Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming. Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read 'em with a root beer float from the soda counter in the back. The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, you could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt. Features: three versions of each letter and two versions of each number automatically rotate for authentic print texture thirteen catchwords (like "and" "of" "for" & "the") accessible in Discretionary Ligatures support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

Neon Bugler Squared is a soft, boxy version of Neon Bugler, which is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context-it has a certain nostalgia to it, yet it also has a slick, clean, futuristic, sci-fi look. It can even be used in a semi-grunge setting. This is a very versatile font! Digitized by John Bomparte.

Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the italic styles of Latin and Cyrillic, stylistic alternates to obtain the best possible solutions and other typographic niceties. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. As a result, Marco has matured into a personal and unique text face where its lively and somewhat informal style is an ideal counterpart to its careful and ingenious crafting. Toshi Omagari’s Marco features a huge set of over 1900 characters per style —and almost 2600 in the italics— and is available in Regular, SemiBold, Bold with matching Italics.

Passport48 exclusively in otf. opentype format, originally debuted in 1997 as Passport, close to the beginning of the indie typographer boom. Almost 25 years have passed since it was introduced at MyFonts as PS1 and later in 2003 in TT TrueType.** It was designed by Joseph Coniglio of Coniglio Type as a revival. Historically, Passport was digitized from a shiny black enamel 1948 Royal Silent Deluxe portable. Kept on the ship of merchant marine, Captain John O’Learn, it was a salty manual typewriter with no intrinsic value as a collectable, even though it is awash as a work horse and a fine communicator of it’s time.. **NOTE: Little Passport family leaves the nest: The old weight variations, styles and formats have been eliminated to allow the original face to be stand alone, on its own attributes. For those purchasing their first typewriter fonts and to our diehard collectors as well, Passport presents a friendly new port-of-entry. A simple set, that is freed of many of the normal distressed points and paths that had made most “typewriters” authentic looking, but difficult to print and manipulate in layouts back in the day. It’s smooth nature comes from its impressions struck directly onto a piece of carbon paper bypassing the silk ink ribbon and going directly from metal to carbon paper transferring to a piece paper with very little tooth. Examine the glyphs to be certain you have what you need from this minimalist set, Passport48 is intended for ease of use and affordability. This is a warm font in a cold cruel world and a real port in the storm! It is versatile in today’s layouts with 24 years of worldwide sales. …Please enjoy the fruits of its travels, hoping your destinations and explorations into graphic design and letter composition are happy ones. -Joe Coniglio, the Pacific Northwest (2021).

Banana Yeti is a brush script typeface with a condensed vertical slant, inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in Speedball 1947 Textbook Manual. Banana Yeti has a vintage brush script look, perfect for food packaging, display and logo design and period advertising. The original design has been completely reworked and extended by the Zetafonts Masterclass 2016 Team to provide three lighter weights, and a monoline variant, as well as to produce an extended character set with open type support for ligatures, alternates, European languages and ending swashes. Banana Yeti covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in four weights plus a special monoline weight. Banana Yeti makes full use of Open Type ligatures to provide swashes, arching letters and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. Typing an underscore before a phrase creates arching text; close arch with another underscore. Variant ampersands can be accessed through glyph palette or by typing multiple ampersand characters. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Mottle is a strong, chiseled typeface made to help you stand out from the crowd. Gnarled after patterns found in nature such as marble, tree bark, and the brindled coats of animals, Mottle exudes a unique, natural, yet man made look. Great for display use such as logos, movie and album covers, and signage, Mottle gives off a feeling that is old yet new, gothic yet modern. Mottle supports over 30 languages, featuring over 400 glyphs and 500 OpenType kerning pairs. The Dollar, Euro, Yen, and Pound symbols are included, as well as Extended Diagonal Fractions support, and the Estimated Symbol. Language support for Basic Latin English, Western European Diacritics, Afrikaans, Basque, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, Gaelic, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Saami (Southern), Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, and Turkish.

Forte e gentile, “strong and kind” is the motto of Abruzzo region located in central Italy on the Adriatic coast. As the region it’s named after, Abruzzo typeface is strong yet inviting with its sharp angular serifs and smooth transitions. Abruzzo is a display typeface with high contrast, large x-height and plenty of character. Abruzzo is equipped several OpenType features: Standard ligatures that take care of the collisions between f and other tall lowercase characters, and for more fun there is over 40 Discretionary ligatures including st, ch and plenty of more unconventional character combinations, such as fy, fr, rw, vi, and so on. See the full range in the specimen poster. On top of that Abruzzo has over 70 variants for the standard characters set in Swash, Stylistic and Titling Alternates. Abruzzo best used in stylish headlines, advertising, packages or as a logotype.

Quatre is a clean, friendly, monoline display script with a number of subtle but significant features. Originally based on the style of cursive you may or may not have been taught in middle school, Quatre has a clean geometric flow to it while containing a robust set of OpenType features such as ligatures, swash capitals, and stylistic alternates that give it a unique look. With over 700 glyphs, coverage for over 30 languages, arbitrary fractions, contextual alternates and more, Quatre will have you covered for whatever situation you may run into. I mean, probably. I can’t know every single weird way you might be trying to use it. The point is, it’s got all of the bells and whistles you could reasonably hope for. Make sure you open up the OpenType panel in Illustrator, Photoshop, and InDesign to make use of all of those features.

