Telecom is a new, experimental typeface designed by Jan Estrada-Osmycki. Inspired by space-age, science-fiction and the work of Wim Crouwel. It's design combines mechanical, modular approach to type and elegance of letterforms. It's super-high contrast, thin hairlines and close attention to detail makes it a font to be set in greater sizes. Comes in four weights.

I glad to introduce to you my new display font Anchor. I was inspired by Russian fairy tales with cyrillic lettering. So I hope you'll keep a bit of fairy in you upcoming products using my font. Please, mind a spirit! It perfectly fits to making design from corporative identity to Xmas cards. And it has extra symbols for european languages.

Meet Mindset, an open-minded versatile hand-drawn family. Its regular and slim cuts, both all-caps-with-alternates for that unique feel, fit countless purposes where a touch of hand​-done is welcome. There’s yet a picture font with plenty of stylish graphic elements for added coolness. Give it a try and see for yourself. It's all in the mind, y'know.

Halloween soon arrives!!! Blade Halloween is a natural Serif style handwritten font. This font has sharp angles that gives it a horror look, but it still remains firm and attractive. Blade Halloween includes uppercase & lowercase characters, alternate glyphs, punctuation, numerals, and multilingual support. That way this font is perfect for meeting your Design and Branding needs in welcoming Halloween day!

"BD Supper" is a friendly and humorous geometric-organic sans serif typeface great for use on food packaging and in gastronomy-related topics. It features a wide selection of alternate characters to choose from. Use them as you like. With two weights regular and bold, «BD Supper» fits the needs to structure a body text with a headline and to create logotypes.

Makeevka typeface is sans-serif semi-condenced font family. It has wide multilingual support with cyrillic also. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Carol Gothic is a traditional blackletter face closest to Linotype’s Old English. Typefaces of that style were used quite frequently in the 19th century English typography, so Carol Gothic fits perfectly for Victorian--looking designs but it is also suitable for any layouts which need blackletter. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for film and tv, music and nightlife as well as poster and billboards. FF Beekman Square provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Montela - is a modern calligraphic typeface with several alternate ligatures as well as swashes. This font is made in a modern style with a very beautiful, elegant, very casual start and finish and fits your various design needs Perfect for logos, branding, titles, social media posts, advertisements, product packaging, product design, labels, photography, watermarks , special events, magazines, web design, etc.

Impressed by the quality of the Aachen typeface that was originally designed for Letraset in 1969 and extended to include Aachen Medium in 1977, Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family. Derived from the serif-accented Egyptienne fonts dating to the early 20th century, Aachen has serifs that are very solid but considerably shorter than those of its precursor. The incorporated geometrical elements, such as right angles and straight lines, provide the slender letters of Aachen with a slightly technological, stencil-like quality. Despite this, the effect of Aachen is by no means static; its dynamism means that this typeface, originally designed for use in headlines, has come to be used with particular frequency in sport- and fitness-related contexts. Jim Wasco, for many years a type designer at Monotype Imaging, recognized the potential of Aachen and decided to extend the typeface to create an entire typeface family. He appropriated the existing Aachen Bold in unchanged form and first created the less heavy cuts, Thin and Regular. Wasco admits that he found designing the forms for Thin a particular challenge. It took him several attempts before he was able to achieve consistency within the glyphs for Thin and, at the same time, retain sufficient affinity with the original Aachen Bold. But he finally managed to adapt the short serifs and the condensed and slightly geometrical quality of the letters to the needs of Thin. The weights Light, Book, Medium and Semibold were generated by means of interpolation. Supplemented by Extralight and Extrabold, the new Neue Aachen can now boast a total of nine different weights. Wasco initially relied on his predilection for genuine cursives in his designs for the Italic cuts. But it became apparent with these first trial runs that the soft curves of cursives did not suit Aachen and led to the loss of too much of its original character. Wasco thus decided to compromise by using both inclined and cursive letters. Neue Aachen Italic is somewhat narrower than its upright counterparts; the lower case 'a' has a closed form while the 'f' has been given a descender, but the letters have otherwise not been given additional adornments. The range of glyphs available for Neue Aachen has been significantly extended, so that the typeface can now be used to set texts not only in Western but also Central European languages. Wasco has also added a double-counter lowercase 'g' while relying on the availability of alternative letters in the format sets for the enhancement of the legibility of Neue Aachen when used to set texts. The seven new weights and completely new Italic variants have enormously increased the potential applications of Aachen and the range of creative options for the designer. While the Bold weights have proved their worth as display fonts, the new Book and Regular cuts are ideal for setting text. And the subtlety of Ultra Light will provide your projects with a quite unique flair. The new possibilities and opportunities in terms of design and applications that Neue Aachen offers you are not restricted to print production; you can also create internet pages thanks to its availability as a web font.

