Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.

Fragua Pro is a family of 14 fonts (Latin Extended-A and the Cyrillic alphabet) Condensed Sans Serif of geometric construction inspired by the Russian constructivism of the mid-20th century; the typography has a rounded finish in all corners to avoid the coldness of the rectilinear fonts and providing warmth and docility, the ascending and descending short and a high height of the x make it very compact, all this results in a unique typeface with maximum readability due to the careful configuration of metrics and Kerning. The cursive styles have an inclination of 8 degrees and a narrower proportion than the regular ones, they also have their own letters and meticulous optical corrections to compensate for the deformations produced by the inclination. Fragua Sans has Advanced Open Type functions, several alternative letters, full support for numbers, monetary symbols and crypto currencies and more. 681 glyphs. This typography is specially designed for advertising and editorial composition, behaving correctly in both short and medium texts and headlines where horizontal space saving is needed, being an ideal typographic system for signage, editorial or corporate design. This typography is dedicated to the memory of my grandfather C·ndido (Pa), the blacksmith of my town. THE COMPLETE 14 FONTS PACKAGE INCLUDES THE REGULAR VERSION IN "VARIABLE FONT" FORMAT, compatible with Adobe CC 2018.

Antikor is "mono geometric sans" family consist of 3 styles, 55 fonts with real italics... All fonts of family contains 800+ glyphs, and equipped with many typographic features. (Styles: Mono, Text and Display) Antikor Text is designed for those who prefer to use monospaced fonts not only in coding but in many different media of graphic design. The idea came from creating a typeface with monospaced aesthetic without disturbing aspects of monospaced typefaces . Antikor text has proportional spacing and precise kerning to avoid poor rhythm and track in reading text. It also provides wide range of useful features with extended glyph sets and opentype features. Antikor Mono is geometric sans monospaced typeface with all typographic features except spacing and kerning. As other styles it has many opentype features and extended character set including SmallCaps, Stylistic Alternatives, Scientific Numbers, Fractions, Oldstyle Numbers, Case Sensitive Forms, Arrows, Circled numbers and etc... It is designed to meet all the needs of the monospaced text medias... As Antikor is a versatile family, Antikor Display is a very alternative typeface with playful calligraphic curves. It is designed with the idea of creating a contrast and eye catching touch in display use of typography. It creates tasty contrast against the serious and solid monospace look. Each style has 11 weights ranging from Hairline to ExtraBold + real italics, consist of 22 fonts.

CF Cozyscript is an even weighted connecting script. Created in the spirit of the Old Grade School cursive chart seen above the blackboard in the front of the classroom. Giving students a constant visual reference of the smooth flow of Caps and Lower case script. Neither formal nor casual but a combination of both styles. Cozyscript is currently available in 3 styles: Light, Medium & Rounded. The Light & Medium styles are best suited for Invitations, Notes, Advertising, Personal Letters, and Sensitive Subjects such as Movie Titles, Biographies, Wedding paraphernalia, etc. The Light & Medium Glyphs finish in squared-off ends, whereas the Rounded version is slightly bolder than the Medium version with rounded ends resembling a tubular look. The Rounded version lends itself to effective use in Sports, Music, and Advertising, Graphics, Signage, Branding, Neon effects, Logos, Titles, and Packaging. With over 300 glyphs applicable in over 100 languages, Cozyscript is available for use! Cozyscript is CozyFonts Foundry's 17th Font Family released and 2nd script font by Tom (Cozy) Nikosey, California Designer.

Hoojuy is a classic serif typeface ideal for projects involving classic or retro modernism. This font’s stylish and refined attributes will add a distinctive touch to your designs. Hoojuy’s distinctive characteristics, like ligatures and alternatives, give it versatility and generate unexpected changes in the appearance of your text. You may quickly change the look and feel of your creative work. Furthermore, Hoojuy supports multilingualism, therefore it may be used for a variety of languages worldwide. This allows you to reach a global audience and increase the visual impact of your designs. By using Hoojuy as the primary typeface for your project, you’ll add an appealing modern twist to your classic style. Use Hoojuy right away to add the elegance of typography to your outstanding design. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Single Tangelo - Quirky Script Bold Font. This font is a quirky and script font with a playful style and style for children. This font has a lot of character ligatures, as many as 151 ligatures. With that much ligature will make this font more unique and interesting. This font is perfect for projects related to children. This font is perfect for logos, greeting cards, quotes, svg, clothes, posters, logos, krafting, stickers, toys, and more. This font can be installed on MAC OS and Windows OS, it can also be installed in the procreate and cricut applications. Come with lot of ligatures character, its help you to make great lettering, quote, logos and. This font is also support multi language.

