Linotype Tiger is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font was created by German designers G. Jakob and J. Meißner. Like the font Linotype Sunburst, Linotype Tiger is also a typeface without curves, rather, angular and almost aggressive. The forms are reminiscent of splinters of wood arranged to form letters, numerals and punctuation signs. The font contains five weights which can be combined experimentally with each other, even over each other, or combined with more neutral typefaces. With its energetic character, Linotype Tiger is genearlly suitable exclusively for headlines with point sizes of 18 or larger, although the weight Linotype Tiger Tame can also be used for shorter texts.

Elioth is a humanist font with angled terminals as a identity of this product. Comes with a modern look, this font suitable for display and body text. Elioth is perfect for advertising, packaging, logo, editorial and publishing, branding and other creative industries. This family of 9 weights from Thin to Heavy along with italics contain several OpenType features: Stylistic Alternates and Figures Variation (circled number, fraction, tabular lining, numerator, denominator). With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 752 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates

Hieroglyphs were a pictorial alphabet used in Ancient Egypt from 3100 BC to approximately 300 AD. This font set features over 250 different phonetic and decorative hieroglyphics, complete with an extensive translation chart. P22’s Hieroglyphic font adapts one of the world’s most ancient forms of art and communication for today’s technology. Note: This is not an automatic word translator. It is a font set. It is used just like any other font and does not require special software skills.

PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by Lucian Bernhard approx in 1930 with the Berhard Gotic and was taken up in the last time by different written creators repeatedly: the repeated elimination anyway (in comparison to a Antiqua, e.g. Garamond) already very much diminished form Grotesque (as for example Helvetica) by systematic leaving out of the serifs. The horizontal direction of the writing is thereby stressed remarkably by which so-called »Rail effect« originates. The eyes can grasp the line to be read very well what is ordinarily left to a Serif-stressed font. By this desired effect is suited PHOENICA also for big text amounts. In numerous test runs Stems and tracking was compared to experienced fonts and was adapted. The experienced was taken over without renouncing, nevertheless, the modern and independent character PHOENICA. PHOENICA offers to you as a welcome alternative to the contemporary humanistic Sansserif. It is a very adaptable family for text and Corporate design uses. Several companies have discovered PHOENICA meanwhile as a Corporate font for themselves and use them very successfully. She provides a respectable typeface combined with refinement and elegance. Every PHOENICA family has at least six weights in each case in regular and italic. In addition more than three fine Haarline weights (Hairline 15, 25, 35). These are a total of 27 possibilities. Phoenica as well as Phoenica Condensed are excellently readable fonts, because they were optimised especially for amount sentence. Both basic styles (Regular and Condensed) are tuned on each other and follow the same form principle. The family is neither exclusively geometrical nor is constructed humanistically, the forms were sketched on quick and light Recognition effect of every single letter. The PHOENICA family design and logo is suited for all only conceivable uses like newspapers and magazines, for the book typography and Corporate Design.

Most fonts include uppercase and lowercase letters. Some experimentally-minded designers have proposed unicase typefaces as well: rather than having two different forms for a given letter, unicase fonts have one, chosen from the upper- or lowercase forms. Ambicase Fatface takes the next step, offering not "either/or", but rather "both/and". Each letter in Ambicase Fatface is a combination of its traditional upper- and lowercase forms, in an extra-bold style. Its inventive, hybrid forms are a bolder take on those of its 2010 sibling typeface, Ambicase Modern. Ambicase Fatface stands out as a carefully crafted experimental font: its eccentric forms do not hinder its readability. It is suitable for high-style display settings. Ambicase Fatface offers a large character set and extensive OpenType features. Most notably, in modern OpenType-aware applications, Ambicase Fatface can be set in swash mode, which features sophisticated decorative flourishes that differ depending on whether the letter is at the beginning, middle, or end of a word. Ambicase Fatface is available in two optical sizes: Regular and Poster. At very large sizes, the Poster cut, with its finer details, is recommended.

Midnight Romance is a type of handwritten font that features an elegant and romantic handwriting style. This font is perfect for designs that require a personal and feminine touch, such as wedding invitations, greeting cards, or merchandise designs. The cursive strokes of Midnight Romance flow smoothly and gracefully, lending a touch of sophistication and charm to any design. The letters are delicately formed with an intricate attention to detail, making them ideal for designs that require a more refined and delicate look. Overall, Midnight Romance is a beautiful-handwritten font that exudes a sense of elegance and intimacy, making it a perfect choice for any project that requires a touch of personalization and romance.

Nimrod was released by Monotype in 1980. Designed for current newspaper technology, the Nimrod font family evolved as a result of extensive examination of newspaper industry needs. Nimrod retains many of the features of the traditional newspaper Ionics, but some of the fussier detailing has been replaced by the more sober forms of the old styles, such as Plantin. A highly legible font family, especially in smaller sizes, its clear unambiguous character shapes make easily readable blocks of text. Nimrod also withstands the degradation encountered in newspaper production and printing. First used for body text in the Leicester Mercury newspaper, the Nimrod font family has subsequently become a popular choice in newspapers for text and headlines.

