctly in longer text, while its strong detail is good for headlines. Slab version is a great complement for Adagio Serif and Adagio Sans.

Introducing Madrea – Friendly Sans Serif Unconventional Charm Madrea – Friendly Sans Serif is anything but conventional; it introduces a unique and friendly twist to your designs. Irregular Shapes What sets Madrea apart is its irregular shapes, which establish a welcoming and friendly atmosphere. This makes it the perfect choice for designs seeking to break free from formality and monotony. A Breath of Fresh Air In the realm of sans serif fonts, Madrea is indeed a breath of fresh air. Its non-uniformity and organic feel breathe personality and approachability into your projects. Breaking Formality Madrea excels at breaking the chains of formality. It’s an ideal choice for design projects that demand a friendly and informal touch, effortlessly transforming the mundane into something captivating. In Conclusion In summary, Madrea – Friendly Sans Serif is your gateway to a non-uniform, friendly design experience. Its irregular shapes infuse character, warmth, and a refreshing departure from conventional design, ensuring that your creations are brimming with life and far from monotonous.

Telegraph font family was developed on the base of scanned images of telegraph printing machines. It consists of 4 styles: Natural is the most close to original scans with all defects of positioning and dirty print on the rough telegraph paper tape; Clean style uses cleaned contours, but keeps disorder in positioning; Straight is straightened along base line; Clean Straight style has self-explaining name. The fonts can be used for imitation of wire texts and in advertising and display typography. Upgraded version with extended character set was released in 2011 by ParaType. Designer Gennady Fridman.

Say hello, to Sallomae! A playful display font. Inspired by jungle cartoon, and children's book. Sallomae designed with a cheerful monoline concept and adjusted well to keep the legibility. Sallomae is a flexible typeface that you can use for many kinds of stuff and themes. You can combine the uppercase and lowercase to get the more unique and cute design, equipped with stylistic alternates, ligatures, Sallomae is perfect for kids' merchandise, quotes, t-shirts, posters, social media, pillow, packaging, storybook, food menu, cafe decoration, logos, and much more! Mix and cheer up your day with Sallomae!

Here is my next Celtic Monograms font family. I used a lot of authentic knots and curves to imitate Insular art style. The term derives from insula, the Latin term for “island” in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. I've drawn sketches set, manually vectorized it and assemble the font family. In an attempt to replicate the intricate patterns found in Celtic art, I endeavored to create a design that embodied the essence of true Celtic knot work. The interweaving lines, which were prominent motifs in Celtic art prior to the arrival of Christian influence around 450, served as the foundation for my creation. Over time, these designs seamlessly integrated into early Christian manuscripts and artwork, incorporating depictions of various elements from everyday life, including animals, plants, and even human figures. In the beginning, the patterns were intricate interwoven cords, called plaits. This particular style is often linked to the Celtic regions, but it was also widely embraced in England and spread throughout Europe through the efforts of Irish and Northumbrian monks. The utilization of the Celtic knot as a tattoo design gained popularity during the 1970s and 1980s in the United States. Consequently, it has proven to be a highly advantageous font choice for various applications such as posters, banners, and sportswear. You can also create a vintage color shift effect. Please note, you should use graphic applications such as Adobe Illustrator or Photoshop, but not Microsoft Word. All you need is put Two or Three lines style initial on the top of Back style. I’m happy to present you the Rough, Two lines, Three lines, and Back styles for your design. You’ll get uppercase and numbers set. Thank you!

Pushki Pro is based on some hand lettering found on a Russian poster. Pushki Pro works with your OpenType-savvy applications, using contextual alternatives, to alternate between the upper and lowercase letters preventing adjacent glyphs from repeating.

Caramel Sky is a naturally handwritten font that comes with 5 different styles. This design was inspired by blackboard menu penmanships found on coffee shops. A fun and spontaneous typeface suitable for various home or business projects.

I found her in a German market while searching for the perfect parsnip. She was smoking catnip cigarettes and squeezing kumquats to test their ripeness. She had hair like a camel and index fingers like a Viking.

