Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's extensive background in Islamic calligraphic art. The slight back slant further enhances the appearance of hand-scribed pen calligraphy.

In contrast to the traditional process, Zubizarreta was created with the technique of emptying ink out to shape the letterforms. Oddly enough, the result is a type reminiscent of Basque.

Sandy is a handwritten sans serif font, based on shapes made with ink brush. Sandy is a lively and informal typeface with good readability. Most of European languages are supported.

Magwey is a fun and friendly retro groovy font, with experimental ink traps. suit for magazine cover, brochure, logos, Headlines or Quotes, Stand alone displays, and short paragraphs or contents.

Mimeograph Lettering JNL is based on one of the numerous plastic lettering templates once manufactured by the A.B. Dick Company of Chicago and is available in both regular and oblique versions. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. As with a companion font (Mimeograph Template JNL), the character shapes follow the routed letters of the template, complete with rounded terminals. A previous font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

Smoke Signals is a calligraphy font handmade using a real dip pen and ink with lots of bonus goodies. Smoke Signals includes: tons of ligatures for a smother text small caps that act as an all caps font a bonus set of ornaments a bonus set of grunge elements, such as splatters, ink blots, scratches Smoke Signals is perfect for any design that needs a vintage calligraphy look. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.

The initial characters in China Market were created in 1996 for a logo featuring the Temple of Heaven in Beijing where emperors from the Ming and Qing dynasties worshiped heaven and prayed for abundant harvests. The font was completed in 2010. It is composed of a regularly positioned curved and straight components as if part of a decorative grillwork or other architectural detail. While its influences and origins are clear, its appearance is relies more upon the geometry of its basic elements and the modular structure than a specific stylistic idiom.

Template Basic JNL was inspired by a simple sans serif lettering template used in the days of ink and technical pen renderings, and is available in both regular and oblique versions.

Twisted System is a nice little China Ink font. It is a bit random, loose, uneven and shaky, but comes with a lot of character and some interesting alternates as well.

This Year is a duo font that contains fine line script font and playful slab that had cute, playful, joy, youth, and bouncy feel. suitable for social media, branding, craft, products, handwritten, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism. Thank you!.

A mixture of bold and fine line helps this distinctive design evoke the spirit of the 1930s Jazz Age. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Fine-built, straight but not official, with soft corners is suitable for short texts, placards and advertising. It was inspired by 1970s when people were mad about robots, space and so on. I decided to create a font as if it was a progressive font of the 1970s.

Embark on an epic journey with "Mythical Vikings Power," a font infused with the might of Norse warriors, runes, and Viking ships. Channel their fearless spirit and unleash your creative potential in every design. Follow the link for more info: https://www.behance.net/gallery/137062963/Mythical-Vikings-Power-font

This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the corner, and continue with typing [alt] + p. Duplicate and mirror the lines to get a fantastic frame.

Klee is the work of British designer Timothy Donaldson, who was inspired by the work of the famous modern artist Paul Klee. The capitals can be used alone or with the lowercase letters. Klee is a unique, roman typeface whose fine line structure gives it a delicate, feminine appearance.

Tall and narrow in stature, elegant by design and Art Deco in style, Deco Elongated JNL is a wonderful type design for setting long lines of copy in less space. The retro elements of this font conjure up images of fine fashions, fancy nightclubs and big band music…

Greyton Script is the work of South African designer Gerhard Schwekendiek, who is known for his script lettering and logos. This copperplate script face looks almost ribbon-like, a feeling accentuated by the letters' fine inline. Greyton Script is perfect for eye-catching headlines or personal invitations and greetings.

This is my and it's handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I've added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.

Netherland Perpendicular, a family of five typefaces, is Greater Albion’s end of year Blackletter release for 2015. It is designed in the fine traditions of Victorian Revival Blackletter, where historical veracity is ever sacrificed to aesthetic calm. The five typefaces share uniform metrics, making for charming colour overlay effects.

Odessa was designed by Peter O'Donnell, an impressive, refined sans serif typeface based on the compass and ruler design of Futura. It is best set with wide letter spacing and is particularly good for an upscale, fashionable look. The fine-line casing of Odessa emphasizes its clean, proportioned features.

Designed by Ashley Havinden, Ashley Inline is a monoweight all-capitals typeface with a hand-crafted look, suggesting European decorative wood-cut letters from the twenties and thirties. The term inline refers to the fine reversed-out line in the centre of the characters of the Ashley Inline font.

