The Wonky Font family is a set of 3 handmade fonts, made using three different materials: a pencil, a thin fineliner and a bold marker. Each font includes 3 variations for each letter and number, accessible through contextual alternates, for extra realism and fun. The pencil font is a SVG font, which allows for the texture of the pencil to be captured in a more authentic way, and is complemented with an extra doodles font. Wonky Font looks good at small sizes and will also look great in all caps texts. Use Wonky Font in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. This font includes: a Wonky Pencil SVG font, with a vector alternative that preserves the texture a Wonky Thin font a Wonky Bold font a Wonky SVG Extras font, with 26 pencil doodles Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+

Riclane elegant serif font Hi Ladies and Gentlemen! According to the market demand for fonts that tend to be more modern, then I decided to make a serif font that is in your view. The Riclane font is a serif font with very beautiful, comes with a modern style hoping to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Riclane Font is a great choice for magazines, retro designs, newspapers, books, brand names, branding, and other projects. The Riclane font is here to take the quality of your designs to a higher level. Riclane Font is my thirty first Font created in 2023 The Riclane font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • Standard uppercase and lowercase letters • Multilingual Support • Numeral and punctuation • Elegant style

According to the market demand, fonts tend to be unique fonts, so I decided to make a unique display serif font that is in your view. The Brays font is a font with many ligatures that is very unique and sought after, comes with a stylish style to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Brays Font is a great choice for beauty brands, magazines, travel, newspapers, books, brand names, branding, branding, quotes, album covers, and other projects. The Brays font is here to take the quality of your designs to a higher level. Brays Font is my Twenty ninth Font created in 2022 The Brays font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • All capital letters • Stylistic ligatures • Stylistic alternate • Multilingual Support • Numeral and punctuation

The script version of the typeface Viabella introduces us to the calligraphic side of the Berlin type designer and typographer Karl-Heinz Lange. The sketches for this script typeface, which resulted from the close cooperation with Veronika Elsner and Günther Flake, found their roots in sketch drawings which Karl-Heinz Lange had already drawn in the 1980’s. For the Viabella design, Karl-Heinz Lange drew the basic letterforms of the Black and Regular cuts with a brush. He then re-worked the drawings and transferred them on to tracing paper. The design studio Elsner+Flake in Hamburg cut these typeface extensions and later digitized them manually with the help of the IKARUS Sustem. With the Regular cut as a basis, Elsner+Flake extended the family with the Light version and interpolated and re-worked the Medium weight. The completion of the family was taken over by the type designer Björn Gogalla who had done the same kind of work on Rotola, a design which Karl-Heinz Lange had also created for Elsner+Flake. While Viabella was originally conceived as a headline typeface, its lighter weights can certainly be used for shorter text applications. The Black version creates powerful headlines with highly effective accents. With the help of swashes, which are available for all weights, the user can lighten up longer texts and add special character to titles. In contrast to pure headline fonts, Viabella has been enriched by an extensive complement of special characters. In addition to the Europa-Plus character set which allows setting type in over 70 latin-based languages, the user will find multiple versions of numerals as well as oldstyle figures, tabular and proportional lining figures, diagonal fractions, and a complete set of superior and inferior figures and fractions (60%). With such a rich character set, Viabella is not only ideal for many different uses in the areas of newspaper, magazine and advertising but it will surely be chosen for the design of greeting cards, invitations and other design projects within the privat sphere.

