Bonnington is a Roman display face full of the spirit of the 1920s, developing further the ideas in our Bonning family. Three weights are offered, including a shadowed black form, in a choice of regular and condensed widths. It's the ideal face for signage with a period feel, as well as posters and headings. Combine Bonnington and Bonning together using Bonnington for eye-catching headings and Bonning for other text.

Seeing the need of visual minimalism and luxury so we are inspired to makeup this Allissona GT calles font, the font in the form of a signature that is suitable for the needs of course a case of signatures, logos, letters, ads, products, digital printing, to digital ads. Allissona GT equipped with a swash to complete the impression of your design signature design course and add a sense of luxury

Stylish Bubbly Display with bold looking letters and Harmonious Impact to form a unique & elegant typography design. Perfect for branding projects, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, stationery and any project. . uppercase and lowercase . multilingual symbol . number . punctuation . What will you get? Hope you enjoy our fonts and if you have any questions feel free to message & I'm happy to help

Odyssey Pro is an elegant and majestic face well suited for display work in books, magazines, posters, invitations, and more. Featuring an abundance of ligatures and alternates, as well as swash capitals. Its design was inspired by the letterforms of classical Roman inscriptions in stone but also strongly influenced by later calligraphic forms. The result is a chiseled authority and dignity tempered by a refined warmth and flow.

Willy small but fine is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

The font, Madame, first appeared in a sample with similar fonts, presented by the Fonderie Typographique Française in the 19th century. The font consists of three cuts, letters, accents and numericals. The flamboyant Madame is meant for titles and headlines, emphasis in text or as initials. It combines well with both serif and sans serif fonts, but should be used sparsely to maximize the advantages of its ornate forms.

Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana. The style is influenced by the combination of Slovenian avantgarde with some recognizable forms that are known for Slovenian typography. Multifunctional use for identity system, formal communication, wayfinding, academic and scientific articles in order to share the institution’s spirit of knowledge, creativity, diversity and belonging. It speaks Central European languages, feels official but looks attractive and recognizable.

TCF Noli is a no nonsense straight-sided typeface with a soft technical appearance. Designed with seven weights and true matching italics, TCF Noli was specially developed with corporate and editorial projects in mind. The clarity of the letter forms and the openness of TCF Noli make it very readable in small sizes and suitable for every design purpose. TCF Noli is available with extended Latin language support.

Hairline fonts are very clean, shining, elegant and even luxurious. They look great in fashion magazines, in the expansive world of beauty and glory. Messner is an extra-light all-caps face, especially suitable for larger sizes. Simplicity, purity and readability of its classic forms were on the first place in the creation process. Messner was a resource for designing the Kammerlander family and their combination looks very natural.

Urban Cowboy is a western styled typeface created by Miguel Ibarra. It was designed specifically for display and headline purposes. Urban Cowboy is a fun and bold typeface, that has a combination of western slab serifs with a modern "Tuscan" form. Perfect for that western look, or for a bold logotype. A single set of stylistic alternates can also be applied under ss01 for applications that support them.

ITC Dyadis font is the work of Austrian designer Yvonne Diedrich. It is named for the Greek word dyas", meaning duality and explores the duality of serif and sans serif letterforms, blending their styles and focusing on their connection with one another. The forms were inspired by the typefaces of the 1920s and 30s and combine the legibility and elegance of a serif font with the simplicity of sans serif."

Inspired by European brutalist design aesthetic, Kunst strives for form dominated by pure geometric precision, utilising 45° angles based on a strict grid. See the PDF specimen | Also available in Normal and Rounded styles. Covers Western and Cyrillic character sets with a full range of Smallcaps. Includes Tabular Figures, Standard and Discretionary Ligatures, and Contextual Alternates such as arrows, Smart Quotes, and German Capital Eszett/scharfes (Sharp s).

Very thin fluid strokes and high speed letters form this casual script entitled TCF Plana. TCF Plana is elegant and functional, expressive yet harmonious, with more bounce and irregularity of rhythm than usual formal script typefaces. TCF Plana was executed with a ball-point pen and then digitised so it would convincingly mimic handwriting by using a plethora of contextual alternates which makes the words look much more natural and beautiful.

