Absurdies is a trilogy of pictorial typefaces with lots of mischief, fun, weirdness, black humour and amusement. It includes 143 digitized illustrations. You will find many inexplicable behaviours, madmen, strange occupations, absurd and chaos-loving characters, and general whimsy. This little crowd can be used in many ways, from spot illustration to big illustration work or graphic designs, taking advantage of the vectorial format of the font file. The characters in Absurdies (together with their kin, the Illustries, Whimsies, Ombres, Bizarries and Genteta dingbats) are drawings from the sketchpad of Joan M. Mas, drawn from imagination and with no reference, except in a handful of cases pulled from historical photography. He wanted an easy-to-use format to collect his hundreds of imaginary ink drawings and he realized a digital typeface was an ideal solution. Having the illustrations gathered in a font file means you can use them instantly in any program you like. You may choose to use the images out of the box, or further customize them with colours and textures. The possibilities are endless.

Precious Sans Two is a complete reworking of the 2002 design which was only ever available in PostScript format. Over a decade later G-Type’s Nick Cooke decided to re-appraise the typeface, scrutinise the old letterforms and overhaul the family. Make no mistake though, Precious Sans Two is no rudimentary re-release; nearly every character has been redrawn, re-proportioned, respaced and improved. Precious Sans Two is now in cross-platform compatible OpenType format with extended Latin language support for Western & Central Europe, the Baltics & Turkey. The original quirkier glyphs (f, g, I) have been retained as an OT style set feature and the typeface now contains small caps and an extensive set of discretionary ligatures as well as both proportional & tabular figures. The character set is further enhanced with the addition of 20 directional single and double arrows in each of the six weights which range from Thin through to Black, all with accompanying italics. Precious Sans Two is a distinctively modern typeface, well equipped for advanced typographic use in print, web and digital publishing environments.

SuperLine Typeface. A striking modern display font in three styles. SuperLine is a modern, all caps display font. Specifically developed for contemporary design styles and applications, it is supplied in three styles; regular, lined and outline. Although it can be used at smaller sizes, it has been designed primarily for use at larger scales. Perfect for branding projects, striking posters and as a unique display font for web or app development, you can make a statement with SuperLine. Extensions shape backgrounds are included. Designed to compliment the angles in the SuperLine typeface, these shapes are perfect for using as masks, image overlays or solid color background fills. They are supplied in Illustrator (ai and eps) vector format. Whats Include: Meticulously designed All uppercase display Comes in 3 styles, Regular, Lined and Outlined Allows for a vast range visual styles Webfont kit included (created via fontsquirrel) Licensed for Personal or Commercial use (OFL) Vector Extensions included (In Illustrator vector format) As ever, drop me a message if you have any questions.

Tomorrow’s Typeface Today Are you ready to take your science fiction, action, military films, shows or video games to the next level? Our family of fonts brings a touch of nostalgia and a dash of modernity to your titles and typography. The CA YOSHIRO “Wide” style bears a striking resemblance to the iconic Eurostile typefaces of the 1960s. It has an immediate sense of familiarity. But what sets it apart is its contemporary, fresh sci-fi design. It’s the perfect blend of classic and cutting-edge, delivering an unprecedented, unconsumed style that promises to captivate audiences like never before. The CA YOSHIRO “Normal” style can also be used for a variety of other projects that require a normal width and just need to show a light technical touch without immediately suggesting a sci-fi reference. In addition, CA Yoshiro has subtle similarities to the monospace fonts commonly used on computer displays and screens. These fonts are the foundation of written programming code and sequences, lending a distinctive character to the digital realm.

