Happy Christmas Party is a playful and quirky display font. I made this font especially for Christmas and holidays. This font has 5 decoration versions: regular, decor, deer, snow and star. These decorations are related to Christmas decorations, making this font the perfect fit for any Christmas-themed activity / project. Happy Christmas Party perfect for crafter, gift, tshirt, card event, anniversary, birthday,greeting cards, logotype, branding, poster, packaging, stationery, website, and any other projects requiring a handwritten and luxurious touch. This font is also support multi language.

»Dylan« is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights with fitting italic sets. The fonts includes full smallcaps, language support for most European languages plus Turkish, many fractions, nominator and denominators, Greek mathematical signs and many currency symbols. It is a versatile font that is well suited for many occasions, even for signage.

Chigoda Script in a beautiful handwritten style. Equipped with 351 glyphs. Chigoda Script is perfect for branding projects, homeware design, product packaging, use in business cards, invitation cards, etc. Quite as a stylish text overlay to a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Thanks for checking! I really hope you enjoy it.

I have always loved gazing at the stars. Too bad that you don’t get to see a true starry night these days - mostly because of light pollution. Starlight Lovers is a messy serif. It is hand painted, using a brush and Chinese ink, so the edges may be a bit rough. In my opinion, this adds to the font’s character! Starlight Lovers is an ideal font for (Christmas) cards, book covers, posters and product packaging. Comes with a milky way of diacritics as well!

Grillmaster is a nice clean sans serif that you'll find many uses for with eight widths and eight weights in each width set plus italics. It’s always grillin' season with Grillmaster; at 128 font files strong Grillmaster is ready to serve large crowds and dinner parties. So put on some cheap shades and cutoff jeans, then fire up the grill and turn up that perfect song on the radio: the Grillmaster is here to satisfy your appetite; I guarantee you won't go home hungry.

Starlikes - classic duo typeface with stencil serif and regular typeface, which can be adapted to your needs and desires Starlikes is a beautiful, nostalgic lowercase and uppercase typeface that works best as focus display text (think logos, headers, pretty quotes, calls to action, etc.) think logos, headers, pretty quotes, calls to action, etc.). Upper and lower case give it great versatility, but I honestly can't get over all the crumpled uppercase letters. This is too good. Including: Numbers & punctuation Foreign language support Have a wonderful day SayStudio :-)

Brogi is a stylish sans serif font designed specifically for logo and brand designs. Brogi exuded a sense of boldness and sophistication despite his menacing styles. Ligature fonts can be used for almost any purpose you can imagine. 10 Weights (Light, Regular, Medium, Bold and Black) 2 Styles (Regular & Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Might Makes Right Pro BB is an all-purpose comic book dialogue font inspired by Bronze Age comics. It’s designed to compliment a wide variety of art styles. The opentype version has autoligatures to swap out adjacent, identical letter pairs for a more organic look, and a wide variety of European characters are included. This Blambot classic comic book dialogue family has been updated with even more European characters, improved spacing and kerning, contextual alternate correction of errant serif-I, and a fourth weight, plain Bold.

Letterature is an elegant serif. I designed old-fashioned letters with playful ligatures. The font may be used for creating classical printing, logo design, clothing embroidery, product packaging, vintage header, luxury identity, etc. What you will get: * Uppercase and lowercase * Ligatures * Multilingual support * Numbers * Symbols * Punctuation To have a look at all the ligatures in the font you may open the glyphs panel: In Photoshop go to Window - glyphs In Illustrator go to Type - glyphs Please feel free to request to add characters you need: kaer.pro@gmail.com

If you ever dream about light vibe, playful, easy going, cute, has some nature touch in it and still has a good read-ability font: it's time to wake up. Florentina is here. The "ink bleed", irregular line, it looks like you write it by yourself. Not mentioning that dreamy hand-drawn bonus... LOTS OF THEM. And it is support 22 languages as well. I hope it support yours. Happy designing! BONUS vector can be downloaded from https://www.dropbox.com/sh/fwgkzcecjy8tqsu/AADi06i-Hf0R49mtT8_DPMw8a?dl=0

