Cheshire This pair was inspired by poster design that i saw on street, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. We improve with handmade to make a retro playful feel, this font is bold so it can look strong if you use it for branding or even title for your poster design with retro playful decorative style. Opentype features Cheshire font has 175 character set included Cheshire Font is very good looking in retro retro playful decorative logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a retro playful font, this item is a great choice to make your design authentic and unique. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Snacko is one dope display font. It’s got that casual vibe mixed with some 70s soft serif styles, and a playful italic angle that’ll make your designs move and groove! This font is perfect for titling, branding, logos, and all kinds of digital or printed materials. It’s fun and playful, so it’s perfect for designs that are targeted at a younger crowd or need a fresh and modern feel. Snacko’s funky, soft, and cool design makes it the bomb for all kinds of design fields, from advertising to packaging to social media graphics. It’s got a style that’s all its own and can make your designs pop and stand out from the crowd. This font only comes in one style, but don’t trip, it’s versatile and can be used in all kinds of ways. It’s approachable and friendly with a softness that’s off the hook, but also funky and expressive with a unique personality that can take your designs to the next level. Bottom line, Snacko is one creative and versatile font that’ll bring a playful and fun energy to all your designs. It’s got a unique style that’s perfect for any designer’s font collection, so don’t sleep on this one!

BOOMSONG is a stunning font that combines the beauty of blackletter and the elegance of script styles. It features a unique mix of these two styles, creating a perfect balance between boldness and refinement. The font includes 858 glyphs, offering a wide range of options for all your design needs. With its unique alternates and ligatures, BOOMSONG allows you to create custom lettering that stands out and captures the eye. It supports PUA encoding, ensuring that you can access all glyphs and symbols, even in non-standard software. BOOMSONG is perfect for projects that require a touch of beauty and sophistication. Its concept of “beauty in the dark” adds an intriguing element to your designs, making them stand out from the rest. With support for multiple languages, BOOMSONG is a versatile font that can be used for various purposes, from branding to invitations, book covers, and more. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

The font family Brun includes two styles Regular & Clean. Brun is a casual, modern and hand brushed font. I've designed Brun carefully with the intention to preserve in its glyphs the original tell-tale dry brush imperfections and a bouncy baseline for a more personalized effect even more authentic. Brun Clean preserves the characteristics of a brush font without being dry brush stroke. As an exclusively Open Type release, with 575 glyphs and 35 ornaments, it has several special alternatives for all letters with lots of possibility an an infinity of combinations. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, swashes and stylistics alternates for each letter, beginning and ending letters. These lovely fonts have already an extended character set to support Central and Eastern as well as Western European languages. This will help your creativity and make it easier to make the impressive and elegant typographic work. This font is a perfect choice for greeting cards, posters, labels, t-shirt design, logos, and more. Brun was made to make your project more beautiful and attractive! Have fun with it! To activate the optional glyphs you may click on buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. Enjoy it!

English Monarchs is a unique font collection with accurate digital replicas of 84 signatures of English and British monarchs from Richard II through Elizabeth II, including many of the royal consorts. Also included in this font are the Stuart pretenders and Mary Queen of Scots and her consort. A must-have for autograph collectors, desktop publishers, history buffs, fans, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous nobles. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map. This font includes signatures from the following noble figures: Richard II, Henry IV, Henry V, Henry VI, Margaret of Anjou, Edward IV, Elizabeth Woodville, Edward V, Richard III, Henry VII, Elizabeth of York, Henry VIII, Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, Catherine Parr, Edward VI, Lady Jane Grey, Mary I Tudor, Elizabeth I, James I, Charles I, Henrietta Maria of France, Oliver Cromwell, Richard Cromwell, Charles II, Catherine of Braganza, James II, William III, Mary II, Anne, Prince George of Denmark, George I, George II, George III, George IV, William IV, Victoria, Prince Albert, Edward VII, George V, Edward VIII, Wallis Warfield Simpson, George VI, Elizabeth II, Prince Philip, Prince Charles, Princess Diana, Camilla Duchess of Cornwall, Prince James Edward Stuart, Prince Charles Edward Stuart, Mary Queen of Scots, Henry Stuart Darnley, Francis II of France.