Bambino Font Family is a typography project by Milos Mitrovic and affiliates. Bambino has an influence of 1920s Futura-like fonts and art deco look and feel. Combining its vintage character with clean geometric form and organic flow, Bambino is shaped to fit modern aesthetics. There are 12 fonts (six weights with italics) included in the family. Bambino weight range spreads from almost hairline lightness to extreme bold style.

This font was inspired by a French solicitor's document dated 1638, written in the special style so named "Civilité". We have worked to transform the almost illegible original form into a contemporary usable typeface, but keeping the time appearance. It contains Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures made the font looking like a real various hand.

Scratch was designed by Andrew Smith in 1995. It looks as thought many fine lines were drawn next to and over each other with a felt-tipped pen. Small bits of white peek out among the strokes and give the font its dynamic character. Flexible and sketchy, the forms are based on those of a classic sans serif cursive typeface. Scratch is meant exclusively as a headline or display font.

Lastari – a Bold Slab Serif Display Typeface. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. This font is suitable for logos and various other formal forms, such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or advertising. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Greemicly is a handwritten font with signature style containing opentype features like alternative styles, swashes & ligatures. Perfect for logos, printed quotes, packaging, titles, posters, t-shirts / clothing, greeting cards, wedding badges and invitations, & more. To use swash, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. No special software is required to use fonts in their basic form.

Let Bronze Script take you back. Back to the golden age of vintage when hand drawn scripts appeared in every form of publication. A different time when everything moved slower, lettering was done with expertise, and every detail awarded care and attention. In our age of cold digital creations, you can rest assured that Bronze Script will give you that tailor made flare only a nostalgic font can offer.

This is the first of several Eastern fonts I have created and is the prize of the collection. The Pravoslavnie font is highly decorative, with a more complicated letter ‘a’ and a series of flourishes substituting for punctuation. Like its sister font, Pravoslavnie 3 is highly decorative. It differs from the first version of this font, as it has a less decorative ‘a,’ full punctuation marks, and less ornate number forms.

Caesario is Mike Scarpitti's newest font, based on the famous inscriptory lettering on the Trajan column in Rome. After searching through many sources, he turned to the drawings of the original column lettering made by Frederic Goudy in 1936. The superior quality of these drawings combined with the Mike's faithful reproduction of the characters forms make Caesario the best available representation of the style of this famous incription.

Helado is an elegant, modern sans-serif font, based on the idea to work as close as possible on the geometric forms of the circle and the square. Following swiss design classics Helado comes in these weights: LIGHT, REGULAR, BOLD and EXTRABOLD. Helado might be used as a headline font, for any kind of layout, it might also be transformed into that fashion label logotype you are working on. Have fun!

Bebedot originated from doodles and scrabbles in notebooks; irregular forms very well might contain a style for an alphabet. Once used for an intro spread in Wired magazine (#6.04, April 1998): "To keep up you need the right answers. To get ahead you need the right questions". The name was inspired by a women clothing poster at the San Francisco bus stands. The dot is for the com that never came.

Japanese type designer Akira Kobayashi created this serif FontFont between 1998 and 2000. The family has 10 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, festive occasions as well as editorial and publishing projects. FF Acanthus provides advanced typographical support with features such as ligatures, small capitals, alternate characters, and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

A blackletter font I could not resist to revive: Ernst Schneidler’s Buchdeutsch, released by Schelter & Giesecke in 1926 which I renamed as Werbedeutsch. This font contains the letter ‚long s‘ which can be reached in two ways. Either you use the OpenType feature ‚historical forms‘, or you type the integral sign on your keyboard. To achieve all ligatures, it is recommended to activate both standard and discretionary ligatures.

Kantarell is a calligraphic sans-serif typeface rooted in the traditions of Roman square capitals. In all-caps Kantarell has a very grotesque look to it, while in small x-height letters sustains it's ortodox form. The family available in single style and works best in headline and display settings. Typeface supports: Latin characters with diacritical marks; Cyrillic charecters (Ukrainian, Russian); Variety of symbols for use in commerce.

