Talloween is a bizarre typeface in which the letters have a fraktur form, but look as if they had been made of wax that has partially melted. It comes in four styles, regular, oblique, shadow, and oblique shadow.

Techno Race - Sport Display with strong and Sporty. with 2 styles : Regular & Italic. Very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Fancy Kingdom is elegant serif font family wich great for wedding invitation, greeting cards, book covers or any fairy design. This kit includes 3 typefaces: - Regular - without curls; - Decorative - uppercase and lowercase with curls; - Combined - uppercase with curls.

Rockies is a Rough display font. It comes in a Regular and an italic version, so take your pick! This enchanting font is quirkiness and authenticity and will turn any creative idea into a true standout. Multilingual support.

In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

Max J. Gradl was a German jewelry designer. A Web search today turns up several examples of his work from the turn of the 20th century. He seemed to favor green stones in silver metalwork. Gradl also did advertising work and co-authored a book on architectural design. Most important for our purposes, though, are the incredible hand lettered alphabets and monograms the man left behind. I’ve digitized one of those delightful alphabets and tried to keep it true to the original. Beyond the base character set of letters, numerals and basic punctuation, I had to extrapolate forms that, I hope, hold true to Gradl’s design. Enjoy!

Storehouse Font is an old fashioned typeface with a modern touch. Inspired by tradition, hardworking brewers and 1800s it come up with 10 strong, confident and powerful styles, included: Regular, Italic, Thin, Black, Outline, Shadow, Used, Wide, Soft and Stencil. The font looks great when put on signs, shirts or labels of the bottles. Also, it works perfect as font for a branding and commercial uses. What is included: Shapes: 1.Storehouse Shapes EPS – EPS file 2.Storehouse Shapes PDF – PDF file Fonts: Storehouse Regular - OpenType font file - Regular old fashioned typeface with a modern touch. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Thin - OpenType font file - Thin version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Wide - OpenType font file – Wide version, big spaces. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Black - OpenType font file - Extra, extra bold version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Outline - OpenType font file – Outline version of regular version, amazing in matching with regular version as a back shadow. full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Shadow - OpenType font file – Old fashioned shadow of regular version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Italic - OpenType font file – Regular version with smooth edges. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Soft - OpenType font file - full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Stencil - OpenType font file – Stencil font with amazing old fashioned modern touch. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Used- OpenType font file – Softer edges, smooth lines. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Multilanguage Support: English, Albanian, Danish, Dutch, Estonian, Croatian, Bosnian, Slovenian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanish, Swedish with a lot of other languages; see Full Character List. Note: To access the extra alternate letters, you will need to use the glyphs panel. Many design programs offer this ability, including Adobe Photoshop CC 2015 , Adobe Illustrator, Adobe Indesign. Works with Cricut, Silhouette, PicMonkey, Photoshop, Illustrator and many more applications!

HWT Etta is a fun display typeface that has two styles: East and West! Its two variations ensure you have maximum wood type swagger in every display size that you might want. This fresh design takes a cue from the wild design experimentation that was happening in the heyday of mid 19th Century wood type—but filtered through 1960s photo-type sensibilities and served up for today’s design needs. Etta West is a decorative inline style and the Etta East is a whimsical reverse contrast style. They live together harmoniously, with their own specific flavors. Practically speaking, both styles are intended for display use, so use them big and use them proudly! Set your XXL size titles in West and your L to XL size types in East. As different as they might look at first, both fonts share a common DNA—Don’t be shy about using them together. The HWT Etta font is part of the Hamilton Wood Type and Printing Museum’s Type Legacy Project. In keeping with the project, Etta is named after Etta Shove Hamilton, who was J.E. Hamilton’s wife and the company’s first bookkeeper.

