This font is a collection made with the largest part of the ornaments contained in the GLC foundry medieval and renaissance period fonts. It was made for the use of customers who wish to embellish their works without buying our complete catalog! It is used to embellish and animate as variously as web-site titles, posters and fliers design or greeting cards, all various sorts of presentations, menus, certificates, letters. It was specially drawn to accompany our medieval and renaissance fonts, like 1462 Bamberg, 1509 Leyden, 1538 Schwabacher, 1543 Humane Jenson, 1557 Italique, 1589 Humane Bordeaux, 1592 GLC Garamond and others, giving them an historical additional genuine touch...

Generale Script is the font of choice for writing things that go beyond words. This font type is designed with high detail to deliver stylish elegance. So, it can be said, the character of the change is very beautiful, a kind of classical decorative copper script. Generale Script presents alternative variants of most letters, binders, and many calligraphy tips, ideal for elegant labels, high-end packaging, stationery, and compositions for certain brands, beautiful titling, verses, letters and short texts, which are intended to be read only with the eyes or intended to whisper into someone's ear. Generale Script has 300+ glyphs and alternative characters, including various language support. With the OpenType feature with an alternative style and elegant binder. The OpenType feature does not function automatically, but you can access it manually and for the best results needed for your creativity in combining these Glyph variations. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use stylistic sets fonts in Microsoft Word 2010 or later versions: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternates / swashes, using the Character Map (Windows), Nexus Font (Windows) Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all the alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or advice, please contact me. :) Thank You, Alpha Bento

This multipurpose script typeface includes many different alternatives for each lower case. Make this typeface cool in your Font Library. It is a lot of fun to use as each word can be changed to your liking. This typeface works really well for Logo and Apparel Designs. It's also great for making Prints or Merchandise, as you can use the illustration quality of shapes to create artwork. Mix and match with a bunch of alternative characters to fit your project. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates. Mail support : maculinc@gmail.com Thank you! Maculinc

Introducing Corpsy, the horror display font with a trash style and a unique droplet touch. Its spooky design perfectly captures the essence of Halloween, nightmares, and horror. Ideal for posters, t-shirts, art crafts, unique headlines, logotypes, and many more. What makes Corpsy unique is its distinct droplet effect, adding an extra layer of fear to any design. This font also pairs well with other horror-themed families such as Ghoulish and Gruesome. Corpsy comes in various styles, including regular and bold, and boasts an extensive character set, making it versatile for any project. Its special features include ligatures, stylistic alternates, and swashes. The design concept for Corpsy was to create a font that could embody the essence of all things horror, yet still retain a unique and identifiable style. We wanted to create a font that could stand out amongst the other horror display fonts available. We created Corpsy for designers who wanted to create horror-themed designs that were more than just clichés. This font is perfect for those looking to push the boundaries of horror design and create something new and unique. Corpsy is not a revival or based on any historical design. It was created from scratch, with the goal of becoming a staple font in the horror design world. Try Corpsy today, and take your horror designs to the next level.

Expline typeface finds its roots in modernist design but subtly pays homage to early Modern Industrial Grotesks. This fusion creates a font that encapsulates the essence of tradition while embracing the contemporary. The font incorporates sharp details in select characters and curves, imparting a delicate sweetness while preserving the robust character associated with Grotesk fonts. This unique blend allows Expline to strike a perfect balance between display and text usage, making it a versatile choice for a variety of design projects. Expline's flexibility shines through its extensive weight options. The font family offers eight distinct weights, each thoughtfully crafted to establish a clear typographic hierarchy. Designers can easily choose the right weight to suit the specific needs of their projects, whether it's a bold headline or a refined body text. This variety ensures that your typography will always make the right visual impact. Expline typeface doesn't stop at weights. It provides expansive character sets across each weight, encompassing all Western European diacritics, Punctuation, Mathematics, and Numerics. This ensures that your typography will seamlessly support various languages and punctuation marks, making it a global choice. In addition, the font boasts OpenType features, granting the flexibility to explore multiple subsets. This includes alternate capital letterforms, tabular and lining numerals (both proportional and old-style), enabling endless typographic possibilities. Whether you're designing for print or web, these features allow you to fine-tune your typography for a perfect fit. Expline is a font that bridges the gap between modernist design principles and early industrial influences, resulting in a Neo-Grotesk font with a contemporary twist. Its comprehensive weight options, expansive character sets, and OpenType features make it a versatile choice for any medium between print and screen.

