Eckhardt Titling JNL is another treatment of a popular typeface that lends itself well to the hand-lettered sign and display work of days past. A clean sans serif with a slight touch of Art Deco, this font renders well from small point sizes to large posters. As with other fonts in this series, it is named in honor of Jeff Levine’s good friend Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida from 1959 until his passing.

PELICANO – A simple and friendly sans serif typeface. Handmade by Lauren Kilbane in sunny South Florida, USA. This font has a clean, organic feel that is perfect for marketing your favorite products. Use this font for: ads, album covers, apparel, cards, flyers, invitations, logos, menus, merchandise, packaging, signage, web, and more. -225 Glyphs Total: Uppercase, Lowercase, Numbers, Symbols, Punctuation, and Language Support. -Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, and Swiss German.

The wealth of vintage hand-lettering styles found in a 1941 edition of the Speedball® Lettering Pen instruction book has allowed Jeff Levine to re-draw a number of them in digital format for today's designers. As with other fonts in the Eckhardt Series of sign painter-inspired styles, this font is named in honor of Jeff's good friend Albert Eckhardt, Jr. Al was quite the talented sign writer, and ran Allied Signs in Miami, Florida from 1959 until his passing.

Eckhardt Sans JNL continues Jeff Levine’s “mini series” of fonts modeled after hand-lettering used by sign painters; and named after his good friend, the late Al Eckhardt of Allied Signs in Miami, Florida. Clean and somewhat condensed, this sans face has chiseled edges on many characters and the warmth of the lettering once made by brush or ink pen. Use this font in conjunction with any casual typeface to invoke the days of sign shops and talented lettering artists.

The pages of a vintage sign painter's manual yields many interesting typefaces that reflect on the design styles of years gone by. Eckhardt Display Serif JNL is a distinctive, hand-lettered serif face that has a hint of Art Noveau. Part of a series of sign painter's fonts named in honor of the late Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida, Jeff Levine continues this series of fonts in tribute to his friend and the art of sign lettering.

Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named New Car Tag JNL, which is available in both regular and oblique versions (for those who want a more sporty look). Some people prefer a rounded 'zero' to differentiate between the regular zero and the letter 'O'. You can find this alternate character located on both the solid bar and broken bar glyphs.

It was a series of three different forts on various spots on the New River built during the Second Seminole War [in Florida] named for Major William Lauderdale. It was launched as the college students' spring break destination for many years thanks to the film "Where the Boys Are". It's the major city 23 miles North of Miami. But wait! There's more! Now it's an eclectic Art Deco-inspired typeface. Lauderdale JNL is based on vintage source material with many unusual letter shapes and angles.

great for any projects including : branding, logo, stationery, business card, signage, flyer, brochure etc. Almost all industries will be match for this typeface: comic, events, florist, gardening, makeup artist, travel, cartoon, musician etc

Vintage sheet music for a song from the 1941 animated feature "Mr. Bug Goes to Town" featured a casual, hand-lettered inline type style on its cover page. Recreated as the digital font Go to Town JNL, this design is presented in all the imperfect glory of pen and ink lettering. Go to Town JNL is available in the regular inline version as well as a solid version. A bit about the cartoon: The project was created by the legendary Fleischer Studios in Miami, Florida (they had relocated from New York City), after they could not obtain the rights to adapt Maurice Maeterlinck's "The Life of the Bee". Beset by the expenses of relocating to Florida, growing production costs on the full-length feature cartoon and other problems; mid-way through the making of "Mr. Bug Goes to Town" the Fleischer brothers were forced to sell their studio to their distributor (Paramount Pictures) in order to continue in operation. It was released on Dec. 5, 1941 - just two days before the Japanese attack on Pearl Harbor. The release [and subsequent re-release by Paramount as "Hoppity Goes to Town"] was a disappointing failure, earning [as late as 1946] only $241,000 of the initial cost of $713,511 it took to make the film.

Alamanda will be great for any projects including : branding, logo, stationery, business card, signage, flyer, brochure, and more. Almost all industries will be fall for this typeface: wedding, events, real estate, architect, law firm, florist, gardening, makeup artist, travel, hotel, musician, and many more .

Baskerville Caps is a single font with two sets of large initial caps, the uppercase keys displaying a classical outline and the lowercase a floriate style. Both sets include the characters Å, Ä, Æ, É, Ö, Ø, Ü, Ç, Ñ and the OE ligature.