Tangram is the famous Chinese puzzle, perhaps one of the oldest games in the world. It consists of seven pieces called Tans obtained from a square cut up in a certain way. These seven Tans (5 different-sized triangles, a square and a parallelogram) have to be used to form the figures. The Tangram collection represents 1772 different shapes spread in 15 fonts. Each font exists in 2 styles: plain & inline.

Circus Wagon is a revival of the old circus style font named Big Top in the Dan Solo catalog. This version has been freshened up with a new matching lowercase. Our original release of this font was named Buckhorn, this 2020 updated release changes the name and adds additional accented glyphs plus Opentype case sensitive forms. You will need an Opentype aware application to access Opentype features in this font.

This sans-serif type family of two weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Vitage has a functional look with a warm touch. It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps.

Although wood types were at their peak of use during the letterpress era of the late 19th and early 20th centuries, there is a growing revival movement of "boutique" print shops who have embraced the look and texture of this form of printing. More modern in design that many of its counterparts, Pleasantwood JNL is still a nice addition to the wood type library re-drawn digitally by Jeff Levine Fonts.

Uncial Antiqua Pro is a hybrid type combining the styles of Uncial & Half Uncial letterforms in a formal text form. Signature letterforms to the styles are not sacrificed, yet readability is surprisingly maintained. The SmallCaps and extensive figure sets expand the range of usability & appeal. Opentype features include: - SmallCaps. - Full set of Inferiors/Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figures. - Stylistic Alts for Caps to SmallCaps conversion.

Sagebrush John, your bank robbin' days are over. I'm throwin' you in the hoosegow! Hoosegow JNL isn't a small town jailhouse, but it is Jeff Levine's take on a classic wood type that brings out the Old West in any design layout. The beauty of many of these vintage wood type alphabets is their "imperfect" letter forms - giving your work a touch of the old days of letterpress printing.

ITC Riptide is a work of British designer Timothy Donaldson. Abrupt changes in stroke, pointed stroke ends and changing slant direction characterize this very experimental alphabet. The temperamental figures are irrepressible and aggressive, the forms seem to have been chosen randomly, and these traits lend the font its informality and spontaneity. ITC Riptide is legible in point sizes of 14 and its fresh character is perfect for comics and cartoons.

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

Rundfunk-Antiqua was originally designed as a font for small point size and shorter texts. It was presented 1933/35 by Linotype Designstudio but unfortunately never developed as a font family, including only Antiqua roman and sans-serif bold. Such an unusual combination resulted from the font combinations common during that time. The font’s basic forms tend toward the Transitional style but its details come from the influence of Jugendstil.

Neuville is a geometric and low-contrast sans serif for everyday use related to typography. The shapes of the characters are clear, simple and balanced to allow for legibility and help the typeface deliver the contents with a neutral and objective voice. The Neuville family includes three weights and has a wide range of OpenType features such as tabular figures, numerators and denominators, superscript and subscript numbers, and case-sensitive forms.

Marat Sans is a clean and lively sans serif typeface designed by Ludwig Übele. It is characterized by excellent legibility and suits a wide range of typography. The entire family contains 27 styles & weights and includes many OpenType features: various numerals, alternate glyphs, fractions, superiors and inferiors, language features, arrows, case sensitive forms and many more. Marat Sans is the perfect companion for Marat, a soft and elegant serif typeface.

Cirulis is a display sans family of two weights. Inspired by the lettering of Ansis Cīrulus (1883-1942) one of the first Eastern European designers. The artist’s heritage is characterized by letters with asymmetric widths, sliced cuts and various intrinsic features. By carefully studying forms and origins of the letters Asketic designed a new typeface that in a contemporary fashion relives early 20th century national romanticism of Eastern Europe.

Quebra Cond is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Allamare is non connected handlettered brush script with number of alternatives, such as: Titling alternates, stylistic Variants, Initial and Final forms, some Ligatures and Underscored Titling letters with swashes of 3 different lenght. Allamare script is good for any type of advertising, package design, poster lettering and any kind of invitations and greeting cards. Allamare Script is multilingual, it covers almost all Latin-based languages and also contains Cyrillic.