Miss Donna - contemporary, powerful, versatile and casual. Curvy, sassy, fast-talking, and utterly useable, she takes you into the world of movie posters, decor ads, fashion posters and tags, greeting cards and invitations. Her lines are bold, clean and legible. The Miss Donna family comes in four styles: - REGULAR - clean good lines and generous curves - for decor ads, greeting cards, copy - NARROW - slim (more compact), and elegant with contained curves - for greeting cards, invitations, copy - BLACK - bold statement, round, generous curves - for movie posters, fashion posters - BLACK CAPS - especially designed for "all-caps" printed text. Use for headings & subheads. Miss Donna Black Caps contains capitals in two sizes and this gives you the ability to generate text of two types: - a correctly spaced and kerned upper case, OR - a TRUE Small Caps -- as opposed to the false Small Caps produced by a well-known word processing application. In a correctly proportioned Small Caps the stroke width should not be reduced in the same proportion as the letter height is reduced. The stroke width of the small capitals should rather be equal or close to the stroke width of the corresponding upper case characters. Note: When using script fonts it is NOT usually advisable to use text in ALL caps. The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. BUT, Miss Donna will still produce excellent results with all caps if you are using an application that supports kerning. If you are using upper and lower case then it is not necessary to use kerning, although it may make a slight difference on occasion. Miss Donna contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Gaslon is a slight reinterpretation and major expansion of a 1973 film type called Corvina Black, originally designed for VGC by A. Bihari. While the original typeface was popular in its own right, there were some things in it that were too quirky to work in the display applications it was intended for. Some of the letter combinations just didn't work to their visual optimum. For example the a and o were too similar, ditto the C and G, the E, F and J were too overwhelming to be set properly within certain display uses. Gaslon eliminates these problems by the inclusion of plenty of alternates for the vast majority of the original letters. In fact, the original a is itself now an alternate to a gorgeous new one. The Gaslon Alt font includes tremendous possibilities for both unicase use, and proper use in conjunction with the main font. This is our true homage to a typeface that had great potential more than three decades ago, but was overlooked by digitizers because of a few quirks it had in film type contexts. Full of curves and invitation, Gaslon ranks very high among the friendliest poster faces ever made. It is ideal for friendly store signs, children book covers, and plenty of other applications. In fact, if you're planning on contributing to a few protests around your neighborhood or city, you would probably be better off using Gaslon to help your sign/placard carry words and slogans that are big but friendly. Nothing beats "DOWN WITH GAS PRICES" set in a nice imaginative mix of the many Gaslon letters. The OpenType version of Gaslon is a single font that contains all the alternates and niceties programmed within features accessible by OT-friendly programs.

Can we get a drum roll please? It’s not every day that a new link in a best selling chain is forged. First, there was Nanami, a font which took the world of type by force, storming to the top of MyFonts Hot New Fonts list; then there was Nanami Rounded, the most successful follow-up since Terminator 2. Well, say Hasta La Vista to boring design because now, there’s Nanami Handmade. With all the geometric, Japanese inspiration and style of the first two iterations, Nanami Handmade carries a quirky, mischievous charm. The font has a charisma matched by roguish anti-heroes; bad guys you love to love and good guys the other good guys hate, but everyone knows they’re what the audience turns up to see. Nanami Handmade comes in two styles, a solid and a hand-drawn, each of which has eight weights. Mix and match between these options to create a balanced piece which makes good use of the tactile, warm, earthy nature of the font. With these sans-serif styles working well in small and large sizes, both on and off screen, Nanami Handmade’s applications are virtually endless. Get your own piece of typography’s elite now, with Nanami Handmade, by Thinkdust.

