Garbentas is a contemporary sans-serif typeface that seamlessly blends modern aesthetics with timeless simplicity. Its clean lines and balanced proportions exude a sense of sophistication, making it an ideal choice for a wide range of design applications. The typeface embodies a harmonious combination of elegance and readability, with each character meticulously crafted to achieve optimal legibility across various platforms. Garbentas’ versatility shines through in both digital and print media, offering a sleek and polished look that caters to the demands of today’s design landscape. With a distinct and refined personality, Garbentas elevates visual communication by providing a fresh, contemporary take on the classic sans-serif genre.

Pitriya is a captivating display serif typeface that effortlessly blends classic elegance with a modern twist. Its unique character lies in the harmonious balance between thick and thin strokes, creating a distinct sense of refinement and sophistication. Each letter is meticulously crafted with precision and ornate details, making Pitriya a perfect choice for high-end branding, editorial design, and formal invitations. The serifs are gracefully extended, adding a touch of grandeur to the text, while the ample x-height ensures readability even at smaller sizes. Pitriya is a timeless typeface that commands attention and imparts an air of timeless beauty to any project it graces.

Kashigata Stencils JNL is a collection of 52 beautiful Japanese stencil images used for decorating sugar cakes to honor deceased family members with the crest of that family. Re-drawn from images of some vintage stencils spotted at an online craft and collector's site, these wonderful designs were created during the Showa Period of Japan's history and bring the charm of the Far East to your creative projects. According to Wikipedia, The Showa period (literally "period of enlightened peace/harmony"), or Showa era, is the period of Japanese history corresponding to the reign of the Showa Emperor, Hirohito, from December 25, 1926, through January 7, 1989.

Debraht is a striking example of a stylish modern sans-serif typeface, seamlessly blending contemporary design elements with timeless simplicity. With clean lines and a distinct geometric structure, Debraht exudes a sense of sophistication and versatility. Its balanced proportions and well-crafted letterforms make it an ideal choice for a wide range of applications, from elegant branding to sleek editorial layouts. The typeface’s attention to detail is evident in its subtle curves and thoughtful spacing, ensuring a harmonious and legible appearance across various platforms. Debraht effortlessly captures the essence of modern aesthetics, making it a go-to choice for those seeking a refined and chic typographic solution.

A "tunesmith" is one so nicknamed because the person or persons craft (compose) a song from scratch. When the area of Broadway known as Tin Pan Alley was in its heyday, every music publisher's office would have sounds emanating from the various cubicles of men and women trying for the next big hit. Sheet music was the main source of songwriter's royalties during those days, and to please the general public with a song destined to be a popular piece was a lofty goal. It's then only fitting that the lettering inspired by a 1920s-era piece of sheet music for a song called "Jerry" would be named Tunesmith JNL.

Kamila is a connected script typeface with an elegant feel. It is based on custom lettering and works well in all letter combinations in a harmonious way. This typeface has over 900 glyphs and includes 6 sets of stylistic alternates with swashed letters, standard ligatures, ornaments and other alternates for more versatility. Kamila is suited for most latin languages both in its basic and alternate letterforms. It also has initial and final letters that appear automatically when you type, which makes it feel more similar to writing. Every letter was carefully crafted and connections are smooth. Kamila is great especially for titles, posters, magazines, books, wedding invitations and logos. Enjoy!

Soerina, a versatile serif typeface, embodies a harmonious blend of classic elegance and contemporary functionality. With its meticulously crafted letterforms, Soerina strikes a balance between sophistication and readability, making it suitable for a diverse range of design applications. The typeface exhibits a timeless aesthetic, featuring subtly modulated serifs that lend a touch of refinement to each character. Whether used for editorial design, branding, or digital interfaces, Soerina exudes a versatile charm, adapting seamlessly to various contexts while maintaining a distinct personality. Its balanced proportions and thoughtful details make it an excellent choice for conveying a sense of professionalism and aesthetic nuance across a spectrum of visual communication projects.