Hot Grinches Font exudes playful charm and whimsy, making it an ideal choice for vibrant and lively designs. With its lively characters and distinctive style, this font adds a touch of fun and character to any project. Perfect for conveying a sense of joy, Grinched Font is particularly well-suited for children’s themes and pairs seamlessly with lively color palettes. Elevate your designs with this cheerful and spirited font that brings a dash of personality to any creative endeavor.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Ouachita Way is an ultrabold and boxy caps and small caps font, especially well-suited for commadning headlines. Based on nineteenth-century “Grecian” fonts, the name comes from a forest and a river in Arkansas. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Klandestin Typeface An aesthetic font that has a unique and elegant character to use. Klandestin is a beautiful and elegant serif Font with script for alternate. This font I created is meaningful & very versatile, it goes well with a variety of designs, elevating them to the highest level. Add this font to your favorite creative ideas and watch how it becomes real! Features : Uppercase, Lowercase, Numerical, Alternates, Ligatures & Multilingual Support There it is! I really hope you enjoy it

Blatt is a retro-modern font which features downtoned strokes of writing brush, a writing instrument of Korean Serif font. The vertical/horizontal and high-contrast strokes as well as large graphemes complete the modern style of Blatt, with strokes finished off by the distinctive style of Latin Bracketed-Serif fonts. Blatt is a display font which looks ideal in big sizes (with details of each letter highlighted), while it remains legible in small sizes, too.

Nabana is a quotable sans serif font that offers a relaxed, comfortable and informal feel. This font is inspired by the packaging of environmentally friendly products, as well as from book covers for children. The first impression when you see this font is a sense of joy and fun. Moreover, this font package also includes a variety of floral element designs that are very harmonious when used together. Instructions: For complete details, please visit my Behance profil.

Satampra evokes the spirit of Arabic calligraphy with a hint of something strange and magical. It is an unusual calligraphic font based on an obscure hand lettered style with unique overlapping character strokes. It fits the theme of oriental fantasy and would work well with the fonts in our Arabian Nights Fonts and Art package. Satampra is an upper-case only font, but the lower case positions have alternative versions of the upper case character set.

Fitz Sans SRF was contributed to the Stella Roberts Fonts project by graphic designer Matt Yow after receiving word of the project from Ray Larabie of Typodermic Fonts. A light, attractive text face, Fitz Sans SRF also lends itself well to headlines and titles. The font is available in both regular and oblique versions. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

"Weekday Mornings" are the 2 first words from the song "Nancy" by Prefab Sprout. Just like the song, the font has a romantic theme and could be considered as "easy listening". Well, I've added 7 slightly different versions of each letter, enough to make the font look like the real handwriting which was the base of the font. Fun fact: I had this song on repeat when finishing the font. I still do love that song! :)

Crowd Funded fonts wasn’t really crowd funded… In fact, all of the funding came from me, as I had to buy paper and a new pen to get this font going! Crowd Funded is an all caps display font, which I based on a recent font of mine called Longreach. Crowd Funded is narrower and rounder than Longreach and, in a way, more delicate. It comes with a generous amount of diacritics and basic Cyrillic as well!

Inversa is a Display sans font with two style. Regular Fill and Outline stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Inversa font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Inversa font. Cheers, Maulana Creative

LE Buffec is a modern display serif with 18 font style and complete alternates and ligature for Caps that looks stunning in just about every works. With Full Multilingual support. well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. Enjoy with LE Buffec font. Cheers! LE Buffec Features : · Multilanguange · Alternates · PUA Encoded · Font Family totals 18 fonts Note : this helps you to use all of our font functions · Adobe Photoshop go to Window - glyphs · Adobe Illustrator go to Type - glyphs

Fabrikat Kompakt (formally known as Fabrikat) is a type family designed by Christoph Koeberlin with creative input of Hannes von Döhren. The Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. Its geometric design is based on German 20th century engineers’ typefaces and has a plain and precise appearance. The shapes are optically corrected, yet retain an uncut charm. They work best in display as well as text sizes. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

Portoluce is a Roman typeface. This fonts are delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs provides a fresh and very contemporary look. The family has 3 weights with italics, ranging from Regular to Black ideally suited for advertising and packaging, book text, editorial and publishing, logo and branding, small text as well as web and epub. Portoluce provides advanced typographical support with features such as ligatures, old style figures and small capitals. As well as Latin-based, the typeface family also supports Central European languages.

