Hello, Youth Calm is a stylish, retro serif display font. Its funk and groove will definitely come in handy when you need to create some relaxed, laid-back designs. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype Character Alternates Ligatures If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Illushvara Design

Alstoria is a Bold Serif Display font. Suitable for your projects like branding, packaging, printing, header, and many more. Contains 320+ glyphs and 10 ligatures. You could check the full glyph map at this link. This font also contains many swash alternates option to play. Works well for vintage and modern style like you see in our preview images.

'Old letterHand' is a very legible handwritten script font, created with a fine brush pen. The font was made with old style lettered ads in mind but it is has a modern look. It features a couple of ligatures, alternate characters and a few swashes for you to play around with. Related fonts are fourHand and blackHand.

«KRAYS» is an ultra-thin font display. Simple structure and fine uniform strokes contrast with bold squares in the structural units. The combination of gravity and lightness. Krays supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported. The font has one Regular weight. All uppercase. Krays font was designed by Viktor Pesotsky.

ITC Nora was designed by James Montalbano when he was on a 1930s sign-lettering kick, poring over showcard manuals to find inspiration for new typeface designs. A few letters led him to create this informal, goofy" script, which falls between the many formal scripts and the completely extravagant. ITC Nora displays a free-flowing openness and elegance."

Based on a mid 20th century retro typestyle, Average Joe is anything but average! You might even find that it breaks the rules and is somewhat of a rebel. Because this font has such a bouncy style, I've created extra characters for ease of flow when you type. Try combining upper and lowercase letters for a really fun look!

The Fontazia Stiletto font was inspired by my personal obsession with shoes. This is a stylized version of some of the lovely footwear found in my personal closet as well as some of my equally obsessed friends. You'll find 52 assorted shoe illustrations ranging from sandals to boots, some a little strange, but all in good fun.

Rail Route Stencil JNL is based on a hand-cut paper stencil depicting a logo for the Baltimore and Ohio (B&O) Railroad. The lettering is from the motto encircling an image of the Capitol dome: "Linking 13 Great States with the Nation". This motto was not present on some other versions of the B&O logo.

Crowded rounded vintage font was created by our talented artist with full passion for vintage display. You will find a fresh vintage sensation. Visit our gallery and enjoy the previews. Includes: Crowded Regular Crowded Ornament Features: Accents (Multilingual characters) 16 Ligatures 79 Alternates PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for visiting and purchasing my font.

Introducing Bespoke Display, a font that captures the essence of elegance and creativity by seamlessly merging the classical charm of a modern serif with the flowing grace of an elegant script. In Bespoke Display, you'll find a font that defies convention, creating a harmonious symphony between serif and script letters, crafting a unique visual language that speaks volumes.

Gofar is a font duo that combine Serif and Script font. The Gofar Serif font looks contemporary and modern, some letters has unique form. You will also find Gofar Script with ligatures that beautiful to pair with. This font perfect for every project like branding, editorial design, book, logo, website, social media, and any project you like.

Woolwich is a jolly fine display font, named after a district in south-east London. Woolwich, somewhat inspired by Futura condensed, was completely made by hand and comes in a clean and an eroded version. It is highly legible and will certainly make your designs stand out. Woolwich speaks a lot of languages, including the language of doodles.

Mexican City is a slab serif font with western feel. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs. Perfect for headlines or logos, jacket, Porter finds its inspiration in the style of mid-19th century typefaces using generous slab serifs and a hard-working appearance.

Please read before purchasing! This font resembles one the of many traditional sign-writer styles used for fire and rescue vehicle lettering. Limited to English and entirely to capitals, numbers and select punctuation characters. The intended purpose for this font is for vehicle lettering and sign design. You may find it useful for other applications as well.

Oxford was designed by Arthur Baker for Agfa Compugraphic in 1989. A calligraphic typeface with a slight incline, fine lines, and delicate serifs, Oxford is easily identified by its quirky lowercase b. Oxford is a functional display type for headings, announcements, and brochures that also works for setting small amounts of text, such as ad copy.

Girando is the traditional book typeface with distinctive personality and a contemporary twist! Inspired by the everlasting ideas of Claude Garamond, it impresses with many fine details and an elegant shape – viable not only in small sizes. The family includes 2 harmonic weights, true italics, small caps, old style and lining figures and pretty as well as useful ligatures.

Shesek is an informal, loose, handwritten font without any frills. It is deceivingly plain, but when you use it, you will find out that Shesek has a distinct taste, not unlike its namesake, the Japanese plum, or Loquat. The Loquat is a soft, oval, yellow fruit which is grown mostly in Japan and Israel (where it is called ‘Shesek’).

Introducing Raque is a Capital Modern Serif, use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

A collision between fine, fat caps developed by legendary letterer Alf Becker, and a squirrely, curly, uncredited lowercase uncovered by artist Leslie Cabarga produced this merry romp through the alphabet. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Tunning Pro, is a perfect font for action titles, it contains 12 fonts that are separated into Regular version and Alternative version, each one contains the Cyrillic and Greek alphabet, in the alt version you will find many alternative letters for example Letter "A" contains 5 styles to add to the beginning or middle or end of a text.

The late-19th and early-20th century standard blackletter family in Germany, in three weights. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and by typing the combination N-o-period and activating the OT feature Ordinals you get the numero sign.

OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: tinyurl.com/2fbkuy95

ITC Fenice font (pronounced fe-nee-chay) is the work of designer Aldo Novarese and was influenced by the traditional designs of Didot, Bodoni, and Ibarra. It displays the fine serifs of a Bodoni but blends such characteristics with a contemporary structural style. ITC Fenice font is perfect for applications requiring the economical use of space.