“Stillson” is an Art Nouveau-influenced font found within the pages of the 1881 Barnhart Bros. & Spindler type specimen book. The digital revival is called Office Manager JNL, and is available in both regular and oblique versions.

Floralissimo are flowery embellishments that I found in several old publishing books dating back over a hundred years. I thought they might be useful for some of you, so I digitized them. Your digitizing typedesigner, Gert Wiescher

Same Old English JNL is your basic, everyday Old English text font with one small difference—it more resembles a hand-lettered typeface complete with tiny inconsistencies than it does the "perfect" versions found in printer's type.

Roman Stencil JNL is a condensed version of the classic Roman typeface found on many vintage hand-punched brass stencils made for packing and shipping merchandise. This digital interpretation is available in both regular and oblique styles.

Pickfair JNL is based on the vintage wood type Vandenburgh Tuscan (circa 1867), and gets its name from the mansion owned by Douglas Fairbanks and Mary Pickford—two of the founding partners of United Artists movie studios.

A new monospaced font with tech and experimental style by Atk Studio. Created for electronic displays found in modern techie world. This type features a Latin Standard character set, covering multiple languages written with the Latin script.

This year we commemorate the 200th anniversary of the first sans-serif typeface. and what better way to celebrate, than to design our own sans-serif! Brother 1816 is a very flexible, multifaceted and solid typeface, mixing Geometric shapes with Humanistic strokes at the same time. You can choose between a pure geometric or humanistic style, or even mix the +20 alternate characters to create the feeling that you need for your projects. Its humanistic nature makes it easy to read, legible in small sizes; perfect for branding, editorial and signage. Its geometric nature works for bigger applications in need of more personality, like branding, headlines, posters, etc... This makes Brother an excellent tool for an incredible wide range of uses. It has a total of 32 fonts, which are divided into 2 groups: normal (16 weights) & printed (16 weights). Each weight has +460 characters, +20 alternates, angular and straight edges, swashes, fractions, ordinals and much more.... Brother has also been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

Introducing Serene Orchid a revolutionary new sans serif font! This modern and evolutionary font combines sleek, minimalistic design with the latest technological advancements to create a font that is truly one-of-a-kind. Serene Orchid font offers a wide range of stylistic sets, giving designers and creatives ample options to choose from. From elegant to edgy styles, this font can be used to bring any project to life. The design of this font is inspired by the natural evolution of design and typography. It embraces the latest trends while staying true to the fundamental principles of typography, resulting in a font that is both timeless and contemporary. The unique spacing and letter formation of Serene Orchid font ensures perfect readability and legibility for any project, and its compatibility with all major design software ensures ease of use. Whether you are using this font for brand identity, packaging, editorial design or anything else, this modern and evolutionary sans serif font is sure to make your projects stand out. Try it out today and see the difference for yourself!

Flinders is a modern humanist sans serif font family designed by Eko Bimantara in 2023. This typeface is intended to be used for various reading purposes and has letterforms optimized for legibility and ease of reading. The styles of Flinders are a sans serif interpretation of classical roman proportions, characterized by a low x-height, subtle calligraphic strokes, angled stroke ends, and open counters and apertures. Flinders is a versatile typeface that is readable in both large and small sizes. Its legibility makes it an excellent choice for body text in books, magazines, and newspapers, while its modern design and open counters make it well-suited for digital screens and web design. Flinders can also be used for branding and identity design, as well as packaging and signage. Overall, Flinders is a contemporary and readable typeface that is suitable for a wide range of design projects. Its humanist characteristics and modern design make it a unique and versatile option for designers looking for a typeface that combines classical proportions with contemporary style.