Winter Garden JNL was modeled from the eccentric sans serif hand lettering with varying line widths found on the sheet music of 1917's "When the Girl You'd Give the World to Win Gives Her Heart to You". (It seems that sheet music from the early 1900s often had song titles that were more than just a few choice words. This particular ditty's title took up fourteen words to make its point.) The font is available in regular and oblique versions and gets its name from both the famed theater in New York and the city located 14 miles West of downtown Orlando, Florida.

A title card listing the supporting cast of the 1950 Humphrey Bogart and Gloria Grahame drama “In a Lonely Place” provided the hand lettered slab serif type design that served as the model for Post Production JNL – available in both regular and oblique versions.

German type designer Florian Zietz created this symbol FontFont in 2005. It is a playful, interactive font, designed to invite experimentation. Using different combinations of letters from the four rows of the keyboard such as '0esx 0esc', you can create 'Headz' with different top, eyes, mouth and chin. In 2006, FF Headz received the TDC2 award.

Eckhardt Signwork JNL was inspired by visual images collected by two great nostalgia sites: www.forgotten-ny.com and www.norelevance.com. The vintage signage photographed and saved for posterity on both sites reflect an age when hand-crafted work was the rule, rather than the exception [as is today]. Although somewhat limited in scope, this font can best be used for retro or nostalgic embellishments in ads or design work. There's also a generous amount of blank panels to insert your own copy for special projects. As with previous typefaces in this series, the font is named in honor of the late Al Eckhardt, owner of Allied Signs in Miami, Florida - a talented sign man and Jeff Levine's good friend for 18 years.

Picture a tall, long-legged flamingo fishing casually for food in the Florida Everglades. The young pink bird teeters momentarily and then falls over. You have captured the essence of Birdlegs - leggy, colorful, and a bit awkward. Here is a design that works well in a number of situations including greeting cards, party favors, and casual correspondence. Use this energetic and slightly scatterbrained typeface where humor and playfulness are appropriate. Birdlegs is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

This rough-and-tumble typeface is inspired by lettering in the Book of Kells. Celtic knots can be found in the ASCII circumfles (^), ASCII tilde (~), florin (ƒ) and section (§) positions. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia. Driver Gothic is available in all popular font formats, and is comprised of a very extended character set (over 750 characters) covering a wide range of languages, including Central and Eastern European languages, Greek, Cyrillic, Esperanto, Turkish, Baltic and Celtic/Welsh. Driver Gothic Pro, the OpenType version, contains class-based kerning and push-button stylistic alternates for use with apps that support advanced typography. Buckle up!

Frantic, man, and solid, Jackson! This crazy-quilt collection of dingbats inspired by the works of famed album-cover artist Jim Flora will add spice, zing and a certain je ne sais quoi to any project they grace.

The “Moorish arch” treatment of certain letters on a 2001 book on Dutch design, executed by René Knip, provided the inspiration for this exotic unicase typeface. The font also includes arabesque designs in the brace, florin and section mark positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Fiorista is a pretty brush scrip with thin and curly line. Florists works best for greeting card, wedding ceremony invitation or shop card of fashion or apparel. It could also be used for film, magazines, advertising and websites. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

I’m pleased to introduce my decorative font Magic Ivy. Magic Ivy is a fantasy font to add a touch of magic to your designs! Unique uppercase letters are ideal for your wedding monograms and logos. Use this botanical font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers, poster, fabulous book cover and many more. Magic Ivy comes with uppercase, lowercase, numerals and punctuation.

A handful of these spiky, sprightly letters made up the twittering title page of 'Message Of The Birds', a song by one Flora Warner, found in stacks of crumbling scores on an old upright piano in the basement of a favorite London bookstore.

ITC Wisteria was designed by Michael Stacey, a Florida-based artist and graphic designer. An ardent collector and recycler of vintage graphic design and typography, Stacey is especially intrigued by the lettering styles of sign painters and show-card lettering artists from the days when most display typography was hand-rendered. ITC Wisteria is one such style, taken from the 1930s, which he has updated for digital imaging. His goal was to retain the loose, casual feel of handlettering, while imparting what he calls “the crisp finish of current precision typography.” Like the plant it was named after, ITC Wisteria is both rugged and beautiful. The design is a constructed brush script that successfully melds the strength and dynamism of strong character shapes with the grace of script letterforms. The split-brush strokes, although obviously constructed, also impart a sense of immediacy to the design.