Morella Script & Sans font with original handwriting style, looks very natural and beautiful. It is suitable for boutique brand, photography, magazine, quote, business card, logo, poster and many more. There are two types of fonts: script and sans, script is equipped with opentype features such as stalistic alernates, ligature, contextual alternates and multilingual support. File Include : Morella Script.otf. Morella Sans.otf. Morella Script.ttf. Morella Sans.ttf. Opentype Feature : Stalistic Alternates. Stalistic Set 03. Ligature. Contextual Alternates. Multilingual & Punctuation. PUA Encoded. I hope you enjoy and thank you.

KREAK is a bold display font with 6 various styles for your needs. KREAK has uppercase, lowercase, alternative, and ligature letters. It’s fun, pop, vintage, and playful! WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Pagers font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating

Amira Script with a modern calligraphy type font, I hope you are interested in this font, if you want to use it for your work, this font can be used easily and simply because there are many features in it containing a complete set of uppercase and lowercase letters, various kinds of punctuation. , numbers, and multilingual support. This font also contains several ligatures and alternative Style Stylistic Sets for those of you who have software capable of running OpenType (Photoshop / Illustrator / InDesign). what is included:

Larianti Monoline Handwritten Font - a new modern & fresh script with a handwritten and script style making this font looks elegant, natural, and stylish. Larianti is perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need handwriting taste. What's Included : Larianti 4 Font Styles Multilingual Support Opentype Features I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message. Thank You, Subectype

Introducing my latest font Birdsong, a handwritten font which is very elegant and modern. Ideal for logos, branding names, posters, podcasts and so on. This is perfect for you all. Features uppercase and lowercase, numbers and punctuation, ligatures and swashes. Birdsong is multi-lingual. There it is! I really hope you enjoy it. Comments and likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen.

Twinkling Stars is a duo-styled Display font and monoline script font, that feels equally charming and delicate. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! This font perfect for Crafting, DIY, Silhouette, Cricut, apparel, Fashion and many more. What's Included : - Twinkling Stars (Script and Sans) - Multilingual Support - Alternate Letter for script I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank You, Subectype

Introducing the new Garland. It's modern brush font with beautiful and natural brush stroke that perfect for logo, poster, product, apparel, packaging and many more. Garland come with full all caps, number, punctuation. this font very easy to use, so what you waiting for. I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you

In English folklore (in particular that of Yorkshire and Lancashire), Grindylow is a creature that dwells in rivers and lakes and is said to grab children who come too close to the water’s edge and drown them. It is thought the name Grindylow may be connected to the monster Grendel. Grindylow font does not grab children; it is a rather messy handmade brush font. I used a cheap brush and Chinese ink to create the glyphs. Comes with discretionary double letter ligatures for the lower case.

The name "Sticky Love" is taken from a song by Kate Bush. Perhaps not one of Kate Bush' most famous songs, but nevertheless, the song is about love (Which I think is what Kate Bush sings a lot about!) The Sticky Love font is also about love - that kind of love you just can't control. In this case, the love is about wacky letters! :) Sticky Love is handmade and just a tiny bit cleaned up. Not much though. The font has kept the handmade love!

Panopticon Signature is a very elegant and modern handwritten font which is for you to use for logos, branding names, posters, podcasts and so on. Panopticon is perfect for all this. It features uppercase and lowercase, numbers and punctuation, ligatures and has multi-lingual support. I really hope you enjoy it. Comments and likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen.

Sunday Gang is a handwritten font which is very elegant and modern for you to use and your design interests be it for logos, branding names, posters, podcasts and so on. This is perfect for you all. Features: 1.Uppercase & Lowercase 2.Numbers & Punctuation 3.Multilingual Support 4.Ligatures I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

Sovba is an amiable rounded sans-serif inspired by handwriting. Sovba is useful for a look that is uniquely casual, fresh and smooth. Sovba simplifies character forms down to their basic characteristics, and has a strong, silky smooth forward motion. Sovba includes more traditional optional alternates for a number of characters, including the ëEí and ëF,í OpenType alternate characters, old style figures and small caps. Sovba is a fine choice when you require a versatile upright oblique for logotypes, headlines or short blocks of text.

