Arco Perpetuo Pro is a sans serif typeface with subtle rounded corners for the display stability on screen. Arco Perpetuo Pro may be used as small text or as big headlines.

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

This all new hand drawn font comes as a serif and a script version. Mix and match to bring your designs whimsy and playfulness. Suitable for headlines, posters and call outs.

Calissha Script is a handmade font created with a brush and ink, bold and irregular baseline. Contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. And additional Calissha Capitals, working in harmony with Calissha Script to create typography awesome creations. Get some inspiration from the preview above. Contains a complete set of lowercase, uppercase, ligatures, punctuation, numbers, and multilingual support. Calissha Script is perfect for use in watercolor design or lettering style bold hand, such as blog header, branding, t-shirt, weddings, social media, product design, stationery, advertising, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Calissha Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Calissha Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Chorus is a collective effort to sing in harmony. Similarly, each letter is designed to reflect harmony when used together to form a letter, sentence or paragraph. Letters like B, D, P and R have curved stroke (instead of straight line) while joining vertical stem. Letter K, k, and R have similar disjoint point in middle and unique plus stylish curve at foot. Letter C and G has distinct horizontal cut at top as compared to other letters in typeface e.g. S. Letter like b, h, m, n, and p have consistent stroke joint style with vertical stem. Ink traps in various letters are designed such that they blend with the letter form at certain degree instead, getting emphasised. The family comes in various styles in weight and width.

Blackletter fonts are timelessly beautiful and still very popular. At some point, it seems that every type designer discovers the beauty of these forms and the great pleasure in creating blackletter characters. Like also Dutch designer Coen Hofmann who, after designing Caxtonian Gothic, has designed yet another Blackletter font: Holland Gothic. Holland Gothic reminds of the 18th century »Duytsch« typefaces of Joan Michael Fleischmann and Christoffel Van Dyck. But Hofmann was mainly inspired by the Dutch calligraphers from the 17th and 18th century. Holland Gothic develops its full charm and beauty at larger sizes because of the hairlines in the upper case characters. To enable users composing texts in the style of our ancestors, Coen Hofmann added a series of pre-composed ligatures, also in combination with the long s, plus an alternate form for the lower case r which was used in combination with letters b, d, g, o, p, v, and w.

Many years ago I studied American Sign Language in an effort to better communicate with some friends of mine within the deaf community. I found ASL to be a beautifully expressive language from a vibrant and active culture. Out of that attempt came this stylized depiction of the manual alphabet used in finger-spelling. Until recently it had only existed in analog form, born of pen and ink on paper. So now I'm glad to say it’s turned digital. Typing a period (.) will reveal the sign for “I Love You” (a combination of the letters I, L and Y), which fits nicely within the shape of a heart. Holding down the shift key while again typing period (greater symbol) will reveal the heart in its filled-in form, which can serve as an underlay. Use these in an application that supports layering in order to create different color combinations. There’s a stylistic alternate letter “S” and an “OO” ligature which can be accessed in OpenType-savvy apps.

Bolgica is a Neo-grotesque slab serif inspired by the slab serifs of the 1800’s century. By combining modern elements in several letter characters, the Bolgica family is very suitable for various design needs such as advertising, packaging, logos, editorial and publishing, branding and other creative industries. The family has 9 weights, as well as the matching true italics forms, provides typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super and subscript characters. It comes with a complete range of figure set options – old style and lining figures, each in tabular and proportional widths. With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 726 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

ITC Photoplay is another gem from Nick Curtis. Unearthed from the 1927 edition of Samuel Welo's Studio Handbook for Artists and Advertisers, the design's original suggested use was for title and caption cards for silent movies. A monoweight design that bridges the gap between turn-of-the-century decorative type and Art Deco, ITC Photoplay is both casual and stylish. And, yes, the cap S" is supposed to look that that. To expand this already handy typeface's versatility, a Black weight has been added to the original design. Curtis has also created an array of alternate characters, a couple of conjunctions, and a handful of "bishop's fingers" to help make your point. ITC Photoplay is eminently suitable for all those occasions when you need to say, "Unhand that fair damsel, you dastardly cad!", and really mean it."