Habana Deco ML was inspired by a hand-lettered sign on the stucco exterior of a small pharmacy in modern-day city of Havana, Cuba. It, in turn, was based on the fat-faced Art Deco lettering of the late 20s and early 30s, especially the Futurismo posters out of Italy, as well as alphabets designed in The Netherlands, France, USA and even the Soviet Union. There are 24 stylistic alternate glyphs (SALT), many inspired by a variety of these sources, including a couple from the sign in the front of the Congress Hotel in South Beach, Miami. The others features of the Habana Deco include 363 glyphs, 184 kerning pairs (KERN), 14 ornaments and shapes (ORNM) and 15 discretionary ligatures (DLIG). This is a font with which you can have fun. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Mono-Spec Stencil is a monospaced family of sans-serif type. At least in default settings, all characters across the typeface share a common width, which is immediately noticeable for its condensed nature. Mono-Spec Stencil is a sibling of a non-stencil family, simply named Mono-Spec. Characters in each are just as wide, allowing Mono-Spec Stencil to be used together with Mono-Spec, as a secondary typeface. As a typeface whose characters are stencil-shaped, this design channels the spirit of resistance and street culture. When you look at the family, remember that it ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s five static OpenType font files instead. Those weights run from Light through Bold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Mono-Spec Stencil Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Whatever format you choose, the Mono-Spec Stencil fonts are equipped with several OpenType features. The most striking of these can be activated via a Stylistic Set. That will replace several letters – like “B”, “E”, “F”, “H”, and “I” with double-width alternates. Those alternates take up as much space as two characters placed next to each other otherwise word. The effect of Mono-Spec Stencil’s double-width alternates is striking, and their use strikes a strong chord in any display typography applying them.

Stencil in nature, Western in feel, this font has both form and function. Can be used as a retro design or in a setting where a stencil font is needed.

A font designed in the style of vintage stencil show-cards. Uses bold chunky geometric shapes to form characters. This font is great for creating titles for books and products.

The Symcaps Vario X1 typeface is a monospaced design created to give optically symmetrical message forms. This all-caps alphabet provides two styles of capital letters plus numbers 1-0.

An assortment of 42 expertly-drawn decorative vector panels in the form of a single font. Inspired by early 1900's artist J.M. Bergling. Each letter generates a different design.

Meiko is a handcrafted Japanese-themed font that has a balanced form, Meiko symbolizes loyalty and beauty at first love, this font has a dynamic style with a playful approach.

The hand lettered title on the 1943 sheet music for "This Love of Mine" formed the basis for Deco Style JNL, which is available in both regular and oblique versions.

Are you looking for a font reflecting ancient times, antiques, knights and suchlike? Consider Stiletto, a beautiful, calligraphic-like design with special forms that evoke pleasant memories of old times.

Castillem is a trendy handwritten font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. It will add elegance and class to any of your design projects.

The oldest known form of visual communication, rock art expresses the culture and traditions of primitive humankind. P22's Petroglyphs picture font presents ancient drawings and illustrations from four continents.

Centang is a trendy handwritten font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. It will add elegance and class to any of your design projects.

Cambridge Round provides a rounded version of Cambridge, useful for headings and more informal texts. The family contains four weights in three widths with matching italic forms for all variants.

Merry Baubles is a set of fleurons in the form of traditional painted glass Christmas Tree ornaments. That's really all there is to say about this piece of typographic fun.

The dots forming this font are all hand positioned for maximum randomness! Great for display purposes or for logo work. Includes upper and lowercase, numbers, punctuation and Western European diacritics.

An experimental type family designed at ParaType in 1996 by Alexander Tarbeev, based on the forms of PT Hermes, 1993, by Tagir Safayev. For use in advertising and display typography.

Tipperary was designed by Steve Matteson and named for a favorite 'single track' bike trail, Tipperary is a monoline Humanist Sans Serif typeface. The clear, open, letter forms curve abruptly in an almost squarish geometry much like the sharp turns on the Tipperary trail. The clear, austere forms offer exceptional legibility for both interface designs and extended reading. Small size package labels and crisp branding programs benefit from Tipperary's emphasis on clean, readable design. eText typefaces are designed to meet the challenges of extended reading in digital environments such as mobile devices or desktop screens. Their forerunners are among the world's most popular and important book typefaces for print media. These classic designs were reinterpreted to conform to technological constraints of LCD and e-Paper while retaining the properties of proportion and form which made them favorites for print.

Klaster Sans is a massive geometric sans-serif typeface inspired by the first German geometric fonts. In particular, their clear, but rough forms and not perfect curves. As well as minimal optical compensators. Due to all this, the letters look weighty and powerful. Klaster Sans has 14 styles. From neat thin to extremely heavy. And it's all in italics. Or one variable font with two adjustment axes. All styles include an extended set of Latin characters and basic Cyrillic. It has support for 210 languages. Also contains stylistic alternatives, case-sensitive forms, arrows, fractions, tabular figures, circled figures and other. Features: – Total glyph set: 657 glyphs; – 14 styles (7 weights x italic) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic; OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01); – Ligatures; – Case-sensitive forms.

