Amfibia™ is a soft, flat-sided geometric grotesk family with a lot of character, equipped with tons of ligatures and swashes. Its main function is display use of all kinds, however it is prepared to serve as paragraph text typeface thanks to its 5 widths, giving total amount of 100 fonts. It is crafted for a broad variety design situations - from posters, magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted obliques - over 900 glyphs, full of swashes, initial forms, terminals and ligatures - pronounced ink traps and large x-height improving legibility in small sizes as well as adding strong personality to display sizes - flat-sided letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (swashes, initials, terminals, standard and discretionary ligatures, stylistic sets, contextual alternates, case sensitive forms, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Love at first sight: Evalfey is a script you will find yourself falling for. It has a smooth, sophisticated look to it, but don't be fooled by its elegant appearance – this script is actually very simple and easy to use. The tall x-height, flag like terminals and flame-like smooth, sweeping strokes give this font a fluid, flowing quality that will help enhance your design. Evalfey Script is a great font for a wedding invitation or similar. The elegant, brushed look and strong "nuptial" feel make this the perfect choice for wedding invitations, save-the-date cards, thank you notes, and more. Evalfey is the perfect font for any wedding invitation or ceremony. Simple and elegant, Evalfey is a good choice for the wedding that likes to stand out from the crowd. The tall x height, graceful flag-like terminals, and wavy sweeping strokes give this font a regal appeal. Evalfey is a perfect combination of elegance and simplicity for your wedding invitation, announcement card or other special document. Production assistance from Lucas Azevedo and ikern.

Light the fire and get your spells ready for Halloween with this witchy font, Arkhania. This display family offers three different styles from which you can pick the one that best describes the atmosphere and mood of your composition: Striped, fun and wicked, Regular, a more strong and classical look, and Hollow, old styled and classy. All three typefaces inspired by the Triple Moon Goddess and its phases: Maiden, Mother, & Crone. Arkhania family features: 423 glyphs 3 styles 84 icons, drawings, swashes and flags Standard ligatures Alternate characters Contextual alternates Swashes more... In addition, there is Arkhania Sigils, a style filled with swashes, icons, drawings and symbols. Play with them, combine a few, choose from different beginnings and endings and create your own swashes, underlines and frames. You can also find flags and boxes along with common connectors. Tips for a clean and modern look: Combine this typeface with a sans serif, light or thin font, like Aeonian (Aeonian Light was used for these images), and let Arkhania cast a spell on the viewer.

A 1938 issue of the Spanish language movie fan magazine Cine-Mundial (Movie World) had an article entitled "Lo Que Visten Las Estrellas" ("What Stars Wear"). The headline of the article was hand lettered in a lovely Art Deco monoline sans serif, which is now available as Wardrobe JNL in both regular and oblique versions.

Flaminia is a typeface family of 4 members designed by Carlos Fabián Camargo G. The central idea started as Dingbats and titles labeled with fine-tipped brushes and flat tip for graphic design related restaurant menus, instructions, packaging, food containers and labels. Thus began the process of drawings and letters integrated by shapes and counterblocks that seem inaccurate yet but at the same time clean and attractive. For this reason each variable suggests fresh brushstrokes that combine ideas from Roman and italic calligraphy. Flaminia members work separately or together by solving needs in different scenarios. This will enhance its properties in order to control and diagram titles, subtitles and short paragraphs with an effusive and manuscript character. Flaminia is useful for generating a flavor of "hand lettered by skilled artists lettering." In conclusion, Flaminia Regular and Italic are used to write short paragraphs. His ascending and downs are lower that the X height. Its width is imperceptibly condensed to save horizontal space. Its smooth lines and finishes simulating a crescent moon have been made with fine-tipped brush. The contrast between thick and thin has medium intensity. Its complement is an ideal italic to emphasize words and phrases. Its conceptual characteristics are similar with foundation's handwriting, except for his companion who takes ideas from the ornamental italic calligraphy. Flaminia Black is compact and ideal for ranking information such as words and titles. Its personality is based on ornamental penmanship italics mixed with humanistic ideas outlined with contrast-type, flat-tipped brush thickness. Its overall width is slightly condensed, rising and falling are short compared to an exaggerated X height. Its smooth lines and terminations as in a crescent moon simulate the path of a broad brush. Its amount of contrast between strokes have average intensity. In brief, push to the limit parameters such as the type and amount of contrast, size, backward, forward, overall width, etc. And finally, Flaminia Dingbats offers three sets of different illustrations, a total of almost 90 drawings useful in communications related to: Food, Clothes and Sketchy. Each carefully wrought through research, testing, analytical design, visual strategy and high-definition of Bezier paths, optimizing time and work to their users. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

