Baby Fat, designed by Milton Glaser in 1964, saw a lot of action during the psychedelic poster phase. This little dumpling is based on that workhorse, and takes its name from a phrase that also got around a lot in the 60s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Signskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Rafskript is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

Sitting inside our offline vault and print catalogs for several years but still available for purchase, PF Mediterra is part of a valuable triad of typographic gems which are finally re-released, fully updated and upgraded. Designed by Vladimir Radibratović, a foremost calligrapher, type designer and illustrator, this trilogy of script typefaces was recently revamped by our design team with full support for Latin, Greek and Cyrillic. Initially released between 2000 and 2003 these typefaces manifest a human, hand-crafted feel. Designed to excel particularly within casual and natural contexts, their names reveal their exact identity. The nostalgic charm of PF Signskript, the unique vintage and rough appeal of PF Rafskript or the organic Mediterranean essence of PF Mediterra have all attracted attention to these popular typefaces for brands on the supermarket shelves, wine labels, packaging, quotes, stationery and vintage lettering.

Raw and uncut, this sharp square sans is ready to rip. Originally released in October 2017, VTF Redzone Classic is the first published typeface by CJ Zilligen. It’s raw and uncut — built with sharp terminals and spur serifs that give off an aggressive appearance. VTF Redzone Classic was refreshed in May 2020 to include nearly 200 new characters, extensive language support, and a sleek and long-anticipated Oblique version. This titlecase display typeface is tooled to give any project a competitive edge.

Welcome to MyFont, where creativity and expression meet with the enchanting Ballon Hands font. This unique handwriting script font adds a touch of authenticity and charm to all your craft projects. Whether you're designing websites, SVG designs, home decor items, branding materials, blogs, logos, or invitations, Ballon Hands is a perfect choice. The Ballon Hands font features a natural and flowing script style, capturing the essence of hand-drawn lettering. With both uppercase and lowercase letters, numbers, and punctuations, this font provides versatility in your designs. Additionally, it offers multilingual support, allowing you to create captivating text in various languages. Explore the ligatures included in the Ballon Hands font, enhancing the fluidity and visual appeal of your typography. The font is PUA encoded, enabling easy access and compatibility across different platforms and software. Character Set: The Ballon Hands font offers an extensive character set, including a wide range of symbols, accents, and special characters, allowing you to express your ideas without limitations. Discover the magic of Ballon Hands and unlock your creative potential. Get inspired and elevate your craft projects with this delightful handwriting font.

Richello Same is a decorative sans font with a mix of vintage styles, carefully crafted and clean, with neatly arranged node dots, Richello Same is a great vintage inspired font. This font consists of 2 types with lines and without lines, so that it adds to the impression of luxury in designing your product, plus some alternative uppercase and lowercase letters to add to the luxurious impression, we also include very attractive ornaments for you to use for your design. Richello Same is perfect for branding, quotes, greeting cards, invitation cards, t-shirts, signatures, and many others, you can try it. whats include: – Richello Same Clean – Richello Same Line – Richello Same Ornament Multilingual support

Hello Sweetday - is a Playful Craft font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

I've had a lot of lovely cakes through the years (My wife is a great cook!) But I've also tried some really...ehem...not so good cakes. Actually, the worst cake I ever had, was at work - if you didn't know, I work as a kindergarten teacher - and the cake was made by one of the kids! Anyway, this font was made as a sort of tribute to that cake - the font may not represent something that is smooth and lovely, but it was made with lots of personality and love - just like that cake from that kindergarten kid!

The Siseriff family of types contains nine different styles, which were developed by the master Swedish typographer Bo Berndal in 2002. Siseriff is a contemporary slab serif face. Except for the Siseriff Black weight, all of the letters display a slightly condensed appearance that is coupled with a relatively uniform width throughout the alphabet. Siseriff's nine styles are distributed across five weights (Light, Regular, Semi Bold, Bold and Black). The Italic companions for these styles (Siseriff Black does not have an italic companion) are true italics. These redrawn italics add a higher degree of differentiation from the Roman weights than could be achieved with obliques alone. Many common Slab Serif families (e.g., Serifa) do not offer this degree of differentiation. This variety makes Siseriff the perfect choice for journalistic and editorial work, where a good hierarchy may be achieved solely by relying on the various weights available, and their italics. All nine styles of the Siseriff family are part of the Take Type 5 collection from Linotype GmbH."

Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular counter at the centre of each character, while Double Dot uses a lower and upper circle. Although the two variations are similar in principle, the results are visually quite different.

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Peach Daisy-A Sans Serif Font Peach Daisy is a new modern sans serif font. This font was carefully crafted and inspired by luxury fashion in the world. It creates a luxurious, rich, exclusive and elegant look in design. It’s thin brush strokes and imperfect baseline give it a fun and stylish. So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, lettering and more. Features: Ligatures Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Peach Daisy-A Sans Serif Font Peach Daisy is a new modern sans serif font. This font was carefully crafted and inspired by luxury fashion in the world. It creates a luxurious, rich, exclusive and elegant look in design. It’s thin brush strokes and imperfect baseline give it a fun and stylish. So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, lettering and more. Features: Ligatures Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Food Doodles Too is a 31-picture clipart font of food. Use them as dingbats or enlarge the small pictures and use them as clipart. Lots to choose from… from soup to nuts OK no nuts. But there is pizza, pasta, soup, eggs, sushi, sandwich, hot dog, hamburger, fish, kabobs, toast, breads, cheese, pickles, shrimp, soufflé, and desserts galore… cake, pie, cookie, cupcake, trifle, sundae, banana split, milk, tea and more. Food Doodles Too works nicely with Coffee & Tea Doodles. If you need some fancy cakes check out Party Doodles. All in the same line drawing style to mix and match.