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

Who haven't heard the phrase that ‘any past time was better’?. Although I sometimes find this phrase a little too pessimistic (because I try to think that the best is yet to come), it may be true regarding my passion, typography. I'm too young (29) unfortunately, and this means I did not have the pleasure of being contemporary with maybe the man who has influenced my work the most (1). The man that showed that letters are more than just letters to be read. Herb Lubalin (1918-1981), also called sometimes as ‘the rule basher’ (2), smashed the taboos and sacred rules of type design and gave it personality. He rejected the functionalist philosophy of europeans in favor of an eclectic and exuberant style. To him, letters were not merely vessels of form, they were objects of meaning. (3). Nowadays, when looking at his portfolio, who dares to deny that the term ‘typography’ and ‘beauty’ may go hand-in-hand without any problem? Ed Benguiat, one of Herb’s partners, still likes making jokes with the phrase “screw legibility, type should be beautiful” and what I understand of this is not to forget the rules, but to know and break them carefully. In an era of pure eclecticism, we, the lovers of flourishes and swashes, can't do nothing but admire all the legacy that Lubalin, this wonderful type-guru, left. My font Lubaline read as “the line of Lubalin” is my humble tribute to him. Those who know his work, may see the influences easily like in his ‘Beards’ (1976) and ‘The Sound of Music’ (1965) posters; the art-deco forms in many of his amazing logos and practically in all his creations where letters seem to be alive just like you and me. I really hope that the future finds me still learning more and more about type-design and letterforms, and like him, always willing to make innovations in my field: Because letters are not just letters to be read. NOTES (1) These are some of my fonts in which some of Lubalin’s influences can be seen (in order of creation): Reina, Aire, Erotica, String, Beatle, Heroe, Selfie, Model, Seventies, and many others that are still in progress. (2) (3) Steven Heller. Herb Lubalin: Rule Basher. U&lc (1998) http://www.printmag.com/imprint/my-favorite-lubalin/

Dead Meal is a cute hand made font made for pixel art style. Yes a mix of handmade pixel font style. Say like that is weird but trust me, it's simple useable for print works and web works.

Stefian Script is a modern calligraphy font with the current handwriting style. This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try it first if you want to buy this font. Stefian Script is equipped with 526 glyphs and has 97 ligatures. By having so many glyphs you will be able to choose the letters according to your tast and needs. With lots of variations and options for each letter, you can customize on your design needs. You need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you don't have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing :-)

Greylock is a casual script and clean brush script with a bouncing baseline. Include OpenType alternates and common ligatures. Try the alternates and ligatures to give your designs looks good, fresh, casual, stylish, and modern. Greylock is equipped with 279 glyphs. and by having many of these glyphs there will be able to choose the letters according to your likes, lots of variations and options for each letter, so you can customize on your design choices. with pleasure and happiness, in this font package you will get: Greylock Regular OTF to use a variety of flying machines, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) Thanks and happy designing Thank You for purchase! Arief.hk

Florita Script is a modern calligraphic font with the current handwriting style. This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more. Florita Script is equipped with 739 glyphs and by having many of these glyphs you will be able to choose the letters according to your likes. There are lots of variations and options for each letter, so you can customize it to your design choices. You need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw or one of the many programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing.

Risoluto is an italic font made to mimic the beautiful italic typefaces used in the 19th and 20th century by music publishers. It was based on an italic typeface found in a publication by Max Eschig from the 1950s. Hundreds of specimen for each glyph were studied and carefully drawn in a way to have a sharp rendering without losing any of the old charm. The oblique "g" is one of the characteristics of such old typefaces. Risoluto covers a large range of languages and symbols and offers stylistic alternates for numerals, contextual ligatures and music accidentals.

“Hi! I’m Hyptis – the script font based on brush handwriting. I was drawn with a soft, wet brush and digitally cleaned with care, but some of my characters keep their natural texture. If you are looking for a font for logos, postcards, product packaging, quotes, text overlays – or anything else – I am a good choice!” Hyptis has two types of embedded auto-replacement: lowercase letters without connecting strokes (for a case of the last character of the word), and ligatures (for a case of two letters that do not pair well together). These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac). Hyptis also has wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total). And finally, Hyptis comes with a bonus font, Hyptis Swashes, that includes a set of 26 swashes – linear, round or oval. To type it you could simply use small letters from ‘a’ to ’z’.

