Daffodilly is a fresh and quirky handlettered font with multi-language compatibility that includes custom ligatures, alternate characters, and a unique sense of style. Designed as a calligraphic display font, use it for posters, signage, branding, invitations, menus, and any artwork that needs unconventional handwritten lettering. Multi-lingual, connected, and with a range of symbols, the font includes 362 glyphs.

FG April works great with all caps as well emphasized by the double lines. It doesn't connect but feels like a script.

FG Alison is the sweet connected script of a young woman. It's perfect for greeting cards or for emphasized headers or slogans.

Winslow Title is a high contrast modern type family comes in two styles and a monolinear script family. The traditional proportions of Winslow Title are historical in nature and follow the design and style of Winslow Book as a high contrast variant. The Winslow Title Mod family is a contemporary take on the style, with tapering terminals and less pronounced finials. Each family includes both styles, to be accessed through the opentype panel as a stylistic alternate. If preferable, you can purchase the entire family collection to have easier access to both styles, but it's not necessary. The typeface family comprises of roman and italic styles in six weights from Thin to Black and two widths in the roman style: Regular and Narrow. The accompanying script family has a single weight but offers five tracking widths, from Narrow to Wide. The bundle is an elegant combination of styles perfect for titling and display design. The serif typeface is packed with features that make ideal titling styles. Not only do they include the Stylistic Alternates, but also Titling Alternates, Discretionary Ligatures, Small Capitals, Swashes and Contextual Ligatures. As noted previously, the typeface comes in two styles, Traditional and Modern. Each can be accessed either by the Stylistic Alternates or Stylistic Sets. Titling Alternates are alternates that expand the ball terminals to K, R, V, W, and Y (see Titling Alternates slide). Contextual Ligatures are for capital combinations with A that tighten the gap created by the extended serifs. It connects characters with a pairing serif (the lower right serif of the M with the lower right serif of the A) and bridges them together. This combination works for single and multiple A combinations. It is turned on automatically in the Opentype panel and shouldn’t need to be accessed individually. Alternatively, the Discretionary Ligatures feature combines diagonal or baseline stems with lifted small capitals, creating a unique combination of characters. Swashes is an extensive feature that offers up to five swash options per many of each character. These can be selected via the Glyphs panel or as character alternates in Adobe programs. The Script family has a feature set of it’s own, with initial and final swashes on lowercase letters, middle swashes for select characters, and a titling feature that joins words together by replacing the space with a line. Stylistic alternates create a bouncing baseline on connecting strokes. *Note: there is no great need to purchase both families as all styles can be accessed via Opentype features, but if customers prefer to purchase both styles, it can be done by selecting the Complete Typeface Family collection.

A Historic Revival with a Sophisticated Rustic Edge Pennyroyal began as a Barnhart Brothers & Spindler typeface called Plymouth Bold, first cut in 1900. What began as a straightforward rustic typestyle has been revived to include a more extensive character set. But this font wasn’t just revived, it has come alive with character and personality. Pennyroyal includes 564 characters. The expanded SmallCaps option for gives the typestyle a more sophisticated look, expanding on the original typeface inspiration. Opentype features include: A collection of ligatures. Smallcaps. Full set of Inferiors and Superiors. Proportional figures and Oldstyle figure sets

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Goby has several distinct personalities, and can definitely help you make some waves. Lower case Goby is sweet, lively, easy to read, bold, and always friendly. Goby also works great in all-caps, and if you turn on discretionary ligatures, discover a huge stash of funky two and three-letter ligatures that can make ordinary words look extraordinary. The Goby font family also includes Goby Graphics, an ocean-y collection of illustrations by Amy Dietrich. If you need some artful seaweed, a head of coral, a seahorse, or maybe a smiling hermit crab, the unique images of Goby Graphics will work swimmingly.

Mia is a 1 year old. She likes animals. But not just any old barnyard variety animals, she likes cute and fun, pseudo-animals that nobody else knows about. Now she is willing to share her favorite “pets” with the world in this exclusive symbol font designed by 10four. Originally conceived as wall graphics for Mia's bedroom, Mia Pets has been expanded to include 62 distinct icons. A collection of friendly creatures, now set free from Mia's bedroom and ready for whatever mischief you can find for them... great for wall vinyl, web graphics, or T-shirt graphics!

Drop Caps happen. They started off life as decorated initials way back when in the days of illuminated manuscripts. Then printing came and they became the work of the rubricators and then somewhere soon after printing began, at least by the 1490’s, they were printed directly into the text. This then is a collection of over a hundred glyphs from that closing decade of the Incunabula period. All of them are based on examples found in the works printed by Michael Wenssler in Basel. This font also contains a few useful pointing hands and a set of spacing characters.