Arabetics Symphony is a Sans Serif Latin typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. It is designed with a uniform glyph thickness and weight throughout, using a combination of simplified and clear open lines and curves and plenty of spikes and visual hints to compensate for the missing Latin serifs or traditional cursive Arabic calligraphic influence. This type family is suitable for both text and display applications. Additional Latin spacing is added to match an overall open-looking Arabic and is further maintained by a careful implementation of a typical Latin font kerning process. The design of this font family, including metrics and dimensions, was intended to make its Latin harmonize with other Arabetics foundry fonts. Arabetics Symphony fully supports MS 1252 Western and 1256 Arabic code pages, in addition to all the transliteration characters required by the ALA-LC Romanization tables. Users can either select an accented character directly or form it by keying the desired combining diacritic mark following an unaccented character. For Arabic, it fully supports Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks. The Arabic design of this font family follows the Mutamathil Taqlidi design style with connected glyphs, emphasizing vertical strokes to bring added harmony, and utilizing slightly varying x-heights to match that found in Latin. The Mutamathil Taqlidi type style uses one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Arabetics Symphony includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph. Keying the “tatweel” key (shft-j) before Alif-Lam-Lam-Ha will display the Allah ligature. Arabetics Symphony includes both Arabic and Arabic-Indic numerals, in addition to generous number of punctuation and mathematical symbols. Available in both OpenType and TrueType formats, it includes two weights, regular and bold, each has normal, Italic, and left-slanted styles.

Arabetics Latte is a Latin Serif typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. While its seemingly-idiosyncratic Latin design eliminates the excessive usage of serifs and offsets the visual effects of several geometrically-intense glyphs, its Times Romanesque proportions gives a full nod to the beginnings of Latin types and produces an overall stable look-and-feel of a classical Serif style, making it suitable for both text and display applications. Liberal spacing is maintained throughout to match that of the Arabic text and is further supplemented by a careful implementation of a typical Latin kerning. The overall design of this font, including metrics and dimensions, was intended to make its Latin harmonize well with most other Arabetics foundry fonts. Arabetics Latte fully supports MS 1252 Western and 1256 Arabic code pages, in addition to all the transliteration characters required by the ALA-LC Romanization tables. Users can either select an accented character directly or form it by keying the desired combining diacritic mark following an unaccented character. For Arabic, it fully supports Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks. The Arabic design of this font family follows the Mutamathil Taqlidi design style with connected glyphs, emphasizing vertical strokes to bring added harmony, and utilizing slightly varying x-heights to match that found in Latin. The Mutamathil Taqlidi type style uses one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Arabetics Latte includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph. Keying the tatweel key (shft-j) before Alif-Lam-Lam-Ha will display the Allah ligature. Arabetics Latte includes both Arabic and Arabic-Indic numerals, in addition to generous number of punctuation and mathematical symbols. Available in both OpenType and TrueType formats, it includes two weights, regular and bold, each has normal, Italic, and left-slanted styles.