Are you looking for fonts for logos and event brochures? Bulgarian Dreams font the solution, Bulgarian Dreams Font is a lettering style font with a touch of smooth and natural curved lines like when writing manually on paper using a brush pen. There are 4 font styles that you can use to enhance your design Apart from being used for logos and brochures, Bulgaria Dreams font can also be used for poster titles, book titles, lettering, merchandise Design etc What's Included : - More than 270 of glyphs (include Uppercase, Lowercase, Numerals & Punctuations, Stylistic,Ligatures ) - multilingual support - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters (fully accessible without additional design software) Support For Language : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, Italian, Malagasy, Norwegian, Portuguese, Spanish, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Bislama, Cebuano, Corsican, Fijian, French_creole, Genoese, Gilbertese, Greenlandic, Haitian_creole, Hiligaynon, Hmong, Hopi, Ibanag, Iloko_ilokano, Indonesian, Interglossa_glosa, Interlingua, Irish_gaelic, Jerriais, Lojban, Lombard, Luxembourgeois, Manx, Mohawk, Norfolk_pitcairnese, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Potawatomi, Rhaeto-romance, Romansh, Rotokas, Sami_lule, Samoan, Sardinian, Scots_gaelic, Seychelles_creole, Shona, Sicilian, Somali, Southern_ndebele, Swahili, Swati_swazi, Tagalog_filipino_pilipino, Tetum, Tok_pisin, Uyghur_latinized, Volapuk, Walloon, Warlpiri, Xhosa, Yapese, Zulu, Latinbasic, Ubasic, Demo

Streeters is a hand brush typeface, created for a specific project, where one of the assumptions in creating it was to combine the appearance of a manual brush, liquid paint but also a spatial effect. Uppercase and lowercase letters create a slightly different effect with the same character height. They are created in such a way that, in addition to writing with one letter case, it is also possible to mix and create many different combinations of uppercase and lowercase characters, for example, a unique look for the same repetitive words. The font is best for works where a non-standard, strong and distinctive form of communication is needed.

Flabioga may look like your every day stencil font - but it's not. It contains two sets of letters, one for uppercase and one for lowercase + ligatures for double letters and numbers! You will need to use OpenType supporting applications to use the autoligatures.

MIX SASSITUDE is a cutesy, basic, swirly monoline print font that adds a touch of quirk and Sassitude to your designs. With its mix of basic letters and a few quirky ones, this font strikes the perfect balance between plain and cute. Other than that, it’s not quite extra, just a bit ordinary. Some attitude, a whole lot of sass. Whether you want to add a playful twist to your projects or simply want a font that stands out, MIX SASSITUDE is the perfect choice. Mix Sasitude comes with the following glyphs: includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥•· ÷×+−±≈=≠≥≤[]:;'”,.\|/?{}<>‹›‚„“”‘’-–—_…©®™«»†°¹²³¡¿₱¢€£¥§ ÁÀÂÄÃÅĂĀĄÆĆČÇÐĐÉÈÊËĖĒÍÌÎÏĪŁŃÓÒÔÖÕØŌŐŒŠȘȚÚÙÛŰŪŲÝŸŹŽŻÞ áàâäãåăāąæćčçðđéèêëėēíìîïīįłńñóòôöõøōőœśšșțúùûüűūųýÿźžżþ

Even though the phrase Art Nouveau originated in Paris at the shop of Siegfried Bing, the French preferred to call it Le style moderne. This very sinuous, very Art Nouveau typeface was designed by an E. Mulier around 1894, probably also in Paris. The organic, vine-like curve forms are frequently seen in the art of the period. Examples include the architecture of Victor Horta, the furniture of Henry van de Velde and the jewelry of Max Gradl. Mulier Moderne is an all-cap font with a full Western European character set plus ST and TH ligatures, an alternate ‘E’ and two glyphs of period printer’s cuts. Warning: do not use for extended text. Duh!

