Easytype is the first font family released by Vitalik B. Old. Yet simple, handwritten type feels in title as good as in a middle size paragraph. Both italic and italic bold styles got 999 characters in a set, including Latin, Cyrillic and Greek symbols. Full set of Basic, Additional, Extended and Advanced Latin symbols [452]; Full set of Basic and Extended characters in Cyrillic script [256]; Basic Greek character set [73] Font family was designed by y/y behance.net/youryourich

Diablo Light was originally called Fabric and was issued by the Farmer, Little & Co. foundry in New York. We liked everything about this font except for the lowercase 'g'. So we changed the offending letter, but for purity kept the orginal as an alternate. We created a bold version of Diablo Light, with minor changes to accomodate the bolder stroke weight. Although the original design is over a century old, the style seems to have an up-to-date look.

Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930. Gill’s design is based on the typeface of Edward Johnston, the innovative British letterer and teacher, designed in 1916 for the signage of the London Underground. However, it has more classical proportions close to those of old style serifs, and thus is more suitable for text setting. With distinct roots in handwritten scripts, Gill’s typeface is classified as a humanist sans serif and is very legible and readable in text and display work. Having been released more than 80 years ago, it’s still very popular and in fact is an icon of British typographic style. The Cyrillic version of Ultra Bold weight was designed by Tagir Safaev in 1997. Six text styles and Extra Bold style in Cyrillic were designed later by Vladimir Yefimov and Isabella Chaeva. The Cyrillic version, in addition to the original Bitstream implementation of Humanist 521, has an alternative numeral 1 with the traditional shape and a set of old-style figures. Rereleased by ParaType in 2013.

An ultra light thins all caps Victorian design with a slight stroke contrast. Elongated Roman requires subjective display kerning and compensation.

The Roamer is big, bold and ready to be used by designers all over the globe. The appearance is quite rough and used like weathered wood or paint on concrete. It is perfect for big headlines or bold text passages.

Chuckl | A Bold Display Typeface Chuckl is a bold display typeface that is both fun and powerful, amusing yet impactful. It is visually striking and unique; unforgettable and un-ignorable. Excellent for brand identities, logos, packaging, posters and the like.

Collect Em Now BB is the sentence-case companion typeface to the uppercase Collect Em All BB! It includes four fonts: regular, italic, bold and bold italic, double letter opentype ligatures, contextual alternate barred-I correction, manga glyphs, and more!

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Kesmod is a clean display typeface that excels in urban posters, music covers, clothing print design, impactful headlines, large page headers, billboards, signs, bold headlines, modern acid typography, Brutal Bold design, and much more. This modular Sans Serif typeface features 12 styles spanning from delicate thin to bold black, which really can help in modern experimental design. You will receive: - 12+1 styles - including Uppercase Alphabet, numbers, punctuation, and common additional glyphs.

Kailey Force contains 3 powerful effects for her kissing cousin: Kailey. The Bold (Drop Shadow), the Brave (Distressed), and the Beautiful (Combined). Kailey is a hand lettered, voluptuous typeface that is very special to the Great Lakes Lettering team. This oblique font is inspired by Molly Jacques’ “signature” lettering style, using bold brush strokes, fluid flourishes, and distinctive characters. Kailey has a distinct feminine feel that takes on a bold attitude to match her curves.

Howling Wolf is all caps aggressive dirty brush font special for your Display Design. With a bold aggressive style, it adds a bold touch to your projects and will inspire you to create something bold for your project. Besides that, this font is also equipped with Alternative Characters, Standard Ligatures, and multi-language support. Howling Wolf is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, and album covers.

Morque – Sans Serif Font: Bold and Expressive Boldness in Every Letter: Morque – Sans Serif Font stands out with its all caps design. It’s perfect for impactful titles and displays. This font commands attention in any visual space. Ideal for Titles and Displays: Morque’s bold structure makes it ideal for titles and visual displays. It enhances the readability of headlines. This font is a go-to for designers aiming for a strong statement.