Once, Blackletter was a calligraphy style. Full of ligatures, with letters bumping into each other to create an unapologetic picket-fence pattern. Some even claimed that the regularity improved legibility! But then Blackletter was cast into metal, and only a handful of established ligatures survived, while most interletter connections were disentangled. Everyone since followed suit, and hundreds of years later, digital Blackletter fonts were modelled mostly on the metal fonts that prevailed rather than the original handwriting. Up until now! AJ Quadrata is an authentic revival of the textura quadrata hand, and its major inspiration is a 15th-century Latin manuscript of the Bible from Zwolle, the Netherlands. The typeface is delivered in two flavors. The default cut is a modern take on textura quadrata that can be useful for today and tomorrow. The standard ligatures feature employs nearly all letters. The tittle of i retains its original, hasty squiggle form (except for the Turkish localization). Discretionary ligatures include medieval ligatures da, de, do, pa, pe, po (and their mixed-case counterparts!). Stylistic sets allow to use historic letter variants such as long s and rotunda r, closed-counter a, and alternate capitals. AJ Quadrata Medieval is perfect for setting Latin. Default forms of capital F, H and O are swapped with the alternates. The squiggles above i only appear for disamibiguation nearby m, n or u, as in original manuscripts. Discretionary ligatures and historic variants are promoted to the standard ligatures feature to make room in the discretionary ligatures feature for a variety of scribal abbreviations. Dedicated stylistic sets include medieval punctuation and justification alternates — glyphs with elongated terminals used for lengthening lines that end up too short. The Rubrum styles can be layered and colored to create the illuminated effect on the capital letters. Besides a faithful rendition of extended Latin including Vietnamese, numerous synthetic additions are included: polytonic Greek, Armenian, and Cyrillic (with Bulgarian and Serbian/Macedonian localizations). Both flavors of the typeface can be considered a starting point that can be further customized using OpenType features, including Stylistic Sets (some features differ between AJ Quadrata and AJ Quadrata Medieval): ss01 Alt E ss02 Descending F / Roman F ss03 Uncial H / Roman H ss04 Angular O / Round O ss05 Contextual closed-counter a ss06 Diamond-dot i j / Always dotted i, j ss07 Contextual rotunda r / No r rotunda ss08 Contextual long s / No long s ss09 Dotless y ss10 Serbian Cyrillic ss11 Alt Cyrillic de ss12 Alt Cyrillic zhe ss13 Alt Cyrillic sha ss14-ss17 [reserved for future use] ss18 Scribal punctuation ss19 Alt linking hyphen ss20 Justification alternates

A FEW THOUGHTS Indie is a trendy script, result of the wide range of possibilities that can be achieved using a pointed brush. (1) “You Only Live Once” say The Strokes, (to me, symbols of indie music) so, what would represent that sensation of volatility better than a brush? As you may already know, this time inspiration came from hipsters and indies around us: We may sometimes criticise them, we may sometimes want to be like them, but the truth is that the universo gráfico they generated these past years is gigantic, full of colour and variations. (2) Brush lettering and Sign painting are fields I've been fond of since I started as a designer. Nowadays, these styles are getting a lot of attention and maybe it’s due to the undeniable mark of life that is materialised when using a brush. This tool is so expressive that shows the passions and fears of the artist, and materialises that idea of “living the present”, so popular in this era. When you see Indie, you think of skaters, rollers, surfers, hiphop dancers, street artists, summer, and why not? California beaches. So if you feel life is only one, it’s high time you got Indie into your fonts' collection! STYLES Indie comes in 4 styles plus another one which consists only in capitals. Indie; Indie Shade; Indie Shade Solo; Indie Inline are all open-type programmed and have exactly the same glyphs and metrics, so you can combine them without probem. (I.E. You may use Indie Inline, then write the same word using Indie Shade Solo, and finally put them together). In applications such as Adobe Illustrator, the font has nice results when fi ligatures is activated. However, if you want a more casual look, activate the contextual and the decorative ligatures. NOTES 1. After several years of practicing calligraphy I can say that to me, there’s nothing more satisfying than being able to create fonts out of your own handlettering. I owe a lot of this brush-style to Carl Rohrs. He was the very first calligrapher who taught it to me. His style is unique and what he can do with a brush is truly marvelous. I'm serious. 2. In spite of some particular cases, I can say I'm happy to live in a present in which Typography is living a kind of Renaissance along with Lettering. Like it happened with W. Morris a hundred years ago, handcrafts are being revalued/reborn, and some of this may be happening thanks to these indie designers that, trying to be unique, gave new/fresh air to different areas of graphic design.