Description: Step into the hauntingly nostalgic world of 80s horror films with 'Witch Whirlwind' a meticulously handcrafted font that channels the chilling essence of vintage movie posters. This font will infuse your designs with the eerie charm and crafty appeal you've been seeking. What Awaits You: Unique Font: 'Witch Whirlwind' boasts meticulously designed letters, numbers, and additional characters inspired by the spine-tingling aesthetics of the 80s. Multilingual Mastery: Your audience knows no bounds with our font, offering complete multilingual support. Why 'Witch Whirlwind' is the Choice for You: Recreate the authentic atmosphere of vintage horror films with this unique font. Elevate your poster designs, t-shirt graphics, and logos with an unmistakable crafty touch. Seamlessly adapt to different projects with multilingual support and versatile font formats. Seize this opportunity to infuse your designs with the spirit of the 80s. Download 'Witch Whirlwind' now and start creating captivating visuals.

Description: Step into the hauntingly nostalgic world of 80s horror films with 'Coffin Stories,' a meticulously handcrafted font that channels the chilling essence of vintage movie posters. This font will infuse your designs with the eerie charm and crafty appeal you've been seeking. What Awaits You: Unique Font: 'Coffin Stories' boasts meticulously designed letters, numbers, and additional characters inspired by the spine-tingling aesthetics of the 80s. Multilingual Mastery: Your audience knows no bounds with our font, offering complete multilingual support. Why 'Coffin Stories' is the Choice for You: Recreate the authentic atmosphere of vintage horror films with this unique font. Elevate your poster designs, t-shirt graphics, and logos with an unmistakable crafty touch. Seamlessly adapt to different projects with multilingual support and versatile font formats. Seize this opportunity to infuse your designs with the spirit of the 80s. Download 'Coffin Stories' now and start creating captivating visuals.

Description: Step into the hauntingly nostalgic world of 80s horror films with 'Burnt Dreams,' a meticulously handcrafted font that channels the chilling essence of vintage movie posters. This font will infuse your designs with the eerie charm and crafty appeal you've been seeking. What Awaits You: Unique Font: 'Burnt Dreams' boasts meticulously designed letters, numbers, and additional characters inspired by the spine-tingling aesthetics of the 80s. Multilingual Mastery: Your audience knows no bounds with our font, offering complete multilingual support. Why 'Burnt Dreams' is the Choice for You: Recreate the authentic atmosphere of vintage horror films with this unique font. Elevate your poster designs, t-shirt graphics, and logos with an unmistakable crafty touch. Seamlessly adapt to different projects with multilingual support and versatile font formats. Seize this opportunity to infuse your designs with the spirit of the 80s. Download 'Burnt Dreams' now and start creating captivating visuals.

Description: Step into the hauntingly nostalgic world of 80s horror films with 'Graveyard Wind' a meticulously handcrafted font that channels the chilling essence of vintage movie posters. This font will infuse your designs with the eerie charm and crafty appeal you've been seeking. What Awaits You: Unique Font: 'Graveyard Wind' boasts meticulously designed letters, numbers, and additional characters inspired by the spine-tingling aesthetics of the 80s. Multilingual Mastery: Your audience knows no bounds with our font, offering complete multilingual support. Why 'Graveyard Wind' is the Choice for You: Recreate the authentic atmosphere of vintage horror films with this unique font. Elevate your poster designs, t-shirt graphics, and logos with an unmistakable crafty touch. Seamlessly adapt to different projects with multilingual support and versatile font formats. Seize this opportunity to infuse your designs with the spirit of the 80s. Download 'Graveyard Wind' now and start creating captivating visuals.

The upper-case letters of Lentzers fit into the shape of a convex lens and the lower-case letters fit into the shape of a concave lens. The typeface was designed to have concave shapes alternate with convex shapes so the letters snuggle together. The OpenType contextual alternatives (calt) feature will automatically make this happen if your word processor supports it. (To get only concave or convex shapes, one must turn off the contextual alternatives feature. With only concave shapes the spaces between letters form thin convex lenses and with only convex shapes the spaces between letters form thin concave lenses. The name of the family was inspired by these lens shapes and also by the name of distant ancestors.) Lentzers is caps only. It comes in three weights: light, regular, and bold. It is eye-catching for posters and titles and poorly suited for text.

Adoquin is a clean and friendly semi serif family. It comes in seven weights with small caps, wich makes it a versatile typeface. The design is based on geometric sans serif typefaces and the calligraphic features of old school models, making Adoquin a functional and warm font family. Its informal but elegant look makes it the perfect display type fitted for logotypes, book design, packaging or magazines. Its wide range of weights and discreet alternates makes it very enjoyable to read, so its also perfectly fitted for longer texts. Adoquin has an extended character set for Central and Eastern European languages, and shows all its potential wit OpenType-savvy applications. Every font includes small caps, ligatures, old style figures, fractions, numerators and denominators and alternative characters without some calligraphic features suited for smaller or longer texts (in this case, the alternative charecters are less ornamented).

