Inkblock is based on various ink printing and rubbings from an ancient wood type set. Inkblock the alphabet has lots of detail, so looks great printed large. It's a good headline font or whenever an antique look is needed.

Yang is a new Sans typeface that has a little bit of Ying in it. This combination makes it a very versatile font. Just give it a try and you will see. Yours working on the "Ying", Gert Wiescher

Antidote is a grungy 3-D font. It is hand drawn and has been given a 'cracked' look. Looks great in headlines, titles and on packaging, but I wouldn't set a text in it as it is quite heavy.

GungsuhChe™ features a mincho (serif) stroke style with half-width Latin characters. This GungsuhChe font file is 6.9 MB in size. GungsuhChe is a trademark of the Microsoft Corporation. GungsuhChe Character Set: Latin 1, Korean code page 949

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

A modular geometric font based on double diagonals and a rational set of repeated elements, Pact evokes futuristic branding, new technology with an almost tribal twist, or even an alien language. Best used in single words and short headlines.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

Engineer is a new, completely redesigned and improved version of my font TechnicznaPomoc, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Fontazia FloraDot features 62 unique dotted floral patterns. These simple swaying FloraDot blooms will add flair to any font library - they're great for backgrounds, greeting cards, posters, summer themes or any project where florals say just the right thing!

Chamfer, released by Barhart Brothers & Spindler in the late nineteenth century, provided the pattern for this simple, elegant headline face. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Metaphysica is an unorthodox futuristic typeface that provides otherworldly zest without overly compromising typographic aesthetics. Combining weird angular beams and junctions with soft and round forms, Metaphysica finds the middle ground between sci-fi futurism and friendly legible sans.

Based on Schumann's original Typoart font 'Stentor', Tyton Pro has been carefully redrawn and redesigned. Unlike the simplified forms of former photo-setting versions, Tyton Pro preserves the tender upstrokes and downstrokes which underline the typical brush-written letters.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada, Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , Gans Italiana and Gans Titania .

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

The great French sculptor August Rodin was strongly inspired by the Italian sculptor, painter and poet Michelangelo. Created in association with the Philadelphia Museum of Art, this font set is a tribute to the achievements of both extraordinary artists.

A geometric typeface that combines elegant curves with precise angles. The contemporary nature of this font will compliment a wide variety of graphic design applications. Details include 3 weights, a full character set, manually edited kerning and Euro symbol.

Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family with asymmetrical serifs available in 8 weights. It features rich language support, 6 sets of figures and small caps.

Many fabulous creatures were created for use on heraldic crests. The Heraldic Creatures font is an assortment of simplified renderings of some of these creatures. There is a total of 47 creatures all located under the normal character keys.

Dave West's eponymous Futura Casual, designed for Photo-Lettering, Inc. in the 1960s, inspired this loosy-goosy take on a classic face. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.

Occidental Tourist JNL is based on a set of die-cut cardboard letters used by teachers. They were primarily found on classroom bulletin boards or felt boards. The font's name is a pun on the movie The Accidental Tourist.

Display University is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. The character set is in outline but the uppercase letters are the same shapes but solid.

Introducing, Moving Forward a Slab Serif Font. inspired by vintage and modern letterforms with alternate characters and full symbol sets. Moving Forward can be used for posters, web headers, and display text of all kinds. good kerning and readable.

Stars & Love is a bold, cursive brush calligraphy font, influenced by retro script style with a friendly rounded look and flourished elegance. It features stylistic alternates, contextual alternates, standard ligatures and terminal forms (beginning and ending characters are a bit different) that ensures multiple options for you to choose from for your design work. This font comes in two instances, a Bottom Heavy and a Regular version. Being friendly yet elegant in its visual presence, Stars & Love is perfect for Love theme designs, premium packaging, stationery design, invitations, posters, logos, custom products and more. The Character set covers most Latin languages. Font Guide PDF Font presentation video For feedback, customisation or extra character request please email me at fonts@rolandhuse.com Font Features: • Latin character set: Uppercase & Lowercase A - Z • Stylistic Alternates (up to 3 Sets) • Contextual Alternates (Initial and Final Forms) • Standard Ligatures • Underline Swashes (Stylistic alternates for underscore) • Numerals & Punctuation • Accented Characters • Symbols (Currencies and basic symbols such as @ # % etc.) Please refer to the Font Guide pdf for more details. To access all features of Stars & Love such as stylistic alternates etc., it's highly recommended to use professional design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign or Procreate (via 'add text' feature).