Aestero Futuristic Typeface Cutting-Edge Inspiration Aestero Futuristic Typeface, drawing from Gundam and sci-fi aesthetics, embodies a cutting-edge design for a bold display impact. Sleek Sci-Fi Elegance Named Aestero, this font seamlessly blends Gundam inspiration with sci-fi elegance, presenting sleek characters with a futuristic charm. Dynamic and Bold Presence Aestero commands attention with dynamic and bold letterforms, making it an ideal choice for projects seeking a strong visual presence.

Bariso Cawfu bold display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Bariso Cawfu bold display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Bariso Cawfu bold display font.

Archipad Pro is a geometric sans and slab font family, The combination of modern geometric elements make it clean and readable with the form and matching oblique. Archipad Pro Consist of 9 weight sans and 9 weight of slab, makes more free choice in writing with 36 font styles. 9 Weights Sans and Slab (Thin, Extralight, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) Oblique font is available Latin Pro

Introducing, new bold serif, Augillion - a soft bold serif with ligatures and alternates! Augillion is a modern and bold serif with a bunch of ligatures and alternates that will make your presentation or logo even more stunning and stand out! Augillion also support Multi Language. and already PUA Encoded! Including a special character "✦", just type A+ to access it! Features Uppercase & Lowercase Number & Symbol Multi language Ligatures Alternates for each characters PUA Encoded

Trickshot is a handmade script font that evokes a sense of rustic charm and enthusiasm. Its bold and expressive style makes it an excellent choice for designs that require a strong visual impact, such as sports team logos, outdoor event posters, and country-themed branding. The Trickshot font family includes four versatile styles: Regular, Bold, Italic, and Bold Italic, giving you the flexibility to mix and match styles to create unique and eye-catching designs.

Brose - Bold oblique font with sharp angles for dynamic effects. Use ligature characters to give you unlimited designs, this font is great for your work such as posters, logos, branding, covers, banners, t-shirts and headers, or even large-scale artwork Brose oblique Bold, offers you: Brose -oblique bold font including Upper & Lowercase characters(ALL CAPS has a different form characte), Ligatures Character Numbers and Punctuation Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Bósamble is a striking and contemporary Bold Display Sans Serif typeface that effortlessly commands attention with its bold, geometric letterforms. Its distinctive design features a perfect balance between thick and thin strokes, creating a sense of power and modernity. Bósamble’s uppercase characters exude a sense of confidence and boldness, making it an excellent choice for headlines, posters, and branding projects where a strong and impactful typographic statement is desired. Its clean lines and clear readability make it a versatile choice for a wide range of design applications, allowing Bósamble to stand out as a compelling choice for those seeking a bold and assertive typeface.

Morta is a handwritten unicase typeface with a slight calligraphic influence. Its design, like a centuries-old cold dark stones, has carved edges and polished corners, and represented by two styles: more legible “Brute” for general use, and more contrast “Grace” for large text size. Scripts: Latin, Greek, Cyrillic Languages: 480+ Hinting: Manual PostScript

Quare Zombie is an old typeface, comes in a clean and elegant style. There are 5 files in this font such as: Regular and Engraving with tattoo additions and Monoline Fonts. Quare Zombie is great for all types of looks from branding, emblems, advertisements, t-shirts, etc. Notes: (Quare Zombie Extras Tattoos are sold separately)

East is a simple and confident typeface. It is timeless and current, but with a subtle nostalgia of vintage Jazz albums, film credits, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. Its condensed width allows a lot of text in little space. East is versatile, but would be a good choice for film titles, labels + packages, posters, publications or any design where space is limited. It has six weights between Light and Extra Bold. A variable font with weight and slant axes is available and included in a full family purchase. The OpenType features include; stylistic sets, a one story ‘a’, hooked letters, seriffed uppercase I and 1, a slashed zero, raised colon and punctuation (Spanish), several German eszetts, ligatures, diverse bullets, and vertically stacked pre-built fractions. It will support western and central European languages as well as other Latin-based written languages. Read on if you are not familiar with variable fonts. What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, which benefit both web and software performance. Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

