"Hockeynight Sans Rough" is the Letterpress version of my font "Hockeynight Sans". It's a contemporary college-sports font with the little twist – that its a misprinted grunge font. With its detailed grunge textures it is designed to go big and bold. "Hockeynight Sans Rough" is an uppercase font and it offers alternate glyphs as lowercases. Also you find a lot of bonus glyphs in the alternate glyphs panel! It pairs perfect with my other "Hockeynight" Fonts – Check it out!

Core Circus Rough is a textured version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic Rough (Slab-Serif version of Core Circus Rough) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.

AZ Rough Fart font was created out of a need for a typeface that would compliment a rough outlined Tee-Shirt design. For use as a headline or subhead in your design.

Mixed Tape Rough is a simplified version of the Mixed Tape font family. It’s a rough calligraphic font duo which includes 2 Styles: Regular and Capitals. It doesn’t have as many alternates as Mixed Tape and supports more languages. Mixed Tape Rough is a dynamic calligraphic font so it can be used for posters, t-shirts, menus, packaging, headlines, etc.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Cal Uncial Rough is a calligraphic font based on sketches written with cane calligraphy pen and ink on coarse-textured paper. Because of the fact that the Uncial don't have lowercase letters, there are small capitals instead of the lowercase. As the Latin version of the Uncial was created from the Greek Uncial script (translating the Bible from Greek into Latin), in addition to the standard Latin graphemes, the font contains the Greek alphabet (and also the Cyrillic letters (Ustav), derived from the Greek Uncial too). Regardless of the stylistic connection, there is a difference between the morphology of related Greek, Latin and Cyrillic letters. Most of the graphemes are based on traditional roman and insular uncial calligraphy. Cal Uncial Rough is suitable for the preparation of calligraphic sketches as well as an application in typography that should bring us closer to historical topics (European literature, quotes, history, film ...).

Dusan "Dustin" Jelesijevic wanted to make a font that would be "scary" and "serious" at the same time. Wanna-be-horror and punk-rock-out-of-beers typeface's style invites all interest minors and adults to use this fonts for miscellaneous rebel-yeah situations. For example, if you like to protest in a public against Tour De Force font foundry, please write transparencies using this font, it will hurt us bad. Just don't hack our site with message written in Rough the Type. If you write with West European characters, love being nerdy and to kick some schmucks in the brain, Rough the Type is at your service. And remember - I know what font you used last summer!!!

Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface's display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

Here’s an edge-tattered, slightly distorted typeface that was developed from hand stamping using ink. You’ll find it ideal for both display and text situations where legibility is a big concern. This version holds up in very small sizes. Replica Rough SG Regular and Bold are now available in the OpenType format. This OpenType version includes stylistic alternates, discretionary ligatures, small caps, petite caps, ornaments and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Rough Beauty Script, with its alternate lowercase letters, gives a personalized feeling to your work. The textured appearance gives a nice impression on beautiful pictures as backgrounds, or in contrast, with really flat backgrounds.

Novecento Slab Rough adds a letterpress / analog effect to its Slab Serif parent. Each letter has a different pattern and gives you a truly realistic effect. Even accented variants of any base character are all different. This font has also a built-in feature that automatically displays a texture variant for the 2nd occurrence of a letter or a number when they appear close one to each other. For instance: AA OO TT ÜÜ. But also: AOA NON TXT etc. And don't forget alternate glyphs design such as N I J Q Y and all other features present in the Novecento mega family: 32 styles, 76 latin languages supported, 590 glyphs and 16 stylistic opentype features for advanced typography.

Artica Rough Pro is an elegant display typeface. It was inspired by classic Roman letterforms. Artica Rough Pro supports Latin, Cyrillic, modern Greek and Armenian scripts, and includes swash initial, final forms, stylistic alternates and ligatures.

The typeface Klein Rough & Gemein(e) is designed from 2020 for the font foundry Typo Graphic Design by Inga Luft and Manuel Viergutz. The display font based on original old german rubber stamps and is inspired in the past and present. 4 font-styles (Rough, Rougher, Roughest, Rough Mix) + 1 icon-style with 432 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (7 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Klein Rough & Gemein(e) ■ Font Weights: 4 + 1 (Icons) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 432 glyphs (Adobe Latin 2) incl. 100+ decorative extras like dingbats ■ Design Date: 2020 ■ Type Desi­gner: Manuel Viergutz und Inga Luft

Le Havre Rough. It’s high-resolution, hand-crafted letterpress to the core. Based on insigne’s popular Le Havre typeface, this new heat-treated, weathered face of all caps joins the realism and appeal of the top-quality Le Havre family. Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices, too. Options include three inline versions, two shadow layers, and a clean primary version. Combine and match the options easily as you need, layering normal and shadow variations to alter appearance and texture. You can activate Art Deco alternates by using OpenType contextual alternates. Rough has an extra-large character set for many languages. Additionally, the typeface offers 62 extra ornaments like arrows, emblems, numbers & lines. Use its full texture and grit to capture the classic, genuine print feel that you need in your project. A few suggestions for use: - In Photoshop, jigger with various 'anti-aliasing' options for best outcomes. Smooth or strong is generally best. - In Illustrator, the shadow layer occasionally doesn't align when using the regular layer. To fix the alignment, open the type drop-down menu and choose Area Type Options > Em Box Height. Learn more about the using layered type styles on this informative video.

