Giordano Gold this is a beautiful font duo that includes: script and serif font. Capital Serif is sophisticated and elegant, perfect for headlines, logos, branding, short display texts. The fine brush script includes many alternatives that make it more expressive and playful, also included in the script are love letters that will perfectly complement wedding invitations, decorations holidays and much more. These fonts are harmoniously combined with each other and perfectly complement each other, easy to use and has OpenType features.

Micheliya has a font script that is provided with great tenderness to be presented with a variety of stunning character models. Micheliya combines a new design that features free, warm, modern features. taste. The diversity of weights provides a variety of choices that will help you find the best design colors for your project. Lighter weights are perfect for heavier body text ideal for high impact headers. Alternative styles available provide different characters that give your logo or business card a unique display.

Cover Up is a roughish font with a lot of character. Its edges are slightly jagged, there is no real baseline and it looks like the whole thing has been sand blasted. When you get to know Cover Up, you’ll find that it comes with a hidden agenda, because underneath the rough exterior lives an oh-so sweet heart. Use it for your product packaging, book covers and posters - it won’t disappoint you. Comes with an illegal amount of diacritics.

Pontiac Inline is a layered Art Deco font designed by Fanny Coulez and Julien Saurin in Paris. This finely balanced inline font can be enhanced to improve your designs and bring an unusual and modern feeling. You could change the inside color, then add a 3D or shadow effect. To do so, you can simply superimpose the elements in compatible softwares (Photoshop, Illustrator...) ; The Regular above, the Inside line below, for example. We hope you will enjoy our work. Merci beaucoup!

Macklany is a display sans, come with single weight, legible and expressive shapes. A lot of stylish alternates characters will makes this font suitable for your any project design. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

The Brownies, is a Romantic lovely font with irregular stroke style. trendy and feminine style. It looks lovely for weddings, invitations, thank you cards, quotes, business cards, and more your creative idea. What's Included : Full Upper + Lowercase Glyphs Number + Punctuation Ligatures Alternates Glyphs, Beginning, Ending, and Swash PUA Encoding How to access alternate glyphs? you can see it on this link ( http://goo.gl/1vy2fv ) Thanks for your support, please kindly send us a message with any question about our product.

Achispado which means tipsy or slightly drunk in Spanish is the name of a crazy funk font that was designed by Richard Yeend in 2003. Full of comic almost architectural elements bit and pieces of the entire history of lettering come together to create the letterforms of this typeface. Text set in Achispado will look just plain fun if a little tipsy at the same time! Achispado could be used in large display settings, in fashion or on jewelry items.

Skratchbook is a new handwritten font from the sketch pad of designer Tom Nikosey of CozyFonts. The family exists in 3 versions, Regular, Italic, & Back Italic. This font is a casual, coarse style meant to be used for personality and spontaneity. It's style conjurs anything from quick grocery lists to Halloween Party invites. It maintains amazing legibility in small sizes and it's true personality is revealed the larger it is set! Hoping this font finds your voice! Skratchbook, New from CozyFonts Foundry.

Hiroko is a remix of the multi-functional Hiruko typeface, with a bigger, bolder look and extra textured surface. Hiroko takes the functionality of its predecessor and turns it towards making an impact, so it does more than pass the message along, it makes it stand out and ensures that people read it. Hiroko comes with support for a number of languages, and has a finely crafted set of both upper and lowercase characters, round and friendly for a positive tone.

Hello I'm really excited to introduce Claiborne script, with a solid & a rough style. Claiborne script is perfect for poster design, book covers, merchandising, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. What's included? - Claiborne Solid.otf - Claiborne Rough.otf Feature - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative lowercase - Ligature - Swash If you need anything else just shoot me an email at: dedukvic@gmail.com Find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en

Valentia is an elegant font, casual and readable, this new script typeface is based on Copperplate style. Valentia has been drawn with spontaneous strokes and slightly contrasting thicknesses.The capital letters are full of expressiveness, with very dynamic "ductus" and linked ends, which allow to decorating with subtle and finishing touch. Contains small caps and titling. Decoration variables with its own terminal forms and initial forms. You can use Standard and discretionary ligatures, swashes, stylistic and contextual alternate, old style figures, CE languages andornaments.

Popsmart means "smart or skilled in a superficial, self-righteous or annoying way" - but when I was young in the 1980ies, it was a positive thing to be popsmart. At least in Denmark! :) Anyway, I find this font to be smart in a positive way: It has a bouncy appearance ( with help from the Contextual Alternates, the font cycles the 6 different versions of each letter!) and a "go-ahead-and-type-anything-and-it-will-end-up-looking-good" kinda vibe.

F .H. Ernst Schneidler, type designer and teacher, originally designed Schneidler Old Style in 1936 for the Bauer foundry. Stempel Schneidler is based on the typefaces of Venetian printers from the Renaissance period and possesses their grace, beauty, and classical proportions. The Stempel Schneidler, a completely reworked and tuned font family made by D. Stempel AG in Frankfurt, is a fine, legible text font that also works well in display. One of Schneidler's more unique features is its question marks.