For any project that calls for a gothic touch, the Krinah font is ideal. Krinah Blackletter fonts are the way to go whether you’re looking for a font for your logo, label, badge, or your newest music video or movie! Labels, vintage posters, and other items should all be designed using the professional-grade font Blackletter. It’s ideal for any project that calls for a little gothic flair. Additionally, it has a variety of lovely, harmonious forms, allowing you to choose the ideal word for your project.

The Humble Script is new quality calligraphy font. High-quality script fonts come with modern and vintage touches in them. Inspired by a mixture of copper calligraphy with handlettering style. OpenType feature with Stylistic Alternatives, Swash, Ligatures, Stylistic sets. It allows you to mix and match letter pairs to fit your design, and also comes with modern ornaments to make this font look elegant and perfect. The Humble Script is attractive like a smooth, clean, feminine, sensual, glamorous, simple and very easy to read. The classic style is perfect to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, books, greeting / wedding cards, packaging, labels, and more. The Humble Script also supports in pragram, Adobe Illustrator, Adobe Photoshop, Adobe InDesign, Corel Draw X version, Microsoft Word.Language Support : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, German, Icelandic, Italian, Malagasy, Norwegian, Portuguese, Spanish, Swedish.

Introducing Typologic, a font that effortlessly fuses geometric simplicity with the vibrant pop culture styles of the swinging 60s and 70s. This versatile typeface offers not just one, but 8 distinct font families, each with its own unique character. You'll find Condensed, Normal, Semi Expanded, Expanded, and stylish shadow versions. But that's not all—when you choose Typologic, you also get a treasure trove of 56 FREE BONUS ASSETS, featuring retro mascot illustrations that perfectly complement your creative projects. Features: Typologic Main FIle 56 free bonus assets that are Retro Mascot Illustrations Has 8 fonts : Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Come and say hello over on Instagram! Thank you, Dharmas Studio

THE END IS NIGH! Judgment Day has come and this planet has been CONDEMNED! Do not conspire to hide what remains of your paltry world from my eyes! Know you not that NONE may thwart my will? Of what import are brief, nameless lives -- to DOOMSDAY?? Death is Certain! Apocalypse is UNAVOIDABLE. At last, my cosmic hunger will be sated, if only briefly! This planet shall SUSTAIN me until it has been drained of all elemental life! SO SPEAKS DOOMSDAY! But do not fret. Even if the Domesday Book has been closed on your planet... your utter destruction is being made available in Font form, I call it IF THIS BE DOOMSDAY, and I will deliver it to you via comicbookfonts.com in Regular, (Roach) Chew and Outline weights. Never let it be said that DOOMSDAY is without mercy. Features: Three weights (Regular, Chew & Outline) with small cap characters and Western & Central European international characters.

Magdaline Script is new quality calligraphy font. High-quality script fonts come with modern and vintage touches in them. Inspired by a mixture of copper calligraphy with handlettering style. OpenType feature with Stylistic Alternatives, Swash, Ligatures, Stylistic sets. It allows you to mix and match letter pairs to fit your design, and also comes with modern ornaments to make this font look elegant and perfect. Magdaline Script is attractive like a smooth, clean, feminine, sensual, glamorous, simple and very easy to read. The classic style is perfect to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, books, greeting / wedding cards, packaging, labels, and more. Magdaline Script also supports in pragram, Adobe Illustrator, Adobe Photoshop, Adobe InDesign, Corel Draw X version, Microsoft Word.Language Support : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, German, Icelandic, Italian, Malagasy, Norwegian, Portuguese, Spanish, Swedish.

