Niliya is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Rellive is a font with distinctive handwritten characters, and perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features: • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature

Grist Mill JNL was modeled from an old wood type design and has all of the wonderful quirks that made wood type so appealing for many projects. There is minimal kerning because of the unique letter shapes, so you may wish to adjust your layout to fit your needs.

welove a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Balyona is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Smithalia is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Love Sunday is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! Love Sunday is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introducing, Rofane Typeface. A classy and modern typeface that exudes timeless charm and elegance, designed with tight kerning and spacing to achieve a more aesthetic appearance. Available in 2 styles, regular and italic, it will add a luxury spark to any design project that you wish to create!

Beauty Valentinos is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project you wish to create! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

For those who wish to use the Sofia Pro font family in a variable version, this family comes in 2 files with 2 axes of variation (weight and italic). This version gives you a lot of freedom in the creation for your next project with a multitude of possibilities.

Betalina is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

The awesome sports font Vegapunk has unique cutouts, a dynamic slant, and gives the impression of power and speed. Ideal for fast-paced sports titles like auto racing, cycling, running sporting events, and automotive game logos and monograms, as well as other dynamic modern or vintage text. A wide variety of characters are offered by the available Ligatures and Italic styles, giving your project design an unique appearance. 5 Weights (Narrower, Narrow, Regular, Wide, Wider) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyps Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

In the last years our society has change a lot. Nowadays cities and countries are no longer static territories with well-drawn borders and a population perfectly defined. Globalization is a fact and the best consequence of it is the mixture of races, ideas and cultures, and this is exactly what this typography aims to show. Albollón is at once a semi-serif and a semi-sans serif typeface; it is a mixture made with the best parts from both sides. This way is how I understand a healthy society and a healthy design too. Albollón is designed to work in all types of text, both long and shorts, big and small ones.

Mango Flavor is my super cool comic-ish font with a taste of ... you may have guessed it...Mango! :) It's playful and jumpy and wants to be a part of the action!

Velvet is a heavy rounded block retro face inspired by the typeset album cover of the protopunk rock band The Velvet Underground’s debut. Stylistically, Velvet’s extreme angled terminals exude a sense of tension and irreverance, contrasting the smooth rounded block letter forms.

You may be familiar with a caps and small caps type called Cruickshank. In Germany the same face was called Eureka. We took the small caps, which are not so overblown as the caps, and designed a lowercase to harmonize with it.

Canterbury is a late Medieval Gothic font with a rough edge. This blackletter face is available with four different types of Capital initial letters or combined into one Opentype Pro font with all variations plus historic ligatures, alternates and even a few ornaments.

A simplified blackletter designed by Peter Behrens, architect and graphic artist who came into prominence around 1900. Issued by Rudhard's Typefoundry, Offenbach A. M., this face was typical of many in the Jugendstil period. Its squarish look works well in Craftsman period layouts.

The 1892 MacKellar, Smiths & Jordan specimen book featured this jaunty little face, designed by profilic in-house designer Herman Ihlenburg. Happy, hoppy fun. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Ratatouille was inspired by wooden faces of old with pointed serifs. Very suitable for Packaging greeting cards magazines posters and Advertising Ads. Designed in four weights from Extra-Light to Bold including Italics, covering a large range of editorial and advertising applications.

Emmie is a friendly display face with fat curly terminals, which is great for billboards, branding, headlines and editorial design as well as screen based applications. It has over 450 glyphs and includes opentype features such as discretionary ligatures and stylistic alternates.

Syntax was developed by Hans Eduard Meier in 1968 and presented by the font foundry D. Stempel AG. Its figures are based on Old Face characters but have a distinctive, modern design. The inclination to the right lends the font a dynamic feel.

My Aunt Celia was designed as a quaint, quasi-elegant display face using caps and small caps. The family consists of two fonts: regular and alternate which, between them, provide many special swash characters, tall caps and ligatures for lively, quirky, mixed settings.

The script designed for ParaType in 2006 by Isabella Chaeva. Based on informal handwriting, its characters have rough jaggy contours. In small sizes, the face simulates an effect of handwriting by felt pen on rough paper. For use in advertising and display typography.

The 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") collects a number of interesting and attractive lettering samples for design inspiration. One such example is Asian-inspired and was re-drawn as the digital type face now named Martial Arts JNL.

Based heavily on Gill especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well as a headline font.

The two Wetetque faces are dual-line fonts made with simple lines. The family has two styles and is caps only, but the lower case in each style is different from the upper case, giving the family has four sets of letters.

The 1897 specimen book from Barnhart Brothers and Spindler showed a enchanting little face called Dotted Roman. Here's a faithful revival, ready to warm up the 21st century. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The 1895 specimen book from American Type Founders included the pattern for this face, originally called Outing—Art Nouveau with a laid-back vibe. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

PhrackSle is a a Fraktur face with a difference: it has a uniform stroke rather than a calligraphic-pen stroke. It comes in four weights: thin, plain, bold, and extrabold. (For a version of the design done with a calligraphic stroke, see PhederFrack.)

Neon Extra Condensed was designed by Giulio da Milano and released in 1935. This all-capital typeface is similar to designs released in the early 1990s. The Neon Extra Condensed font is good as a headline face for magazines and book covers.

Gingar – a headline face, playful and classic – a proper font. Gingar includes swash-characters and ligatures in a wide range of weights from UltraLight to ExtraBlack, plus Italics. Typeface for life, fashion, food, wellness, magazines, corporate design projects and more. Rock with Gingar!

Oksana Greek has only basic Latin and monotonic Greek characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, ampersand, alternative characters -a-g-k-y- and Greek -Ε-Ξ-β-ε-θ-φ-.

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals

A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called "Arbor". The distinctive decorations of the face suggested a fool's cap, and thus the font got its current name. And don't call me Surely.

This is the Bruce Foundry’s Old Style No.20, which was loosely based on the Miller & Richard Old Style. It was recut at Lanston under Sol Hess’ direction in 1909, and survives as the second text face in the Sears Roebuck Catalogue.

Oksana Cyrillic has only basic Latin and european Cyrillic characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, ampersand, alternative characters -a-g-k-y- and Cyrillic -а-в-д-з-у-ў-.

Federal Streamliner was inspired by lettering seen on the side of a 1950s/60s era train. It speaks of the designs of the 'streamline' era and is ideal for retro projects invoking the 30s, 50s or 60s needing a simple distinctive display face.

AngloAngkor is a display face of Western characters inspired by the elegant “round script” style of the Khmer alphabet of Cambodia. It is the first of a projected series inspired by some of the beautiful lesser-known native scripts of Southeast Asia.

An unreleased typeface called "Aragón", designed by Enric Crous-Vidal, provided the inspiration for this decidedly retro face. It’s quite useful for distinctive and commanding headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).