Paperside: Neither Papyrus nor SSI Countryside. Inspired in some ways by the Papyrus form, but untextured and smoother, with the dimensions and proportions more open, like that of Countryside SSi, with its larger easily readable lowercase body, and more consistent, shorter stems. Paperside has an open scripted feel which is pleasing on the eye and easy to read. Paperside can enhance the first letter of most sentences automatically, and changes other letters to suit their position within words, and the letters they appear beside. Now comes in 5 weights plus italic. For best results, use this ‘smart font’ with Contextual Ligatures turned on. Mulitiple Stylistic Alternatives are included. Inspiration for this font came from two other fonts. Papyrus: was designed by Chris Costello and created in 1982, it is a hand-drawn textured typeface, emulating texts written in biblical times. One of the most used (and misused) fonts of all times. Owned by Letraset, and currently published by the Internation Typeface Corporating (ITC). Countryside SSi: The serif font of an unknown designer, is currently licensed by Southern Software Inc. Feel free to preview some of the Dragon Tongue fonts that are yet to be released, at https://www.dragon-tongue.com/fonts

Introducing the Smithe Signature font. Smithe's Signature Font, is a classic thin font with an italic style. Here you will get beautiful classic fonts. this font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font would be perfect for logos, branding projects, household designs utensils, product packaging, mugs, quotes, posters, shopping bags, logo, t-shirt, book cover, business card, invitation card, greeting cards, and all your other beautiful projects. Smithe Signature Fonts, including various language support. You can use this font for your work very much easily. Because there are many features in it. Contains a complete set uppercase and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternatives style Set Style For those of you who have capable software OpenType work (Corel Draw / Photoshop / Illustrator / InDesign).

The type­face “Mallorca Dirty Numbers Vol 1” is desi­gned for the Typo Gra­phic Design font foundry in 2017 by Manuel Vier­gutz. The playful dis­play font is designed on holiday photos of different numbers (house numbers, graffitis, handwritten menu cards …) from Mallorca. An alphabet built with numbers. 524 gly­phs with A–Z, a–z, 0–9 and 99+ deco­ra­tive extras like ornaments, arrows, ding­bats, emojis, sym­bols, geo­ma­tric shapes, catch­words, deco­ra­tive liga­tures (type the word “LOVE” for ❤ or “SMILE” for ☺as OpenType-Feature dlig ) and of course many many numbers (20+ stylistic sets). For use in logos, maga­zi­nes, pos­ters, adver­ti­se­ment plus as web­font for deco­ra­tive head­lines. The font works best for dis­play size. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE!

The type­face “Netherlands Dirty Numbers Vol 1” is desi­gned for the Typo Gra­phic Design font foundry in 2017 by Manuel Vier­gutz. The playful dis­play font is designed on holiday photos of different numbers (house numbers, graffitis, handwritten menu cards …) from the Netherlands. An alphabet built with numbers. 342 gly­phs with A–Z, a–z, 0–9 and 40+ deco­ra­tive extras like arrows, ding­bats, emojis, sym­bols, geo­ma­tric shapes, catch­words, deco­ra­tive liga­tures (type the word “LOVE” for ❤ or “SMILE” for ☺as OpenType-Feature dlig ) and of course many many numbers (20+ stylistic sets). For use in logos, maga­zi­nes, pos­ters, adver­ti­se­ment plus as web­font for deco­ra­tive head­lines. The font works best for dis­play size. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE!