Meet Monni, a clean and balanced sans-serif typeface family—fresh-faced and cosmopolitan with a high x-height. Monni sports finely crafted angles, complemented by confident squared punctuation. This sans-serif has a universal appeal accentuated by select modern angles. Perfect for campaign work with its memorable lines, clear consistency, and optimization for screens. Noteworthy for both headline and body copy needs. Monni is sure to aid in brand retention. Monni is generously multilingual, including Ukrainian and comes in 5 weights, from light to black. With nearly 800 total glyphs, Monni’s versatility will make an excellent addition to any professional font collection.

Hello Everyone, Introduce our new collection, Bad Command is Ligature Brush Font.font is a Signature Style and classy style, inspired by famous logos of Technology and brands that have very strong characteristics, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is why Bad Command has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel.

Neue Frutiger Vietnamese''' was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Vietnamese embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Ned Std. is part of a series of typographic experiments from the young Swiss designer Michael Parson. Using a wide, horizontal hexagonal grid, Parson created the system of letters that make up this font. Text set in Ned Regular takes on a modular, honeycomb-like appearance. For an interesting effect, try overlapping individual letters, or use a few letters together as elements in a logo. A great companion face to Ned Std. is Linotype's Hexatype Bold. Both Ned Std. and Hexatype Bold have been included in the Take Type 5 collection, along with eight further constructions from Parson."

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designer's initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost ‘plotted’ according to a grid-based logic.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

We've created a lively antiqua that is perfect for short emotional inscriptions. Coats will warm you up on a cold day and add a little kindness and easiness into any layout. Lines typed with this typeface start “trembling” in long texts, so be careful to use this family for special occasions and in small amounts. Imagine: on a cold day, you've just arrived home from a frosty walk to be rewarded with a cup of hot cocoa topped with marshmallows. We call this feeling the Coats effect. Add to your collection this unique font family that works perfectly in the contemporary digital age.

Keyboard is a condensed and elongated Egyptian font family with thin serifs and a large x-height. Its original design was created in 1951 by Stephenson Blake. International TypeFounders, Inc. gained exclusive licensing rights to the Stephenson Blake Collection, and then Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) created its digital form in 1994. Keyboard excels in display and subhead sizes, and brings a formal feel to any project. Its condensed nature gives it great visual density in the bolder weights, and the lighter weights allow it to retain legibility at both small and massive sizes.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

Lean is a solid must-have for anyone's font collection. With its plump weight and dynamic poise, Lean offers an eye-catching solution for any project. Handcrafted and informal, the style adds a real statement, whether it's for a logo, video artwork, business card, or presentation. The impact of the uppercase characters, married with the gentle roundness of the lowercase strokes, present a unique result for titling, sure to get you noticed. Lean's dynamic 'lean' makes strings come alive, giving a feeling of movement and excitement. The character set contains 190 glyphs, with latin and western language support.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

‘Plaquette’ is a collection of retro typefaces ranging from victorian to bauhaus to the sixties. They are all equipped with a load of OpenType features such as alternates, catchwords, stylistics sets and others. Plaquette 3D A chromatic set of fonts including gradient and outline layers. Crisp and precise. Plaquette Lovecraft A vintage typeface with some sweet discretionary ligatures to make your typography exciting. Take a look at the many alternates. Plaquette Sittl A clean geometric style with many alternative letters, some inspired by Paul Renner’s original Futura. Plaquette Labels This set provides you with 220 different shapes ideal for logos, plates and… labels.

Fadello is a handwritten signature script with a natural & stylish flow, perfectly suited to signatures, stationery, logos, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design and more. A handwritten script font containing upper and lowercase characters, numerals and a large range of punctuation. Fadello is a must-have signature script that has a diverse set of alternates that will surely be used many times over in various projects in the future. This collection fills a void and separates itself from other scripts available. If you have any questions, don't hesitate to contact me by Gmail: Cooldesignlab@gmail.com.

The Flowers Family is a collection of 3 typefaces in two weights, meticulously drawn by British designer Roy Preston. The Flowers fonts share a common clean and narrow design, with oval-shaped rounds and distinctive individual letter shapes that give each font a unique character all their own. Flowers Petal is the base typeface, essentially a sanserif with rounded terminal ends. Flowers Bud adds a unique inverted triangle shaped serif, and Flowers Thorn replaces that with an elegant pointed serif. All 3 typefaces are very legible and usable for text runs, and there are bold weights of each font for headlines and display applications. Flowers' extended character set supports many Western European languages and each font has some OpenType features, including Ligatures, that make them more useful.

We, GalaStudio (Lilia & Galina) represent the SlimOne BESTIARY font from our MELTING FONTS collection. It is a decorative style version of the SlimOne font family, which we designed by playing with glyphs: we converted them into funny animals and thus created a "zoo". One can use the BESTIARY font for children's books and notebooks as well as for all kinds of funky advertising, social media, greeting cards and comics. INCLUDED: GS_SlimOne_Bestiary.otf GS_SlimOne_Bestiary.ttf Numbers, additional glyphs & basic punctuation are included. PERFECT FOR: using in books titles, textbooks, notebooks, different brochures and advertising, especially for kids, home-ware design, packaging design; magazines, posters and flyers titles; logos design, books design, fashion design, slogans etc. :) Multilingual support included for the languages based on Latin alphabet.