Woven is a geometrical typeface based on a simple tessellation or tiling pattern. The template for the letters has both vertical and horizontal symmetry and the tiling pattern has four-fold rotational symmetry. Variations of this pattern are popular with quilters and most have a woven look to them. To fit the letters into the template results in some distorted letters but it is the pattern that matters, not the individual elements of that pattern. With proper spacing, a block of text will fit together both horizontally and vertically. Woven is intended to be used with alternating letter sets and the OpenType feature of contextual alternatives does this automatically in applications that support it. The upper-case could be used alone but it unlikely that the lower-case characters could be used by themselves. The typeface is hard to read and would make a challenging font for word-search puzzles.

Unleash the Power of Motion and Speed with the ApexPro font – a dynamic, sporty font designed for those who crave action, speed, and innovation. This typeface is meticulously crafted to embody the essence of the automotive world, fitness, and cutting-edge technology. Key Features: Style: The ApexPro boasts a rounded and soft appearance with bold, italic, and slashed elements, giving it a sporty and energetic vibe. The letters are carefully crafted, providing a clean and sharp visual for maximum impact. Design Elements: Inspired by the sleek lines of high-speed vehicles, the font carries a rounded, beveled, and cutout aesthetic, adding a touch of modernity and innovation. The use of military and stencil elements infuses a sense of power and dynamism. Versatility: The ApexPro is not just a font; it's a statement. Perfect for automotive enthusiasts, gym-goers, and tech aficionados, it seamlessly blends into various contexts such as sports events, gaming interfaces, and futuristic designs. Target Audience: The ApexPro is tailored for individuals who appreciate the fusion of technology, speed, and style. The target audience includes: Age: 18-35, seeking dynamic and trendy design elements. Gender: Unisex, appealing to both males and females. Needs: Graphic designers, gamers, fitness brands, and automotive enthusiasts looking for a font that embodies speed and action. Why the ApexPro font? For Speed Enthusiasts: The ApexPro brings the thrill of high-speed action to your designs. For Fitness Brands: Reflect the energy and dynamism of your fitness brand with the ApexPro. For Gaming Interfaces: Elevate your gaming experience with a font that resonates with movement and power. File Inclusions: Languages Covered: Multilingual support for a global audience. Numbers, Symbols, and Punctuation: A comprehensive set for versatile use. Lowercase Letters: Lowercase letters for a balanced and cohesive look. Fuel your creativity with the ApexPro – the font that doesn't just communicate, but accelerates your message. Download now for an experience that goes beyond the ordinary.

Arapix is a 12 pixel high multilingual Latin-Arabic pixel font with incredible capabilities. The Arapix is an almost traditional Naskh. It is elegant and easy to read even in very small sizes. It includes almost every feature you would expect from a high range Naskh font. Its humanistic look and feel fit perfectly to its Latin counterpart. Arapix was originally designed for a web project that didn't see the light a few years back. It started with the idea of fitting both Latin and Arabic into a 12 pixel vertical grid. The latin glyphs fit properly within the vertical limits, but when it came to the arabic glyphs, it proved to be more challenging. Arabic letters with lower diacritic dots like the (Yeh-fina) or letters with accents above like the (Alef-Hamza-above) need much more space than any Latin letter. Add to this the fact that accents needs to be positioned above and below the glyphs. It is technically impossible to fit a (Yeh-fina-kasratan) or a (Alef-Hamza-above-shadda-damma) into 12 pixels. Initially the accents were dropped and not included in the design. Although it seemed impossible at the start, Sylvain found a solution in the end, including as many contextual alternates and contextual kerning as needed to avoid every collision between letters and diacritics, letters and accents, and diacritics and accents. The contextual kerning was added to achieve an even letter and word spacing in longer text. Arapix is amazingly legible in small size on screen and in print. On the other hand, it also works perfectly as display titling font due to its unique and contemporary pixel approach. It can be used for screens with very low resolution as well as for high resolution screens and prints. The new Arapix comes with various new features and new glyphs including Persian and Urdu letters, stylistic set, old style figures, contextual kerning, contextual alternates and a few icons too. Enjoy the new Arapix and have fun with it.

A legible sans serif, with bouncy edges. A little loose but not too jumpy! Comes with a fi and fl ligature.

Full Sans is a geometric sans in the tradition of Futura, Avant Garde and the like. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Full Sans is the younger brother of original Full Neue, Full Slab and Full Tools. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Full Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Full Sans LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold. Full Sans LC comes 5 weights and italics also Full Sans SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Full Sans is the perfect font for web use. You can enjoy using it. UPDATE: 08 March 2019 - Fixed extension of glyhps "y" and "g". - "LineGap" error has been fixed. - Fixed bug in "onum", "pnum", "tnum" and "tnum" software in OpenType feature.