Introducing our new Font named Seatyio This font is designed with a script model that is suitable for writing for outdoor and indoor events, such as traveling or for the title of any particular event. and to be sure this font is not only limited to that purpose but also very special for every need of your project, be it a formal or non-formal project, this font is still beautiful and elegant. start creating awesome designs with this font! This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

It could be such frustrating work to find an attractive display font in accordance with your design project. Moreover, a wrong display font will only result in the failure of your design leaving your customers uninterested. However, you should feel no worry as we have the best answer to your problems. Blessed Dreams is a visually attractive display font with soft, gentle nuances caused by the swinging end of the wipes and curves. Each of the letters is interconnected as in the cursive font and the proportions are relatively similar for a legibility reason. Furthermore, you can apply this font, which also provides you with a clipart as a bonus, for big text sizes to be legible. In addition, you may make use of the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Blessed Dreams fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Brookvale - Retro Condensed Font is a nostalgic typeface that channels the essence of the past with a contemporary twist. It's condensed letterforms and retro flair evoke a sense of vintage charm, making it an ideal choice for projects seeking a dash of retro coolness. Perfect for posters, branding, and designs that celebrate the enduring appeal of yesteryears.

Tradewinds JNL is based on one of many innovative alphabets designed by the late Alf R. Becker for Signs of the Times magazine between the 1930s and 1950s. Thanks go to Tod Swormstedt of ST Media (who is also the curator of the American Sign Museum in Cincinnati, Ohio) for supplying the reference material used to make this font.

Quam is a contemporary sans serif typeface, designed to be used as either a display or text font. With a range of alternates, true small capitals and variable numerals, this design aims to be versatile and functional. An added function is the inclusion of the full Cyrillic encoding to allow the application of a wide range of scripts.

Fado is a calligraphic typeface based on the broad nib calligraphy. It has a lot of alternates, ligatures, initial and final forms. The font has 3 sets of length and complexity of ascenders and descenders. It allows the user to chose the style: simple, with more complicated forms, with a lot of flourishes, and even mix all 3 styles.

Eckhardt Headline JNL is a bold, condensed sans serif font. This is part of a series of typefaces popular with the sign trade. Named in honor of the late Albert Eckhardt, Jr. - a talented sign writer and a good friend of type designer Jeff Levine - it is available in both regular and "slant" for extra emphasis.

Woodbranch JNL is a solid version of the 2013 font release Woodlawn JNL. The design was originally based on examples of an outline (open face) wood type. This interpretation takes on newer, stronger characteristics as a bold typeface when the "inner letters" of the original alphabet were removed, yet the imperfection of the wood type pieces are still maintained.

Folsom JNL is one of the many stencil fonts Jeff Levine has recreated from original sources. This particular design was modeled from a kit made by the Meyercord Company of Chicago. In the original, some of the letters were solid rather than stencil forms, but Jeff gave all of the letters the traditional treatment for continuity.

Skorid is a geometric condensed sans serif font family, constructed only out of straight lines. Coming in 7 weights, regular and italic, from thin to black, you have a wide array of possibilities of using Skorid for any purpose you need. Skorid speaks around 70 languages, including Cyrillic. Contains a lot of alternative letters to boost your creativity.

Fauna is the set of cute animals you were looking for! We know these animals will give their best in order to give a lovely touch to your work. With a total of 108 characters; the font family is divided into two styles of 54 each: Fauna Blanca and Fauna Negra. Choose one of them... or better, choose both!

Born in the lab as a research experiment, Reboot is great for that certain 70’s sci-fi need. It’s filled with the angular curves of the technology of yore, with full diacriticals for Eastern European Cold War era galactic display copy. It’s the first font of a series of research experiments, varying from rectilinear to ovoid.

In one of our yearly type hunts, we came across the ancestor of this font, much wider and more decorative, with fine outside shading. Condition was poor so we did the obvious, cutting out the excess decoration and condensing the face optically. It reeks of dancing girls and drunken sailors and other colorful attributes of Old San Francisco.

Mushin is a typeface, that comes with 14 fonts, roman and the matching italics, which draws inspiration from the grotesques of the beginning of the 20th century. However, its humanistic details and endings, remove the coldness so characteristic of this style, making Mushin a typeface of lively and dynamic curves, which can be used for various purposes.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans.

