Introducing an elegant calligraphy font called Aromatic Ginger. This fonts inspired by dip pen calligraphy that every letter made many stylistic alternates like swash, tail and etc. The Aromatic Ginger font is perfect for greeting card, wedding invitation, logotype, personal branding, signature and many more. What's the feature - Uppercase and lowercase - numeral and punctuations - OpenType features initial and terminal form, swashed, alternates, and stylistic alternates. - Multilingual support more 25 language - PUA encoded Note: For access OpenType features this font, make sure that your software is supported OpenType like illustrator cc, photoshop cc, or Corel x8. If not yet supported, for the alternative to access OpenType can using character map check this video https://www.youtube.com/watch?v=KV7n5nxmsLs&feature=youtu.be Thanks for using this font. Have a nice day:)

Roundabout is a typeface that is extracted from an ellipse shape. Each and every character started at the same geometrical figure. By cutting it up in sections, twist and rotate the separate characters could be build. The ellipse provides this typeface with evident and smooth looking features. The name Roundabout is misleading, an ellipse is not round. But the word Roundabout has a nice ring to it and it seems to fit this typeface perfectly. The Roundabout as we know it is a place where the traffic circles. Sometimes in the greater metropoles it jams like clotting veins. Various exits are presented for those who know which way to go, for those who don’t it seems an eternal treadmill. Unlike my typeface, that seems rather careless, light weighted and knows her way around. A roundabout in a child’s mind is a playful carrousel or a merry go round. Merry go round has the sweetest sound and a match is found. My Roundabout is a joyful, optimistic and open typeface, which can be used over and over and over again for many or any purposes. ----- Roundabout ist eine Schrift die aus der Form einer Ellipse entstand. So teilen alle einzelnen Zeichen denselben geometrischen Ursprung. Durch das zerteilen, verdrehen und verflechten der elliptischen Grundform konnten die separaten Zeichen so geformt werden, dass sie einen klaren und weichen Charakter erhielten. Der Name Roundabout scheint auf den ersten Blick etwas irreleitend - ist eine Ellipse ja nicht wirklich rund. Er hat aber einen schönen Klang und doch eine tiefe Verbindung zu dieser Schrift. In unseren Gedanken ist Roundabout ein Kreisverkehr: Manchmal, in großen Städten, kann er blockieren, so wie eine verstopfte Ader. Verschiedenste Auswege zeigen sich denen, die ihr Ziel kennen; für alle anderen erscheint dieser Ort wie eine endlose Schlaufe. Dieses Bild widerspricht dem Auftreten meiner Schrift, welche eher sorglos und leichtfüßig ist; sie kennt ihren Weg. In dem Kopf eines Kindes jedoch ist ein Roundabout ein verspieltes Karussell, ein „merry go round“. ,,Merry go round“ klingt bezaubernd und so fiel die Entscheidung. Meine Roundabout ist eine fröhliche, optimistische und offene Schrift, die immer und immer wieder genutzt werden kann, zu jedem erdenklichen Zweck.

RAHAYU is Monoline Script Font that is well-produced by hand and generates into a clean form, that will be best when used in any placement like logo, poster, t-shirts, or any display. Build manually, and reform into a clean Typeface. Natural stroke from original hand-lettering. It can be used for just Titles or even writing. In this font, you will get: Over 289 glyphs 43 Ligatures in 2 OpenType features Support for 66 languages Please contact for files package Get RAHAYU now! It will be best used for any design requirement, many fonts will come with a unique concept. Thank you! Best Regards, PUDJI PANGESTOE STUDIOS

Yugoslavia is an elegant human-looking calligraphic font, made with pen and inspired by classic concatenated typefaces that were born in the nineteenth century and are still in force today. The font includes an additional full set of lowercase swashes for use at the end of words, plus a set of 8 reversible ornaments for captions and decoration of phrases and titles, and 3 strokes of different styles for highlighting and embellishing words. This font is ideal for designing greeting cards or weddings, invitations, diplomas, etc. Where you can print a classic style, luxurious or elegant and that in turn transmits, to the design, tradition and history.