Expline typeface finds its roots in modernist design but subtly pays homage to early Modern Industrial Grotesks. This fusion creates a font that encapsulates the essence of tradition while embracing the contemporary. The font incorporates sharp details in select characters and curves, imparting a delicate sweetness while preserving the robust character associated with grotesk fonts. This unique blend allows Expline to strike a perfect balance between display and text usage, making it a versatile choice for a variety of design projects. Expline's flexibility shines through its extensive weight options. The font family offers eight distinct weights, each thoughtfully crafted to establish a clear typographic hierarchy. Designers can easily choose the right weight to suit the specific needs of their projects, whether it's a bold headline or a refined body text. This variety ensures that your typography will always make the right visual impact. Expline typeface doesn't stop at weights. It provides expansive character sets across each weight, encompassing all Western European diacritics, Punctuation, Mathematics, and Numerics. This ensures that your typography will seamlessly support various languages and punctuation marks, making it a global choice. In addition, the font boasts OpenType features, granting the flexibility to explore multiple subsets. This includes alternate capital letterforms, tabular and lining numerals (both proportional and old-style), enabling endless typographic possibilities. Whether you're designing for print or web, these features allow you to fine-tune your typography for a perfect fit. Expline is a font that bridges the gap between modernist design principles and early industrial influences, resulting in a Neo-Grotesk font with a contemporary twist. Its comprehensive weight options, expansive character sets, and OpenType features make it a versatile choice for any medium between print and screen.

Bijouté is a modern sans serif font with bohemian motives. The font is created in classic proportions and decorated with elegant decor. The font is suitable for the design on the theme of mysticism, esotericism, fashion and style. This font is based on my Nomad Bohemian Sans: https://www.myfonts.com/collections/nomad-decorative-font-struvictory-art

RAMS is a Sans Serif type family of four weights with matching italics. The typeface’s design was influenced by the geometric style of Sans Serif faces of the 30s. The letter shapes – based on geometric forms – have been optically corrected for better legibility, thus enabling geometric concepts to be adapted by typographic tradition. While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Rams is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular figures, slashed zero, ligatures, fractions...

Hamidha is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc. you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Hamidha is coded with PUA Unicode, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Kallem is a stylish modern Calligraphy font with magical pressure. i hope this font perfect for creating signature logos and watermarks for photography studio or wedding invitation, best for initial or branding logo signature. Kallem includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation and 61 ligatures. All lowercase letters include ending swashes, giving realistic hand-lettered style In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Thanks for use this font ~ Khaiuns

Banana and Sun is light handwritten font. It’s very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

RTCO Preizton Font made based on the concept of vintage style graphic design. inspired by the matchbooks & advertising in the 60-80s era. There are 3 types of this font, including Sans, Serif, and Script. Sans font has an opentype ligature feature that makes the font dynamic, while in the Script font there are alternatives that make it look better. This font is suitable for graphic designs such as logotypes, merchandise, printed stickers, and other branding needs.

The pattern for this friendly face was found within the Keystone Type Foundry's 1884 specimen book, under the rather prosaic name of Round Gothic. This version retains all of the original's warmth and charm, while updating it to twenty-first century standards. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

This typeface is an amalgam of Edwardian and Art Deco letterforms: the lowercase letters come from a turn-of-the-twentieth-century typeface named Amsterdam, and the uppercase letterforms come from a 1930s logotype for the Théâtre Moderne in Paris. Like its namesake, this typeface is not easily overlooked. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create 'pen-lifts' too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by you. A mature ‘joined-up’ hand is the result of correct instruction from an early age. Sassoon Write typefaces are a direct progression from the separate letters of Sassoon Infant or Sassoon Primary and were specially created for teaching cursive handwriting in a flexible way. Designed for older pupils and adults, rather than children. A family of 4 fonts than join, or enter " | " between letters for unjoined text. For use with OpenType compatible applications such as Word. Enables progressive pupil exercises for a smooth transition between separate letters and teaching joined handwriting. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

This unique typeface is a great addition to a graphics designer collection. Great for pixel artists who want a unique text style for their works, album artwork and much more. This font contains over 400+ unique glyphs to accommodate for English, Latin languages, most symbols and much more. All characters feature the same size disc surrounding letters utilising negative space through the design. Created by Kole Cook for Ech000 Foundry. The font is inspired by computer text and command line with a unique twist.