Here is a "Decorative Braille font". The initial design was indeed drawn on a K.I.S.S digital sketchpad, the Windows default drawing tool (Microsoft Paint, classic version). A. Glyph Concept The Braille 2x3 dot matrix is weaved around a diamond-shape. a.1. Each "dot" is represented by a "right-angle isocel triangle". a.2. Braille dots in Diamond Braille a.2.I. "Dots" are outside the diamond for first Braille row (Braille dots 1, 4) and third Braille row (Braille dots 3, 6). a.2.II. "Dots" are inside the diamond for second Braillle row (Braille dots 2, 5). a.3. Diamond lattice Glyphs are connected horizontally (to/bottom diamond's corners) and vertically (left/right corners) to each other (see poster 5). a.4. Special Glyphs - Space: its is either empty ("Empty cell") or a "non Braille shape" { _, ° } depending on your display needs (as explained in b.3.II) - 6 dots: { £, =, û } - 6 empty dots: { ç, ¥ } B. Font user guide b.1. Lowercase glyphs { A..Z } In these glyphs the "dots" are represented as a white right-angle isocel triangle filled with a smaller black triangle. b.2. Uppercase glyphs { a..z } In these glyphs, the "dots" are represented as an empty triangle (this is an "empty dot"). b.3. 'Space' vs 'Empty Cell' b.3.I. 'Space' - 'Space' glyph is an empty shape - '¶' glyph (at the end of each line in Microsoft Word) is also an empty shape b.3.II. 'Empty cell' glyphs: _ (underscore), ° (degree). In these glyphs there are 2 "empty dots" at top and bottom corners of the diamond, which differentiates them from regular Braille glyphs (which dont have a "dot in the middle"). b.4. Diamond Lattice To display text as a 'diamond lattice', replace each 'Space' by an 'Empty cell' (as explained in b.3.II, see poster 5) b.5. Connectors The connector glyphs allow the creation of "circuit like" designs (see poster 1). Here are the connector glyphs: { µ, à, â, ä, ã, è, é, ê, ë, î, ï } b.6. Domino feature Some Glyphs represent numbers 1..6 in a way which is similar than on dominos (see poster 6) C. Posters Poster 1: the "Font Logo", it displays "Diamond Braille" text together with the Connectors feature. Poster 2: a pangram which is published on pangra.me ( "Adept quick jog over frozen blue whisky mix" ). Poster 3: an illustration of the Domino feature. Poster 4: a DiamondBraille version of the Periodic table. Poster 5: illustration of the Diamond lattice using only 6 dots ( û ) and 6 empty dots ( ç ) glyphs.

Since its foundation in 1901, the iconic building in the Rotterdam neighborhood Kop van Zuid, is shining. Where previously the Holland America Line was housed, you will now find Hotel New York. A building with a tremendous history. We’re glad to take you back in time with captivating memories. In 1991, catering entrepreneurs Daan van der Have, Hans Loos and Dorine de Vos refurbished the at the time vacant property into a hotel/restaurant. To honor its 25 years existence, we celebrate this happening with a brand-new font, ‘America Line’. A tribute to Wim ten Broek, the multi-talented Dutch Graphic Designer. As early as the 1930’s before the Second World War, Wim ten Broek made the famous posters for the Holland-America Line. The influence of A.M. Cassandre here in, is clearly recognizable. Wim ten Broek also worked for HAL with large surfaces and fixed lines in which primary colors dominate, accentuated with shadows acquired by spraying technique. He also made graphic works for, among others, the World Exhibition in New York, the Dutch railway company ‘Werkspoor’ and the royal Dutch steel factory ‘Hoogovens’. His drawings and lettering gave me a love for the trade and naturally gave me a completely different view on fonts. That’s how I slowly but surely made my way to the trade. Based on the letters I had at my disposal from the Holland – America Line poster, I started to complete the alphabet in the same style as the original text. I digitized everything in order to acquire a usable and modern font. The Holland America Line Font comes with uppercase and lowercase with all the needs of modern times to create a good digital font and to be able to use it for all graphic purposes. The font is ideal for headtext, posters, logos, etc... Don't hesitate and use this unique historical font! It will give your work that glamour that you will find in few fonts. Enjoy the Holland America Line. The Holland America Line Font comes with uppercase, lowercase, numerals, punctuations so you can use the Holland America Line font to customize all your designs. The Holland America Line font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry. The Holland America Line Font can be used for all graphic purposes. It is ideal for headtext, posters, logos,  logos, letterhead, apparel design, package design, label design etc... Don't hesitate any longer and enjoy this unique historical font! It will give your work the glamour that you will only find in a few fonts. Enjoy your journey with the Holland America Line!