We love sports – like billions of fans all over the world – but in Argentina, we really love fútbol (soccer). Fútbol is part of our culture: it makes our hearts’ race and our pulses quicken, it inspires screams of joy and screams of anguish, and it has been the cause of more than a few heated conversations amongst friends. So you can imagine our delight when, in recent years, a local team’s fútbol jersey used a Sudtipos font; it got us thinking about designing a font that explicitly had sports in mind yet still had the versatility to work for other types of projects. Sporty has a geometric and modular structure with many potential applications that far exceed jerseys, score boards and stadium wayfinding. Its flexibility is evident when examining its four style – from a square style to a rounded one – as well as the Shadow and Inline options. Each of the styles also comes with a set of miscellaneous shapes including modular banners, plates and arrows. Sporty comes in 3 widths – Condensed, Regular and Expanded – and 7 weights that equate to a total of 39 fonts.

Chalky Spritely and full of personality, FS Sammy is a hand-drawn font with a chalky texture, available in one weight only. Give Sammy a run in branding, packaging or billboard advertising for a fresh, informal, honest personality. Calligraphic Too many script fonts have a rushed and thrown-together feel about them. It’s a deceptively complex feat to achieve forms that hold together neatly in text yet still have the breezy, natural air of real handwriting. That’s FS Sammy: considered and crafted. Pencil FS Sammy was originally drawn for a drinks manufacturer by Fontsmith’s calligrapher, Sehmi Satwinder, who made handwritten impressions with a large soft pencil on textured watercolour paper. The digital interpretation of Sehmi’s letters was pushed to its limits and, after a lot of experimentation, a balanced alphabet was achieved. Texture and spirit FS Sammy’s success and uniqueness within the script font category is down to its versatility. In the large text of billboard advertising or headlines, all of its texture comes to life, and small, on menus or booklets, it conveys all of the spirit and personality of a considered piece of handwriting.

A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “Plethora”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries later. Available in 9 weights, from roman to italic, and also as variable format, “Plethora” supports plenty of latin languages and is a perfect choice for today’s design tides.

This font is a latin based version of the ogham alphabet used in the writing of the old irish language. It can be used on Latin keyboards. I will make a unicode font version of this font in the future. Ogham (/ˈɒɡəm/ OG-əm, Modern Irish: [ˈoː(ə)mˠ]; Middle Irish: ogum, ogom, later ogam [ˈɔɣəmˠ] is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries CE), and later the Old Irish language (scholastic ogham, 6th to 9th centuries). There are roughly 400 surviving orthodox inscriptions on stone monuments throughout Ireland and western Britain, the bulk of which are in southern Munster. The largest number outside Ireland are in Pembrokeshire, Wales. The vast majority of the inscriptions consist of personal names. According to the High Medieval Bríatharogam, the names of various trees can be ascribed to individual letters. For this reason, ogam is sometimes known as the Celtic tree alphabet. The etymology of the word ogam or ogham remains unclear. One possible origin is from the Irish og-úaim 'point-seam', referring to the seam made by the point of a sharp weapon.

Sitting in a diner and looking upon a wall full of nostalgia, there hangs a picture of another older diner in some Northern city. The lettering from it's rooftop sign almost screams "Make a font out of this!"... so Jeff Levine did... "Hash and Beans JNL".

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Normandy Isle JNL is a condensed sanserif typeface built off of the basic design of an old wood type, but augmented with thick and thin lines to create a whole different look. The font itself is named after a community in the North end of Miami Beach.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Sherwood is a reproduction of an unusually small wood type font from England, dating from the last years of the 18th century. Somewhat reminiscent of Caslon Old Face. The original wood type is used at Sherwood Letterpress and can be seen on the Sherwood home page.

Nedo is a retro inspired, single weight display font based on a series of geometric lines. It features a large set of ligatures and some alternate characters that allow a range of possible combinations for text layouts and is best suited for use in large settings.

Raspail is a contemporary calligraphic font inspired by copperplate. Raspail has a great inclination with extensions of ascending and descenders strokes, widely ornate, and a special emphasis on the connection of the letters. It includes more than 350 alternates, 50 ligatures and a great set of ornaments.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

The design of Bramber was inspired by Allied propaganda posters of the second World war, especially Russian posters. It has a distinctive solid, geometric appearance. 
Bramber also has a feel of mid 1980s design. Bramber is ideal for use as a distinctive headline or display font.

Have Heart is a set of 2 hand-made marker pen fonts, designed to combine perfectly and allow you to create stunning hand-lettering quickly and easily. Also included is a set of 12 bonus swashes, ideal for giving your text that final touch of finesse!

BorderGlyphs features an array of border elements inpired by our very own Egyptian Hieroglyphs font collections. These historic yet modern symbols have stood the test of time - they can blend into ancient as well as the most vanguard of themes and will add elegance to your projects.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.