The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are carefully balanced against rigorous structure. All four of the main weights, including italics, have exactly the same metrics. Beyond these basic styles, suitable for both text and headline, there are additional display fonts—Extra Bold and Black for density, and College, Rust, Rough and Medium Shadow for decorative detail. As options, minuscule-form “a” and “e” are provided at cap height for the classic unicase style, in all 14 fonts.

Jantur Type is a simple geometric sans family with charming curves and natural flow. variable font technology, and its axis weight range spreads from thin to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

This sans-serif type family of two weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Vitage has a functional look with a warm touch. It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps.

Museo Sans is based on the well-known Museo . It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use. This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors, Museo Sans also has a ‘case’ feature for case sensitive forms.

Churchward Tua and Churchward Tua Italic are two more OpenType font releases by Bluhead Studio from the exciting and unique library of Joseph Churchward type designs. The Tua fonts sport an Old West, cattle drive sort of look. One can imagine Tua being used on the swinging front doors of the local saloon or jailhouse. These fonts are perfect for headlines, posters or wherever you want to express your inner cowboy. Giddy-up!

Scriptease is the temperamental creation of Phill Grimshaw, based on the forms of copperplate typefaces. At the same time, the playful forms display a variety of Rococo elements. Richly ornamented with vivacious swirls, especially on the capitals, the forms of this font dance across the paper. The capitals can also be used as initials combined with other alphabets. Scriptease looks as though it were made for the light, carefree side of life.

Valdemar is a hand-drawn font designed to have an unpleasant, otherworldly look. It originated as a combination of a set of bold hand-drawn capitals and some doodles for a font we have in development which uses elements of clockwork to form characters. The result is scary, arcane and eye-catching. The font includes three full sets of characters, with the more ornate alternate capitals accessed with the option or alt key.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy. Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and Dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.

Introducing a new softest retro font family called Blufy. Heavy influence by Cooper black typeface by Oswald Bruce Cooper and ballon letters form from 60s - 70s era. Blufy Font Family contains 2 style regular and oblique. It comes with Stylistic Alternate, ligature, Stylistic Set 01-10, & swash. Ayr Blufy Font Family is best used for headings, logotype, quotes, apparel design, invitation, poster, flyers, greeting cards, packaging, book cover, printed quotes, cover album, movie, & etc

Ariana Pro is a geometric font family. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, circled gures, pro kerning…This typeface comes with a complete range of ligature set options. It comes in 9 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads and also for advertising, long text and branding. As a modern sans serif font family, Ariana Pro has also an extended character set to support Central and Eastern European as well as Western European languages.

This funny font was created inspired from a contract of sale for a field prepared by a French notary in the end of the year 1682 (December seventh). We have worked to transform the almost illegible original form into a contemporary usable typeface, but keeping the special "writhed" appearance. It is a "pro" font containing Western (including Celtic) Eastern and Central European, Icelandic, Baltic, and Turquish diacritics. The numerous OTF alternates and ligatures(about 5 different glyphs or ligatures for almost each basic lower case letter) made the font looking like a real various hand as closely as we can do it.

Kiwi gives natural energy to every project with its sweet and spirited forms and a variety of tasty options. Be bold using it as all-caps including its fun set of discretionary double-letter ligatures, or be distinctly playful, combining upper-lower, with bushels of loosely interlocking ligatures. Kiwi font family also includes delicious Kiwi Fruits, a striking and juicy collection of graphic fruit illustrations by illustrator, Amy Dietrich. For inviting packaging, magazine, and books, or say, a cool-looking apple for your cider pressing party invite, Kiwi is a great pick. Shown here with Quince font, also by Atlantic Fonts.

Publicity Headline is an allcaps advertising font. Its heavy weight and robust strength allows it to be used against complex backgrounds or reversed out on dark backgrounds without getting lost. It also has a warm, friendly feeling for the conventional headlines indicated by the name. Publicity Headline is a distinctive and appealing font for creating bold and unusual headlines. This font includes the alternate R & S and the CO, LY & ST ligatures that were part of Gaunt’s original design. In addition, the ligatures AV, AW, WA, WO & YO are provided; along with AT, OF, AND & THE in the form of underlined small caps.