With an extreme stroke contrast and wide, spacious construction, Olivette blends understated minimalism with elegance and expression. Olivette’s fine details shine at large sizes on screen and in print. Olivette CF pairs well with simple typefaces, set at smaller sizes, such as Greycliff CF and Artifex Hand CF. The key is to let Olivette breathe, setting it at large sizes with plenty of open space. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Wood Poster Display JNL is a more casual sans wood type, with a bold and friendly appeal. This font offers a pleasant design which lends itself perfectly to titling, price cards, event notices and any print or web design that prefers a less formal structure to its typography.

Jourba is my quick scribbled serif font. Here and there you can notice inkblobs and obvious clumbsy lines. Comes with alternate upper- and lowercase along with a lot of ligatures of the most used typical letter combinations! You will need to use OpenType supporting applications to use the ligatures.

Habone is a modern, sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Features: Multilingual Ligatures Alternates PUA encoded Files Included: Habone Regular TTF Habone Italic TTF

Fergana is a square display sans-serif typeface with an inverted or reverse contrast. It uses a very high contrast to be as loud, bold and noticeable as possible. Fergana is a powerful option at large sizes for use on headings, posters, billboards, magazines, advertisements, from casual to hipster.

The name Otis arose from an incident in a shopping mall in which, realising my shoelace was undone while on an escalator, I bent down to tie it, became aware of the approaching end, panicked, fell over, and in the process happened to notice the escalator's brand name.

Trick or Bite is an incredibly unique horror display font, with bite and spider webs in any characters. Add this font to your favorite Halloween themed ideas and notice how it makes them come alive. Trick or bite is perfect for posters, packaging, banners, advertising, apparel, and more.

Bodine is a bold and geometric looking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! What's Included? Uppercase & Lowercase Numbers & Punctuation Alternate & Ligature Multilingual Support PUA Encoded

All caps font with squarish letters. At first sight, it may look a little bit ordinary, but watch it with massive text - then you will notice the bounciness and the contextual alternates that automatically switches between the 5 different versions of each letter! Comes with massive language support!

The Camping is an elegant and stylish vintage slab serif font. This typeface is perfect for elegant and vintage logos, book or movie title designs, fashion brands, magazines, clothes, lettering, quotes, etc. Add this font to your favorite creative ideas and notice how it makes them come alive!

Loco is an impacting display typeface playing with simple geometric forms perfect for posters, flyers, magazines and everything that needs to look bold, noticeable and up-to-date. Loco was created to perfectly match Ambassador Plus Sans Light. Their combination offers a flexible tool for your creative designs.

RoundCut Bold is a geometric grotesque typeface, ideal for large sizes (display proposals and headlines). Its structure is modern, strong and bold, noticeable in its minimal and geometrically forms. Although visually simple, the construction of each letter form is complex allowing some expression and uniqueness to the typeface.

A vintage hand-punched brass stencil for the Pasadena Playhouse spotted online was the basis for Theatrical Stencil JNL. Slight variations in the letter forms from other similar designs might not quickly be noticed, but there is always a charm in the hand-made look of any stenciled lettering.

It's a very happy day when we stumble upon beautiful alphabets that were never digitized. It is even a happier day when the beautiful alphabet finds its way to us through friends and people who like our work. Some two months ago, the forms of this gorgeous font were pointed to us by a friend who saw it in an old Dover Publications specimen book showcasing historical alphabets. It was there under the name Vanessa, with nothing else to go by. We looked and researched for further information but found nothing else. So this gem comes to you like a coal that winked its way out of the ashes because it wanted to shine again. Flirt is very authentic art deco with a noticeable element of artistic pride, swashy delicate majuscules and very aristocratic, fashionable and flirty minuscules. The majuscules can be used as every other capitals usually are, or as initial caps. The minuscules can very nicely stand on their own quite independently from the caps whenever desired. These letters are quite similar to the hand lettering used on of the kind of theater posters, specifically burlesque and opera entertainment, which are now considered very retro-chic and fashionable to see hanging on walls in home or office. The initial specimen we worked from showed a single basic art deco alphabet with numerals which seemed as they belonged to another font. That alphabet became the base Flirt font, the numerals were redrawn to fit much better with the minuscules, and the character set was greatly expanded to include punctuation, accented characters, and many many alternates, especially for the majuscules. Majuscules with a descending right vertical stroke were a common artistic touch in the high days of theater posters, so we thought they would be great additions to the character set. These alternates can be found all over the font. So to maximize the design fun, have a character map or glyphs palette handy when you use Flirt. After the base font was finished, we thought it would be a good idea to give it a bold treatment unlike anything seen out there, and the farthest thing from the mechanical bolds seen everywhere now. This bolding treatment consisted of thickening the lowercase's vertical strokes inwards, but leaving the horizontal stroke weight as is, and thickening only the thicker vertical strokes of the uppercase. The result is quite the visual feat. We encourage you to test both the regular and bold weights and see for yourself.