Salosendo, an elegant serif typeface, exudes sophistication and refinement in every stroke. With its graceful letterforms and balanced proportions, Salosendo adds a touch of timeless class to any design project. The serifs are subtly crafted, conveying a sense of tradition while maintaining a modern and versatile appeal. The letter spacing is meticulously tuned, ensuring a harmonious flow that enhances legibility. Salosendo’s versatility shines through in both print and digital applications, making it an ideal choice for editorial layouts, branding, and high-end invitations. Its graceful curves and meticulous details make Salosendo a typeface that effortlessly elevates the visual aesthetic, embodying a perfect blend of classic charm and contemporary finesse.

Didonesque Ghost is a family of 10 fashionable fonts that will enhance any project that requires a touch of class. These fonts turn the contrast right up to 11 – giving each weight a ghost-like appearance by means of their hairline stems and serifs. This extreme contrast gives Didonesque Ghost a very stylish appearance which is intended for use in display purposes at very large sizes – posters, signage, branding, corporate identities, headlines, advertising, wedding invitations and the like. See more detailed examples here . Key features: • 5 Weights in Roman and Italic • Small Caps, Petite Caps, Contextual Alternates, Ligatures and Discretionary Ligatures • European Character Set – Latin Only • 750 glyphs per font.

Rustling Trees - Script Textured Fonts Brand new stylish textured fonts ! In collaborating with Albion Room. Fresh from the oven as inspired to create easy digital lettering for you. Flowing texture makes this fonts has a unique characteristic, also give you alternate characters lowercase and uppercase, alternate for the initial and terminal forms. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean design, Branding Design, Sign, etc. Multiple Language available just check it out :) Features : Stylistic Alternates (up to 10 style in some letters) Initial & Terminal (also comes with alternate initial and terminal glyphs) Refined All caps (No more tail or swash when type in all caps)

Project Sans is a structured and versatile geometric sans serif which includes 10 weights and matching, playful italics that offer a unique feel for multiple applications. The fonts versatility creates a plethora of uses from branding and advertising to digital applications such as websites and apps. Project Sans has support for Central and Eastern European languages as well as Cyrillic. The font has a slight retro poster feel mixed with a uniform structure that, mixed with its substantial weight options and warm italics, creates a suite of fonts that can be used for anything your Project requires. Have fun with it and bring life to your Project.

Nadirii Pro Greek Cyrillic Font is a fun display typeface with a nostalgic touch. In fact, this typeface supports over 30 languages and it can be a perfect match for all your food packaging projects. Of course, you can use it for organic handcrafted products branding. Also, it can be an ideal tool for storytellers, too! In other words, the crafty feeling of this font is pairing perfectly with illustrations, book covers and handmade social media content. In addition, Nadirii Pro Font supports extended Greek diacritics or Polytonic Greek. Therefore, this feature is perfect for writing Byzantine, Katharevousa and Greek-Orthodox texts, with a modern twist.

Jure Stojan first created JY Klin for a student magazine in Ljubljana, Slovenia. ‘It was borne out of my frustration with layout [programs] and their taste for messing with decent fonts (making the headline occupy the entire column width at any cost, for instance). Therefore, I designed a “heavy duty” display font—it can be extended up to 120 per cent without any loss in quality (it is fairly condensed, so no one could think of squeezing it any further). I even used the font, stretched by the very 120 per cent, for 10 point text and the result was surprisingly legible (given some peculiar details prominent at display size).’

