Arabic and English font, designed according to font standards, based on quarters and a half circles. The font will add a wonderful touch to your visual works.

Juga font is a classic retro game-themed font, this font is adjusted so it doesn't look pixelated, and is more modern to use at this time.

ITC Johnston is the result of the combined talents of Dave Farey and Richard Dawson, based on the work of Edward Johnston. In developing ITC Johnston, says London type designer Dave Farey, he did “lots of research on not only the face but the man.” Edward Johnston was something of an eccentric, “famous for sitting in a deck chair and carrying toast in his pockets.” (The deck chair was his preferred furniture in his own living room; the toast was so that he’d always have sustenance near at hand.) Johnston was also almost single-handedly responsible, early in this century, for the revival in Britain of the Renaissance calligraphic tradition of the chancery italic. His book Writing & Illuminating, & Lettering (with its peculiar extraneous comma in the title) is a classic on its subject, and his influence on his contemporaries was tremendous. He is perhaps best remembered, however, for the alphabet that he designed in 1916 for the London Underground Railway (now London Transport), which was based on his original “block letter” model. Johnston’s letters were constructed very carefully, based on his study of historical writing techniques at the British Museum. His capital letters took their form from the best classical Roman inscriptions. “He had serious rules for his sans serif style,” says Farey, “particularly the height-to-weight ratio of 1:7 for the construction of line weight, and therefore horizontals and verticals were to be the same thickness. Johnston’s O’s and C’s and G’s and even his S’s were constructions of perfect circles. This was a bit of a problem as far as text sizes were concerned, or in reality sizes smaller than half an inch. It also precluded any other weight but medium ‘ any weight lighter or heavier than his 1:7 relationship.” Johnston was famously slow at any project he undertook, says Farey. “He did eventually, under protest, create a bolder weight, in capitals only ‘ which took twenty years to complete.” Farey and his colleague Richard Dawson have based ITC Johnston on Edward Johnston’s original block letters, expanding them into a three-weight type family. Johnston himself never called his Underground lettering a typeface, according to Farey. It was an alphabet meant for signage and other display purposes, designed to be legible at a glance rather than readable in passages of text. Farey and Dawson’s adaptation retains the sparkling starkness of Johnston’s letters while combining comfortably into text. Johnston’s block letter bears an obvious resemblance to Gill Sans, the highly successful type family developed by Monotype in the 1920s. The young Eric Gill had studied under Johnston at the London College of Printing, worked on the Underground project with him, and followed many of the same principles in developing his own sans serif typeface. The Johnston letters gave a characteristic look to London’s transport system after the First World War, but it was Gill Sans that became the emblematic letter form of British graphic design for decades. (Johnston’s sans serif continued in use in the Underground until the early ‘80s, when a revised and modernized version, with a tighter fit and a larger x-height, was designed by the London design firm Banks and Miles.) Farey and Dawson, working from their studio in London’s Clerkenwell, wanted to create a type family that was neither a museum piece nor a bastardization, and that would “provide an alternative of the same school” to the omnipresent Gill Sans. “These alphabets,” says Farey, referring to the Johnston letters, “have never been developed as contemporary styles.” He and Dawson not only devised three weights of ITC Johnston but gave it a full set of small capitals in each weight ‘ something that neither the original Johnston face nor the Gill faces have ‘ as well as old-style figures and several alternate characters.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Introducing, Hello Friday, a handwritten serif! Hello Friday is an organic font with handwritten feels. This organic font also included double ligatures. Number, symbol, and another punctuation also included in this fonts. Support multilingual. Let this font make your project even more organic and natural!

Maebashi is a display font in Japanese style. This font comes with a Japanese feel and you can feel it every time you use this font. It's the perfect font for multipurpose projects like logos, branding, posters, headlines, and more (especially for Asian-themed projects).

Mustine is a natural handwritten font, a beautiful writing font with natural line movement that makes it beautiful and majestic. This handwritten font is perfect for covers, watermarks, branding, names, business cards, products, logos, etc. – Font feature Uppercase, Lowercase, Numerals & Punctuations, Ligature, Swashes, Multilanguage

Horror Metal is a brush font with a bold weight font that’s perfect for any horror or metal designs! As its name suggests, Horror Metal is not a font for the faint-hearted. In fact, using this metal-style display font requires courage and bravery.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Austhind is a script font with stylish hand brush style. The Austhind font made with digital brush pen strokes that making this font look authentic and unique concept. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Inspired by the modern world, the Brink font appears with an extra expanded style combined with geometric letterforms, making this font look stylish, this font is included in the display font category that is suitable for use in graphic design, especially those with futuristic themes.

Dustown is an organic font with natural vibes! Contain two fonts, Sans and Serif with Rough and Stamp Style. You can use this font for every project. Suitable for branding logo, hand lettering, or apparel design. This font duo also support multilingual, number and symbol.

Great Meadow is a fun and cute script font. A new fresh handmade font with smooth edges. This font is support multi language. This font will perfect for many different project ex: quotes, logo, blog header, poster, branding, fashion, apparel, letter, invitation, stationery, etc….

Cherry Jelly is a fun and cute handwritten script font. A new fresh handmade font with smooth edges. This font is support multi language. This font will perfect for many different project ex: quotes, logo, blog header, poster, branding, fashion, apparel, letter, invitation, stationery, etc….