Hello Anggela Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Hello Anggela Script come with 275+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. How to access and use font glyphs on a Windows PC : https://designbundles.net/design-school/how-to-access-use-font-glyphs-windows Accessing Font Glyphs with Font Book on Mac : https://designbundles.net/design-school/access-font-glyphs-mac Can't find Glyphs on Mac? Make sure you are in Repertoire Mode! https://designbundles.net/design-school/cant-find-font-glyphs-mac NOTE : Tail is available only for lowercase letters. Thank you

It can be a difficult task to find a unique, attractive, prominent display font for your design because you always want to use a more distinctive font than the others. Therefore, Chubby Lines offers you the best solution. It is a lovely display font in rounded shapes to express soft, friendly nuances to your design. Its unique geometry details and contrast sketch lines create a visually interesting font. To be easily readable, this font is best applied for big text sizes, which also provides you with a special clipart as a bonus. Furthermore, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Chubby Lines fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

In 1990 I designed the font XLeafMeAlone. In 2006 I decided that it was time to improve it. Instead of adding to it, I created two new fonts containing almost 200 leaves: MapleOaks and More Leaves. Among the leaves you will find in MoreLeaves are elm, cottonwood, tulip tree, ash, hickory, locust, ginko, aspen, sassafras, hawthorn, beech, and birch. There are also a few that come from shrubs and I am not sure what they are, but they looked interesting so I put them in. You will not find oaks, maples, or sycamores--they are in MapleOaks. Why leaves? Because people like them. As a large part of the biological world that is all around us, leaves are fascinating in their shapes and endless variations. In XLeafMeAlone I took about 50 shapes and rotated them 180 degrees to give a typeface with approximately 100 glyphs. In each of these two typefaces, MoreLeaves and MapleOaks, there are almost 100 glyphs. Each of those glyphs is rotated in 90-degree increments to yield two families of four typefaces that should be very useful if one wants to create borders of leaves.

"Humanista" is the name of a multilingual chancery script font by Bertram Kaiser. The idea in this long-term project was to blend the boundaries between analogue calligraphic handwriting and designing a font digitally, while using all technical possibilities of modern type design. All glyphs were originally written with a broadnib and then carefully vectorized, creating a human charme inside the font. In this design you will find influences from great calligraphy masters like Hermann Zapf or Werner Schneider. The pro version comes along with a big variety of alternate glyphs, initial and terminal forms, swash capitals and ligatures, which gives you the possibility of designing individual text layouts. Inside the font you will also find a set of italic roman capitals plus fitting numerals and interpunction, which can be treated like a font itself. You can activate them through the Open-Type menue (stylistic-set 4) or set manually via the glyphs window (ADOBE applications). When using the feature "swashletters" make sure to also activate the feature "contextual alternates" to get an appealing textdesign with alternating swashletters. This font can be used for display sizes as well as for smaller textsizes like on Invitationcards or in magazines.

Finding the right fonts for your projects is a challenge because improper fonts will deliver improper messages resulting in unprofessional appearances. Therefore, Trafit is here as your problem solver. This is Trafit, a perfect font to show luxury, class, and eternity. Trafit is an outstandingly designed stylish serif font. Its soft, clean lines and indentations show elegant impressions for your prominent designs. Its letter edges have hooks like the other serif fonts. The simple shapes and even sizes help to make it legible. Due to the great legibility, this font is applicable for any text sizes and length. In addition, you can enjoy the features available here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Trafit fits best for various design projects, such as brandings, posters, banners, greeting cards, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Large font sizes are often hard for the eyes to see and difficult to read. As a consequence, you have to give a lot of extra effort just to find out the right, legible font type with a great weight for your brand. Restages is a capitalized display serif font with less thickness for an effortless readability. This font type is perfect for formal contents because of its stylish, elegant characters to strengthen the impressions delivered. Furthermore, this font is truly legible due to its simple, regular serif forms to ease readers to recognize each letter correctly. Make use of the font features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Restages fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media. The basic "A" subfamily, developed in in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The "B" subfamily, developed in the same ten weights, shows a more contemporary "brutal" approach, with slanted lines, deep inktraps and stronger contrast. All these features are brought to the extreme in the ten weights of the "C" subfamily, with each letter a bombastic show of exhuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistc sets. For control freaks the family package includes two variable font versions that allow fine tuning and control of the design options.

From the realm of insigne, a new family has risen. By name, Mandrel. Courtly in character and elegant in appearance, the face finds great favor among those with whom it seeks audience. With confident air, Mandrel carries itself gracefully before each pair of eyes, never faltering or stumbling in its refined step. But while dressed with gentility, this elegant family is not faint of heart when challenged. Crafted well for high-impact resistance, Mandrel steps boldly and prominently into the arena of the reader’s eye, boasting its tall x-heights, high contrast, confident bends, and sharp serifs. Skillfully, it wields its sharp serif endings, cutting swiftly through opponents’ crude clutter, which fights for the reader’s attention. From Thin to Black, nine weights and their matching italics make up this noble family. Mandrel furthermore includes an abundant treasury of OpenType variables to adorn your text. Ligatures, old-style figures, and stylistic sets are available to accompany the family’s 500 glyphs and its support for more than 70 languages. Raise your cup to this new Mandrel! With strong serifs and high contrast, you’ll find this champion ready to take up your challenge in many a test ahead.