Ruffcut is an antique wood type style that evokes the look and feel of type used in the design of poster-sized advertisements for circus, fairground and like events in the late 19th century. It is inspired by the memories of printing letterpress posters on an old cast-iron flatbed press where the oversized posters were usually composed directly on the bed of the press using mostly wood type as large as two feet high. Ruffcut is optimal at large sizes for a wide array of decorative issues.

A heavy blackletter; Rudolf Koch’s first type from 1909. On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909. At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).

Monasterka refers to the preservation of ancient traditions and the right orthodox faith. It is a bold, archaic typeface in two styles especially designed for printing purposes. It is a powerfull, expressive typeface inspired by old cyrillic writing and may do a great job for brochures and publications designs that has to do with religious or historical thematic, mostly as headlines and titles with great impact and personality. This family has an extended language coverage for many languages including latin, cyrillic and greek alphabets and comes in two styles.

Monotype Century Schoolbook is another member of the Century family based on the Century Expanded typeface. The Monotype Century Schoolbook family was designed to fulfill the need for a solid, legible face for printing schoolbooks. It is wider and heavier than Century Expanded, there is also less contrast between thick and thin strokes. First cut by Monotype in 1934 and based on versions from ATF and Lanston Monotype, the sturdy nature of Monotype Century Schoolbook, coupled with its inherent legibility, has made it a popular choice for setting books, newspapers and magazines.

We have created this family from the numerous derivatives in use for newspapers since the middle of the 1800s to the 1970s, inspired by the well known Clarendon. Mainly, the patterns are those used to print Le Petit Journal, a popular French Newspaper of the era (published from 1863 to 1937). The present version contains Normal, Italic, Bold and Bold Italic styles, in two sub families: 1906 French News for texts and titlings with upper and lower case, and 1906 French News Caps (Caps, small caps, small numerals, for texts and titlings).

Attic Antique by Three Islands Press. Flipping through a friend’s old hardbound collection of John Burroughs nature essays a while back, I thought it'd be fun to try to develop a typeface with the same uneven, imperfect look to it. I picked and chose among various printed characters, enlarged them somewhat with a photocopier, then hand-rendered each. Had to custom-make some of the accents and symbols, then added a couple goofy dingbats just for the heck of it. The result: an amazingly legible serif family akin to the Century faces.

Jarvis is a hybrid. Not a pure grotesque, not a humanist sans, but the best of both worlds. Its open counters and strong geometry, coupled with smooth curves and features give it a unique personality. Very legible even at small sizes, instantly recognisable at large sizes, it is an ideal candidate for corporate identity as well as print and digital communications of all kind. Its wide range of weights (from Thin to Black), extensive OpenType features, circled numbers, and extended character-set are the hallmark of the highest technical level.

Histadia is a strikingly modern chic serif typeface that seamlessly blends timeless elegance with contemporary aesthetics. Its graceful, high-contrast letterforms exude sophistication and versatility, making it an ideal choice for a wide range of design projects. The font’s crisp lines and refined serifs convey a sense of refined luxury, while its clean, minimalist detailing ensures legibility and impact in both print and digital applications. Histadia captures the essence of classic serifs while embracing a modern sensibility, making it a versatile choice for those seeking a harmonious balance between tradition and innovation in typography.

The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.

Saffron is an elegant contemporary neo-grotesque sans-serif typeface with strong stylistic geometric contrasts, drawing on the aesthetics and the typographic standards of Swiss modernism. The distinctive wide-open stance was designed to give the right visual consistency for branding and communications. This authentic and original typeface represents the shifting contemporary aesthetics. Saffron is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, and more. The Saffron family includes six weights, with their relative italics with over 700 glyphs and multi-language support.

Inspired by the archive of music flyers and skateboarding magazine created in the early 90s. Bubbley is made for the purposes of making posters, magazine headers, book titles, flyers and other print media. Bubbley is made for digital needs that are more modern but still have a vintage feel Every line and curve in letterform is made for the needs of the future industry, the latest version in the modern lettering industry. Bubbley is very suitable to be combined with the illustrations that we provide for free, to complete your needs

The Standard Shaded family is an homage to the grandiose Woodtypes of yesteryear. Standard blends a contemporary sense of craft and proportion with a dash of Woodtype-era personality to keep things interesting. The Standard Shaded family features OpenType conventional ligatures, discretionary ligatures and stylistic alternates as well as a standard set of accents and symbols to provide a versatile end-user experience. The Standard Shaded family has seen action in the print, web and motion arenas for clients such as IFC, Showtime, Nike Women's Training, Nike Sportswear, Target and Starbucks.