Florita Script is a modern calligraphic font with the current handwriting style. This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more. Florita Script is equipped with 739 glyphs and by having many of these glyphs you will be able to choose the letters according to your likes. There are lots of variations and options for each letter, so you can customize it to your design choices. You need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw or one of the many programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing.

Sticky Pops is a fun handwritten script font, created by Jonathan S Harris in 2020. This style of lettering looks awesome on clothing, posters, signage/display signs, and just about anything to do with media.

Huskeseddel is to-do list or memo in English. If you not already guessed it, the font is based upon my own handwriting. Actually not my everyday handwriting, but the kind I use when I make my to-do lists. But it wouldn't look right with a simple font with the same letters repeating all the time, and that's why I added 12 different hastily written versions of each letter. These 12 different versions cycle as you type, making your text look...well, like hastily written letters...you'll have to take a real close look to find out that you are looking at a font, and not a genuine hastily written to-do list! :)

"If you prick me, do I not bleed? If you tickle me do I not laugh? If you poison me do I not DIE? And if you wrong me shall I not REVENGE?" "I am not a TYPEWRITER! I am not a MACHINE! I am -- NOT -- JUST -- a lettering ROBOT! I -- AM -- A -- HUMAN -- BEING!" Having trouble with YOUR lettering artist? LETTERBOT is here to help. Take all the fuss and muss out of dealing with a real person and install this helpful and responsive robotic font. It has no opinions of its own and will assist you in the lettering of your comic without all that tedious human interaction which lettering artists seem to think they're entitled. Designed by John JG Roshell.* *Now obsolete. Features: Four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets. Includes Western & Central European accents and Cyrillic characters.

The future is right here, today, and Areon Flux comes to point that out. It’s a font family consisting in three weights that makes it a notable choice for designers that have to do with techy, futuristic layouts or printing materials. The lettering design appeal as sharp, powerful, distinctive and kind of modular, remembering the upcoming space exploration opportunities that are ready to enlarge our horizons in the next years. Areon Flux family is designed and published in late ‘20/ early ’21 and has an established discount for more that 30% for all the weights buyed together that makes it a versatile fresh and modern display not to be missed by edgy designers.

Zombie™ is a cute and playful whimsical font unlike a real Zombie. This monoline display face does not take itself too seriously and is at home in children's books, invitations, headlines or other decorative design projects.

Monospasz means mono-fun in English. It's spelled with 'sz' instead of 'ß' for all you english speaking folks out there who always mistake it with a 'B'. Monospaced fonts keep on drawing attention to them because their proportions stand out from the canon of common fonts. "Yuck. Look at the condensed little m. Isn't that ludicrous?" But Monospasz isn't copycatting traditional typewriters, the most popular of monospaced fonts. It's completely manually ink-written and hand crafted. Monospasz has been designed and first used for the third incarnation of our annual Weimar based typography symposium dubbed "TypograVieh lebt" in the summer 2006.

Gitan is a flared sans serif, reminiscent of engraving and stone carving. Sturdy and informal, the design features a moderate contrast that provides durability for text setting. Crisp design details like cuneiform head serifs and deeply cut wedge terminals give Gitan a sculptural appeal – a quality desired for all things display. Gitan’s expressiveness evokes the nuances of forms crafted directly in raw materials. The human touch provides vitality so often absent from purely mechanical designs. Pairing a rhythmic pattern with classic construction makes Gitan shine in text. Its natural look reflects a tangibility that thrives in wooden and rock-solid materials. Gitan’s habitat is at the crossroads of editorial and packaging work, grounded by a feeling of substance, but finished by an artisan’s handicraft. By nature, Gitan is flexible and willing to take risks.

This rough-and-ready display face is based on El Greco Antique, released by the Fundición Richard Gans of Madrid in the 1930s. Distressed but not distressing, rough yet charming, ragged around the edges but curiously refined. Named after a village in Greece which is the ancestral home of the forebears of the Curtii. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Fonts never fit your designs ? They’re just not flexible enough, not modern enough or too old-fashioned? And you’re too busy to keep looking for a font that fits the bill, right? The market is flooded with all kinds of fonts, but none of them is simple and elegant. Valienta Script is what you’re looking for. It’s an elegant typeface created to make your designs stand out from the crowd, and to add a touch of luxury. A Million Thanks www.colllabstudio.com

This is the companion sans family to make the Librum serif families work as well as they do. By companion, I do mean stylistically compatible. But mainly, they have the same vertical metrics. So they work very well for run-in heads, inline character styles, and all the rest of the needs in large books with complex formatting. They are designed for use in InDesign, and they work very well in that environment. The fonts use the same OpenType feature files as the rest of the Librum families. The feature files for the italic and bold are more limited—as I have rarely used things like that [over the past 20+ years]. The character shapes are a bit whimsical. The original ancestor of this book design sans was a very playful font I released as Aerle. It’s been calmed down a lot but is still loose and friendly. For a great deal, see Librum Book Design Group , for a package containing all fifteen fonts!

Sigillium is a flare serif typefaces, which inspired by early XX centuries sign painting advertising. It has strong historical nature. Letters proportions are very closed to the Roman Capital Letters. Sharp flare serifs endings give special medieval style to the typeface. Sigillium includes: 4 types in Upper- and Lowercases Each style contains more than 250 glyphs which support Latin, Western European, Central European languages (Cyrillic is also included) Files description: regular, carved empty, - not filled 2 styles carved with shadow, - different "light" directions Hope you are enjoying using Sigillium. Please do not hesitate to ask me any questions about the product. (c) Photo credit - Unsplash