Monolog is an especially monolinear rounded display typeface, designed to work great alongside monoline illustrations, logos and icons, while still performing well in some text settings. A number of contemporary quirks in its construction establish visual interest, while Monolog’s clean, geometric forms allow it to remain extremely versatile, great for a wide range of applications and themes. Some good uses would include branding and identity work, signage, packaging, web and app design; anywhere from a hip coffee shop to a contemporary arts gallery, a music festival or a craft microbrewery. Stand-out features include double-stacked capital ligatures, abbreviation and catchwords ligatures, interesting capital forms, and alternates – including a stylistic set to swap the default circular forms for ovals to give Monolog a more condensed and pragmatic style. Big thanks to Ilya Ruderman, who kindly helped me to improve my cyrillic alphabet.

Bertoni is a high contrast Didone family of twenty faces, which combines extreme legibility with distinctive character. It is able to hold its own in modern usage while having features rooted in a deep period charm. The family includes two widths as well as two weights. Bertoni regular, bold and wide are small capitals faces ideal for posters, book covers, packaging and signage. The text faces are body faces which form the ideal accompaniment. For more distinctive features, the Title, Capitals (all capitals, but in two forms) and Flamboyant faces are ideal. Bertoni offers a blend of the modern with classical revivalist charm which makes it up to the minute and never out of place. The family is extensive enough to form the foundation of a commercial house style, but can also lend an element of character in single usage.

The font is devoted to the historical past of the peoples of Europe, which today is hidden, but which can not be lost forever, because it lives in the genetic memory and hearts of people. Beautiful font in the historical traditions of 17-19 centuries. Elegant, luxurious, sweet. Some forms and combinations of forms are not always ordinary, but always interesting and exciting. - Letters for all Latin alphabets - Letters for all Slavic alphabets - Ligatures. All standard (ff, fi, fj, etc.) as well as fb, fk, tt, ft - Stylistic alternates a, y, g - Ordinals - Fractions - Historical forms of letters s, я - Historical ligatures ss, si, st - Historical Slavic letters - Lowercase alternates for ж, к, я, ect. - National ligatures: German ss, Icelandic and French ae, oe, Dutch ij - Uppercase German SS (Eszett Große) - Currencies: dollar, ruble, euro, pound, cent, yen and more...

Mojito is a lively and vigorous calligraphic font based on a brush pen calligraphy. The author carefully rethought all of the character forms and created a very concise and clean outline that would look great in any size. Mojito has about 1,400 characters, including alternatives, ligatures, initial and final forms. That’s why letters are not repeated and their combinations look as natural as possible, especially in Cyrillic. For an all caps set in Mojito you can include the replacement of basic forms with the simplified ones, specifically designed for this purpose. Two additional styles imitate writing over a rough surface and a relief print. Mojito is perfect for packaging and advertising, food and beverages, cafes and restaurants, craftsmanship, children's books, magazines, etc. The font was designed by Zahar Yaschin and released by Paratype in 2017. Additional styles were created by Alexander Lubovenko.

BC Away is a display typeface. It has emerged from the idea of drawing letterforms with a single-line path. Thanks to this idea, the characters are designed out of standard and conventional forms. Character designs are a combination of sharp corners and smooth curves, at the same time keeping readability. Some parts have been left blank in accordance with the letter forms. The name 'Away' represents these blanks. Also, the word 'a way' refers to the design of letterforms using a single-way.

To break from the rigidity of a typical monospaced font, Alloca includes weights that go above and beyond. From the wire-thin to the ultra-bold, you’ll be able to do a lot with one monospaced family. With OpenType features like slashed zeros, old style numerals, and case-sensitive forms, Alloca is versatile. It's great for displaying code, showcasing data, or even flowing your body copy. It has broad language support, too, with localized forms for Vietnamese, Polish, Catalan, and Dutch, to name a few.