Antypica is a soft and friendly slab-serif font that draws inspiration from typewriter styles. This font is designed to be easily legible in both small and large sizes, making it a great option for various applications. Its simple yet timeless design with a modern twist makes it perfect for use in a wide range of design projects. This includes package design, ad campaigns, brand identities, movie titles, poster art, booklets, and even classified documents. With an impressive 790 glyph count, Antypica supports Basic Latin and Latin Extended-A. OpenType features further enhance typography by providing Small Caps and Small Numbers, Lining Figures, Oldstyle Figures, Superscripts, and Subscripts, Fractions, Tabular Lining Figures, Tabular Oldstyle Figures, Ligatures, and Contextual Alternates to prevent some unwanted letter pair collisions. Additionally, Stylistic Sets offer Stylistic Alternate Lowercase a, Alternate Cap T, Alternate Dollar Sign, and Slanted Hyphen to add calligraphic quality to text blocks, while the Special Set offers unique glyphs like Bitcoin and Interrobang. Antypica is highly versatile and can be used in many design applications. Small Caps and Small Numbers can be used creatively to create more visually engaging typography, and the optimized underline effect can be used to enhance the design. To access the Special Set in OpenType features, select it from the OpenType menu. To add special additional marks, type following in your text field. • For the Exclam-Comma mark, type ” ,! ” (comma+exclam) • For the Question-Comma mark, type ” ,? ” (comma+question) • For the Bitcoin mark, simply type " bitcoin " (not case sensitive). • For the alternate (Cap Height) Registered mark, type " registered " (not case sensitive). • For the Published mark, type " published " (not case sensitive). The font also has a small caps version of the Published Mark. • For the Numero mark, type " N° " (N + degree) (case sensitive). • For the Interrobang, type " bang " (not case sensitive). • For Price marking, type ” ,– ” (comma + one of these: hyphen, en dash, em dash). • For Dot(s) Pattern glyph, type " dots " (not case sensitive). • For Line(s) Pattern glyph, type " lines " (not case sensitive).

Almerita is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Beatlove is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch!

Nathaly is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Pragmatica Slabserif was designed as a complement to the popular type family Pragmatica by Vladimir Yefimov and Isabella Chaeva (1989-2004) by addition of square serifs. Inspired by Helserif (Phil Martin, 1978) which was formed in the same way by addition of square serifs to Helvetica (Eduard Hoffman and Max Miedinger, 1957). First sketches of Pragmatica Slabserif were created by Vladimir Yefimov in 1988 during development of Pragmatica. Olga Umpeleva designed the whole slabserif type family of six weights basing on those sketches. All styles of Pragmatica Slabserif coordinate with corresponding Pragmatica styles on metrics, proportions, weights and design. The new family can be used together with Pragmatica and separately. It’s convenient for technical texts, for magazines of general nature, for business applications as well as for advertising and display matter. Pragmatica Slabserif was released by ParaType in 2011.

a grunge style font mixing carved design with blackletter

Fun, mixed, jumbled lettering in a variety of styles.

Carliste Scripts is a perfect signature with distinctive style, decorative characters and a dancing baseline. So beautiful on invitations like greeting cards, logos, book covers, packaging designs, branding materials, business cards, quotes, posters, and more. Carliste Script includes alternative glyphs and wonderful stir in fonts including style sets, ligatures etc. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. This font has given PUA unicode (special code font) so that all alternative characters can be easily accessed in full by craftsmen or designers. If you do not have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows). If you have questions, don't hesitate to contact me via Gmail: Cooldesignlab@gmail.com

Coletta Davis is an elegant and flowing handwritten font. This is coded with PUA which means you can access all glyphs and swashes easily! It features varied base lines, fine lines, beautiful flying machines and amazing alternatives. It maintains the influence of classy calligraphy while feeling contemporary and fresh. Fall in love with this font and take your project to the highest level! You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Coletta Davis is coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use the Font Book, and Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor / application. Thank you and happy designing :) Enjoy!

Introducing Alevander Script Alevander Script is a classic calligraphy font. This is a classic thin font with an italic style. Here will get a beautiful classic font. This font has several modern swirls that can make work look elegant, sweet and perfect. With a style like this, this font would be perfect for logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and more. all other beautiful projects. Can use this font for work very easily. Because there are many features in it. Contains a full set of lowercase and uppercase letters, punctuation marks, numbers, web fonts and multilingual support. This font also includes several binding styles and an alternative Stylistic Set for those who have software capable of working with OpenType (Corel Draw / Photoshop / Illustrator / InDesign). If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows): Thank you for buying!