TT Octas is a narrowly proportioned font family built upon the principle of octagonal forms: all circles in this font family are actually octagons. Thanks to small serifs, TT Octas has a saturated and vintage character to it. Simple depiction of the letters and the serifs make the family easily readable even in the smallest sizes. Narrow proportions allow for positioning of large text arrays even in small text fields. This font family is well fitted for brand visual identity and product labeling as well as for all digital media, such as web interfaces and gameplays. It is also great for mobile apps’ interfaces.

As usual, I stumbled upon a great 1971 Italian movie poster when looking for something else. The poster for “La Morte Cammina Con I Tacchi Alti” (directed by Luciano Ercoli), was made by an unknown artist and comes with a great font. Cortese was based on this movie poster font, but as I started working on the glyphs, I figured they would even look better in ligatures. So here it is: Cortese font - complete with 135 ligatures, accents and even Greek and Cyrillic!

Hagia Signature. Is a unique and natural script font. Its general appearance is in the form of light brush strokes and free flowing. Like the dancer's hand movements when we make upstroke and downstroke. Thick-thin in irregular but blended in harmony. It is a style that liberates expression, full of soul and character. We created this font for branding and only for branding. it's a great font applied to modern logos. Equipped with 99 ligatures to make a natural impression

An original type family designed for ParaType in 2001 by Zakhar Yaschin. The fonts were created within 'One Touch' project. The aim of the experiment was searching for a grapheme through primitive forms and intentional avoiding 'adjusted' characters. The family includes Wood style imitating woodcut letters, and a set of pictograms. For use in advertising and display typography.

Chella is a friendly display type family of 8 weights and matching italics. Chella has soft forms combined with some sharp edges. It includes swash capitals, end swashes for lowercases and a few options for ascenders and descenders. Chella is a great choice for package design, children's books and where ever you’ll need a playful and friendly font.

Chupada is an ultra-condensed font family noted for their exaggerated x-height, which consists of five different weights, accompanied by their italic version. It contains all the central european characters and Cyrillic. Chupada with its bold semi-modular forms make it ideal for use in headlines, posters, titles and anywhere you need for create impact.

Hi Ladies and Gentleman ! Introducing the Washington Mono Line font is a simple and classy font, comes with Elegant Variations, opentype features such as stylistic alternates, initial and final form, Washington Mono Line Features 515 glyphs and ligatures. We keep this font looks elegant, classy, readable, stylish, catchy and easy to use. The Washington Mono Line Font is the right choice for photography, signature or signature logo design, quotes, album covers, business cards, and many other design projects. From business cards to photo watermarks, because the Washington Mono Line font is a stylish signature with luxury. This is a very charismatic & confident font choice for your various design projects.

Tinta Arabic is the sibling of Tinta, with with additional Arabic glyphs for more international fun with the addition of Arabic glyphs; Arabic, Urdu, Kurdish Farsi and Jawi. Basic form for arabic font is refers to the arabic Naskhi style, with a cute shape to harmony with Latin.

Obsession has taken me completely in its spell. I could go on forever creating new forms for this script. But I have other fonts to do, so this is as far as my obsession goes for the moment. There are six different cuts and all letters can be mixed.

Naveid Arabic is new version of Naveid with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with combining the cuppped serif on top and the tinny Subtle Flaring on the terminal, to harmony with Latin.

Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful impression. This emphasis on objectivity is well-suited to technical texts, but Memphis is appropriate for any text which should exhibit a clear, neutral character.

Warren Chappell named his font after the Roman emperor Trajanus, who ruled in the first century AD. The Roman capitals on Trajanus’ memorial combined with the lower case style from the time of Charlemagne formed the models for the font characters. Trajanus will give a text a classic, almost calligraphic, feel.