Eckhardt Poster Text JNL continues Jeff Levine's series of sign painter-oriented fonts, named in honor of his good friend Albert Eckhardt, Jr. (who ran Allied signs in Miami, Florida from 1959 until his passing). Sign painters are the true heroes of lettering, for they make the alphabet and style fit the job. Printers and layout artists were constricted by metal and wood type; that is until photo lettering, then digital type opened up unexplored territories in design possibilities. There is a unique charm (and nowadays pretty much a lost art) to hand-lettering word copy in a way that draws the eye like an arrow to a target. Even a simple sanserif such as Eckhardt Poster Text JNL can have the effect of that hand lettering when applied to posters and pages with plenty of white space and matching type designs of the period.

Two sets of signs and pictures designed by Natalia Vasilyeva. The first one includes figures, arrows, geometric shapes and other signs of abstract nature. The second set — pictures of flora and fauna (animals, fishes, birds, insects, plants,...) and pictures of common staff (houseware, instruments,…). Released by ParaType in 2009.

In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face "Teutonic". This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions. Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Foliart is thin line uppercase font with floral motives. The typeface includes Decorative and Symbol styles. To get an elegant and unique design, combine letters with symbols. Foliart is suitable for feminine business branding, eco-friendly and minimalistic art, social media design. The font works great for craft products branding and packaging (organic cosmetics and food, jewelry, floristics, handmade soap ect.) Also use individual letters and symbols to create logos and monograms. Foliart combines well with modern graphics: abstract shapes and line art.

I’m pleased to introduce my handwritten font Queenly. Queenly is an elegant, feminine font. Modern calligraphy uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. This font includes ligatures and a full set of lowercase alternates to make your text as close to a natural handwritten script as possible. It's perfect for wedding design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and other.

I’m pleased to introduce my new handwritten floral font Gentle Whisper. Gentle Whisper comes in two styles: Floral and Regular. Gentle Whisper Floral is an elegant, decorative, feminine font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. Gentle Whisper Regular is a modern calligraphy font. It's perfect for wedding design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more.

The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

Lewis F. Day, in his 1910 classic Alphabets Old and New, filed this work by Laurence Schall under the category of Celtic-inspired, and surely it is both. This font included a few special extras, including a Celtic cross in the florin position, a Celtic knot is the dagger position, a shamrock as the asterisk, and a double shamrock in the double-dagger position. Both versions of this font include the Latin 1252 and Central European 1250 character sets.

Linotype Supatropic is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font from German designer Isabell Laxa is generously decorated with delicate flower silhouettes which are reminiscent of Asian flower chains and subtropical flora. Linotype Supatropic is meant exclusively for headlines in point sizes of 18 or larger.

Le Jardin comes in two styles: Floral and Regular. This font includes ligatures and a full set of lowercase alternates to make your text as close to a natural handwritten script as possible. Le Jardin Floral is an elegant, decorative, feminine font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. Le Jardin Regular is a modern calligraphy font. It's perfect for wedding design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more.

We would like to introduce a new font Maiolica. We were inspired by Italian ceramics and floral patterns on square tiles. We decorated the empty space of letters with geometric patterns. That's how this font turned out! Maiolica typeface includes three fonts: Decorative, Inline, Symbol. Mix and match them to get interesting design. The font is suitable for menu design, wedding invitations and cards, craft products branding and packaging (ceramics, floristics, soap making, natural cosmetics ect). You can create trendy lettering posters for your social media, photo overlays, printing clothes. Also use individual letters and symbols to create logos and monograms.

Opa-locka JNL is named for a city in Miami-Dade County, Florida and is based on an Art Nouveau-era bit of hand lettering found on vintage sheet music. Legendary aviation pioneer Glenn Curtiss (who successfully developed the city of Miami Springs and the city of Hialeah with James Bright) began the development of Opa-locka around 1925 as a planned community with a "1001 Arabian Nights" theme. Plans for this exclusive community included a country club and a small private airfield, but the hurricane of 1926 derailed Curtiss' original vision of the city. Opa-locka gradually took shape as a residential area for middle-class families, but the closing of a long-established Marine base, changing demographics and a reputation for being a hot-spot for crime, drug abuse and corruption tarnished this once-grand community (which boasts the largest collection of Moorish Revival architecture in the Western hemisphere). Old-time Miamians bristle when the city's name (an abbreviation of a Seminole place name, spelled Opa-tisha-wocka-locka) is mis-spelled as "Opa-Locka", "Opa Locka" or "Opalocka". The correct name is hyphenated, and the second part is in lower case.