This typeface incorporates round smooth corners and distinct design elements in several characters like 'a, g, k, m', without compromising legibility. In order to retain its sharpness, inner corners as well as junction points were left steep. This is a balanced typeface which works very well in long texts at small point sizes. Since its first release it has been used in numerous magazines, advertising campaigns and corporate applications. Handbook Pro comes loaded with a number of special features. The family consists of 14 fonts -from black to extra thin- including true italics. It supports 21 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. There is also a set of very interesting stylistic alternates which can be used to add a refreshing flair to your designs. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Born at a crossroads, the collaborative sans family of 18 styles Ways is the latest arrival in our portfolio. The name is no coincidence, as Ways pulls out all the stops to bring you excellent legibility. Combined with brutal and elegant details for a distinct humanist flair, this sans offers perfect functionality across all weights. Visual compensations, extra white space, wider apexes, subtle tweaks, and moderate inktraps distinguish Ways among similar typefaces. Use over 690 glyphs, extended Latin and Cyrillic support, extensive OT features set, icon set of more than 60 navigation pictograms, and one variable style, to design full-fledged signage systems that get you from point A to point B without relying on G-Maps. Family overview: 9 weights (from Thin to Black) + italics Extended Latin Cyrillic 690+ glyphs languages 1 variable font (2 axes) 1 free font - Ways SemiBold OpenType Features: Localized Forms Standard Ligatures Contextual Alternates Lining Figures Tabular Figures Subscript Scientific inferiors Superscript (Superiors) Numerators Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

ITC Christoph's Quill is just about everything you could want in a typeface: it's distinctive, beautiful, and exceptionally versatile. According to designer Russell Bean, ITC Christoph's Quill is the culmination of experimentation with a graphics tablet that spanned several years. Then one day, as if by magic, it all just fell into place. The design seemed to flow from my pen." Bean was born in Australia and, except for a brief stint with a photo-lettering firm in Southern California, has spent most of his career working down under. "I can recall a deep fascination for the written word," he says. "Even before learning to spell, read or write, I think I recognized that this was a means of visual communication." Bean's first job was in a small ad agency as a trainee in the production department, where he learned art techniques and how to handle print, as well as "the value of visual impressions," he says. His career path meandered from one design job to another, but always in the general direction of fonts and typefaces. Today, his workload consists of logo design commissions, font editing, typography and print production consultation to a select group of loyal clients - still leaving time, notes Bean, "to pursue my type design ambitions." ITC Christoph's Quill began life as a simple, visually striking font of caps, lowercase, punctuation and numerals. To this Bean added a bold weight, for when a little more strength is desirable. Next came a flock of alternate characters. Finally, Bean drew a set of decorative caps, a suite of logos, and a sprinkling of beginning and ending swashes. The net result is a type family that can add a signature flourish to a vast range of projects: from invitations and menus to logos, signage, packaging and more."

Paverify is an all-caps geometric slab serif display face inspired by a particular pavement tile component which is evoking a blocky “I” letter. All other characters were interpreted based on its look and drawn accordingly. There are three uppercase Roman fonts in different weights and widths substantially. With the additional versions, type family consisting of 7 fonts in total. Over 220 Latin, Cyrillic and Greek script languages supported. Each font contains an extensive multilingual support with more than 1600 glyphs and OpenType features, including number forms, fractions, and stylistic alternate sets those provide different looks by the typographic preferences. For the lowercase letters there are small caps variants, i.e., shorter caps. These also have identical glyphs and matching marks to enable “Small Capitals From Capitals” feature. Narrower Medium and Bold styles was produced to accompany the Black first design. Paverify comes with an ornaments font named as “Extras”, which contains geometric graphical elements, i.e., paver stone patterns, banner/sticker background sets, star comps and a collection of catchwords to simplify creating feature rich layouts. As is known as interlocking paver in certain regions — a rectangular shape with the distinctive diagonal tabs — transcribing the simplest letter to draw into the whole alphabet was a challenging task. Not only it was the single thing that can be used as a source, considering its thick form in roughly 1.2:1 proportions compared to the sophistication of letterforms was the challenge. Starting point was keeping design consistent while both avoiding and preserving a particular appearance to achieve a similar texture, basically a repeating pattern on the streets. In contrary of a traditional approach, Paverify tend to have more contrast than the other slab serifs which helps to reduce massive stem weight of the source form. This look contributes to its hand painted sign effect achieved in a certain degree, which may otherwise impractical to transform because the source material is an inorganic, static form by definition. Tight and even spacing of the pavement tiles was inspirational for the kerning balance of the letters. Although the lighter weights have more space between the letter pairs, black weight adjusted as to be close to each other as the original grid. Tight spacing can be ignored by using Capital Spacing OpenType feature for the Outline versions as layer fonts. In one stroke, this gives an extra space between the letters to avoid diagonal armed letter terminals overlap. Black typographic colour and texture gives a sturdy appearance to the lines, it is useful for the projects where a robust display faces preferred for the titling, strong headlines, letter stacks, dropcaps, initials, short names on materials such as advertisements, book covers, posters, logotypes, wordmarks, package designs, and more in print or digital. Paverify can be paired as a complimentary face in a combination with broader type systems, where vintage look compositions and woodcut style fusions requiring an extra stunning texture.