Christmas Carol is a classic typeface that embraces the holiday spirit. The flowing script's formal nuances evoke the joyful melody of your favorite festive tunes, making it an ideal choice for capturing the essence of familiar warmth and merriment. Infused with a touch of nostalgia, Christmas Carol brings a traditional yet beautiful aesthetic to your seasonal greetings and designs. Whether you're crafting invitations for a celebratory dinner or creating a banner for a winter wonderland event, this typeface wraps your words in the comfort of yuletide cheer. Using the Star version, use parenthesis characters ( ) [ ] { } to make surrounding stars. Example: (reindeer) [sleigh] Use underscore _ to make a swash, or multiple underscores to make them longer. Example: Santa Claus______ The Christmas Carol font family consists of four styles: Regular Script, the decorated Star 1 and Star 2, as well as a Xmas symbol version. Beyond its seasonal charm, Christmas Carol is crafted with precision and quality, offering a suite of OpenType features that include stylistic alternates, contextual ligatures, and additional flourishes, ensuring your creations are as unique as a snowflake. It supports a wide range of languages, covering the all Latin-based scripts, from the frosty tips of Scandinavia to the diverse cultures of Southeast Asia. Designed by Mans Greback, a designer renowned for his dedication to craftsmanship and detail, Christmas Carol is more than a font—it's a celebration of the birth of Jesus Christ.

A font is a crucial element of a design, but it can be a complicated challenge to choose a proper font for your project. An improper design will likely damage your whole designs and make your hard work useless. That is why Big Mock is the perfect font for you. Big Mock is a display font with strong characters and unique styles to assist you to pop up your messages easily. It exists in uppercases and thick weights to show bold, prominent displays. The similar letters’ proportions and the low contrasts will affect the legibility rates. You can use such a font for big text sizes to be greatly legible. Big Mock gives you an extra clipart as a bonus. You can also make use of the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Big Mock fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Patisserie is exactly the font you might expect to see on chalkboards outside Parisian cafés; tall, elegant and enticing. The lithe, thin and graceful characters of this font compliment the hand-drawn style to create a typeface that is both casual and professional. Excellent for display work and larger sizes, to really show off the slightly rough edges, Patisserie supports over 26 languages with full punctuation and character sets. Step on in for a traditional, hand-made, French fontant, or whatever else you fancy.

Naveid Arabic is new version of Naveid with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with combining the cuppped serif on top and the tinny Subtle Flaring on the terminal, to harmony with Latin.

Valdemar is a hand-drawn font designed to have an unpleasant, otherworldly look. It originated as a combination of a set of bold hand-drawn capitals and some doodles for a font we have in development which uses elements of clockwork to form characters. The result is scary, arcane and eye-catching. The font includes three full sets of characters, with the more ornate alternate capitals accessed with the option or alt key.

I had a really weird dream the other night, but when I woke up, I had forgotten it. I had the feeling it was about something important, but I cannot, for the life of me, recall what I dreamt about! Forgotten Dream is a horror brush font, which I made with a brushy brush and Chinese ink. It looks like something right out of a nightmare, but you can also use it for something important. Like a ‘keep your distance’ poster, or a sign about the importance of washing ones hands. But then again, if you play in a death metal band, then Forgotten Dream font could be exactly what you need for your album cover!

Macrosty is a vintage script font. The classic feel is really perfect for you who needs a typeface for retro / vintage theme. This font is comes in uppercase, lowercase, punctuations, symbols & numerals, alternate, etc. Also support multilingual and already PUA encoded. Macrosty is perfect for logotype, apparel, invitation, magazines, branding, packaging, advertising, fashion, make up, stationery, novels, labels or anything.

Mahacara is a vintage script font. The classic feel is really perfect for anyone who needs a typeface for retro or vintage themes. This font is comes in uppercase, lowercase, punctuation, symbols & numerals, alternates, multi-lingual support and is already PUA encoded. Mahacara is perfect for logotype, apparel, invitations, magazines, branding, packaging, advertising, fashion, make up, stationery, novels, labels and more.

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

Deckissa is a reverse contrast serif font that is suitable for headlines and logos. Deckissa is built with a light stem, simple design, and nice curve that makes this font look elegant and luxurious. This font includes some ligature that you can combine to create a Headline, poster, or logo. Works on PC & Mac, simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Nicolette is a handwritten script font that is given a modern touch and front and back swashes. Can be used for various purposes. Suitable for Branding, Happy New Year, Logos, Greeting Cards, Stationery, Weddings and Offers. Such as titles, signatures, wedding invitations, t-shirts, letterhead, signboards, labels, music titles, news, posters, badges etc. if you want to use it for your work, this font can be used easily and simply because there are many features in it to load a lower complete set of letters and include initial letters and terminals, alternatives, binding and support for many languages. File included: Nicolette. otf To activate the OpenType Stylistic alternative, you need a program that supports the OpenType feature such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a newer version And this Font has provided a PUA key code (special letters coded). There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs like PopChar (for Windows and Mac). If you need help or advice, please contact me via email "cooldesignlab@gmail.com"

Thx for checking out DANNI HAND! This hand written font gives a personal feeling to any project. Perfect for logos, initial logos, posters, text copy, printed quotes, t-shirt design and whatever your imagination holds. DANNI HAND comes in 3 font stylesnwith a complete set of uppercase and lowercase alternates, which can easily be accessed through the glyphs panel. Enjoy!