Body graphic project at Behance Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use. Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use. Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights. All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

The Neuliner Family is sleek, condensed, extremely legible & flexible available in 7 styles. The inspiration stems from the classic, slender Art Deco era. Designed with a repeated vertical theme Neuliner is consistent from style to style with variations in weight and character. With over 350 glyphs and applying in over 80 languages with Numerals, Dingbats & Euro accents this family is complete. At the time of its first release Neuliner is available in Medium, Bold, Italic, Outline, Drop, Rough, & Rounded. Other styles are in the works. As displayed in the posters, Neuliner works well, in any style, for headlines, by-lines, logos, titles, posters, signage, billboards, ads, main & end titles, monograms, numbering systems, wedding invites and stationary, etc. The Bold style works congruously with the Outline & Drop styles, for either 'trapped' or 'offset' effects. This family also has its roots and influence in Mid Century influenced architecture and design yet lends its style to contemporary and modern design in the 2020s. The Drop & Rough versions are unique styles that render well in Adobe Illustrator & Adobe Photoshop for use in a myriad of colors and effects. The rough-edged style resembles a stitched and weathered effect, while the drop version plays prominently as headlines in either bright or muted color combinations. The versatile, ever-classic outline style gives any image or photographs an impression of elegance and transparency without sacrificing legibility. Neuliner Rounded embosses and engraves either blindly or foil added with a lasting impression. Neuliner Family from Cozyfonts Foundry.

Stubble is a distressed grunge font with many useful variations that make things easy. It comes in both a Regular and Bold version, and a Smudged version as if the print block has slipped a little bit just at the vital moment. Also there’s 2 jumbled versions with the letters and numbers, and some punctuation, at odd angles and slightly off-whack; there’s 2 versions with little bits of overprint on most of the main characters (as if the corners of the block or stamp have just caught the paper); a couple of Caps Only versions; plus condensed and expanded versions of the main faces. The Bold version is not an exact expanded version of the Regular version, please note, the characters are different (i.e. the misprinting is different) in the two weights. Western and Central European accented characters are included, and there’s a set of replacements for double-letter combinations such as bb, dd and OO, TT, so that 2 different letters will appear - which avoids having exactly the same grunge letter appearing twice in succession (20 or more pairings for each case, all the pairings that reasonably exist) which work as ligature replacements. The whole family constitutes a comprehensive package that offers a great variety of ways of presenting a grunge typeface for display, headlines and posters, while maintaining the thread of the same sans-serif style. The zip package contains both the TTF and OTF versions of the font. Install only one version on the same machine, installing both versions may produce all sorts of erratic behavior.

Rover Pro is a hand painted font family that comes in 5 styles: Regular, Bold, Bold Shadow, Bold Rough and Extra. It was designed with retail in mind, but is also perfectly suited for other uses. The flat brush that was used to hand paint all 424 glyphs creates a nonchalant stroke that adds a personal touch and plenty of pizzaz to your design. Combine Rover Pro Bold Shadow with the Bold and Rough styles for more variety and beautiful designs. For extra fun Rover Pro Extra adds another 85 glyphs to play around with. All in all Rover Pro is a smashing painted font family for virtually every project. Rover Pro is PUA encoded. This means that all Rover Pro's characters are fully accessible via Character Map or Font Book (that come with your PC or Mac).

