Horror is, as its name suggests, a terribly great expressive typography to illustrate topics such as: nocture atmosphere, horror, zombie movie, hard rock, festival, halloween ... Accompanied many ornaments you can easily illustrate these themes.

Theridge is a multipurpose condensed font that comes in 3 weights: light, normal, and bold. Inspired by hiking trips and forest views, Theridge represents a sense of clean highland adventure. These fonts themed retro, adventure, urban, hipster, vintage but still modern. These fonts are great for creating desired projects like logos, posters, headlines, albums, quotes, apparel and more. These fonts are perfect for you who need clean condensed typeface! Thank you!

There are many Oriental-themed fonts, most without lowercase. This one originated in the German foundry of Schelter & Giesecke shortly before 1900. Use this font and an hour later you'll want to use it again.

Named after a practical seabird, Fulmar is a modern Scotch intended for extended reading. More European than American, it draws on a range of influences from around the North Sea, from Fife’s Alexander Wilson to 17th-century French experiments in modulation and 18th-century Belgian flash, and combines them with contemporary structure and proportions. The result is crisp yet warm, steadfast yet lively, sharp yet robust, rational but humane. It can be appropriate for new translations, new histories and new understanding. With five weights, ten styles, small caps, a clamjamfry of OpenType features and unicorn manicules, Fulmar dispenses with sprawl while retaining range and dexterity.

The Pixel_Block font-family is specially designed for use with Flash so that it doesn't blur or fill. In contrast to most other pixelfonts Pixel_Block also works well in dynamic and input text fields. Pixel_Block fonts include a full character set and also contain outlines for any print application.

This one may look rather strange at a first sight, but it has the true power of coolify written pieces. (Please don’t use it to say “Attorneys’s Conference”, nor “Annual Statement of Accounts”, unless you mean them to be cool, which is very unlikely.) Melodia has 3 glyph drawings for each uppercase letter, 3 more for each lowercase and 2 for the numerals. There are even alternates for punctuation, go figure: there are 3 commas and 3 periods. Surprising. To activate the automatic cycling of all these alternates, simply turn on the Contextual Alternates feature in your application. And it doesn’t hurt to remind: use it only on cool stuff.

Bolchray is a script font useful for flashy headlines, ads, logos, printed quotes, invitations, cards, product packaging and headers.

Based on the earliest ATF/M.F. Benton versions of the Bank Gothic typefaces. ‘Fleshed-out’ into a full family.

Intense Horror is a cute and casual display font with a Halloween theme. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Loppemarked is Flea market in danish, and that’s where I got the inspiration to do these fonts from! Headline - chunky serifs here and there, and some are missing! No attempt to get it right…anywhere! Text - The letters are scribbled quickly, leaving not much attention to accuracy. Sans - With this font, there has been some effort to hit the same width of strokes, but it is still off here and there. All in all, the sweet innocence in these letters…I love it! <3</p>

Plakato, a stencil love affair Plakato is a family of display fonts, consisting of various eye-catching styles, each of them very bold. Plakato is an identity toolkit, a heavyweight building block in case you need a strong personality, a small stencil font family to cut out your best ideas and grab all the attention. But just as with many other creations, its outcome is as divers as its multiple origins. Plakato comes in 16 eye-catching styles. The default stencil style comes in Regular & Italic. They both have 2 variations: one version, named Plakato Stencil, automatically creates borders around the text, putting any text into a graphic stencil in this way. Another version, the extruded three-dimensional version, guarantees even more attention for your message. Next to this there is also the Inline version, which is an optical play with a lot of lines. Plakato Inline has a supportive background layer, a separate font in case you want to add a background in a different colour. Then there is Plakato Paper, a manually teared version of Plakato offering a more physical look. This small family of eye-catching display fonts also contains a Neon font, an independent design in Plakato style, which can actually be used for making neon signs due to its construction. Plakato Neon comes with its own Dingbat font for that extra flush-flush. Plakato has also been redrawn on a C64, and with all its accompanying limitations been ported back and turned into a font: Plakato Game. Also this font comes with its own Dingbat font, full of emoji’s and icons for oldskool pleasure. Last but not least there is Plakato Build, constructed out of blocks. As if that wasn’t enough, there are various dynamic versions in the Plakato Play package, which offer a whole new range of possibilities for typographic expression, with new animation and interaction opportunities.

WARNING! Roughed version is quite heavy to open. Highly recommended to install the font without previewing it first. GOODRICH come in 2 different styles, with same character; Bold & Strong, and can evoke a different emotions. It comes in both clean and rough styles in only Uppercase Latin characters. When choosing a font, it’s important to consider the visual theme of your design. A clean bold fonts can lend a more stronger tone to your design, making it a great choice for Logo or Title. On the other hand, a textured fonts can lend a more natural printed-looks, making them perfect for designing 70s-80s themed parties. It can be used for various design purposes ; Posters, Logos, Packaging, Books or Movie Titles. In summary, these fonts are versatile and can add a unique look to any design project. If you want to add a touch of nostalgia and elegance to your designs, these fonts were timeless asset. With plenty of vintage and retro design resources available, it’s easy to find the perfect ideas for your next project.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. One of our characters will win, one will die, at least two of them will be engaged in a Clash of Titans. Face Front, True Believer, This One's Got it All! The Story So Far & Near complete family includes eight weights with support for Western & Central Europe.