Kevong Gabion Serif font is the epitome of timeless elegance and classic style. The font boasts a sleek and sophisticated design that is perfect for a range of projects, from branding to editorial design. Its classic serif form is perfect for adding a touch of sophistication to your work. In addition to its timeless design, Kevong Gabion Serif font is also incredibly versatile. It comes with a wide range of language support, making it the ideal choice for projects with a global audience. Whether you’re designing a website or creating a marketing campaign, this font is sure to impress. Overall, Kevong Gabion Serif font is a must-have for any designer who values classic design and versatility. Its timeless elegance and wide range of language support make it the perfect choice for a range of projects. So why not add it to your font library today and take your designs to the next level? What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Christmas Chalk is a quirky handwritten font. This font is suitable for any season, but the Christmas theme fits best. Whether you’re looking for fonts for social media or for DIY projects, this font will turn any creative idea into an authentic piece of art!

Pixeloza 02 is a pixel-style, grid-based, display typeface. This is another version of Pixeloza type. Compared to Pixeloza 01, it is characterized by a more slender form, the letters are taller and narrower, which makes the font lighter. The font is characterized by its simplicity, attention to detail, and original form. You can use it in a wide variety of projects. It gives many possibilities for creating graphics. Pixeloza 02 is available in two options: Pixeloza 01 Regular and Pizeloza 01 Skewo Regular.

The Catenary typeface was designed with the goal of creating an extremely-readable sans-serif font that could weather the future. Inspired by the beauty of the catenary curve, it's a blend of the transitional and the geometric that allows it to be readable while keeping its forms precise and consistent. Every character in its set is unique, leaving no confusion between similar letter forms. Sixes and nines can be distinguished even when they're upside down or sideways. The number one, the lowercase-L, and the uppercase-I can never be confused with one another, even without context. Throw b, d, g, p, and q into a jumble and the challenge of distinguishing the characters can easily be overcome. The Catenary family consists of eight fonts, six of which, the standard light/italic, regular/italic, and bold/italic, work as both excellent text fonts and exceptional display fonts. The two bonus fonts, a stencil and a guerrilla grunge style, make for great additional display font choices. The Catenary family is extremely versatile and ready for your toughest design work.

Bant - A modern comic font that compliments any sort of graphic and web design. A doodly doodle font, this font is perfect for comics, doodle, whiteboard animation, branding, wedding invitations, magazines, business cards, quotes, posters, and websites. The complete font set includes; Bant will bring a unique and comic look to your overall design, as any typeface is a major part of the design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

CHARACTERISTICS The dark and sharp character of the typeface is a very unique atmosphere. The letter-forms can with broken trees, rotten and old and branches are associated. The partially pointed edges remind thorns (bushes) a rose. APPLICATION AREA The edgy, contrasty horror and fantasy font »Viktors Littl Creepy Horror« would look good at display size for headlines in magazines or websites, movie posters, music covers or webbanner. TECHNICAL SPECIFICATIONS Headline Font / Display Font / Fancy Font »Viktors Littl Creepy Horror« OpenType Font with 354 glyphs - alternative letters and ligatures (with accents & €) & 1 style (regular)

Aceh is a geometric sans serif font family, we make it in sharp and soft shapes, in the form of Upright with matching Oblique. Aceh consists of 9 weight, Black is the most appear strong and powerful, while thin looks more clean and modern. Aside from being a text font, we also intend this font for branding purposes, appearing more elegantly dynamic and reflecting a dynamic lifestyle. Modern, Clean, Readable and powerful are the basic concepts of this font. With a choice of 36 fonts, we believe your brand will stand out

The Guminert font is Modern Sans Serif inspired by masculine men, that's why we made this font with all our heart to give a masculine impression in sans serif form. And this font also has Alternate font styles, Ligatures, Multilingual Support and other additional symbols/ characters to use in any of your creative needs in any project. Font Details: Sans Serif Style: 12 Weight (Light - Extra Bold) Release : 03/ March/ 2022 Version: Vol 2.0 Thank you for your support of our products and using them in your creative projects.

Alone Together Script is a tattoo style typeface created and inspired during quarantine times. It is a variable font with size-variable swashes and OpenType features such as Stylistic Alternates for lowercase letters as well as some Contextual replacements for Final Forms of a c d e f h k l m n o q r t u v w x z and entrance stroke versions for r s and z. As for extra swashes hyphen (-) and underscore (_) have also 2 alternates. There is a font presentation video on youtube OpenType guide is also available for download here This font is a contribution to Covid relief funds and individuals who are in need: 50% of sales goes to this kind of charities. There is a challenge on social media where you can submit your artwork featuring this font with a hashtag #alonetogetherfont at @alonetogetherfont on instagram or facebook! Special thanks to the Photography and Music that is exclusive to this font : Empty streets of New York by Kelly Lockett @kellylockk "Time" soundtrack by Zoltan Valter (STU Recordings) @sturecordings sturecordings.ch

Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -

Cypher is a techno looking font that attempts to employ the Gestalt principal of closure. It may, at larger sizes look like some sort of code or a bunch of dots and dashes, but when viewed at smaller sizes it falls together into legible words. This font family was first inspired by an experiment to try to make a legible upper and lower alphabet with the smallest grid possible that would still describe the letterforms. The original conclusion was that it could be done in a 3x6 grid. This made a fun design exercise, but it makes a lousy font. The grid was expanded a bit for aesthetic reasons to a 3x8 grid, But not restricted so severely and so occasionally goes wider than 3 for the certain letterforms. From this a whole family of widths and weights was born, and rather than simply obliquing for italics, a true italic of sorts was created. Cypher is a versatile family of 24 fonts – 4 widths, each with 3 weights and their accompanying italics.