Univers Next Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Univers Next and with the consulting of Adrian Frutiger. It is a modern Kufi design with large open counters and low contrast. It is mainly designed to work in titles and short runs of text. Its contemporary look makes it perfect for corporate branding as well as for advertising work. It is also well suited for user interfaces and low resolution display devices. The font includes the basic Latin part of Univers Next and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

TT Slabs Condensed update 1.110 What’s new. • Case Sensitive Forms • Tabular Figures • Fractions • Numerators • Denominators • Superiors • Scientific Inferiors TT Slabs Condensed it is a condensed version of our TT Slabs font family. This new version is designed for strong headlines and design presentations. Very well suited for designers who create Identity and logos, as well as for interior design and navigation. The special features of the typefaces include the classic formula: Thin, Light, Regular, Bold & Black. Scope: food packaging, packaging of household appliances, newspapers, magazines, headers, signs, theatrical scenery, logos, interior design, decoration of shops. Optimized for the websites, mobile applications, and printing materials.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

IMPuzzled uses the OpenType feature of Contextual Alternatives to alternate two sets of characters. The sets are on two puzzle pieces that tessellate, that is, fit together to fill the plane with no gaps or overlaps. Empty pieces are on the brace keys and can be used to fill spaces. The black or solid style is designed to be used in a layer under the regular style, though it can be used alone if adjacent pieces are given different colors. This unusual font has limited uses but may be appropriate when the topic is related to the broad areas of puzzles, puzzled, and fitting pieces together.

Nantua Flava XL is a display font by heart. It's preferably seen on posters or flyers. It's inspired by the Op Art style of lettering in the USA from the 1960s and 70s. But it holds also very futuristic elements so it work very well on futuristic techno party flyers and posters. Nantua Flava XLi speeds up your design. It's powerful as a Ferrari engine, strong as a steam locomotive. The very close innerforms and low contract make it perfectly suited for background patterns as well as big headline texts. The stiff little brother of this is simply called Nantua. They are a happy family.

Motiva Sans is the chosen typeface for Valve’s Steam OS, a 125.000.000+ users gaming platform. With 7 weights and matching italics (a total of 14 fonts), it comes with essential OpenType features such as small caps, caps to small caps, tabular, lining, oldstyle figures, fractions as well as extended language support and alternate characters in the italic weights. It performs well in printed and digital environments. The italics are more cursive than the average sans serif design and provide very good contrast to the their roman counterparts. Motiva Sans pairs beautifully with our high-contrast didone serif Tenez or with our cute vertically connected script Primot.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

Euro Sans Pro ? created by German type designer Ralph M. Unger - is a classical and modern Roman Sans Serif at the same time. The family comprises of 12 styles, each with more than 500 glpyhs covering standard Latin, Central European, and Cyrillic. It is an all purpose typeface, a strong and expressive roman sans serif with a French touch to it. Euro Sans Pro provides excellent readability in all sizes, for small copy as well as for very large letters on posters and signs. The character complement also includes small caps and old style figures, and the corresponding OTF features are built into the fonts as well.

As a spinoff to his Tagesstempel™ design, Georg John created Johnstemp™ in 2008. The Johnstemp family has four weights, as well as a special Mix" variant. Each of the basic fonts (Light, Medium, Bold, and Heavy) contain many alternate glyphs, allowing users to set text that realistically simulates stamped impressions. For even faster design, Johnstemp Mix is the perfect choice; it contains letters with far more stylistic and weight variation out-of-the-box, and was developed to create even livelier impressions. Here as well, many alternates are included in the character set to prevent too much repetition of the same glyphs. "

Emil Bertell's Bayamo is a contemporary, digital take on the brush script tradition. It echoes the loose forms and energetic personality of sign painted letters, tapping into the current nostalgia for hand-drawn type. “I think most script fonts nowadays are either some kind of modern calligraphy, or synthetic/mechanical scripts,” says Bertell. “This one leans more towards a classic American sign painting tradition.” Contextual alternates ensure that lowercase characters change depending what's next to them, mimicking the more varied word shapes created by sign writers. Well suited for branding projects, packaging and headlines, Bayamo also pairs well with strong sans serif, and other typefaces with angular forms.