Noodlerz is the 3rd font designed for Cozy Fonts Foundry. It is the second 'handwriting style' type fonts designed to have a very casual but organized voice in it's coloring when set in text. You might say Noodlerz is a cross between a sharpie & a vintage typewriter alphabet font. Noodlerz, and it's partner Noodlerz Italic, give off a humorous personality with a flair of sarcasm and cartoon flavor. Great for captions, grocery lists, Dear John letters, recipes, and of course greeting cards. Advertising headlines and supportive body-copy text marry well in various point sizes. 'Hoping this font finds your voice!' Noodlerz from CozyFonts Foundry.

Introducing of our new font Vallocka, digitised from hand painted characters with brush markers. This font is good for logo design, social media, movie titles, book titles, short text (and even long) text, letters, and a good choice when combined with other script, sans, or serif fonts as secondary text font. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that fully support OpenType features and have a Glyphs panel such as Adobe applications or Corel Draw for you Ito make use of all the variations of the glyphs. Hope you enjoy our fonts!

Someone recently pointed out that May and June are the wedding season months, and that while we have some excellent fonts for non-traditional weddings (celtic and renaissance styles work well), we don't have a straightforward, elegant engraver style font. That's the kind of shortcoming we can remedy, hence our Belphebe font, which is in the tradition of popular wedding invitation fonts like Rook, but has some antique characteristics which are in the Scriptorium tradition. The kerning on this font was a real challenge, because we wanted all the characters to fit together for a flowing, hand-lettered look, but the results are worth it.

Art Gothic was attributed to the Central Type Foundry of St. Louis, Missouri, USA by Henry Lewis Bullen, writing in INLAND PRINTER in 1907, with a reproduction shown in Kelly’s American Wood Type. The typeface appears on the cover of an issue of “The Superior Printer” pictured in Typology by Heller and Fili dated in the 1870s. Art Gothic was designed in 1884 by Gustav Schroeder and proved to be one of the more popular and enduring of the American-designed Victorian display faces of the period, appearing frequently in ads in various publications. The Hamilton Mfg. Co showed a very similar wood type, No. 232, with a modified and rather heavy-handed upper case in 1892. As late as 1897, it may be found in the advertising section of The Ivy of Trinity College of Hartford, Connecticut and was included in the Norwood Press 1902 Specimen Book. Our font includes a complement of five upper case and four lower case alternatives as follows: 123=C, 125=E, 135=H, 137=S, 172=c, 175=e, 215=m and 247=s. Great for period pieces. ART GOTHIC HIH is clean, readable, and surprisingly modern-looking; unlike so many overly complex Victorian display fonts, it can be used in text sizes.

