Some years ago I designed Chalfont as a sans face. All the characters have a top heavy look when viewed straight on, however, as most type is read at an angle with the top further away than the bottom, this top heavy look is diminished. Chalfont Roman, although re-drawn with some alterations, is still basically the same face but with a top left serif giving more emphasis to the top heavy characteristics. I have also added a set of non ranging numerals.

Drawn is a heavy metal font made with a touch of darkness, featuring a heavy metal feel to compliment your design. Drawn is very easy to use in any variation or writing combination, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a heavy metal feel. Here is video Tutorial how to use it on Adobe Photoshop, Adobe Illustrator, and CorelDRAW https://youtu.be/rGfSWmztRT0 Recomended Software to use: Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

Kanakira is a modern sans typeface that is heavy on a geometric take of the neo-grotesque model, with a special ink-trap feature. Available in 9 weights from thin to heavy, Kanakira is ready to be your “go-to” font for any kind of project.

Rub Gum is thick, chunky and heavy as heck! In the progress of making Rub Gum, I got inspiration from the grafitti- and comic universe! Use Rub Gum for something that needs a heavy dose of grafitti and cartoon! Comes with a good handful of ligatures!

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Neue Reman Grotesk It has 70 font styles in total family + 1 Variable. This typeface is designed to be used very practically. Each style can be changed easily. Has a variety of alternative letters that can be selected to make typography designs more attractive. The family comes in 7 weights with matching italics + Variable Font File and includes multilingual latin pro characters. 1. Extra Light - Condensed - Expanded - Slanted Italic 2. Light - Condensed - Expanded - Slanted Italic 3. Regular - Condensed - Expanded - Slanted Italic 4. Medium - Condensed - Expanded - Slanted Italic 5. Semi Bold - Condensed - Expanded - Slanted Italic 6. Bold - Condensed - Expanded - Slanted Italic 7. Heavy - Condensed - Expanded - Slanted Italic Neue Reman Grotesk contains 750 glyphs, a Latin Pro Fonts. This is the second version of Neue Reman Family. Complete with Stylistic Alternates, Stylistic Set, Caps Swashes Letter, Standard Ligatures, Discretionary Ligatures, Tabular Figures, Proportional Figures, Superscript, Subscript, Scientific Inferiors, Fractions, Ordinals, Arrows and a variety of figures and fractions. Neue Reman typeface suitable to use in multipurpose projects such as on websites, systems, printing, embedding, servers, screens, display, digital-ads, branding, logos, titles, headlines, teks, and everything else. Need something else? Get in touch with us on propertype.foundry@gmail.com Thank you

Milton Glaser commented about this type family: “The typeface is called Houdini after the famous American magician. I wanted to produce a letterform that would gradually disappear as one line after another was removed.” The various versions of Houdini presented by P22 include those originally offered as phototypesetting fonts, plus a solid and an outline version—a variation of which was used for Sesame Place children’s park in 1980. These Houdini variations can all be layered on top of each other for a range of chromatic effects. Each of the Houdini fonts contains over 375 characters for full European language coverage. The family is taken to its logical conclusion with the bonus font “P22 Glaser Houdini Vanished.” This font shares the same spacing and kerning as all of the Houdini font but lacks all visible outlines. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

Meltifex is a heavy font with melting letters, disappearing at the bottom.

An ultra heavy redesigned Bodoni look, extremely powerful but yet very elegant.

Milton Glaser on designing Babyfat: “This is the first alphabet I ever designed. For some inexplicable reason I called it Babyfat. Because I’m not a type designer, most of my alphabets are actually novelties or graphic ideas expressed typographically. Here the idea was to take a gothic letter and view it simultaneously from two sides. It started out as a rather esoteric letterform; it ended up being used in supermarkets for ‘Sale’ signs.” This forced perspective 3-D font has appeared on many LP covers and posters from the mid 1960s onward. This revival includes the original lowercase for the first time in digital form. Besides the three original styles (Outline, Shaded, and Black) made for photo typesetting, the new P22 Glaser Babyfat introduces six additional variations to allow the user to easily colorize the type as Glaser envisioned. The Keyline, Fill, Glyph, Left, Right, and Down font styles give the user nearly infinite options to create dynamic chromatic effects. P22 Glaser Babyfat was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Typographic punctuation and sorts were imagined by James Grieshaber to work with Glaser’s design, as well as diacritics to accommodate most European languages. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

Hand drawn typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set the fillOne and fillTwo over the background style to get a full, tree color mode. Mr Cyrk has only uppercase characters with alternate glyphs in place of lowercase letters. You can have one style for $18 or all of them for $30.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

This typeface was inspired by milk sherbet, which is enjoyed cold on a hot summer day. Rounded shapes and soft stroke endings make the typeface look cute. Heavy works great for headlines with its extra-heavy stroke weight and size, while Regular and Light are best for body text.