ITC Simran was created by the London designer Satwinder Sehmi in 1998. The Indian influence is recognizable at first glance and lends the font an exotic feel - at least to the western eye. Sehmi borrowed forms and feelings from northern Indian writing systems for this typeface. Both the upper and lowercase letters make use of the same lowercase forms, but the upperacse letters have the addition of a horizontal bar running over them at the ascender height. This feature is directly reminiscent of writing systems in northern India, and is ITC Simran's most distinguishing characteristic. But there were other influences as well: Sehmi was also inspired by uncial forms when designing this typeface. ITC Simran exhibits the typical look of writing with a broad-tipped pen, with its strong strokes, as well as characteristic letter forms, for example, the a or h. ITC Simran is a fascinating and harmonious symbiosis of a variety of influences from different cultures. This font is best used for headlines and short texts in point sizes of 12 and larger.

Introducing TT Norms® Pro Serif, version 1.100! The updated font now has new OpenType features and localization for the Serbian and Bulgarian languages. TT Norms® Pro Serif is a functional serif based on our studio's main bestseller—the versatile sans serif TT Norms® Pro. Together, they form an ideal font pair. Although these typefaces are made for each other, they can easily be used independently and paired with other fonts. So, TT Norms® Pro Serif is a self-sufficient and elegant serif, neutral at the same time. It is easy to recognize due to its gentle proportion dynamics, open aperture, slanted oval axis, and low stroke contrast. Another distinctive feature of this font is brutal serifs that adjust in length according to the weight of the font. As well as TT Norms Pro, there are Italic font styles in TT Norms® Pro Serif. However, for this serif, we have designed true italics instead of simple slanted font styles. Their key feature is the ability of the lowercase letterforms to change in reference to the roman font styles. They become more rounded, moving towards handwritten shapes. The nature of the italics turned out sharper than that of the roman font styles. It can be used to place accents that would attract attention without interfering with the process of reading. TT Norms® Pro Serif is capable of solving multiple design tasks. It is highly readable, which makes it convenient for small point sizes. This serif's application range is broad and diverse: it can be used for websites, printed materials, and packaging design. The font is well-suited for projects in the domains of culture, art, history, or literature and can be implemented into the designs of signs, posters, or premium products and services. TT Norms® Pro Serif, version 1.100, consists of: 24 font styles: 11 roman, 11 italic, and 2 variable fonts (one for the roman font styles and another—for italics); 1380 glyphs in each font style; 31 OpenType features, including options for localization.

Looking like gifted jelly and falling in between cushions and cat food, this plump and inviting letter mixes simplicity with organic style for a wide range of uses. Jellybrush's compact cursive forms and robust friendliness draw on artbrush scripts, blending brush effects with synthetic forms. A versatile workhorse suitable for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc. Jellybrush is designed to take squishing and outline treatments and still look good. Squish it down in your application of choice, the letter proportions withstand horizontal compression easily. Jellybrush italic is a subtly-slanted fully cursive variant with the character width, counter size and hanging figures required for good text performance. Designed for supplementary text for packaging and advertising comps and any application requiring readable text matching the main font. The font packages contain two (2) formats of Jellybrush, in OpenType & TrueType flavors.

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more. Di Barros, with a good length, serves several languages. I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity. Di Barros Fonts Family was made for you. Thank you for using it.

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.

Our newest Font, Golden Dance This font offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all. the design requires handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases, and several variations on each character including multi-language. What’s Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish

PB Carolingian Xc is a font face designed for imitate Carolingian minuscule (from the region of the German southeastern scribal schools) found in 10th century manuscripts. All characters are handwritten by use ink and quill pen, scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.), historical characters (overlined uppercase Roman numerals, many mediaeval abbreviations, d-rotunda, r-rotunda, I-longa, e-caudata, historical ligatures for “nomina sacra”) and wide range of ancient punctuation. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Case-Sensitive Forms, Stylistic Alternates, Contextual Alternates, Stylistic Set 1-11, Historical Forms, Historical Ligatures, Standard Ligatures. Include also kerning as single ‘kern’ table for maximum possible backwards compatibility with older software. Historical ligatures for additional glyphs are mapped to Private Use Area codepoints. OpenType features automatically exchange some default glyphs by stylistic alternates and create ligatures for better historical appearance.