Kaleidoxope is my hand-drawn headline font. However, I traced the font digitally to make it look more smooth - but still kept the handmade look. As usual it has that well known pizzadude mixture of funk, grafitti and a teaspoon of madness! Comes with alternate characters for double lettering and a swashy version of most letters! Enjoy! :)

This charming type family comes in four widths: Regular, Semi Condensed, Condensed and Extra Condensed – bringing flexibility and diversity to your drawing table. Crisp details convey confidence without losing fineness. Arnika is your ally for all things classy. Although it is a match made in heaven for beauty products and fashion magazines, we leave its usage to your imagination.

The Woodchip fonts are a collection of fun and edgy, worn and pitted, rough and crunchy typefaces. Styled to be comic & playful enough for children's products, yet edgy enough to advertise a dirt bike/monster truck marathon and anything in between. Sink your teeth in. It’s suitable for some interesting titling and short bits of copy.

A fine, fat Deco face named Ludlow Stygian provided the basis for this delightful typeface. Although generally formal in character, the font shows a hint of playfulness in the distinctive “humpback” h and n characters. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Noted British designer Phill Grimshaw designed Gravura in 1995. Gravura is a classic copperplate script with perfect strokes and proportions. The intricacy of its initial capitals blend beautifully with the simple elegance of its lowercase, whose letters have been designed to link together in the style of true handwriting. Text set in Gravura feels very personalized.

Based upon classic typefaces such as Bodoni, you might find Rookie Heat familiar. However, the rough outline and handmade look and feel makes it perfect for your craft products. All in all, Rookie Heat is reflecting the beauty of decorative objects. Play around with the swashes for upper- and lowercase to make your designs stand more out.

Introducing Arabic font in the regular and bound style named Kebagh. Our display fonts are perfect for your various projects, magazine covers, packaging, and many other design projects. You’ll find designs ranging from traditional to modern with a variety of different styles in between. Check out our collection and start creating amazing projects with this font!

An Art Nouveau, hand lettering on a Good Housekeeping magazine cover from the 1920s inspired Monthly Issue JNL, which is available in both regular and oblique versions. Prior to the 1940s, it was not unusual to find the covers of many popular magazines hand lettered with either their names and/or content information; often in different type styles.

Asparocus is a modern and clean font duo that includes all caps sans serif and script font style. Sans serif style comes in 16 weights with italics + variable fonts. Designed with a modern minimalist mind, Asparocus is suited for display, advertising, web design, headline, branding, logo, text, business card, and many editorial design purposes. What you will get: All caps sans serif and script font style Numbers and punctuation Multilingual Ligatures Alternates Opentype features Future Updates Available We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Introducing NERMOLA Scripcy Font from alitdesign. The rise of typeface duos in the marketplace made us not want to be left behind so we created a pairing of our own. This font duo launch contains both a sans serif and signature script. NERMOLA Scripcy sans serif has characters that are unique, elegant, formal and assertive. It is suitable for the heading or subheading of any text. The uppercase of the sans looks very unique and elegant. The script letters are also unique and natural in character. Additionally, it has several alternatives that can be replaced using OpenType features. NERMOLA Scripcy fonts are the perfect addition to your font collection library. The designs are elegant and romantic and are equally suitable for logotype design and for any phrase, poem, or quote.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

Qualion Text™ is a modern geometric sans serif typeface with humanist and calligraphic inspirations. It is a text family designed for excellent legibility. Qualion Text™ is a sibling of Qualion™ & Qualion Round™, geometric family with lots of swashes and ornaments. Letter shapes and proportions has been adjusted to fit paragraph text and small sizes: - typeface is narrower now in order to fit more text in the design space - larger stroke contrast - pronounced ink traps and tapering - elegant true italics made even more calligraphic - adjusted spacing and kerning - adjusted font weights The main purpose of the family is clean and legible paragraph text, however it is very attractive choice for branding, headlines and display use, too. The italic styles as well as thin, bold and black upright styles have very strong character and look great in display sizes. Italics are very fluent, calligraphic, subtle and elegant, from the other side bold and black uprigths are very modern, powerful and unique thanks to the pronounced ink traps. Qualion Text™ family consists of 20 styles - 10 weights with corresponding true italics. Both have extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, swashes, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to play many different roles. The font has 5 predefined instances, Thin Display, Light, Regular, Bold and Heavy Display, in two styles, regular & italic, with 716 glyphs each of them. Polar has 25 OpenType features such as ligatures, fractions, stylistic alternates, localized forms, old-style figures, etc. It can be suitable for long texts. It also works great as a perfect display font for all caps headings, especially with its thin and heavy weight variants. Polar covers Latin, Central European characters & supports 101 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Igbo, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Tasawaq, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zarma, Zulu.

Fork Brush inspired by realistic dry brush. all-caps font was hand-drawn with a real acrylic ink, Fork Brush offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Inkblock is based on various ink printing and rubbings from an ancient wood type set. Inkblock the alphabet has lots of detail, so looks great printed large. It's a good headline font or whenever an antique look is needed.

Second Impression JNL is the solid version of Lasting Impression JNL by Jeff Levine. It emulates the look of ink-stamped letters and numerals. Based on a 1930s-era set of rubber stamps, there is a limited character set.

Dragon Spell is a magical handmade font. It was created with a small brush and Chinese ink. Use it for your spells, your books of magic, or some creepy halloween cards. Dragon Spell comes with a realm of diacritics.