About the Product Introducing "Wastern" - A brand new bold display typeface with both modern and vintage curves. Modern or Vintage. If you are going Vintage Retro : Access your OpenType features to access the large selection of alternate letters and ligatures, select the letters you like from the large variety to get the vintage look you are after. Vary between a light and heavy vintage look based on how many letters you alter. Due to alternates , Wastern is a very versatile font, covering a wide range project types, from bold magazine imagery , to wedding invitations, to branding, poster design and so much more. What's you get? Wastern Italic Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Language Support : Danish, English, Finnish, French, German, Italian, Luxembourgish, Norwegian Portuguese, Spanish, Swedish, Swiss German. Let me know if you any question:) Have a wonderful Day Say Studio

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Ragiel is an elegant and classy serif font, inspired by a didone-style font with high contrast and upright axes. With high contrast it will be very suitable for display needs such as posters, advertisements, logos, billboards, covers, labels, and various types of display designs. Ragiel is equipped with uppercase and lowercase characters that support multi-language, and comes in 3 styles and 3 weights in each style to add aesthetics to your artwork. We hope you enjoy this font, and don't hesitate to leave a comment or message if you have problems or questions. Thank you :)

Norman Variable contains all the weights in between Norman Regular and Norman Fat. Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Get to know Norman Fat a new version of our best seller Norman, elegant and fashion forward. This new condensed high contrast and heavy weight serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman Fat is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

High Fidelity is our funky new variable font that was inspired by an incredible vintage poster we saw at the NYPL (sadly, the designer wasn't credited.) First we developed the ultra wide top-heavy style. Then, unable to resist the dynamics of variable type, we added the narrow width and violà our first variable font was born. We then added "drip" and "stretch" axes so you can play around and customize it to your heart's content. We think it works for anything from album covers, posters, social media, apparel - really anywhere you need a fun, expressive look.

Jollin Family is a pretty, attractive and fashionable sans serif, has ton of alternates that you can use to create a simple but pretty letters. Jollin has 8 weights and 3 Widths and also available in Variable version Jollin Family Variable contain three configurable axes: weights, width, and slant, you can adjust the font axis setting to get the desire size. Jollin Perfect for Heading, logo creation, Advertisements, Christmas, Label, business card, branding and more! Get inspired by its fashionable appeal! to access alternate Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

East Variable is a condensed sans serif typeface. It is timeless, but with a subtle nostalgia of vintage jazz albums, film titles, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. East is versatile, but would be a good choice for film titles, labels, publications, or any context where space is limited. It has variable axes of weight and slant. The OpenType features include stylistic sets, a one-story 'a', hooked letters, seriffed uppercase 'I' and '1', a slashed zero, raised colon and punctuation (Spanish), German eszett, ligatures, and vertical fractions.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

‘Skiart Serif Leaf’ has been on a long growing path getting to where it is now. Originally inspired by the san serif font ‘Skia’ by Mathew Carter for Apple. ‘Skiart’ was designed to feel more like a serifed font, but without any serifs. It took a step between sans serif and serif fonts. Next on the path towards a serif font came Skiart Serif Mini, with tiny serifs added. This was a true serif font, although they were subtle. This font ‘Skiart Serif Leaf’ is the next in the series. After many reiterations, ‘Skiart Serif Leaf’ was built and rebuilt many times until finally, this version deserved to be presented to the world. Style and flow had been added to this font. It remained fully readable and feels as clean and normal as any of the best body copy serifs, and yet has an original modern flair to it. The font feels strong and solid while having a subtle organic flow in its form. If compared to one of the more commonly used serifs like ‘Times New Roman’, the ‘Skiart Serif Leaf’ lowercase is more open with a taller x-height, increasing its readability and friendliness. The serifs are smaller and less distracting. They are not pretending to be ligatures. This font may be organic but is not in anyway script like. Where ‘Times’ makes its p q b d forms out of a barely touching oval and stem, the ‘Serif Leaf’ forms are much more firmly attached, appearing clearly as single letters. The standard setting for the a’s and g’s are round single story, feeling warmer and more inviting in the ‘Serif Leaf’ font. Much more friendly than the stuffy double storied versions in fonts like ‘Times’ etc. ‘Skiart Serif Font’ comes with a somewhat organic italic.