MANUFAKTUR is a gas-pipe sans. A typeface influenced by an cast iron sign on an old Swedish industrial machine. The simple curves of the characters suited well for an 21st century update and the new and modern MANUFAKTUR is now a variable typeface with thousands of combinations of width and weight. MANUFAKTUR comes with stylistic alternates (smaller glyphs with underline) and small caps. The small caps also works as lowercase glyphs by default. With an OpenType-enabled app - or your website - you can control the width and weight of the typeface via a slider or with code. VARIABLE FONT SUPPORT: Currently Adobe only supports variable fonts in Photoshop and Illustrator. InDesign are still waiting on variable font support. This hardworking sans serif is perfect for display use, signage, poster, prints, editorial use, branding, logos, magazines, films and lots more. The variable weight and width makes MANUFAKTUR very versatile and flexible. If variable fonts isn't your bag MANUFAKTUR also comes predetermined weights and widths as a traditional font.

Entendre is a stately, commanding and handsome sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre pairs well with our rounded sans serif family Elpy, sharing similar proportions and spacing.

-OC Format Sans is the third incarnation of this geometric grotesk sans serif which fuses the style of Futura with the rhythm and proportions of Akzidenz. It comes in two styles, standard and a new Print family where crisp sharp edges have been made blunt in reference to the ink spread that occurs when printing on uncoated paper stock. It can give digital media a softer more approachable analog aesthetic. Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story �a� and �g� give an academic touch, the single story versions of Set 1 are more friendly and approachable while Set 2 changes the look into something more scientific. Made with tireless attention to detail and kerning it's perfect for logotypes and extensive text, supports multiple languages and comes with a plethora of OpenType features including standard and discretionary ligatures, social icons, symbols, and multiple figure styles including roman numerals.

Vinery Sans serif Introducing Vinery - our latest sans serif font that combines modern design with unique swash alternates. This font is perfect for any design project that requires a clean and sleek look. With its minimalist and elegant design, it's ideal for branding, packaging, editorial, or web design. Vinery comes with a range of swash alternates that are carefully crafted to add an extra level of creativity to your designs. Whether you're looking for a simple or elaborate swash, this font has got you covered. The alternates are easily accessible, so you can switch them up to create different styles within your design. This font features a modern and sophisticated look with its clean lines and geometric shapes. It's easy to read and versatile, making it suitable for both headlines and body text. Vinery is perfect for creating a contemporary and professional look that stands out. With its unique swash alternates, it's sure to add a touch of creativity to any project. Try it out today and take your designs to the next level!

Leprechaun Vomit is just a pretty way of saying Lucky Charms, which I had to use something else besides the name of a cereal anyway. Leprechaun Vomit is a ding bat of luck including images of rainbows, horseshoes, clovers, diamonds, moons, the number 7, japanese "lucky" calligraphy, The Maneki Neko (the Beckoning Cat which is a lucky symbol), and some shooting stars (make a wish). You can use these images to create Irish themed designs like St. Patrick's Day art, or you can use them for lucky purposes. Bellafonts' user license allows for commercial use, so you can make products for re-sale, including services offering graphic design. You can choose from a variety of clovers for your own version of a "Kiss me I'm Irish" T-shirt, and you can add some shooting stars and rainbows to make any design for any occasion extra special. If you are a graphic designer with any clients like a ranch, horseback riding schools, and so forth, you may like these lucky horseshoes for your library.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Thai family has 4 fonts in total. It spans four weights from light to bold. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Vietnamese family has 4 fonts in total. It spans four weights from light to bold. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.

Brawnie is a very bold, contemporary, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

Canapa it a simple humanistic sans serif font family. Canapa's 10 styles are good for friendly oriented package design layouts. Try!

A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, short ascenders and descenders.

Bagunsa is a multilayer fun party play sans font. It intend to be an ongoing family with maybe infinite possible styles.

Luxerie is an elegant display sans with unique letter shapes to complete any design, especially in fashion, branding, and for logos.

ItzKarl is a unique hybrid typeface with serif and sans serif features that is suitable for headline, logo and poster use.

Excess Baggage JNL is a clean sans serif typeface, and one of a number of stencil fonts offered by Jeff Levine.

A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .

Illustrious is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.

A legible sans serif, with bouncy edges. A little loose but not too jumpy! Comes with a fi and fl ligature.

Nighthawk JNL is a clean, bold headline sans serif with a slight touch of Art Deco added for a nostalgic look.