Introducing Boxer Machine, a powerful brush font that captures the essence of handcrafted strokes. With its strong and natural style, this font brings an authentic and dynamic feel to your designs. It is the perfect choice for logos and various formal applications such as labels, magazines, books, greeting cards, packaging, novels, and advertising materials. Boxer Machine exudes confidence and impact with its combination of uppercase and lowercase letters. The brush-inspired strokes add a touch of ruggedness and artistic flair to your typography, making it stand out from the crowd. Whether you're creating a bold logo or designing eye-catching headlines, this font is sure to leave a lasting impression. In addition to its aesthetic appeal, Boxer Machine offers functionality. It includes numbers and punctuation marks, ensuring versatility across different design projects. With multilingual support, you can effectively communicate your message to a global audience. The font also features PUA (Private Use Area) Encoding, granting you access to special characters and glyphs. Take your creativity to the next level and personalize your designs with unique elements.

Introducing Special creative products for you, our products will give you an extraordinary experience that will not be forgotten. Balister A popular and professional Handwritten font. Modern and elegant, this typeface is made of beautiful creative strokes. Balister This font is perfect for your creative ideas, both formal and informal. It has a modern style with a touch of creative ideas that is very suitable to be applied anywhere that requires creative ideas such as invitation cards, letterheads, website logos, social media, banners, advertisements, brochures, packaging products, leather products, and any product that requires writing. By using this font, all of your products will look luxurious, elegant, and attractive, please try and see the results. This font includes a complete set of beautiful upper and lowercase letters, numbers, a wide variety of punctuation marks, and ligatures. All lowercase letters include a start and end, providing a realistic style. everything you get. Encoded PUA Character – Can be accessed completely without additional design software., Please note that Stylistic Alternates will require professional design software such as Adobe Illustrator, Photoshop, InDesign or Inkscape. Thank you...

Amour is a calligraphy script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Amour Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, and others. . Amour Script features 1550+ glyphs and 1320 alternate characters. including multiple language support. It features OpenType with style alternatives, character binding and strokes, which allows you to mix and match letter pairs to match your designs, as well as a touch of ornament to make this font look elegant. • New Updated • Amour Script! Amour has now been updated to include 4 styles; bold/bold italic version, regular & italic version. This gives you the option to completely change your font style with the click of a mouse, whether you're looking for a smoother style, a bold version, or an italic finish.

Silk Script is a revival and elaborate expansion of a 1956 Helmut Matheis script called Primadonna, which strangely remained a metal face and never made the leap into the film age. Silk Script has the unmistakable high contrast and elegance of formal scripts, yet both its majuscules and minuscules show much more complex and visually appealing art than traditional copperplate or Spencerian calligraphy. When set properly, it adds just the needed extra touch of artistic flair to designs that are not visually satisfying with the usual high-contrast elegant scripts. Silk Script comes in two styles, with the Alt font containing form variations on almost every letter, allowing for flexibility and precision in choice typesetting. Plenty of more alternates are available throughout the character sets of both fonts. Both styles also boast expanded character sets that include support for Central and Eastern European languages, as well as Baltic, Celtic, Esperanto, Maltese and Turkish. Silk Script Pro unifies both styles in one font, for 550 characters of sheer elegance and handy OpenType features including stylistic alternates, discretionary ligatures and class-based kerning.

Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country (Behe Nafarroa, Lapurdi and Zuberoa).Harri takes some of its more significant features from those engraved letter forms, but also from the current overemphasized shapes derived from them, while keeping in sight their antecessors: the Romanesque inscriptions and ultimately the Roman Capitals. Gerard Unger once said “the black version of a font is a caricature of the regular”. This may explain how the odd heavy shapes in use in the Basque Country today might have evolved from their engraved roots, which are already an interpretation of Romanesque and Roman letter forms. This evolution is echoed in Harri through its weights, from the clean formal Roman-inspired light to the extreme expressive Basque-style extra bold.