Ginder – Bold Serif Font: Striking and Versatile Bold and Commanding Presence: Ginder – Bold Serif Font stands out with its strong, bold character. It’s perfect for titles and posters needing a powerful impact. This font captures attention effortlessly. Ideal for Titles and Posters: With its robust design, Ginder excels in creating striking titles and posters. It enhances visibility and readability. This font is a top choice for impactful visual designs. Adaptable Across Mediums: Despite its boldness, Ginder is surprisingly adaptable. It works well in both digital and print formats. This versatility makes it a valuable tool for various design projects. User-Friendly for Designers: Ginder is designed for ease of use, suitable for all skill levels. Its compatibility with multiple design platforms adds to its appeal. It’s a favorite among graphic designers for its simplicity and impact.

Magoat – Modern Clean Bold Font is the perfect choice to infuse a contemporary and bold touch into your graphic design projects. With its distinctive All Caps style, Magoat has the ability to capture attention with clarity and courage. Each character is designed with precision, showcasing the cleanliness and modernity that define this font. With its bold shapes, Magoat is well-suited for titles, logos, and other design elements that require a strong and clear presence. Despite its bold appearance, the clarity of each letter is maintained, ensuring that your message is conveyed with precision and readability. With Magoat, your design projects will gain a fresh, contemporary, and professional touch, bringing a clean and bold look to various visual platforms. If you have any questions please don’t hesitate to contact me Follow my Instagram: @fkryall Thank you

Introducing SAFARI SQUAD, the bold and stylish font perfect for making a statement. With its solid and italicized design, this font is perfect for creating impactful and attention-grabbing headlines and logos. The unique selling point of SAFARI SQUAD is the quirky stylized animal print alternates for the uppercase and lowercase letters, which add a touch of personality and originality to your designs. These alternates give you the flexibility to switch up your design and make it stand out even more. For those who can’t access the alternates, SAFARI SQUAD SUB is the same font but using the alternates as the default, making it accessible for everyone. SAFARI SQUAD SUB also offers the same solid and italicized design, perfect for creating impactful and memorable designs that will leave a lasting impression. SAFARI SQUAD and SAFARI SQUAD SUB are perfect for a wide range of uses, from social media posts and website design to marketing materials and publishing projects. These versatile fonts are sure to make your content stand out, whether you’re creating a bold and striking headline or a unique and eye-catching logo. Make your designs stand out with SAFARI SQUAD and SAFARI SQUAD SUB, the bold and unique fonts that’s sure to elevate your design game. SAFARI SQUAD comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;'”,.\|/?{}“”‘’-–—_ …‚„©®™‹›«»°¹²³¡¿₱¢€£¥¶§† ÁÀÂÄȦÃÅĂĀĄÆĆĈČĊÇÐĐÉÈÊËĖĒĘḞǴĜǦḠĠĤȞḦḢ ÍÌÎÏĪĮĴḰǨŁḾṀŃÑŇÓÒÔÖÕŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪȚ ÚÙÛÜŨŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâäȧãåăāąæćĉčċçðđéèêëėēęḟǵĝǧḡġĥȟḧḣ ıíìîïīįĵḱǩłḿṁńñňóòôöõōőøœṕṗŕřṙśŝšşșťṫț úùûüũůŭūűųẃẁŵẅẇýŷÿźẑžżƶ SAFARI SQUAD SUB comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;'”,.\|/?{}“”‘’-–—_ …‚„©®™‹›«»°¹²³¡¿₱¢€£¥¶§† ÁÀÂÄȦÃÅĂĀĄÆĆĈČĊÇÐĐÉÈÊËĖĒĘḞǴĜǦḠĠĤȞḦḢ ÍÌÎÏĪĮĴḰǨŁḾṀŃÑŇÓÒÔÖÕŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪȚ ÚÙÛÜŨŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâäȧãåăāąæćĉčċçðđéèêëėēęḟǵĝǧḡġĥȟḧḣ ıíìîïīįĵḱǩłḿṁńñňóòôöõōőøœṕṗŕřṙśŝšşșťṫț úùûüũůŭūűųẃẁŵẅẇýŷÿźẑžżƶ