Pericles Pro is an attractive typeface for headlines and short passages of text which recall inscriptional lettering and playful, art deco design. There are two weights of Pericles Pro, Light and Regular, containing OpenType-enabled typographic features with alternative characters for creating eye-popping effects in headlines, book titles, banners, and greeting cards. Each Pericles Pro font includes 433 glyphs. This includes 12 stylistic alternates and 17 ligatures to mix and match with a full set of capitals, small capitals, superscript, subscript and petite small capital letters. Pericles Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, as well as Windows Presentation Foundation (WPF) and the forthcoming QuarkXPress 7.

Eckmore is a modern psychedelic variation of the Art Nouveau font Eckmann. It is inspired by 1970s concert posters of The Filmore in the San Francisco Bay Area. Its casual vibe is perfect for everything from retro fashion marketing to toy packaging.

A drop cap ornamental font. Pro version includes the Basic one.

Introducing Thrope the irregular retro display font family heavy influence by motter ombra typeface, geometric basic shape, and 60s to 70s pop culture. Thrope typeface includes 3 font family (regular, bold,& heavy) it comes with stylistic alternates 01-04 & ligatures. Thrope font family best used for logotype, headline, header, signage.

Nice typographic experiment consisting of the progressive "bodonization" I have summarized in two steps, by a letter drawn with the same concentration and intensity with which Paris Hilton reading a book, to get something like the sketches that Mr. Gianbattista used to Wrap the sandwich.

Hearts, and wings are both powerful symbols.The heart represents the seat of the emotions, and Wings represent movement upward, even spiritually, in the case of angel wings. These images have been drawn with a brush, some of them on rough paper, and are available as a black or white version.

Vertigo Death is a decorative font inspired by the heavy metal and extreme sport culture.

A heavy futuristic display font that can be strecthed and squiched without losing its identity.

A heavy graffiti-inspired font! Don't drop it, 'cos it's weight might crush the floor!

A nice clean legible gothic; its heavy weight makes it great for headlines and magazines.

Calcite Pro is a contemporary sans serif italic typeface designed by Japanese type designer Akira Kobayashi. Although it derives its basic character from the italic scripts of the Italian Renaissance, Kobayashi has utilized a highly stylized and rational approach to create an inspired modern Adobe Originals adaptation. Calcite Pro's geometric form and almost crystalline texture evoke images of its mineral namesake. The dynamic appearance of this retro chancery script adds a strong graphic presence to modern typesetting, whether it is used on its own or in conjunction with more traditional typefaces.

It is a new style of Konga Pro, now more rough and ornaments.

Free Font Iamblock is a super heavy display font that makes a statement. In the family, you get a monospace and a naturally spaced version of Iamblock. Iamblock was developed with the rave and party scene in mind, with lots of bright, bold colors mixed with blacks and whites... it's about the heavy contrast.

Umpire Serif is a heavy sans-serif immersed in Victorian grandeur, exuding a kingly confidence that commands respect. Every letter carved is a testament to its solid and heavy foundation, echoing the decorative prowess of a bygone era. With its bold demeanor, the typeface effortlessly portrays nobility and pride. It's not merely decorative; it's regal.

A heavy serif grunge font with a western feel, great for that extreme look for today..

Lindsey Pro is a new handwriting style font with advanced OpenType features including alternative characters and ligatures. Lindsey Pro was created by Steve Matteson based on a teenager’s handwriting. It is a casual typeface design with irregular alignments and occasional connections. Lindsey is a fun font to use in a wide range of documents, from Valentine’s Day cards to invitations, memos, greeting cards, signs and correspondence. Lindsey Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, QuarkXPress 7, and Microsoft Expression.

Edda Pro is another art nouveau revival by German type designer Ralph M. Unger. Edda Pro is based on Edda, designed in 1900 by Heinrich Heinz Heune for Schelter & Giesecke, Leipzig, Germany. Unger redesigned the beautiful forms, completed and expanded this outline caps-only typeface for the profonts library. Also, he added a nice collection of very useful frames and ornaments in EPS format supplied with the OTF version of Edda Pro.Edda Pro can be used for anything in advertising, signmaking, posters, restaurants, hairdressing, paint, wallpaper and so on.

WAHWOH is a heavy allcaps font which is perfect for heavy titles and headlines. The uppercase looks rough while the lowercase looks sharp. This typeface gives the impression of street style, bold, retro, urban and modern style. Clear and bold, easy to combine with other artwork and typefaces, this is the reason why you should have this font.

ADD A LITTLE ZIG AND ZAG with Harmonics - a bold and angular font great for short texts and headlines. Create different affects by toggling between lowercase and uppercase letters - use lowercase for top-heavy triangular text, use uppercase for bottom-heavy triangular text, or mix upper & lower for a zig-zag affect. A great addition to any library.