CF Cozyscript is an even weighted connecting script. Created in the spirit of the Old Grade School cursive chart seen above the blackboard in the front of the classroom. Giving students a constant visual reference of the smooth flow of Caps and Lower case script. Neither formal nor casual but a combination of both styles. Cozyscript is currently available in 3 styles: Light, Medium & Rounded. The Light & Medium styles are best suited for Invitations, Notes, Advertising, Personal Letters, and Sensitive Subjects such as Movie Titles, Biographies, Wedding paraphernalia, etc. The Light & Medium Glyphs finish in squared-off ends, whereas the Rounded version is slightly bolder than the Medium version with rounded ends resembling a tubular look. The Rounded version lends itself to effective use in Sports, Music, and Advertising, Graphics, Signage, Branding, Neon effects, Logos, Titles, and Packaging. With over 300 glyphs applicable in over 100 languages, Cozyscript is available for use! Cozyscript is CozyFonts Foundry's 17th Font Family released and 2nd script font by Tom (Cozy) Nikosey, California Designer.

Dorothy Clark Script is a stylish script comes with 3 styles, regular script, signature script and ink script. This typeface has unique opentype feature as you can see the explanation at 2nd preview image. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. This font comes with 3 style, Regular script that gives you the weight of calligraphy feel, Signature that gives you a consistent stroke with the same weight, and ink to add handfcrafted inky feel. All of them just in one font! Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded contextual alternate We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to letterhend@gmail.com if you need something! Happy Designing!

Campana Script is your go-to for classical elegance. Picture walking into an old bookstore and discovering a handwritten love letter tucked inside a dusty novel. This font brings that level of intimacy and nostalgia to your designs. Designed with heavy lines and intricate swashes, Campana Script suits formal applications like wedding invitations, certificates, and classic logotypes. Use underscore _ to make a swash. Example: Deco_rative Use multiple underscores to make different underlines. Example: Candy__shop Campana Script is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, and includes all the characters and symbols you'll ever need. Behind this exquisite creation is Mans Greback. Known for pushing the boundaries of type design, Greback has ventured into the intricate intricacies of aesthetic diversity with Campana Script. His portfolio is a testament to his versatility and daring, turning simple alphabets into powerful visual narratives.

Galliso is a serif font with a classic yet modern style with subtle curves and a beautiful binding, consisting of regular and italic versions with four types. allowing for a very sophisticated and contemporary typographical approach and the unique look of this font also features ligatures and multi-language support. This font is perfectly made to apply especially to logos, and many other formal forms Galliso provides a distinct, creative, and expressive message for branding, advertising, packaging, headlines, magazines, websites and more. Features: All Caps Font with different uppercase and lowercase Number & Symbol Supported Languages Alternates and Ligatures PUA Encoded What is included: Galliso Regular +Outline Galliso Italic+Outline We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Introducing Nandola Typeface Nandola typeface Inspired by ancient manuscripts in the European area. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or extravagant. Attempt calligraphy Desired, delight in those riches from claiming OpenType features and tell its exquisite fun and fervor make you euphoric What's more support your creativity! you might utilize this font precise undoubtedly. Elegant script “Nandola Typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Relato has a low contrast and “a muscular” structure that makes it useful for setting longer text. In display sizes it has a variety of details that lends it a unique and personal expression. The formal principle of the serif, the variety of terminal strokes and the combination of curves and semi-straight lines gives the Relato a more “human” flavor. The inspiration for the design comes from different traditional calligraphic styles. The upper case letter, for example, is based on roman capitals from the Rennaissance, whereas the lower case relates to humanist handwriting. Even so, Relato is a decidedly contemporary typeface, proposing individual ideas on the design of type. The italic has a distinct typographic color thanks to the construction principle of broken lines. The bold weights have an increased contrast in the union of the strokes which helps improve legibility in small sizes and reinforce their personality in display sizes. The family consists of a Regular version, Italic, Small caps, Semibold and Bold. For a sans serif version of Relato, please see Relato Sans.