Everybody likes to have a picnic: some fresh fruits, cheese, ham, wine and so on. Like a “typographic picnic,” Typnic font system gathers many fonts with different flavors too, and you can enjoy them mixed or on their own. Typnic was drawn and calligraphed by hand and is made with eighteen typefaces, including three totally compatible yet different styles. It also has enhancement sets containing labels, dingbats, patterns and ornaments. The Headline style has six layered fonts that can be mixed in a wide variety of combinations to obtain powerful mastheads and headlines. It can be used to construct very nice advertising pieces. If you need to write informal texts, then use Typnic Script, which also comes in six variants and additionally has a complementary font with tails, double letters and ornamented ascenders. Finally, use Typnic Roman to add some secondary texts without losing the general appearance of your work. Typnic has a cool and natural feeling and could be used in all sorts of projects. Typnic is a very ambitious project and we will be working on it to further expand the whole system. Please check out our Typnic Headline Slab.

Bon Air was one of a series of script typefaces cut into wood by the Hamilton Manufacturing Company for the Morgan Sign Machine Co. (makers of the Line-o-Scribe showcard press) in the mid 20th Century. These were some of the last new designs cut into wood by Hamilton until the museum revival in the early 2000s. Bon Air was created in 1958 and trademarked in 1961. The wood type made for Morgan was used largely in department stores to make their own signage. The script styles are reminiscent of sign painters alphabets and evoke a Mad Men era advertising aesthetic. The font was only cut in four sizes: 12, 18, 36 and 72 line. It was distributed by Morgan for use in their presses, but as type high wood type, it could be used on any press. The font was issued with several alternate letters and ligatures to simulate the effect of hand lettering. Its lively strokes and odd details give it an exotic flavor suitable for advertising display work. The digital version includes all of the original alternates plus new characters to fill out a full European character set.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

Meet Hollyhock, a modern and messy calligraphy font with wild, tall letterforms that refuse to be tamed. Inspired by calligraphy the breaks the rules and hollyhocks that grow rebelliously where they please. This font includes two full sets of capital letters… a set that is tall, energetic, and wild as well as a set a bit more tame and subdued. Open type features in this font include contextual alternates, fractions, ordinals, discretionary ligatures, and swashes. Use contextual alternates to add subtle swashes to the beginnings and ends of your letters. Use your open type swashes panel to use the many and various doodles, swirls, and swashes to manually add flare and flavor to your text. Or, install the separate Hollyhock Ornaments font to access the swashes and doodles more easily. Most Diacritics included for various language support. Message me if there’s one you're not sure is included. This font works best in OpenType aware software (ie. Adobe Applications) so that you can take advantage of its many features. Comes as two .otf (OpenType font) files. See this tutorial for more on how to add the various swashes and doodles to this font! http://angiemakes.com/add-swashes-fonts-photoshop/

Ainslie Contrast is the newest in the Ainslie series, named for the famous mountain overlooking the Australian city of Canberra. The Ainslie series currently consists of four typefaces. The Ainslie design is very unique and originally began life as a semi-serif. Also available are a normalized sans serif and slab variants. This contemporary typeface’s high contrast catches the eye. The design flows with ease and sophistication. There are a mix of influences from Australia, which gives it a unique flavor. The original Ainslie was designed for the Canberra Australia Centennial Typeface Competition and named for the mountain that overlooks the beautiful capital city of Australia. Ainslie takes Canberra's distinct geometric design and blends it with the organic, flowing essence of aboriginal art and the smooth aerodynamic design of the boomerang. The typeface includes a multitude of alternates that can be accessed in any OpenType application. There are swashes and other details such as small caps, alternative titling caps and swash alternates. If you’re searching for a contemporary high contrast typeface with geometric simplicity and a hint of antipodean flair, Ainslie Contrast is fair dinkum.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

Crafted in the best tradition of the geometric sans-serif, Rondana is a typographic tribute to the the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line. However, its spirit is decidedly non-bauhausian, since its strokes intentionally deviate from the dull, obvious, ruler-and-compass construction; its arcs and curves being much more complex, tending towards a slightly square shape, imbued with subtle modulations. This sums up to a more organic, flowing, extroverted personality than the one just expected from the use of plain, simple geometry. Another feature is the conscious use of non-standard shapes for many signs, that are quite legible but somewhat unexpected, such as the E, the g and the ampersand; making Rondana an excellent display face and also giving a particular flavor to the text composed in it, especially in its italic variants —which are, by the way, designer italics in their own right and not just an oblique version of the roman. Rondana comes in twelve variants comprising a wide spectrum of weights, allowing for an extremely diverse range of expression.