Cybersky is a sharp, angular, futuristic font in a retro style. Perfect for sci-fi themes, night street race and space adventures!

Zerpixl is insipred and was made by a pixel. it's sci-fi, science also technology looks, it's perfect for games, movies, & more

Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give exceptionally good quality at low screen resolutions. The fonts are therefore suitable for sustained use in browsers and other applications where users read for long periods from the screen. Of course, Prima looks great printed out too.

Nala Junior is a chubby, fun and charming display font. Its simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas. If you have any queries, questions, or issues please don't hesitate to contact us direct. Download within a few clicks and use across a huge range of programs including Photoshop, InDesign, Illustrator, and Microsoft Word as well as many more.

If there is ever a need for a heptagonal font, that is, a font based on a seven-sided polygon, Heptagroan may fit the bill, unless the need is also for true lower-case letters. Heptagroan is caps only, though some of the caps on the lower-case keys differ from those on the upper-case keys. Heptagroan is monospaced and is available in two weights.

Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give exceptionally good quality at low screen resolutions. The fonts are therefore suitable for sustained use in browsers and other applications where users read for long periods from the screen. Of course, Prima looks great printed out too.

Lovato is a family of five fonts, perfect for branding applications, books, or poster designs that require a clear, sharp, stylish tone. The styles range from an elegant, delicate light weight up to a brazen, commanding black weight. This original Latin-serif family, designed by Kosal Sen, has primarily a geometric construction, with hints of details inspired by inscriptional lettering, all coalescing to fit a contemporary palette.

Arkham - a font that was created from the title of the cover of the comic book "Batman Absolution". The font conveys the Gothic and darkness that is inherent in this comic. The font is perfect for headlines, texts, posters, covers, merch, prints and more. Great language support. If you find an error in the font or kerning, write to: bunineugene@gmail.com, for a quick fix!

Mymoon is geometric modern sans serif family that comes in 22 weights. Aimed for universal use, in any size and in any media. It has slight retro characteristics and mostly neutral overall impression. With wide range of thickness, from Thin to Heavy, all weights are well synchronized to match ideally. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.

Displayer font family is modern, wide and sans serif family available in 7 weights and Variable type file. It’s strong, stable, compact, futuristic family with some specific letter design and generous ink-trap. With it’s display charm, Displayer fits perfectly into any branding project – use it in posters, package, website, logo, video games, magazines. Contains fractions and standard ligatures with Extended Latin character map.

Shefira is a modern and elegant serif font. It is a super unique ligature font that you wont forget! Shefira was built with OpenType features and includes more than 56 ligatures, alternate, numbers, punctuation, and it also supports other languages. It’s the perfect fit for all luxury projects, such as wedding invitation, signatures, luxury logos, printed quotes, grettings cards, social media headers, product packaging and many more!

HySans has its roots in contemporary typefaces with humanist touches. HySans is designed to fit digital screen from desktop to portable devices. It is strongly legible from headline to body copy with a high x-height design which helps the lowercase feel as imposing as it’s all caps counterpart. HySans is available in Five weights with 3 packages. Generously use it everyday, for everything.

Stems (豎) and crossbars (橫) are direct and simple, dots (點) are short but authoritative, downstrokes (撇、捺) are no longer curvy but straight and sharp, thus, a smart and straightforward typeface. Bold in this family is rough and tough, demonstrating a high extent of muscularity. Meanwhile Light is neatly, naturally and nicely crafted, aiming to achieve high legibility. A popular choice for advertising with diverse usages.

Introducing the new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font is good for vintage design, t-shirt, logo, labels, badges, posters and etc.

Roicamonta font looks very feminine and delicate. Perfect fit for invitations, greeting cards and other printing where soft and elegant writitng is required. The design stems from Copperplate calligraphy and comes in two styles - upright and italic. This family consists of six font files overall, each file contains over 1200 glyphs. Complete with variety of swashes and fancy ligatures. All engineered and included in handy otf format.

Sheet music featuring a song from the 1933 film "Torch Singer" starring Claudette Colbert was the basis for Dine and Dance JNL. A multi-line Art Deco design, it epitomizes both the typographic style and the night life of the time, when supper clubs featuring big bands were at their peak. Torch Singers were female vocalists who typically sang melancholy love songs of lost love and heartbreak.

The lively calligraphy font Bendigo was created by Phill Grimshaw in 1993 and looks as though it were written by an energetic hand. Generous capitals fit harmoniously with more reserved lower case letters and the right slant of both emphasizes the dynamic feeling of the font. Bendigo should be used in point sizes of 14 or larger and its strong character makes it particularly good for headlines.

Retale Serif is a balanced, smooth, elegant and stylish serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Retale Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.