Inside the pages of the April, 1937 issue of the fan magazine “Hollywood Now” is an unusual bit of hand lettering used for the titles in a number of featured articles. A narrow thick-and-thin Art Deco alphabet with many stylized characters, this type design is now available as Now Showing JNL in both regular and oblique versions.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

Kopi means coffee, and Senja means sunset. The inspiration of Kopi Senja Font Duo is indie music fans. Every curves of the character is originaly drawn by my hand with heart. Kopi Senja has sans and script version, mix and match it with your own imagination. Be creative and make your project stand out with Kopi Senja.

For the Polynesian Fan Inspired by the bamboo lettering of the iconic Mai Kai restaurant logo, Hanalei Pro has all the flavor of the genre without compromise. Great for titling and larger typesetting, and the added true SmallCaps & Lining/Tabular figures and limitless fractions give more range of use. The Hanalei Pro family contains 628 characters per font.

I must admit that I am not a big fan of the Art Nouveau style. However, I found this particularly beautiful alphabet and decided to use it as the basis for this new font. Very graceful, elegant, and dare I say, organic. Includes some intertwined ligatures. Complete uppercase, numerals, basic punctuation. Supports most Western European languages.

Tact Slab New is geometrically a slab serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab New is compatible with the sans serif font Tact New. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all the Latin and Cyrillic glyphs.

Malino is a humanist sans serif that gives a slightly stiff and strong feel but still presents a harmonious blend. The main characteristic of Malino is the flat shape at the end of the letter (specific : inner side of the letter C, G, J, S, a, c, e, g and s) and still maintain the curvature of the outside (Overshoot) so that empty space ( Open Counter) looks wider and the level of readability produced is much higher.

American type designer Alan Dague-Greene created this serif FontFont in 2001. The family has 8 weights, ranging from Book to Black (including italics) and is ideally suited for book text and editorial and publishing. FF Atma Serif provides advanced typographical support with features such as ligatures, small capitals, petite capitals, alternate characters, case-sensitive forms, and fractions. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Malibu was designed for ITC by Alan Meeks in 1992 and is a font with distinctive calligraphic roots. Pronounced stroke contrast and a marked leaning to the right give the font its energetic, lively image. The letters look almost as though cut from paper, their outer contours angular and pointed against a background. Flowing and demure, Malibu works well for both short texts and headlines. For best results, the lower case letters should be set close together.

Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 four new Italic fonts were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

We call this font Fancy Pants and if you give it a glance, it WILL just dance, dance, dance! In tall high heels and pretty toes, this slick chick font is ready to pose for invitations, party plans or high society soirées and forays into the boom boom rooms and pubs and clubs where fancy meets schmancy, and your pants will make YOU get up and dance and your face want to grin. It's all win-win!

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

Vector is inspired by the 1979 Atari Asteroids video game UI screen font, yet it has been completely reworked to achieve a more balanced and refined visual aesthetic, loosely adhering to the original source. Letterform widths, angles, metrics and kerning are thorougly tweaked throughout in an effort to recreate a modern classic anew and extend it's functionality. Stylistically, Vector accurately reflects it's name, exuding a uniform sense of flatness and rectangular geometry defined by it's retro-modernist origins.

Quan Geometric is an altered modified from the form of the original Quan Pro typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 8 weights with slim option in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Bovid ready to clash Following the ancient Adriatic history and natural shapes of the ram horns, Bovid typeface connects sports and tradition in a fearless and reckless way. It empowers players as soon as they put on their jerseys, making them ready to clash for the highest score. Bovid typeface has low contrast and high legibility with priority on numerals. It has capital letters in two sizes and is suitable for sport jerseys, posters, brochures, flags and tickets.

The slab serif Waterloo Bold was designed by Alan Meeks. He chose unique and individual forms to give this alphabet its unmistakable character. The cross strokes of the capitals are not in the optical center, the serifs have light furrows, and the figures have a slight slant tot he right, giving this font a dynamic, flowing look. Waterloo Bold is reminiscent of cigars, whiskey and the 1930s and should be used only in headlines in large point sizes.