A long time ago, I used to work in a Pundak near the Dead Sea. It was a typical halfway restaurant slash gas station and you could order the usual dishes: fries, schnitzel, salad. Of course, this typeface has nothing to do with that Pundak; I just thought about the time I spent there when I created it. Pundak font is an all caps contoured affair. Ideal for packaging (not just Schnitzels…), headlines and posters. It comes with all the diacritics.

COLÓN is a Slab Serif type family of three weights with matching italics. The typeface design was influenced by the nostalgia for the aesthetic of a typewriter. Colón extended family consists of two sub-families: Colón Mono with monospaced glyphs sets, and Colón (proportional glyphs sets) which is presented in these specimen pages. Colón is released in OpenType format with extended support for most Latin languages, and includes some opentype features – such as proportional/tabular figures, slashed zero, ligatures, fractions, etc.

Liturgisch was created by Otto Hupp for Klingspor foundry in 1906. The basis of this font is a publication in the magazine "Das Plakat" of October 1921. The font contains contextual alternates, ligatures, discretional ligatures for use in German, ornamental bullets and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed longs used in Latvian old orthography till 1930s).

Arabescos ND is part of Neufville Digital's GRAFÍA LATINA Collection. The original name of this collection of typographic decorations is 'FUGUE D´ARABESQUES'. These elements can spice up texts and give them a significance beyond their words. Unlike other typographic decorum these symbols inspired by sea and air have numerous matching points to join them with letters, words and texts.

The Spooky Night is an incredibly unique and interesting display font. Add it to your creative Halloween themed ideas and notice how it will make them stand out! The only limit is your imagination!

Senko Hanabi (線香花火 - Japanese: incense-stick fireworks) is a type of Japanese sparkler. These traditional sparklers are said to evoke “mono no aware” - “an empathy toward things”; the flash of sadness when reminded of the fleeting nature of life. I am always a bit melancholic this time of the year, so when I created this font, I wanted to give it a suitable name. Senko Hanabi was made using a brush and Chinese ink. It is a beautiful font, which comes with stylistic alternates, discretionary ligatures and a sparkling amount of diacritics. Remains for me to wish you all a very happy new year. Let’s do our best to make it one worth remembering!

"Airwars" is a display font with a modern, space, and futuristic theme. This font reflects elements of technology and innovation often associated with modern and futuristic designs. The use of a space theme can also add a sense of space exploration and cosmic wonder to your design. "Airwars" is suitable for a variety of design projects that aim to emphasize these aspects, including space-themed designs, advanced technology, advertisements for futuristic products, and much more. With "Airwars," you can create designs that reflect a vision of the future and space exploration.

Introducing Raqilla Kids - Playful Display Font Raqilla Kids is a display font with a cute character. This is a kids themed font look, inspired by children's writing in general, with a shape that looks irregular but is very distinctive, these characters will add a warm touch to any look. Add this beautiful display font to your every creative idea and see how it makes them stand out! FEATURES - Uppercase - Lowercase - Numbering - Punctuations - Ligature - Alternate - Swash - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Corel Draw, also works on Microsoft Word Thanks

Fontazia FloraDot features 62 unique dotted floral patterns. These simple swaying FloraDot blooms will add flair to any font library - they're great for backgrounds, greeting cards, posters, summer themes or any project where florals say just the right thing!

Jan Koller designed the Banner typeface family especially for the creation of animated web banners. Banner is best used at 80p without antialiasing. The family comes in 24 styles which, in combination, create great, unusual screen effects. Three different animation modells provide the basis: extrusion, cutting in/out by ‘pixelation’, outline pixel rotation. The available flash clip listed in the Related Links below demonstrates some of the effects. Take a look! The swf clip runs in any web browser (drag & drop) but you need the flash player plugin. Apart from animation use, Banner also works well in print. Since all 24 styles are identical in width and kerning, you can set several styles on top of each other, maybe using different colours for each style. Look at the nice effects yourself!

Pumpkinos is an incredibly unique horror display font. Add this font to your favorite Halloween themed ideas and notice how it makes them come alive. Pumpkinos is perfect for posters, packaging, banners, advertising, apparel, and more.

Howdy pardner! Giddy-up and lasso yerself these renegade typefaces. Created by renowned illustrator David Lyttleton , this set presents an Englishman's unique vision of the American West. Perfect for your next hoe-down, barn raising or Western-themed cricket match.

Nottingham Stencil JNL and its companion oblique version are the third set of fonts modeled from vintage lettering stencils made in England. These designs join British Stencil JNL and Trafalgar Stencil JNL in Jeff Levine's large library of stencil-themed typefaces.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).