NeoScript Pro is a family of typefaces that leads Neoscript Pro Zero, a commercial script writing similar to those used in ads advertising the 40s and 50s, with fine lettering combinations of that time. NeoScript Pro is ideal for composing headlines and subheads and this is supplied four variations.

monogrammed party select and make this your craft to add a perfect impression to your design Take a look at the preview image and you will find out what this monogram is for make sure you don't miss it There are several monogram options to suit your taste

This typeface finds its inspiration from hand-lettering by Albert Roller for Ver Sacrum magazine in 1903, made famous by its revival on many psychedelic posters of the 1960s. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Halfway between nineteenth century display wood letters and the American grotesk sans-serif of the early twentieth, we can find Ultramarina, a display font for use in large body headlines, which show its power of attraction to quality food, the country’s legume, and gentlemen with a mustache and apron.

Azariel is a decorative calligraphic script font designed to have linking characters in the lower case and elaborate swashed capital letters which overlap and nestle with adjoining characters. It's very elegant - excellent for invitations and other decorative uses where you want something a bit less formal but very stylish.

Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!

Inspired by the Inland Type Foundry's 1901 design "Hearst," (which was a copy of a design by Frederick Goudy... The story behind this font and its naming can be found in the Hand-Picked Links below), this rustic font makes an excellent companion to P22 Arts and Crafts.

Avadar is a typeface with a fine serif of straight lines and an inner line that breaks the glyph in two. The type is indicated for use in large or very large sizes, especially for display graphics; the spacing between glyphs makes the readability of the text increase.

As he eyed the bloody corpse of Lefty Jones in the hallway, Mac figured the crook had it coming: he always seemed to end up in the wrong place at the wrong time. Mac sighed, his head heavy with last night's alcohol; this meant another day behind his desk, typing endless reports and drinking the bureau's poor excuse for coffee…

Valute is a custom font with variable typeface, but at first glance it looks very mischievous. Very thincontrasting lines are very legible with heavy use of paragraph text. We made Valute with 9 weights that include ligatures and are multilingual. We will make language and feature updates in the future as this is a long-term project that we will be building on.

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Jeames brings familiarity to the often detached feeling extended serif genre. The curved, heavy, joints let the letters bounce along while the proportions and contrast keep your eyes grounded. This mid century inspired family of three weights is intended for large titles and display. The set includes language support, opentype fractions, and other fun glyphs. You can learn more about its development here.

Inspired by the logo from “Lollapalooza”. The intention was to design a cheerful, entertaining typeface. Lolapeluza works perfectly for designs for children and youth. 4 variants are also included: -Regular: Basic set -Black: Heavy -line. Lolapeluza can run over or behind a text -Shadow. A Cyrillic alphabet is also included to enhance but the typography is more a set of alternatives.

Stop is a heavy futuristic sans serif display font, designed by the famed Italian type designer Aldo Novarese. Stop's forms are vaguely stencil-like, and some of them only read as letters when used in combination with each other. Nevertheless, Stop has a real computer-technology" feel to its design. It should be used exclusively for headlines or logo work."

​​​​​​​Introducing our Quiky! A playful, hand lettered font. It has smooth lines, a heavy weight, sweet curves and a lot of character that you can name it. Quiky suits for your design such as invitation design, stationery, branding, blog design, advertising design, card, art quote, home decor, book title, special events and more. This font also includes Latin Characters for language support.

Square "robocap" typeface containing some little bit of experimental letters such as "t" or "f". Designed by Dusan Jelesijevic who wanted to make a font that would look heavy as building construction printed on your shirts. Even if it looks strong and stable, it is surprisingly very readable at small sizes which make it perfect for titles, posters or logotypes.

This super bold display font created by Gholib Tammami , Tamarin Font perfect for your display content with heavy titles and headlines. This font has a unique style with uppercase, lowercase, number, punctuation and ofcourse with multilingual support. Tamaran Features : Mulitilinguange Support If you have any questions, before or after purchase, please feel free to get in touch. Thankyou for coming!

Heino is a decorative face with two font styles that was inspired by an old magazine lettering. Its original features include heavy serifs and tight spacing, particularly if you take the Black version. The bouncing letters create a cheerful impression, and would look nice in children’s books and magazines, on candy and food packages, holiday and circus posters and flyers.

Sponge Bear is a playful heavy display font, this unique font is suitable for various designs that require thick text and designs with funny, cheerful, happy, spirit, adventure themes. The stylistics of the Sponge Bear font will change the vertical position of the letters randomly, this will make the series of words more unique and interesting. Have fun creating with Sponge Bear.