Spotted for sale online, a partial set of antique tin stencils from France had a distinctively handmade look about them. Many of the characters were inconsistently wider than others, some characters were missing and one was damaged. Despite the obvious flaws, the image of these stencils served as the model for a digital font revival once the characters took on a more uniform appearance. French Stencil Serif JNL is available in both regular and oblique versions.

Vanitha is a bold script font, inspired by vintage logos and old-school sign painting. This font is made with hand drawings and still pays attention to the calligraphic form so that it looks modern and unique. Vanitha is a display font, which you can use as logos, logotypes, merchandise, sports themes, flags, banners, stickers, labels, posters, and others. This font is also equipped with stylistic alternates to beautify your typographic design. Thank you for your support!

Cicero was the first typeface designed by Thierry Puyfoulhoux in 94. It is what could be called a semi-serif. Only the serifs which occur naturally when drawing letters with a flat nib pen have been retained. The absence of certain serifs allows for much tighter spacing. The remaining serifs still stabilize the baseline, although less effectively than a "full-serif" typeface. By borrowing features from both the sans and serif styles, Cicero truly stands at their crossroads.

A little goofy, a little nerdy, Winooski mixes loose pen-drawn gestures with legible forms to deliver a playful workhorse. It’s packed with goodies like small caps, ligatures, case-sensitive alternates, and broad linguistic support. It also sports extras like two styles of catchwords that can be fired up by flanking the desired word with either asterisks or underscores and discretionary ligatures for pricing. There are even easter eggs in the OpenType features for the scavenger hunters among us.

Kelpt Sans is an altered modified from the form of the original Kelpt typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 9 weights with 2 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

The Irongate Font Family has a retro personality. The common denominators, in all the glyphs, is a blunt center serif. The main top & bottom of each Cap & lower case glyphs have 'fan serifs', yep serifs that fan out. This font's influence is based on a monogram I designed for my daughter's wedding where she described her image of the event being 'Classic with a Vintage Flair'. Irongate can be pictured on many things dated from 1918 - 2018. The font is available in 4 basic weights Light, Regular, Bold & Extra Bold. An additional pdf is included that gives the code for an additional 14 Dingbats, with each weight. Irongate works extremely well with Invites, Stationary, Signage, Embroidery, Letterpress, Ads, Logos and anything that feels Industrial or Hand-Crafted, eg. Coffee, Breweries, Antiques, Woodcuts, Western Styles, Sports Styles, etc.

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

Vallely is a classic art-deco-ish serif that are inspired by the old typography/letterings used in packaging labels and advertisements. This font is loaded with 350+ glyphs, packed with lots of alternate characters, gives you various letter combinations to play with. If you're a fan of classic and art-decoish typography, make sure you add this font to your design toolbox.

Way back in 1996, three student letterers went into the forest looking for the mysterious fonts used to letter Spawn: Blood & Shadows. They never returned. A year later, these fonts were found. And now, over 20 years later, we've updated Wiccan with separate Regular & Bold Special weights, Central Europe & Cyrillic characters, automatically cycling alternate letters and fan-favorite Crossbar I Technology!

Decorative, Display, Headline, Sans Serif, 1930s, Hand Lettered, Monoline, Retro, Vintage, Nostalgic, Stylized, Elegant Some beautiful and stylized Art Deco hand lettering found in the Jan. 6, 1934 issue of the British movie fan publication Picturegoer Weekly inspired Movie Palace JNL, which is now available in both regular and oblique versions. This monoline design adds a touch of elegance to any retro projects.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Creating Halla was a bit unusual for me since I started out creating the italic version first and that inspired the name Halla, meaning to tilt in Icelandic. It is also a fairly common female name in Iceland. “Halla” is derived from old Norse word “hallr” = 'flat stone, rock' or 'sloping, leaning to one side' Halla is a true italic inspired by handwriting and mechanical type. The combination of Light and Italic makes Halla ideal for advertising, branding, signage, packaging and editorial design.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

I've had mixed feelings about Kabel; It is a brilliant headline font with a lot of character, but it's the characters I have problems with. The versions of all big foundries have the same flaws (in my opinion), especially lowecase a and s. So I finally went ahead and made an all new version. It is not Kabel, but very much like it. It has unique x-height, weight and width, and many individual characters are also different from the original.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.