Derived from old signage, this serif font is unique and readable in titles and text as well.

Very versatile sans serif font, designed with a soft touch of elegance. Great for invitations and headlines

Rounded, tapered and bold, Bindle was designed as an alternative to overused or outdated informal sans serifs.

Sans serif typeface with calligraphic features and outstanding contrast between curve and line designed for small text.

Rookie JNL is derived from the lettering style found in Directory Board JNL, but with serifs added.

A real heavy weight, a chunky sans serif that packs some real Punch. No fancy frills here.

Hermainita is a calligraphic typeface that is very legible. Yngreena is a serifed version of this face.

Angulatte is a sans serif font made up of characters that are drawn with only straight lines.

Simple yet decorative serif stroked font . Use for titles, signage, captions etc. Highly legible at children books.

Inspired by old manuscript serif font, this low contrast font makes it high legible for long texts.

One of the classic display types of the 19th century, an Egyptian with slab serifs. Quite bold.

Trilium JNL is a tri-line sans serif font that was modeled from some 1970s retail packaging.

A Bold Powerful Condensed serif face; great for book jackets, magazines, ads and just about any application.

One of the classic display types of the 19th century, an Egyptian with bracketed serifs. Quite bold.

A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."

Thirteen or 14 years ago I admired, out loud, a book I found on a shelf in Matt Carter's office. That Christmas I was pleasantly surprised to find that Matt had found another copy of the book and he gave it to me. The book was about the life of Oswald Cooper and it contained numerous specimens of Cooper's lettering jobs. Among them was an interesting image of 7 letter that spelled out the word 'Robusto'. These letters were used as the model for the font Robusto. All I needed to do was develop 221 other glyphs to finish the font.

Pseudo-Hellenic is a font based the Greek typeface of Firmin Didot. The original Greek typeface became standard during the Victorian era and remained popular until the last part of the twentieth century. Pseudo-Hellenic seeks to create an environment reminicent of the many Greek texts and is meant to re-create their ethos while communicating with a non-Greek speaking audience. Pseudo-Hellenic with full punctuation, a character 221 glyph character set that allows the user to type in most Western European Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

The typeface Stempel Sans Print Neo is designed from 2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on a original set of 29 old rubber stamps (6 cm height). Digitized via hand-stamped, a scanner and Glyphs app. 3 font-styles (Rough, Misprint, Black) with 321 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Stempel Sans Print Neo ■ Font Styles: 3 font styles (Rough, Misprint, Black) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Glyph Set: 321 glyphs (incl. decorative extras) ■ Lan­guage Sup­port (36 languages): Asu Bemba Bena Chiga Cornish English German Gusii Indonesian Kalenjin Kinyarwanda Luo Luyia Machame Makhuwa-Meetto Makonde Morisyen North Ndebele Nyankole Oromo Rombo Rundi Rwa Samburu Sangu Shambala Shona Soga Somali Swahili Swiss German Taita Teso Uzbek (Latin) Vunjo Zulu ■ OpenType features (16): aalt calt case ccmp dlig liga lnum onum ss01 ss02 ss03 ss04 ss05 ss06 mark mkmk ■ Design Date: 2022 ■ Type Desi­gner: Manuel Viergutz

Calligrapher Rotunda Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Rotunda calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. The font contains all the Latin glyphs.

Calligrapher Uncial Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Uncial calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Calligrapher Gothic Bastard Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Gothic Bastard calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Contains all the Latin glyphs.

Borek is a geometric monoline sans-serif display font. It works well in both display and text applications.

Precision is a sans serif contemporary font with each character having a horizontal connecting bar before and after.

A serifed handwriting font with equal parts fun and flair. Wide spacing gives the font a festive feel.

Woozee is a serif font with characters that appear to be wobbly and are not clean and crisp.

Condensed Sans-Serif font family 7 widths with corresponding italics 2 free fonts (Aureola regular & italic) OpenType features

Geometric sans-serif with clean, ordered, hi-tech, futuristic feeling. For texts, titles, interfaces, logos, technical inscriptions, everything.

Designed to be layered, DeepFried is a multi-weight geometric sans-serif with a 70's pop feel.

A rough hand drawn playful serif that would be good at larger than normal text use, or headlines.

A revival of an unusual wooden type font of the 19th century, a sans serif, suitable for display.

Modern geometric sans serif typeface. Suitable for many projects such as logo, printing, social media, website, apps, etc.

Tournedot is a semi-serif headline font with two stylistic sets to give more possibilities for different feel.

A simple and uneven handmade brush seriffed font. Great for that extra dip your handmade looking designs need! ;)

Moonbandit presents Predatory, a bold modern sans serif titling font. A multi purpose display font with high impact

Slender is a sans serif contemporary font with each character having a horizontal connecting bar before and after.

FattyPans is a strange, bizarre font with spiky serifs that bulges where letters are not supposed to bulge.

A hand-sketched sans serif sketch font. For a solid version, pair this with KG Second Chances Solid.

A heavy bold serif face, packs great punch; excellent headline font. Can be used for many different applications.

Equal parts Sabbath and Blackletter. Its distinctive serifs will make any metalhead want to stand up and shout!