Introducing Sofachrome—the epitome of the modern, the pinnacle of the sleek, and the embodiment of high-tech design. Its extended futuristic letterforms will take your project to the next level, while its streamlined, industrial contours will give your work a feeling of durability and strength. This typeface is not just any ordinary typeface. It has been specifically designed to evoke a sense of futuristic innovation, with its bold thick and thin stroke contrast that provides a striking impact. Its sleek and polished finish will leave an unforgettable impression on anyone who lays their eyes on it, making it perfect for designs that demand a high-speed and technical efficiency. With five sleek weights and italics, Sofachrome is versatile enough to use in a variety of projects. Whether you’re creating a high-tech ad campaign, designing a futuristic poster or even creating an eye-catching logo, this typeface will help you achieve the desired impact. Sofachrome is not just a font, it’s a statement—a statement of quality, precision, and sophistication. So why settle for anything less when you can elevate your designs to the next level with Sofachrome? Choose Sofachrome for your next design project and see the future of design unfold before your very eyes. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Typefaces developed to meet demand for letters that can be used to produce pupil material for reading as well as handwriting. Regular and Bold typefaces covering pan-European languages: 9 Latin, 6 Cyrillic, Greek, Turkish, 13 Baltic, 8 Rusyn, 6 Nordic, Vietnamese. How to access Stylistic Sets of alternative letters in these fonts Cyrillic Stylistic Sets examples Greek Stylistic Sets examples Vietnamese Stylistic Sets examples

Hello Monday is a bold and wide vintage style serif font with a friendly charm and a reminiscence of a warm nostalgic feeling. Hello Monday is a great typeface for contemporary graphic design with that certain feeling of familiarity. It works well on logos, packaging, restaurant graphics, or any display use, as well as in headlines or shorter texts. Try Hello Monday with reduced tracking for tighter word images, or if you want to use it in really small sizes add some tracking. Hello Monday is equipped with Contextual, Swash, Stylistic and Titling alternates as well as Discretionary Ligatures and even more extra alternates. All these features can be accessed by OpenType controls or straight from Character or Glyphs window. Swash Alternates are the most exaggerating ones while Stylistic Alternates do smaller changes. In addition Hello Monday has 15 ornaments that can be accessed from 0-9 and punctuation by clicking on Titling Alternates.

In 1066, William, duke of Normandy, was invading England. He was demanding the crown for himself, against King Harold the Saxon. He killed Harold and reached the crown at Hastings, the well-known battlefield. A few years later, in Bayeux (Normandy, French)was displayed a large tapestry (almost 70 m long) who was telling the story of the conquest. Along the tapestry was written a comment in Latin, using Roman capitals influenced a little by English or Scandinavian style (as it is visible in the Eth character). We have created the font, inspired from this design, adapted for contemporary users, making difference between U and V, I and J, which has not any relevance for ancient Latin scribes, and naturally with Thorn, Oslash, Lslash... and usual accented characters did not exist at the time. We also have reconstructed the K, German double s and Z, always using patterns of the time. We have scrupulously respected the poetic irregular and distressed original forms with two or three alternate for each characters, including reconstructed numerals.

Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

A kind of grunge with that cool wild look so associated with the current trend of today.

Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Gothic Ritual is inspired by well known franchise Diablo that made its initial release back in 1996.

Kawara, our newest font, is now available. We produced this display font with a Japanese theme or an Asian font to fulfill the needs of your project with a Japanese theme, but it’s impossible to use an authentic Japanese font because not everyone understands Japanese letters, therefore we present this font as an intermediate alternative. To make your project gorgeous, strong, and bold, we produced this font with the most unique shape imaginable. So, what are you waiting for? Use this font to realize your ambition of having a wonderful project. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.