ANGOLI is characterized by line geometric and simple. This font is ideal for titles and text in large sizes. The font has two uppercase versions. To realize this character I was inspired by angular shapes of the buildings. Each character has the characteristic of being formed by a single continuous line.

Blockocular is a playful, versatile display font. Its name describes the way sets of blocks form the characters, creating letter forms that are pleasing to the eye. Blockocular is great for headlines, signage, logos, packaging and more. It�s bold and fun and will inject interest into your design piece.

Hadfield font is the work of British designer Martin Wait, an understated calligraphic typeface with its own unique look. The capitals should be used as initials and both they and the lowercase forms are condensed. Hadfield is a legible and refined font perfect for anything requiring an elegant, upscale look.

KS Roam is a handmade display font with fun thick brush impression at a glance. Brush inspired display with strong, catchy & striking form display. KS Roam ideally suited for headline title, logo, branding, posters etc.

Cybrox JNL takes a simple bitmap font and regenerates it into its most distressed form. The design is perfect for "technology-gone-bad" messages, radical headlines and anything with an electronic, techno or digital theme.

Darkness Brush is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Battle Skill is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

The Brithania is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Parnas is an amazing font that can be used in a classic style or in a more expressive and elegant with alternative and ligatures, of which there are many. Set the style and mood of your design, because just a few touches can absolutely change it. With it, you can easily realize all your ideas. Parnas family includes a serif and sans serif font Classical forms, smooth lines, sharp serifs, weightless style, various weaves, long tails, all this and much more will give you many options for creating your project and will not leave indifferent even the most demanding. This font is easy to use, has OpenType features. This font has 900 glyphs and includes: - 190 Alternates for Uppercase - 168 Alternates for Lowercase - 74 Ligatures for Uppercase - 70 Ligatures for Lowercase - 10 illustrations - Multilingual support

Somewhat extravagant and yet quite useful? Yes, absolutely. Meet Salted family: two awesome styles and a way cool picture font. Deliberately free-spirited, Salted – the Regular, yet regular is not quite an appropriate adjective for it – brings alternates and also discretionary ligatures that completely transform the font mood, adding unexpected touches of cursive script here and there and thus creating sort of a wild feel. Salted Sweet also brings alternates: 3 for letters, 2 for digits, and is way more even-tempered than it’s playmate. By the way, they play truly nice together. Enter the picture font and the team is complete for an exciting time. It’s said that the cure for anything is salt water: sweat, tears or the sea. We totally agree. Perhaps the cure for a boring design lies in a salted font. Give it a go!

Most fonts include uppercase and lowercase letters. Some experimentally-minded designers have proposed unicase typefaces as well: rather than having two different forms for a given letter, unicase fonts have one, chosen from the upper- or lowercase forms. Ambicase Modern takes the next step, offering not "either/or", but rather "both/and". Each letter in Ambicase Modern is a combination of its traditional upper- and lowercase forms, in a modern (didone) style. The inventive, hybrid forms that result are intriguing and handsome. Ambicase Modern stands out as a carefully crafted experimental font: its eccentric forms do not hinder its readability. It is suitable for high-style display settings. Ambicase Modern offers a large character set and extensive OpenType features. Most notably, in modern OpenType-aware applications, Ambicase Modern can be set in swash mode, which features sophisticated decorative flourishes that differ depending on whether the letter is at the beginning, middle, or end of a word. Ambicase Modern is available in two optical sizes: Regular and Poster. At very large sizes, the Poster cut, with its finer details, is recommended. For an extra bold variant, see its sibling typeface, Ambicase Fatface.

Willy small but fine is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Herzchen is a well developed sans serif font. The curving and swinging letter forms remind a little of serif fonts, on closer inspection, however, they rather remind of upright italics. Playful details give charm to the typeface and make Herzchen lively and distinctive. With four cuts the typeface is suitable for simple corporate and editorial design projects. In addition there are many ligatures in the expert-set for individual use.