Fact or Fiction? Are you troubled by strange noises in your font folder? Do you experience feelings of dread in Illustrator, Photoshop or Procreate? Have you or any of your family ever been haunted by an ampersand, cedilla or tilde? If the answer is yes, please don’t wait another minute. BEYOND BELIEF is ready to Believe YOU! Six weights of non-judgmental understanding and faith in everything you have to say -- even the most outrageous font conflicts and naming “coincidences”. Some say this font resembles our tall, friendly sans-serif font Tall Tales, but we don't know what they're talking about. Beyond Belief includes six fonts (Regular, Italic, Bold, Bold Italic, Heavy & Heavy Italic) with upper and lower case alphabets, automatic alternate letters, Crossbar I Technology and Western & Central European language support.

These initials set I collected from “Tractatus sacerdotalis de sacramentis”, published in the city of Lugrun, printed by Arnaldum Guillermum de Brocario in 1503. Tractatus font family has Regular and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/1lr7fify0n520ms/Tractatus-Test.otf?dl=0 ) to check your app & system.* --- Best, Roman. Thank you!

Are you trying to find a beautifully stylish font to make your brand prominent? We have what you need. Lafayette, specifically designed in a swash package, is a handwritten font with a little brush style to create a visually modern display to add beauty and style to your designs. Enjoy the font’s available features. Features: Alternates Stylistic Set Swashes Multilingual Supports PUA Encoded Numerals and Punctuation Lafayette fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

A set of elegant designed framework for headers.

The typeface PIXEL pattern is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is inspired in the past and present. 8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) with 830 glyphs (Adobe Latin 3) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (8 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: PIXEL pattern ■ Font Styles: 8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.ttf (for Print) + .woff (for Web) ■ Glyph Set: 830 glyphs (Latin 3 incl. decorative extras like icons) ■ Lan­guage Sup­port: 93 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, NorwegianNynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Second Impression JNL is the solid version of Lasting Impression JNL by Jeff Levine. It emulates the look of ink-stamped letters and numerals. Based on a 1930s-era set of rubber stamps, there is a limited character set.

Suddenly...it’s the World of Tomorrow! With the push of a button Dynatype automates your typesetting experience. Dynatype is actually Two fonts in One–without switching fonts you can instantly change from Dynatype’s “regular” style to its alternate connecting version with the simple push of a button. For more details download “The Dynatype Manual” from the Gallery Section. What is Dynatype? Dynatype is the upright, slightly more formal cousin of Dynascript. It shares many of the characteristics of it’s slightly older relation, but is drawn entirely from scratch and has it’s own unique character. Dynatype may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. Its design also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this notion, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a font unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynatype’s 677 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynatype one should ALWAYS select the “Standard Ligatures” and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Looking for a unique display typeface that will set your designs apart? Look no further than Acroyear! This quirky font is based on a soft, capsule shape that is sure to catch the eye of anyone who sees it. And while it can be used horizontally, it truly shines when placed on an upward incline. Whether you’re designing a poster, logo, or website, Acroyear is the perfect font to add a touch of personality to your work. Its soft curves and playful vibe make it perfect for anything from children’s books to edgy fashion campaigns. But don’t just take our word for it—give Acroyear a try for yourself and see how it can elevate your designs to the next level. With its unique style and endless versatility, this font is sure to become a staple in your toolkit in no time. So why wait? Try Acroyear today and see the difference it can make! Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Typography enters the Space Age! Dynascript brings the ease of “Pushbutton Automatic” to your typesetting experience. Dynascript is actually Two fonts in One–without switching fonts you can instantly change from Dynascript’s connecting font to the non-connecting italic with the simple push of a button. For more details download “The Dynascript Manual” from the Gallery Section. What is Dynascript? Dynascript is the slanted script cousin of Dynatype. It shares many of the characteristics of it’s sibling, but is drawn entirely from scratch and has it’s own unique character. To some it may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. The design of Dynascript also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this claim, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a script unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynascript’s 694 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynascript one should ALWAYS select the “Standard Ligatures" and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.