Vintage Galore is a handmade blackletter font font with casual & classic feels. This font will bring you back to 90s feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures, Multilingual & PUA encoded

Dating back to the 60s 70s, this retro script font comes in bold bold and thin, perfect for your projects and supports multilingualism and other character additions. Can be applied to various print and digital media such as food packaging, clothing stores, accessories, clothing, creative goods, antique workshops, sports, entertainment and even logos. For reference, see preview. Features: -Uppercase -Lowercase -Numeral -Punctuation -Ligature -Multilingual

Take a trip back in time with our unique color font family Syom! The rounded and inflated shapes of the letters embody the atmosphere of decades of the last century, while remaining relevant in modern design. Features: - Real 3D effect - Extras - Multilingual - Ability to adapt 3D letters to other languages - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters.

Here's a lettering style that just might be exactly on your wavelength. Add just the right dose of vintage freak-a-delia to your retro graphics with this original psychedelic-style design. Great for music posters, album graphics, book titles, etc. Evoke a warpy, wavy, whimsical vibe that harks back to the carefree 1960s or early 1970s era with Sixties Flashback; it's pure hippie, trippy fun!

Pixel Pants is my wanna-be 1980-ies pixelfont. Well, it really looks like a pixel font, but it's kid of fake - at larger sizes you will notice the wacky and uneven lines, but it sure do bring back memories of the 80-ies! I've made 5 different versions of each letter - just to break the monotony of the usual pixel font! Insert coin and enjoy!

A long-set aside Art Deco typeface design begun (but not completed) may or not have been from a vintage source, but its roots go well back into Art Deco lettering. Taking the existing letters and thickening their weights, removing the counters and ending up with a completely new, solid alphabet design resulted in Deco Redux JNL, which is available in both regular and oblique versions.

Perigord has mixed origins. It was inspired by Gutenberg’s capitals and by lettering developed by German designer Ernst Bentele, but its calligraphic antecedents go back to French initials of the Carolingian period. The result of this is a formal, attractive and antique look which we hope you'll like. The full version includes alternate forms for many of the letters, as well as numbers and punctuation.

Driven Unicase Extended is sleek and modern, yet hearkens back to the first advertising to catch my eye as a kid in the glorious 1970s – automobile ads that captured the thrill of speed, for sports cars I dreamed of experiencing. Driven is available in 6 individual weights or as a family of 6 fonts, plus ornaments. Includes accented characters supporting for many European languages.

Hackbot is a font which is both retro-inspired and amusing to the eye. The gaps between the letterings allows you to feel vintage and travel back to the old times. It’s a font which uses a sans serif style of writing, but uses a retro design to make an overall unique font. It’s flawlessly suitable for promoting games, creating quotes, retro designs and much more.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Brighton Vintage is a stylish font that is both retro and bold font. Its thick curves give a 70s groovy vibe with the serifs bringing it slightly back to traditional. This font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or any advertising purpose.

Jump back to the classics with Staluco - A bold sans-serif font inspired by vintage greeting cards and town signs in the 70s 80s era. This font captures the vibes and sense of going-home and childhood-like spirits from your grandparent's house. Perfectly fit for logo, a town sign, branding, poster, clothing, merchandise, music project, books, greeting cards, street, and urban culture concepts, you name it.

Gibswing born based on the reference of old fancy lettering, vintage illustration, and victorian calligraphy. The Gibswing decorative style make it as an instant time machine to the era from 1800-1900 victorian visual style of the products, printed advertising, and signs back in the day. It will be a perfect companion of your classic visual direction for decorative sign, labels, branding, logotype, you name it.

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

Based on William Caslon’s design (c1720) which was itself based on Dutch Baroque typefaces. The old saying “when in doubt, use Caslon.” can now be updated ... “use RM Almanack instead!” Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Mataö is a bold and gorgeous and is great for headlines and elegant designs with a vintage and classic flair. Mataö's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. Mataö is a versatile typeface that's full of character and one you'll come back to time and again. Make your awesome design layout with Mataö.

Sheldrake JNL is the second in a series of display fonts modeled from actual water-applied decals that were manufactured by the Duro Decal Company of Chicago (now Duro Art Industries). The font's name derives from the actual phone exchange for Duro, back in the days when a telephone listing had a name-number assignment for recognition. In this case, their number began as "SH(eldrake)-3".

Bugleboy started as a digitized version of "Wood Grotesk," a 1970s film typeface by LetterGraphics. It started with a bare bones character set which we added swash alternates for Capitals, Stylistic Alternates for a Unicase look, and crafted a Sans version without serifs. The Sans style lacks swashes but keeps Stylistic Alternate Unicase forms. See the last graphic for a comprehensive character map preview.

Inspired by mosaic lettering by Heins & LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City. Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners. The family consists of two styles, Bitmap for web usage with a perfect pixel snap, and Rounded for a softer and bolder look.

The inspiration source for Arteaga Borders One is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders One Guidebook” if you would like to learn a little more.

Augustea was designed by Alessandro Butti and Aldo Novarese and is one of the most popular classical, monumental letterforms featureing a stone cut effect. This font is based on the classic proportions of Capitalis, which dates back to the first century AD during the reign of Augustus. It should be set with a widely spaced bias. Augustea is distinguished by its balanced, classic and majestic image.