The Ale symbol fonts designed by Alessio Leonardi supply a large range of different characters. The two "Ale Ornaments" fonts contain a large set of different spirals, which can be used on tapestries, or as placeholders in presentations. The four separate "Ale Signs" fonts contain a set of daily glyphs, like male and female, smoking and non-smoking, danger, ying and yang, arrows and mathematical signs. The "Ale Transport" font is a large collection of funny pictures for the various kinds of transportation available over air, land and water. Here you can see Alessio's Italian design joy, which he has presented in many ways. Have fun in discovering the various pictures such as the submarine on the railway, or the airplane with a "Do it again" banner.

Carilos is a curly and fun serif font. This collection of scripts is perfect for gift products like a shirts or greeting cards. Also suitable for wedding invitations, branding, stationery, blog design, custom art, custom stamps, custom embossers, or any design purpose. For those of you who are needing a touch of elegant, stylish, classy, chic and modernity for your designs, this font was created for you! Carilos is with beautiful ligatures, special alternative glyphs and multilingual support. It's a very versatile font that works great in large and small sizes. This pack include are some interesting ligature and alternate options. Feature : Number And Punctuation Multi-language Alternates PUA Encoded Beautiful 60+ Ligatures Mix and Match lowercases & uppercases. Let’s play! Check my other Font here : https://gilarstudio.com/

A very cheerful font. This font is very thick and suitable for use in children's games or animations. With this font, write very attractive, happy and comic titles and use it easily in graphic works. The design of this font looks sloppy and messy, but when you write your own text or title, while each letter is messed up, the text is completely connected.

I am not a very romantic type (pun intended…), but a slightly slanted connected script always looks as if it was made for romance! Summer Romance is a beautiful connected script, made entirely by hand using a Japanse calligraphy brush-pen. It looks good on just anything: romantic book covers, beauty products, travel websites advertising romantic get-aways… Comes with double letter ligatures and a whole bunch of diacritics.

Breakfast Script is an elegant connected script family of three weights. Breakfast Script is equipped with Contextual Alternates that helps to keep connections smooth. Every standard character also has Swash Alternate for more funky letters. In addition there’s 26 ending swooshes placed in a-z that you can access from Stylistic Alternates. Breakfast Script is a great display type that works as a logotype or fancy headline type.

Cyritech is stylish futuristic geometric tech Three Fonts' Family designed for such areas as hi-tech, future, sport, space, army, games and many others. The feature of this font that it has serifs of triangle shape, that allows organic letters' connection, which makes it interesting and unique. Multilingual support (Latin extended). It is designed for header and text both.

Tracker is a geometric twin-line font reminiscent of space-age disco designs of the 60s and 70s, but entirely reexamined, rationalised, redesigned and updated for contemporary use. Best seen in shorter, punchier settings and at larger sizes. The font includes connecting ligatures that can be toggled an and off in the Opentype palette to further customise your text.

Conithing a very classy and light style handwritten font, with lots of characters in it, also complete with connectable hearts to make it more beautiful. Conithing font is modern, simple, but still authentic. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes.

"Switzal Font" speaks a universal language of happiness and optimism. It transcends age, culture, and borders, making it perfect for projects that aim to connect with a wide audience. Let your imagination run wild as you create eye-catching headlines, captivating slogans, or playful branding. "Switzal" font is your ticket to infuse a dose of happiness into your designs.

SdrawkcabTOC allows one to create mirror writing, that is, writing which looks correct when viewed in a mirror. To understand why it is named as it is, print out the name “Sdrawkcab” using the typeface and hold it up to a mirror. It is derived from the font TiredOfCourier.

SdrawkcabJJ allows one to create mirror writing, that is, writing which looks correct when viewed in a mirror. To understand why it is named as it is, print out the name “Sdrawkcab” using the typeface and hold it up to a mirror. It is derived from the font JetJane.

Slazer is a futurist font designed for a dynamic and powerful effect when it comes to science, technology, games, web, cellphones and electronics. All glyphs are open, straight and smooth, enhancing their connection with images. Slazer’s lines never touch or split: they always go somewhere… and go fast!

Regular Bien is a display font that is created out of two shapes - a circle and a line. It has a plain and a mutated face, depending on the usage of lowercase or capital letters. Regular Bien can be used in various fun ways and connections between lines.

Clio Icons is designed to give more elegance to your project, the font has 88 icons that can be connected to one another forming marks and backgrounds in an unique and stylish way. The quotation marks were inspired by the famous quotation marks from Computer Arts Brazil magazine.