Aliefba Script is a charming font with beautiful curves This font has 430 glyphs, includes alternative characters and also has language support, and all characters can be accessed via the Character Map, Font Book, or your preferred font management program. For help in either program,

Meet our newest product, we call this product Banthara font. Banthara font are cute typeface font Whit a uniqe touch and assertive Banthara font is very nice to use on: fashion magazine,logos, ,and photography,landing page,fliyer, What’s includes - mutilngual support - alternate - ligature

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Calmsie A Handwritten Script Font Calmsie is perfect for product packaging, branding project, magazine, social media, weddings, or just used to express words above the background. This Calmsie font includes: Calmsie multilingual support. Embellish your designs with our original fonts. Enjoy the font, Thank you!

Alphabet Agency presents Elite Sport Expanded, a super bold sans serif font inspired by college sports lettering. The font has a strong character defined by the straight edges and corners. Elite Sport Expanded is an all caps font. The font contains Latin Simple characters.

Meet our newest product, we call this product Moleno font. Moleno font is a cute typeface font with a uniqe touch and assertive vetrolles font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - Mutilngual support - alternate - ligature

Christmas Chalk is a quirky handwritten font. This font is suitable for any season, but the Christmas theme fits best. Whether you’re looking for fonts for social media or for DIY projects, this font will turn any creative idea into an authentic piece of art!

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Introducing The Foregen Vintage Font The Foregen is vintage sans serif font with 6 font styles including Regular, Outline, Vintage, Stamp one, And Stamp two. This font has a vintage feel with styles stamp on each letter. great for Logotype, Branding Design, Vintage Logo Design

Angel Charms is a handwritten font with cute vibes. This font comes with cute icons that you can access from opentype features. You can use this font for your logo branding, wedding, or a cute quote for your instagram post. This font also support multilingual.

Introducing the stylized Miluero family. Graceful cut, rounded corners combined with austere shapes. Accent fonts with color padding and a classic basic monochrome version in the set. Perfect for logos, headlines and captions. Looks elegant in a minimalist modern design. An assortment of colors will help you get started quickly. This font family is based on the Regular font Pacardo - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. P.s. Have suggestions for color combinations? Write me an email with the subject "Miluero Color" on: ld.luxfont@gmail.com Features: - Free Demo font to check it works. - Uppercase and lowercase the same size but different forms. - Color in letters. - Kerning. IMPORTANT: - Multicolor version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Introducing the Thole font, a very elegant and clean san serif family, with a characteristic width and graceful impression, for designs with feminine or masculine themes, this font will look strong and strong in your design projects. There is a strong impression in this font, both from the width of the letters, the corners in this font are also equipped with ligatures and alternates to complement your needs. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Chaletliness is a script brush font that has its own uniqueness and characteristics from brush fonts, because it is handwritten manually. This font is carefully crafted with a modern touch. This font looks elegant, luxurious, natural and rustic. Chaletliness would perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need handwriting taste. Your download will include 2 font files; Chaletliness ~ A hand-made, all characters brush font which has a complete set of A-z characters. Chaletliness Swashes ~ A bonus set of 52 swashes. Simply select this font and type any A-Z & a-z character to create one of the bonus elements. All font files are provided in OTF font formats. Includes a range of multilingual support

DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and widths, rendering it less useful than it could be. The century-old design has proven to be timeless, but modern use cases demanded an update, which resulted in DIN Next—a versatile sans serif family that will never go out of style. This classic design turned modern must-have includes seven weights that range from light to black, each of which has a complementary italic and condensed counterpart. The family also included four rounded designs, stretching the original concept’s range and core usability. DIN Next also boasts a suite of small capitals, old style figures, subscript, superscript and several alternate characters. A quintessential 20th-century design, its predecessor DIN was based on geometric shapes and was intended for use on traffic signs and technical documentation. Akira Kobayashi’s update made slight changes to the design, rounding the formerly squared-off corner angles to humanize the family. Rooted in over 100-years of history, it’s safe to say that there will always be a demand for the DIN design, and thanks to DIN Next, now it’s as usable as it is desired. Wondering what will pair with it perfectly? Check out Agmena™, Bembo® Book, Cardamon™, Joanna® Nova, FF Quadraat® and Quitador™. Featured in: Best Fonts for Logos, Best Fonts for Websites, Best Fonts for Tattoos

"At last, something beautiful you can truly own!" This is the first Persian Arabic & Latin COLOR font ever designed! Chromatic or Color fonts are fairly new. And Persian Arabic color fonts are extremely rare. Here, you get a font that supports both Arabic and Latin! Rangarang [means colorful] font comes in with a wonderful color set and variety in forms. Every single glyph has a unique palette of colors. If you look closely at the glyphs, you'll see complex paths and connections in every single one of them. Each glyph could be seen as a typographic artwork! Rangarang font is great for entertainment design, posters, business cards, website titles, magazine illustrations, logotypes, book covers, banners, billboards,... There are countless options! Notes: - SVG fonts contain vector letters with gradients and transparency. - These fonts will show up in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts and their support in third-party apps on: www.colorfonts.wtf - Don't worry about what you see here in the preview section in your browser. You may see the glyphs in black here, but this font is working EXACTLY how you can see it in the font pictures I put here. So if you use it in apps that support colored fonts, you can be sure that after installing the font on the system you will be able to use it like every other font. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh and Hezareh text and headline fonts, Yaddasht and Yadgar handwriting fonts,... already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Persian Arabic communities.

Sticky Glue is Quirky Bold Font. This font is a quirky font with a lot of character ligatures, as many as 325 ligatures. The concept of this font is to make the letters stick together, like glue. This font theme is more fun, playful and childish with quirky characters and displays. This font is suitable for your projects such as logos, branding, packaging, crafting, titles, books, headlines, posters, t-shirts, films and others. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others. Come with lot of ligatures character, its help you to make great lettering, quote, logos. This font is also support multi language.