Download PDF Instructions from https://peggofonts.com/download/Rationell-Instructions_4.59.pdf Behance presentation https://www.behance.net/gallery/88695175/Rationell Rationell is a functional multipurpose corporate typeface, based on classic 1950's swiss rationalism, subtle tuned on a XIX century didonesque modernist structure, a contemporary interpretation with the eyes of the Latin idiosyncrasy. Designed in 12 upright weight with 12 matching Italic, from Hairline to ExtraBlack, average weights (Light to Bold) are easily read on text sizes, printed and digital media, while Hairline to ExtraLight and ExtraBold to ExtraBlack are especially suitable for big contexts like headlines, poster and higher sizes as big as storefronts, monumental billboards or building size printed mesh covers. 40 OpenType features: Standard and Discretionary Ligatures, Lining, Old Style and tabular numerals, scientific and fractional forms, slashed zero, stylistic and contextual alternates (rounded dots, "Il" readability, auto roman numbers, auto group enclosed numbers, slashed zero on alphanumeric contexts), sensitive case, localized forms, glyphs composition/decomposition, access to all alternates. Rationell has a serious but kind timeless look, an ideal voice for corporate publishing, branding, wayfinding and complex technical information systems. It Supports 222 Latin based languages, with +2200 glyphs Rationell is capable to solve the most advanced nowadays global design needs.

Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes. Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design. Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Pani Sans is a contemporary type family in 18 styles designed by Alessio Laiso. It takes inspiration from Italian rationalist and art deco typefaces, bringing them into the present with the mix of its reliable geometric structure and distinctive warm personality. The italics add to the unique character of the family by featuring distinguishing calligraphic touches. Pani Sans is fully equipped for intense professional use for both print and digital applications. It supports 219 languages, covering 100% of the Latin Plus character set, and it ships with powerful OpenType features including beautiful small caps, ligatures, stylistic alternates, fractions, tabular figures, old-style figures, and more. The variable fonts included in the family package allow you to pick the perfect weight, for unlimited design freedom.

Scotland Stories | Modern Script Scotland Stories is a Modern Script with fast brushstrokes that make it look elegant and unique. It has a signature style that makes it perfect for logos, branding, print, apparel, and much more. There are also 2 different types: regular, which has no variations, and stamp, which includes a pattern as shown above. Scotland Stories is the perfect font to give your projects a very special look. Scotland Stories features: A full set of upper & lowercase characters Numbers & punctuation Ligatures Stylistic alternate Swashes PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold.

Glitter, flashing cameras and fame – now you know how to deal with this stuff! Freshness and brightness is what defines the Blushes fontfamily, which is created for beauty and fashion industries. Blushes is a vibrant part of you that emphasizes your character. Glamorous makeup and trendy clothes are now harmoniously enhanced with our fonts which follow every trend of both industries. Blushes can do it all: create edgy prints on T-shirts, use it for beauty products packaging design and fashion magazines layouts as well as advertising brochures. Blushes works perfectly in the contemporary digital environment. For instance, it is great for an edgy designer clothes on-line store’s website layout, as well as for a beauty products manufacturer’s app

There's something satisfying about tweaking to perfection a typeface based on the particular style of lettering applied to a particular kind of paper by a particular human hand. One day, in pursuit of this curious sense of satisfaction, I sat down with a porous pad of lined note paper and printed out the alphabet with a ballpoint pen. I found particularly interesting the bulbous ends of the strokes where the ink soaked in. I couldn't help myself: I drew out the rest of the character set, scanned, hand-traced, and -- as with all 3IP font designs -- manipulated every glyph to an obsessive degree. Named it Cedar Street, after a favorite address of mine. Full release has a single medium weight with a thorough character set.

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina Soft consists of 7-weight versions from thin to bold.

Salma is a modern typeface inspired by the Naskh Mastry style. It stands out from traditional fonts with its high contrast and new connections between letters, creating an eye-catching aesthetic that will make any text stand out. Its bold lines and timeless appeal make Salma perfect for headlines and display typography, as well as other design projects. It comes in 5 weights ranging from light to black, allowing users to customize their designs with OpenType features. The unique look of Salma makes it ideal for logos or branding materials that require a distinctive touch. With its strong presence across different media platforms such as print publications or digital displays, this versatile typeface can be used to create impactful visuals.

Nidex is a caps-only industrial distressed font, ideal for titles, display and headlines, rough and ready, and coming with all the usual accented characters and an extensive set of punctuation. The misprinted effect is central to the font’s design and is built-in, simplifying the work for posters and flyers, and the example above is made with Regular and Condensed. Upper and Lower Case present 2 different sets of characters, and just a few letters are distinguishably more misprinted. Also there’s a full set of ligatures to make double-letter combinations print two different letters rather than the same one twice, from upper case A to lower case z. The zips contain both OTF and TTF versions - install either OTF or TTF, not both.