The Eskapade font family is the result of Alisa Nowak’s research into Roman and German blackletter forms, mainly Fraktur letters. The idea was to adapt these broken forms into a contemporary family instead of creating a faithful revival of a historical typeface. On one hand, the ten normal Eskapade styles are conceived for continuous text in books and magazines with good legibility in smaller sizes. On the other hand, the six angled Eskapade Fraktur styles capture the reader’s attention in headlines with its mixture of round and straight forms as seen in ‘e’, ‘g’, and ‘o’. Eskapade works exceptionally well for branding, logotypes, and visual identities, for editorials like magazines, fanzines, or posters, and for packaging. Eskapade roman adopts a humanist structure, but is more condensed than other oldstyle serifs. The reason behind this stems from the goal of closely resembling the Fraktur style to create harmony in mixed text settings. Legibility is enhanced by its low contrast between thick and thin strokes and its tall x-height. Eskapade offers an airy and light typographic colour with its smooth design. Eskapade italic is based on the Cancellaresca script and shows some particularities in its condensed and round forms. This structure also provided the base for Eskapade Fraktur italic. Eskapade Fraktur is more contrasted and slightly bolder than the usual darkness of a regular weight. The innovative Eskapade Fraktur italic, equally based on the Cancellaresca script previously mentioned, is secondarily influenced by the Sütterlin forms — an unique script practiced in Germany in the vanishingly short period between 1915 and 1941. The new ornaments are also hybrid Sütterlin forms to fit with the smooth roman styles. Although there are many Fraktur-style typefaces available today, they usually lack italics, and their italics are usually slanted uprights rather than proper italics. This motivated extensive experimentation with the italic Fraktur shapes and resulted in Eskapade Fraktur’s unusual and interesting solutions. In addition to standard capitals, it offers a second set of more decorative capitals with double-stroke lines to intensify creative application and encourage experimental use. The Thin and Black Fraktur styles are meant for display sizes (headlines, posters, branding, and signage). A typeface with this much tension needs to keep a good harmony between strokes and counters, so Eskapade Black has amplified inktraps and a more dynamic structure seen in the contrast between straight and round forms. These qualities make the family bolder and more enticing, especially with the included uppercase alternates. The Fraktur’s black weights are strident, refusing to let the white of the paper win the tug-of-war. It also won’t give away its secrets: Is it modern or historic, edgy or amicable, beguiling ornamentation or brutish presentation? That all depends on how the radically expanded Eskapade family is used, but its 16 fonts certainly aren’t tame.

Today, we’re here to talk about Boopee, a font that’s unique in every way. You may have noticed its flaws, but let us tell you, those imperfections are what make Boopee so charming. Boopee is a personable typeface that’s messy yet easy to read. Its quirky shapes and uneven lines give it a human touch that’s hard to find in other fonts. Despite its playful appearance, Boopee remains legible and functional, making it a versatile choice for various design applications. One of Boopee’s best features is its custom ligatures. With unique letter combinations that add a touch of personalization to your designs, you can truly make Boopee your own. Whether you’re creating logos, posters, or social media graphics, Boopee has got you covered. Plus, Boopee comes in both standard and bold versions, giving you even more flexibility in your designs. Use the standard version for a subtle, playful touch or go bold for a more impactful statement. In summary, Boopee may not be perfect, but its imperfections are what make it stand out. Its personable, messy yet legible style and unique custom ligatures make it a font worth exploring. Give Boopee a try and see how it can bring a touch of charm to your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

An AMBUSH. An ATTACK. EXPLOSIONS. We know who our friends are. We know our ENEMIES... and we know their WEAKNESSES. There WILL be be paintball blood shed. There will be imaginary fatalities. There are multiple targets involved in Comicraft's strategical font deployment; non-lethal airsoft gun and small water pistol fire may be augmented by minecraft, large waterpistols and first person shooter video gameplay. There has already been a lot of virtual damage to the inline AND italic versions of this font. Don't worry, we knew going in that this was a TRAP. Load these fonts into your console, it'll all be over in a minute.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

Trithemius, a 15th century Abbott, and influential counselor to Emperor Maximilian I, was also an author who wrote both histories and the first printed work on cryptography which gained him much adverse notoriety. He has been long regarded as a mystic and some of his works were therefore banned. However, it may have been his intention to cloak his cryptology essays in mystical writing to keep people from easily grasping the subject matter, which it has been recently demonstrated, at heart was really cryptological methodology. This font is based on a printed version of the Polygraphiae a text that included many methods of encryption.