Causten Round is a geometric sans serif font family with round corners and maintains rationality in designing each form. With use the sharpness of the eyes, and remain logical, so that balance is maintained in each form. So, it will get a clean, neat, and perfect shape. Causten Round is a rounded version of Causten Causten Round comes with 9 weights and a matching oblique, making it 18 styles. It makes it perfect for all creative projects. Also, some alternative glyphs will be an attractive choice.

Linotype Contacta is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Ralf Weissmantel designed this font to display no stroke contrast at all. Instead of using conventional letter forms, Contacta is a more designed-oriented font, with some characters recognizable only in context, not necessarily at first glance. The technical, unconventional forms look almost like a maze, especially when set together. This font is not suitable for text but makes a unique impression in logos and headlines.

Tritone is a serif old style typeface display. The design is inspired by the Art Noveau style, which taken from the facade of a bathing establishment and reinterpreted it. The beauty of the font lies in it is classic and unique shapes and forms that characterise it, and for this comprises only two weights, for the dedication to the forms. The font expresses beauty and tradition, but in a lyrical context it can express the power of opera, because of it is powerful and elegant design.

The design for Titulata was based on the need for a titles of extreme weight, dynamics and soft morphology. Strong and clear, it takes graceful form in the line and is legible even in small bodies. The script variable is softer and features some punch-line touches, providing another vision and incorporating traits of manual writing. One important feature is that both styles have the same rendering in text box, reason why signs can be combined without other alteration that the form of the printed word.

Quanty is a new modern sans serif with a geometric touch and with some special, display forms. This modern font has unique fresh features. It is versatile in its use: suitable for headings and typing large amounts of text. Quanty has great uses in advertising, packaging, branding, posters, magazines, logos, web sites. Will go well with the Phonk typeface. OpenType features: Access All Alternates, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Standard Ligatures, Localized Forms, Numerators, Ordinals, Proportional Figures, Scientific Inferiors, Superscript, Tabular Figures

Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.

ITC Scarborough was designed by Akira Kobayashi in 1998 to be reminiscent of the typefaces in advertisements of the 1930s. The special written form of the font has no connection between the letters and follows the principles of the brush scripts often used in the headlines and film trailers of this time. Kobayashi chose dynamic forms for his font, small yet robust with contrast between the strokes. ITC Scarborough is available in regular and bold weights and is best used for headlines and short texts.

The sheet music for "I Used to be Color Blind" (from the 1938 Fred Astaire-Ginger Rogers movie "Carefree") had its title crafted in ornate Art Deco hand lettering. Keeping the original letter forms, the interior embellishment was simplified to a dot-and-line pattern [eliminating a secondary squiggly line] for a cleaner look. The type design is now digitally available as Performing Arts JNL, in both regular and oblique versions. For those who prefer no ornamentation, there are also regular and oblique versions in solid form.

ITC Riva is the work of English designer Martin Wait and appeared with ITC in 1994. Its letters form gently flowing words and sentences and the light stroke contrast makes the font stable yet lively. The contemporary typefaces of the 18th century influenced the forms of ITC Riva and its overall image brings to mind flowing white sundresses, fields of flowers and tea parties. Perfect for invitations and greeting cards, the capitals of ITC Riva can also be used as initials and combined with other alphabets.

XRoomingHouse is a typeface of pictures that I did many years ago. Most of the pictures are border elements, and within a set they can be combined to make borders or frames. There is no real style consistency in the font—it is an eclectic collection of elements. (Minor corrections and additions were made in 2018 to improve sets that can form frames. For a more ambitious attempt at a font that can form frames, see Framealot). As for the name, boarders stay in a rooming house.

The rainforest of Borneo which has a wealth of big trees and lush is the basis of inspiration of the Geegantic font. Therefore Geegantic has little difference with a similar font that usually appear in the feminine form. As you can see, Geegantic has the form of contrast stroke, a thick and casual. As display fonts, Geegantic aims to touch the needs of the general usage of displays, branding and advertising. However, under certain conditions, it is also possible to fill the text area.

The 1960 British film “Beat Girl” (released in the U.S. as “Wild for Kicks”) was a typical [for its time] story of a teenage girl looking to have some fun by hanging out with SoHo beatniks and going against parental authority. One of the posters for the film features the title in a condensed slab serif stencil form, with eroded edges. The basic letter forms were smoothed out and cleaned up resulting in Jazz Beat Stencil JNL, which is available as in both regular and oblique versions.