Geogrotesque Stencil is a member of the popular Geogrotesque family, and despite being thought as a display typeface, it goes one step further and tries to solve some of the typical problems with stencils fonts. Geogrotesque Stencil comes with 3 widths of cut (A, B and C). These cuts not only allow a better performance when printing at different sizes, you can also move across versions A, B or C in accordance to the rigidity of the material used. The family consists of 42 styles, 7 weights with 3 versions each plus italics, all of them in Open Type format including ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Capital Love just contains capital letters decorated with hearts. By pressing a lowercase button a alternative to the uppercase letter will appear. All shapes are drawn individually and do not oblige a geometrical system. The lighthearted vivid ductus remind me of a quality that can be found in the dynamics of Keith Haring drawings. Capital Love is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

Contemporary geometric typeface. Ohex™font family consists of 5 unique font styles — thin, light, regular, bold and black + VARIABLE version. Opentype features including stylistic alternates, ligatures and kerning pairs. Currency glyphs and stylish digits. Capital letters are designed on the shape of a hexagon. Lowercase letters to cooperate with them, refers to the street style look. Great for logos, posters, magazine layouts, headers, apparel and prints. - Multilanguage support covering Western, South and Central Europe. 1256 Latin 1 / 1250 Latin 2: Eastern Europe / 1254 Turkish / 1257 Windows Baltic / Macintosh Character Ser (US Roman) 1256 Latin 1: Afrikaans, Basque, Catalan, Danish, Dutch, English, Faeroese, Finnish, French, Galician, German, Icelandic, Irish, Italian, Norwegian, Portuguese, Scottish, Spanish, and Swedish. 1250 Latin 2: Eastern Europe / 1254 Turkish / 1257 Windows Baltic : Czech, Polish, Hungarian, Croatian, Romanian, Estonian, Latvian , Lithuanian, Turkish, Slovak and Slevenian -

Introducing Jakarta Culture, Thank you for visiting Jakarta Culture! A very fun yet elegant script font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Jakarta Culture is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Jakarta Culture comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel texts. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Jakarta Culture! Feel free to use the #Black Studio tag and the #Jakarta Culture font to show what you've been up to, I really hope you enjoy it! Thank you!

Introducing Sun Beautiful, Thanks for checking out Sun Beautiful! A very fun yet elegant Signature font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Sun Beautiful is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Sun Beautiful comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel text. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Sun Beautiful! Feel free to use the #Black Studio tag and the #Sun Beautiful font to show what you've been up to, I really hope you enjoy it! Thank you!

Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins in Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, headlines, large-format prints, brand identities, social media, advertising, editorial design, posters. The family contains over 40 alternative glyphs and over 50 ligatures in each style and comes in 10 styles with their corespondent italics. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, Sámi & Arabic

Comply Slab is inspired by action and extreme sports, Comply gets it's name from the well known skate trick the “No Comply”. This type family doesn't mess about! With 9 weights from thin to black, Comply Slab will give you some great options to use. This font family will “kill it” in both print and digital, in headlines for editorial, posters, banners, websites, apparel, packaging, logos or magazines just to name a few. If you want to make a statement that gets the message across in a slick way with some cool looking glyphs Comply Slab is the font! There is an alternate R and S so you can choose to go with the cool default sharp glyphs or swap them for a more traditional chamfered corner version. Each of the 9 weights has an italic version to add even more action.

Introducing the 'Merchande' Font Trio Inspired by a variety of midcentury typefaces, the Merchande trio was designed to add pizzazz to your branding, packaging, advertising, and print projects. What's Inside? The serif is fantastic for headlines, logos, and anything that needs to grab attention. Its tall, condensed, and confident appearance is a great head-turner, made even better when combined with the two below. The script is perfect when a premium touch is needed for your work. Its use immediately adds a charming, personal quality. The best part, it's wonderfully legible in any size. While the sans works fantastic as a large display font, it truly shines when used for its intended purpose. Small text. Evidence of this is scattered throughout the presentation images. Tip: Increase the space between the letters (tracking), it looks awesome. Thanks for looking! Tom

Introducing "Magley" a font that effortlessly blends playful script elements with a retro charm, creating a nostalgic yet contemporary feel. This unique typeface doesn't just stop at capturing attention — it transports your designs to a world where every letter tells a story. Magley doesn't just bring letters to life; it introduces a dynamic trio of styles — regular, solid, and fun — adorned with patterns in fun styles that add an extra layer of delight to your designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!