The typeface Fry was developed in 2008 specially for the Sky-Fish company (fish and seafood dealer). This type is designed for small texts and has a friendly and a fairytale historic flavor. Fry takes the openness and dynamism of humanistic sans serif, the simple and softness of lubok’s letters (primitive style) and the fluidity of shallow marine fry. Despite its funny style, Fry works well even in the 5 point size. In large sizes Fry demonstrates its originality, vivacity and softness, in the small characteristics become less visible, and Fry’s readability becomes more important. This makes the typeface suitable for many tasks of typography. The typeface includes extended set of Latin, Cyrillic and Greek, old style and lining figures, historical alternates and special local features. The combination of lubok’s aesthetics and funny dynamic forms make a nature of Fry. Fry was exhibited on Svjato Cyrillic (Kharkov, Ukraine) festival in 2008. It was awarded for excellence in type and graphic design at Modern Cyrillic 2009 competition. Also it received the second prize in display category at Granshan 2011. Fry was selected among 50 typefaces for the Call for type exhibition in the Gutenberg museum (2013).

Head­line Font / Dis­play Font / Techno Fat Font Hea­vy­Loun­dEdge with 4 styles (regu­lar, bold, light, line) & 304 gly­phs, including accents & €.

Graduating Class JNL was inspired by the hand lettered titles found on a 1934 high school yearbook from Richmond Hill, NY called "The Senior Dome". This Art Deco era type design is available in both regular and oblique versions.

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction. The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.

A mysterious beauty hidden away on a secret island by her eccentric wizard father? No: An elegant display face influenced by Aldine old-style letterforms, Miranda brings classic sophistication to any project. The family includes regular and bold weights.

Free form Art Nouveau hand lettering found on many early-1900s ads for various personal care items manufactured by the Colgate Company were the design inspiration for Stylish Nouveau JNL, which is available in both regular and oblique versions.

Despite the racially demeaning 1906 sheet music for "The Ghost of the Banjo Coon", the title's lettering provided an interesting hand-lettered sans serif that has been re-drawn digitally as Showmanship JNL in both regular and oblique versions.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

A bold spur serif design found within the pages of the 1934 French lettering instruction book “L'Art du Tracé Rationnel de la Lettre” provided the inspiration for Railway Depot JNL, which is available in both regular and oblique versions.

Kompress Pro - a font family of two highly compressed sans serif fonts, regular and shadowed. Both fonts contain West and East European character sets, as well as Cyrillic glyphs. This multilingual font family is well suited for decorative purposes.

Nffinitage is a sans serif typeface design, published by Eoriraya. The basis of this typeface is geometric shapes with a modern and futuristic impression, making it suitable for digital communication needs. Nffinitage consists of the regular and rounded typestyle

Poca is made up of right angles and regular strokes. It is a De Stijl typeface provided by Peret. We devised the lower case letters and added some Peret dingbats. Fifteen years later we added a fun bitmap version.

Some pleasant Art Nouveau spurred serif hand lettering was found on the cover of a 1902 issue of “The Century Magazine”. This is now the digital typeface Nouveau Heading JNL, and is available in both regular and oblique versions.

Creion is a minimal round font, perfect for 2.0 logos and contemporary headlines. Creion fonts is an exclusive type fonts inspired by design elements. It includes a light version, a regular version and a bold version for strong type.