With its animated contours, and set in an appropriate size, the Garamond Rough typeface attempts to simulate printed hot metal typesetting. Its roughened edges make it appear softer and less crisp, and, thus, takes the harshness out of the type image. The size of the offered type complement as well as the number of its affiliated symbols makes it ideal for differentiated text setting. Furthermore, its display types make surprising visual accents possible. The origins of the design of Garamond Rough go back to the middle of the 16th century. They are ascribed to Claude Garamond who was one of the first typographers who designed typefaces specifically for the setting of books. During the course of the past centuries and decades, many different variations and new design interpretations of the Garamond typeface were developed to accommodate the most diverse typesetting and printing practices in many different countries. As such, today’s designers can take advantage of a comprehensive digital repertoire for text and display applications. Translation Inga Wennik

An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight rightward slant of the original typeface. Bold, unusual and distinctive. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Boardwalk Avenue Rough is a textured version of Boardwalk Avenue. It’s a robust type collection of three styles and two weights of each. It’s divided into Boardwalk Pen, Boardwalk Antiqua and Boardwalk Serif. Boardwalk Avenue’s core is a connected mono linear script that works fantastic when paired with either of the impressive serif styles. All the fonts work great on their own but try putting them all together for a complete display font setup for a project. Here’s a short introduction on what’s included: Boardwalk Avenue Rough Pen is a connected Script. It’s great for headlines, quotes or in packaging. It has a casual hand drawn vibe to it but it’s clean and legible. It’s equipped with automatic Contextual Alternates that keep the connections smooth and versatile. For instance when you type double letter another of them will automatically change to add variation. Or if you type “i” for example, as a first letter after space or after capital letter the code will add starting point to the letter to keep the letterforms more balanced. If you need more ambitious letterforms you can try Swash or Titling Alternates -there’s alternates for every standard letter and seek for even more alternates from the glyph palette. Boardwalk Avenue Rough Antiqua is a high contrast serif with strong character. It’s great for glamorous headlines or as a logotype. Boardwalk Avenue Rough Serif is a low contrast serif with bulky character. It’s great for strong and sturdy headlines or as a logotype.

Hello! Presenting a vintage dark font "Chimera Tail". It's a wide textured typeface with automatically replaceable initial and final extended characters. Also a clean version without texture is included.

Display Brutal Rough is a rough version of my font Display Brutal . It is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Brutal Rough has an uppercase alphabet, numbers, and punctuation.

Scriptissimo-Forte-Swirls is the bold version of Scriptissimo but with lots of swirls. Sometimes a job just calls for lots of embellishments, that's what this version is good for. Yours very swirly, Gert Wiescher.

A heavy slab face for many applications.

A personal handwriting done in pencil. Conté Script is a computer font but has the extraordinary look of handwriting. The typeface is exceedingly lively, diversified and distinct thanks to more than 300 different ligatures, i.e. letter combinations. In addition to the letter combinations in Conté Script, there are also double letters and figures included (aa, ff, AA, MM, 22, 66…) as ligatures with stylistic alternates. Type set in Conté Script appears remarkably similar to a text actually handwritten with a pencil. The typical style of the pencil — crumbliness where pressure lessens and the deep darkness where the pressure of the graphite in it's fullest denseness smudges — is another earmark of Conté Script. The font appears to be written quickly, fleetingly, casually, as if not really to be taken seriously, and as if it would be written one minute and erased the next. Conté Script looks most ”authentic“ around the point size of 18 to 22.

Fort Courage JNL is a bold slab serif wood type in the French Clarendon genre, taking its name as a tongue-in-cheek reference to the cavalry fort populated by a number of post-Civil War misfits in the 1960s television comedy "F Troop".

The Abrown Monte is a elegant handwritten font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Features: Standard Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Ocean Stud

Front Row JNL is an all-caps reinterpretation of Morris Fuller Benton's 1937 type design "Empire", and is available in both regular and oblique versions. As is often the case when a digital type font is based on a few letter examples found on a printed sample [in this case, the sheet music of the 1946 Guy Lombardo hit "What More Can I Ask For"], the missing characters were drawn from scratch.

Adapted from lettering found on a poster by an Italian artist with the unlikely name of Marcello Dudovich, this ultrabold Art Deco font, with its graceful curves, commands attention. Primarily an uppercase only font, there's a variant lowercase m with a strong design element.

Fonce Sans Pro is a mono-weight, Swiss-style typeface with influences from great typefaces like Din, Helvetica, Interstate, and Trade Gothic. Its form is unique and sophisticated with an unmistakable Dutch style. It’s subtle and enjoyable, and works beautifully in both display and body copy.

An elegant typeface from the turn of the last century named "Venezia", issued by Karl Brendler and Son of Vienna, provided the inspiration for this little gem, with hints of the exotic. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Don’t let the name fool you! My Left Foot was made by hand. Alts, ligatures and Vietnamese all included in this whimsical typeface. Go ahead and dip your toes in!

Nanncie fancy groovy display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nanncie font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nanncie font. Cheers, Maulana Creative

Sister Pamella font duo Cyrillic is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif Sister Pamella font duo Cyrillic will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Sister Pamella script Cyrillic includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

Reprizo is a modern condensed sans display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Reprizo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Reprizo font. Cheers, Maulana Creative

Emorical typeface western display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Emorical typeface western display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Emorical typeface western display font. Cheers, Maulana Creative