Xaver Grotesk Variable, a font that emerged in the creative landscape of 2023, stands as a testament to contemporary typographic innovation. This font is not just a mere collection of characters but a meticulously crafted expression of modernity and sophistication. Its genesis was driven by a desire to infuse the typographic realm with a fresh take on the classic grotesque style while embodying a technical allure that whispers of a slightly futuristic essence. At its core, Xaver Grotesk is a testament to the marriage of form and function. The deliberate choice of monospacing adds a unique rhythm and structure to the font, instilling it with a sense of order and balance. The low capital height introduces a distinctive visual characteristic, creating an unconventional yet captivating silhouette that stands out in various design contexts. One of the font's most striking features lies in its letter design. Each character is meticulously sculpted, bearing angular and horizontal traits that not only convey a sense of modernity but also evoke a hint of technological precision. These angular and horizontal elements work in tandem, shaping the font's overall personality and lending it a forward-thinking edge. The fusion of these elements—monospacing, low capital height, and angular/horizontal letter design—creates a harmonious interplay that sets Xaver Grotesk apart. It's not merely a collection of letters; it's an experience, a visual journey that captivates and engages the viewer. Whether used in digital interfaces, printed materials, or other design mediums, this font transcends its utilitarian purpose to become an artistic statement in itself.

Premier font was designed by Colin Brignall. Premier Lightline displays all the elegance and sophistacation of the 1920s and 30s and consists of a refined lowercase with high ascenders and generous capitals which can also be used alone. Premier Shaded is an all caps typeface which provides a robust counterpart to the fine elegance of Premier Lightline. Premier Shaded should be used with close or ever overlapping letter spacing and is ideal for strong, eye-catching headlines.

Abitare Sans was originally commissioned by the group Rizzoli Corriere della Sera. It’s a typeface of 30 weights designed to be used in Abitare magazine. The request of the president Mario Piazza was a new CP Company with some redesigned glyphs, but the result is a radical evolution of its concept being intended to be used as a font for text far more readable. In Abitare Sans the geometric structure was kept without neglecting the numerous editorial requirements.

Qanelas Soft is a modern sans serif with a geometric touch, and a friendlier version of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. Designed with powerful OpenType features in mind, each weight includes alternate characters, fractions, extended language support (+ Cyrillic), arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, or corporate use as well as for editorial design.

In 1938, Frederic W. Goudy designed California Oldstyle, his most distinguished type, for the University of California Press. In 1958, Lanston Monotype issued it as Californian. Carol Twombly digitized the roman 30 years later for the University of California; David Berlow revised it for Font Bureau with italic and small caps; Jane Patterson designed the bold. In 1999, assisted by Richard Lipton and Jill Pichotta, Berlow designed the black and the text and display series; FB 1994–99

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

I could dance with you until the cows come home. On second thought I'd rather dance with the cows until you come home. Groucho Marx. Home Sweet Home Dingbats is a 30 dingbat font of home things. Use them as dingbats or enlarge the small pictures and use them as clipart. Silhouettes include several lamps, clock, chaise, chairs, sofa, nightstand, chest, TV & remote, tables, stool, steps, beds, mirror, art, a fireplace and even a baby grand piano.

After my previous typefaces inspired by the flavour of local typography (Massimo, Picadilly & Zigfrid), I'd like to present new one, called CUKIER. This family was designed mainly for branding purposes - visual identity of CUKIER.WORKS Agency. Cukier is a sans serif, geometric typeface, inspired by the vernacular typography from Zanzibar (Tanzania). A lot of letters have intentionally made mistakes in a drawing, and this it what makes the whole font unusual. Family consist 10 styles – 5 weights with italics.

URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased. These design characteristics increase the usability and legibility tremendously. Accordingly to the URW Geometric, Boutros Fonts designed the URW Geometric Arabic. 10 weights, which harmonize perfectly with the Latin ones, were created – from Thin to Black.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Andes Rounded, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Fresh Style is a modern script style similar to hand lettering, decorative characters, designed to perfectly blend informal, romantic, sassy, ​​sweet script. Hand-drawn design elements allow you to create tons of beautiful typographic designs in seconds such as branding, logos, web design and editorial, prints, invitations, crafts, quotes and many more. Frest Styles includes alternative OpenType styles, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Fresh Style is encoded with Unicode PUA, which allows full access to all additional characters without special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any extra characters to paste into your favorite text editor/app.