Linotype Contacta is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Ralf Weissmantel designed this font to display no stroke contrast at all. Instead of using conventional letter forms, Contacta is a more designed-oriented font, with some characters recognizable only in context, not necessarily at first glance. The technical, unconventional forms look almost like a maze, especially when set together. This font is not suitable for text but makes a unique impression in logos and headlines.

First partnership between Firmorama.com & dooType studios, Très Très Chic is a display font, developed to be versatile and illustrative, with strong features that provide personality to the drawing. The characters were built based in primary geometric forms and the gentle delicate lines, in their main purpose, make this font very appropriate to the feminine universe. On the other hand, this font has its form filled with black, that could be applied evenly for a composition more dynamic and amazing, with variation of shapes and weight.

The reason you purchase this font is because it is ‘special’. The creator of this font was born with a love for geometric patterns. I am fundamentally attracted to forms that have a sense of order and freedom of dispersion. This is a font that I came up with accidentally while working. I think that coincidence combined with consistent effort is ‘special'.

To the creation of this font I was inspired by the constellation “Canis Minor”. The constellation consists of two bright stars, Procyon and Gomeisa. Procyon is the eighth brightest star in the sky. Two small points in the font like two stars in constellation. Font is built on round laconic forms. Shall be good for posters, headers and creative typography.

Rhomantics is a sans serif font that carries a classic style. Rhomantics font takes a simple form but still has a classic feel in its shape so it is easy to identify each character of the letter to make it easier for us to read. This font can be used in invoice designs, history book covers, branding, advertisements, business cards, etc.

Khadash is a slick Handwriting Brush Latin and Arabic font, made with natural strokes that resemble real handwriting. Khadash Arabic font is a separate with Latin characters as subfamily to reduce font size. There are two sets of Latin character choices in the form of letters, regular and alternate, Khadash is perfect for branding projects, product packaging, merchandise, advertising, quotes and more

"Triole 21" is the name of a gothic script font designed by Bertram Kaiser. The forms of this so called "Rotunda" script are based on the manuscripts of italian calligraphers of the late 14th century. Inspiration for this project also comes from the calligrapher Lisa Beck. The glyphs were first written with a broad-nib and then digitized. The Open-Type font is equiped with multilingual (Latin-based) alternates, ligatures and oldstyle figures for various typographical purposes. It can be used for headlines and also stays legible in smaller textsizes for longer textpassages.

Jemgonza is a Sans-serif font started on January 26, 2022. This font with hyper-extended character sets allow for usage for billboard signs, logos, and even professional documents and essays. It contains localized forms for certain languages that write them differently. For example: Л and л shaped like upside-down V's, д shaped like a lowercase g, и shaped like a lowercase u, and more for Bulgarian; б shaped like the Greek lowercase letter delta for Macedonian and Serbian. There are two non-standard variation sequences for the light and dark shades for when they are used vertically. If it bothers you, you can add Variation Selector-14 after each one of those This font also contains 256 braille patterns for the blind people. Note that each pattern is not tied to any specific letter since multiple scripts have a braille system

Stefan Hauser designed the fun font F2F BoneR in 1996 for the trendy German techno magazine Frontpage. Other technofonts designed for this magazine are available under the label Face2Face (F2F) from Linotype. The basic forms of BoneR are similar to those of a classic italic, however they display an unusual degree of slant to the right. Some letters were consciously made awkwardly thick, making the overall look spontaneous and spotted. The fun font BoneR is suitable for short and middle length texts.

We designed Gowes, a graffiti-themed display font, for your bold, forceful, and speedy projects. This font was created as a supporting element for your limitless creativity. If you use this typeface, your project will have a unique and distinctive design. Your visual presentation will pique the interest of your audience. If you utilize this typeface, all of your creations will be of good quality. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.