Büro Destruct’s «BDR mono» typeface has a long tradition in the font library of typedifferent. Initially designed by Lopetz as a single weight, monospaced Mac PostScript Type 1 font way back in 1999, it got a first update as a little family with light, regular and bold weights, plus an extended glyphs set in Opentype format during 2006. With this 2021 update the typeface received a second rounded family and a complete glyphs set with all needed characters used in the north, east, south and west of Europe. The «BDR mono 2021» serves great in signage, routing people, architecture, technical plans, manuals, or even science and fiction related communications.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

ITC Ludwig has an edge. It's nervous, tense - maybe even a little scary. Drawn by Italian designer Giuseppe Errico, ITC Ludwig refuses to be confined to a traditional baseline. Its twisted lowercase g" and an "e" that could double as an upside-down "a" both add to the design's spooky personality. As a young man, Errico studied to be a fine artist. He became a graphic designer only after a “long reflection period,” he says. His early training is evident in many of ITC Ludwig's suggestive qualities. There is far more to this face than cranking up the “distort” knob in Fontographer. Reflection and personal expression are at its core."

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

Program is a type designer’s typeface. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each other in terms of overall look and feel.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

Describe the 21st century politician. Left or right? Fat or thin? War or peace? Straight or gay? Hard or soft? Male or female? Pro or con? Young or old? East or west? Now look at the Politica super-family and see which font they may be. The overused sans serif faces don’t cut it anymore. This day and age requires a sturdy, modern and straight-to-the-point sans to cover the issues. The Politica family also come in OpenType variations which extend the character set to include Cyrillic, Greek, Baltic, Turkish and Central European languages. You have no excuse: the globe is yours with Politica.

Mapuche means ‘man of the land’ and it is also the name of a group of indigenous inhabitants in South America. During the southern Winter solstice, between June 21 and June 24, the We Tripantu, the Mapuche New Year fest, takes place with a magical rite in the middle of the nature. Indigena is a dingbat font that remakes the artistic expression of the Mapuche people in Chile, recovering the handmade stroke they used in textiles and ceramics, but with a fresh look. This dingbat is based on pre-Columbian iconographic drawings shown in the book Dibujos Indígenas de Chile (1929) by chilean art teacher Abel Gutiérrez.

Shubbak ('window' in Arabic) is a highly flexible Arabic Sans (Kufic) typeface that was designed to work with a wide range of Latin counterparts. A friendly and human typeface family that is very flexible to use when coupled with many popular fonts you may use. Full set of Arabic, Farsi (Persian) and Urdu character sets as well as a basic Latin set are included. There is also a Variable version of Shubbak. Designed originally by British designer Ruh Al-Alam, further developed by Mohammed Gabr, Muhammad Hadi and then fully expanded by Abdelrahman Farahat. Archetype Foundry aims to help revolutionise and spread the use of beautiful Arabic and multi-lingual typefaces.

Introducing Neuborn Font Family Neuborn is a Sans Serif Font Family (Light, Light Italic, Regular, Regular Italic, Regular Hollow, Regular Italic Hollow, Medium, Medium Italic, Medium Hollow, Medium Italic Hollow, Bold, Bold Italic, Bold Hollow, Bold Italic Hollow). This Font Template contains Modern, Formal or Non Formal, Classy, Elegant, Strong, Readable, Stylish, Cool, Bold, Minimalist and easy to use. FEATURES - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation USE Neuborn works great in any branding, name card, logos, apparel, produk pagaking, flyers, magazines, label, films, stationary, posters, etc. and any design project that requires a formal or informal touch.