The Absentia collection welcomes this modern serif option to broaden its typographic horizons and offer designers greater versatility. The new member shares the traits and proportions that sets this family apart, such as the truncated capital ‘A’ apex, the calligraphic ‘l’ and the distinctive ‘g’. Yet Absentia Serif adds its own personality to the mix, integrating forward-looking attributes into traditional letterforms. Laid out as bilateral or one-sided configurations, the transitional serifs help maintain a tight, orderly baseline. The balanced stroke contrast increases in the bolder weights and exudes an elegant appearance. This finely crafted typeface promotes legibility at the smallest sizes and makes it the ideal solution for body text. Available in ten weights with matching italics and two variable fonts, Absentia Serif is loaded with OpenType features such as stylistic alternates, fractions, superscript, subscript, as well as standard and discretionary ligatures.

Before the Great War, there were great posters. Posters of elegance and grandeur. Posters calling people to the pleasures of sunny southern France and to the perfections of northern Italy’s dolce vita. Le Havre, based on a poster by AM Cassandre, was one of my first typefaces that took inspiration from this genre. Now, the golden memories of years past are the inspiration for insigne design’s new Gineso Titling as well. Gineso revives the retro forms of past poster design with its newly crafted sense of humanity, which is amplified by a great variety of texture options. While the new forms are perfect for posters, this titling font is also ideal for bringing the charm of pre-war Southern Europe to a new bottle of wine, to fine foods and beverages, and to high-end logotypes. For the grandeur and elegance you need in your titling, look to Gineso Titling.

Kashi is the Persian word for tile. This font is inspired from building decorations of 16th and 17th centuries in Iran. It is extremely legible even in very small size. Kasha design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Kasha was developed for multiple languages and writing conventions. Kashi supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Introducing "Ryzes" – a font that plunges you into the immersive world of cyber graffiti with a distinct cyberpunk feel. This font is your gateway to a dystopian digital realm, combining edgy aesthetics with a futuristic vibe that speaks of rebellion and technology. "Ryzes" captures the very essence of the cyberpunk genre, offering a text that embodies the rebellious and high-tech spirit of a dystopian future. Each character resonates with the anarchic energy and unconventional style of cyber graffiti, making your designs pop with a captivating and distinctive edge. In our globalized world, language is a bridge that knows no borders. "Ryzes" is equipped with extensive multi-language support, ensuring that your message can be effectively communicated to audiences around the world, regardless of language or script. Complete Character Set: "Ryzes" boasts a comprehensive character set that includes both uppercase and lowercase letters, numerals, and a rich selection of symbols and punctuations. This versatility ensures that your text is not only visually stunning but also functionally adaptable. But that's not all. "Ryzes" takes your creativity a step further with an extruded version. This adds depth and dimension to your designs, allowing you to effortlessly create 3D text that embodies the cyberpunk aesthetic. The combination of the regular and extruded styles offers endless possibilities for crafting captivating 3D designs. Whether you're working on cyberpunk-inspired branding, futuristic posters, or any project that demands a cyber graffiti aesthetic, "Ryzes" is your ultimate companion for pushing the boundaries of design. Dive into a world where rebellion meets technology and let "Ryzes" be your creative tool in crafting designs that resonate with the electrifying spirit of the cyberpunk genre in 2D and 3D dimensions, bursting with color and pop culture excitement. ——— Ryzes features: A full set of Uppercase and Lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Layered Style +274 Total Glyphs ——— Ryzes Includes: Ryzes Regular Ryzes Extruded Left Ryzes Extruded Right