The Festival Titling font was cut by Monotype in 1950 as the official display face for the Festival of Britain which was staged in 1951. Used for all official Festival announcements, Festival Titling was made available for general use in 1952. The festive feel of this design together with the clean glitter and novelty make it a useful face for display and advertising use.

Marsden is a bold, no-nonsense Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong voice is needed. Marsden is built on a geometric foundation, with just enough warmth to keep the style confident and lively. The family features 8 widths in 12 weights; from a Slim Hairline to an extremely bold Wide Super. The fonts flow from condensed to wide with design intent. The condensed forms feature flat sides and subtle curves, while the wider forms feature rounded sides and open curves. The character set is robust, covering extended latin. The default forms are contemporary with alternates including: single-story a, two-story g, curved terminal l, raised vertex M, rounded top A, fully rounded G, rounded leg R, straight tail Q and straight descender y, all separated into individual style sets for control and customization. Completing the family are the Text fonts where the weights, widths and spacing are adjusted for smaller use.

An interpretation of the lettering of contemporary illustrator Amanda Duffy. Each font contains four glyphs for each character (including all numbers, punctuation, and symbols), which OpenType coding sets in “random” order for a subtle, natural effect. Use a curved path to further accentuate the bounced quality of the letters. Try out different combinations of glyphs by inserting the cursor in front of your headline and hitting the space bar repeatedly: each time,the text will be represented by a different sequence of glyphs.

»QUINCY« started as an art project. I was stitching roughly cutout letters together on a piece of wooden board, but I didn’t like the result! So I ended up with a font in three cutout styles. I thought it was so unusual and really beautifully ugly, that I finished it, adding flashes here and there. Now I am offering this absolutely unusual font as a packet of three for you to enjoy. Have at least as much fun working with it as I had designing the packet. The font is great for packaging or posters, or whatever comes to your imaginations.

Moreli Display is a wonderful typeface designed to bring a spirit of psychedelia to your projects. With mixable uppercase and lowercase glyph, ligatures, alternates, and outlines version, offers unmatched versatility for psychedelic theme design projects, apparel, branding, promotional materials, stickers, quotes, and social media posts. Let your creativity flow and embark on a captivating and transformative visual journey. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates, ligatures, and swashes Outline Version Type j_1 until j_20 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

TT Drugs useful links: Graphic presentation | Customization options TT Drugs Condensed—a modern font family which consists of 5 condensed sans serifs with a special contrast formula of lines and stems. TT Drugs Condensed is a condensed version of the TT Drugs font family. These fonts are perfect for design in the pharmaceutical industry: packaging, posters, blissery. However, those fonts can also be used in any other design, for example, in printing, logotypes and websites. Font family includes 10 most popular typefaces: thin, light, regular, bold, black and 5 appropriate italics. TT Drugs Condensed—a versatile tool for any design tasks. FOLLOW US: Instagram | Facebook | Website TT Drugs OpenType features: Case Sensitive Forms, Tabular Figures, Fractions, Numerators, Denominators, Superiors, Scientific Inferiors. TT Drugs language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability. The idea behind Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

“Sympathetic Font” multi-purpose use is an open designed font. It is possible to produce unlimited designs using this font. “Sympathetic Font” is made up of 24 different forms. Hearts, square, triangle, circles, moon and stars, horizontal and vertical lines, sloping inner lines and wavy lines. Shading and decorations are also available. Ideally suited for advertising and packaging, logo, branding, slogans and creative industries, poster and billboards as well as web and screen design. You can create unique designs using fonts in layers. TECHNICAL: Sympathetic provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Sympathetic” has 24 different forms and italics total 48 types. The family contains a set of 321 characters. Stylistic Alternates, Localized Forms and Old Style Figures just one touch easy In all graphic programs. Sympathetic is the perfect font for web use. You can enjoy using it.

Moonbandit proudly presents, Typerisme. The modern take on the typewriter font. This typeface is perfect for your old, retro, vintage distressed look without going overboard. Huge kerning to boost clarity. Use it for body text, headline, title, one liner, anything! this typeface is versatile.

Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.