Introducing "Power of Dragon" Typeface - Unleash Your Inner Hero! Unleash the extraordinary with our "Power of Dragon" Typeface, a bold and dynamic serif display font designed for those who aspire to be legendary. Embrace the spirit of a super hero anime with this powerful typeface that combines strength, elegance, and a touch of fantasy. 🐉 Dragons and Wings Illustrations: Feel the might of dragons and soar high with the included intricate illustrations of majestic wings. Each character is crafted to convey the essence of mythical power, bringing an extra layer of magic to your designs. ⚔️ Swords and Pirates: Channel the bravery of a swashbuckling hero with sword illustrations that add a dash of adventure to your projects. The pirate theme brings a sense of daring and excitement, making "Power of Dragon" Typeface perfect for projects that require a touch of maritime courage. 🌟 Super Hero Anime Theme: The "Power of Dragon" Typeface is inspired by the dynamic world of super hero anime, ensuring that your designs exude strength and heroism. Whether you're working on comic books, posters, or branding projects, this typeface brings an electrifying energy to your creations. 🔠 1084 Characters: With a robust set of 1084 characters, "Power of Dragon" Typeface gives you the flexibility to express your creativity without limitations. From uppercase and lowercase letters to numerals and punctuation, every character is meticulously crafted for maximum impact. 🌐 PUA Unicode and Multilingual Support: Seamlessly incorporate "Power of Dragon" into your designs with PUA Unicode support. Additionally, enjoy the versatility of multilingual support, making it easy to communicate your message across various languages and cultures. Let "Power of Dragon" Typeface be your ally in design, helping you create captivating and unforgettable visuals. Elevate your projects to new heights with this font that embodies the spirit of heroic tales and epic adventures. Unleash the power within, and let your creativity take flight!

Prossima Moda is a font that radiates modernity and fashion-forward style. Its sleek and contemporary design evokes a sense of sophistication and elegance, while its contrasting lines add a touch of visual interest and intrigue. The font exudes a cool and sweet vibe, creating a captivating and alluring atmosphere. With Prossima Moda, each letter is meticulously crafted to showcase its unique beauty, creating a harmonious blend of form and function. The font's smooth curves and clean lines give it a polished and refined look, reflecting the precision and attention to detail that are synonymous with the fashion industry. This font not only captures the spirit of the latest fashion trends, but it also embodies a sense of individuality and self-expression. It is a font that speaks to the modern individual who seeks to make a statement and stand out from the crowd. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is the innovative designer behind the captivating Prossima Moda font. Hailing from Sweden, Mans has established himself as a prominent figure in the world of typeface design, renowned for his diverse and versatile portfolio.

Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, which makes it suitable to be used at large text sizes. At the same time, the smooth transition from straight to curved lines gives the font a more friendly feel. This display typeface is the perfect choice for logos, posters, signs, branding, packaging and so on! Corporative Soft comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Soft provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Corporative Soft was created by LatinotypeTeam and developed by Javier Quintana, Eli Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.

Corporative Sans typeface is developed by Latinotype Team. Corporative Sans is the new version of Corporative. This font has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes. Since it is a condensed font, it can also be used in smaller sizes. Corporative comes with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team now comprises: Rodrigo Fuenzalida, César Araya, Bruno Jara, Luciano Vergara and Daniel Hernández. Corporative was created by Latinotype Team and developed by Javier Quintana, Rodrigo Fuenzalida and César Araya, under the supervision of Luciano Vergara and Daniel Hernández.

Rapid Writing is based on the Rapid and Muscular Methods of writing, where the whole arm instead of the wrist is used to write. Copybooks and vertical writing fostered form at the expense of freedom. Speed and muscular movement have fostered freedom at the expense of form. This font is based upon form and movement and brings spontaneity and freedom to calligraphy! The font is full contrast, swashes, round forms, ligatures, contextual alternates and other surprises. OPENTYPE FEATURES • 34 Contextual Alternates • 32 Standard Ligatures • Several Stylistic Alternates (2 options for A-Z/0-9) • Ending Swashes (Each character (A-Z) has up to 12 swash endings) Not to mention the font has 710 glyphs. HOW TO USE THE ENDING SWASHES It’s very simple! Simply write the word+ > (greater symbol). For example: Typography> Typography>> Typography>>> etc. After each “>” you get a different ending swash for each character. So there are lot’s of different combinations and alternatives to suit your needs! The font also comes with a PDF Manual. If you have any questions, please get in touch at hello@eduardorecife.com