Tango Silver is a Bold serif font family with a unique style. It has a modern and strong look. this font is suitable for many projects, for modern or even retro vintage design, branding, crafting, sticker, sublimation, wedding invitation, advertising, vintage mood boards, logotype, packaging, titles, editorial design, and many more. This font is PUA encoded, which means you can easily access all of the glyphs and swashes!

Call the lettering French Clarendon Condensed, call it circus lettering, wanted poster type or Old West letters, the style of this typeface is one of the most recognizable and evokes all of the above images and more. Tent Show JNL was re-drawn from examples of a vintage set of wood type, and contains all of the eccentricities that are present in these hand-routed classic letter forms.

Rockinsoda child’s handwriting style font with little improvisation on uppercase mode, although these fonts are all uppercase fonts. This font also has alternate on lowercase letters that can be used for the last letter or word cover. This font is perfect for something related to food, children, kids illustrations, book titles, website title, writing on video, or anything you can try to gain experience in graphic design needs.

Before typography had 'rules', lettering artists set down designs that have endured as classics. A perfect example is Brenham JNL, which was modeled after an antique wood type. The extra elongation of some characters, the irregular shapes of others and the overall hand-made charm of the entire design makes this digital font the perfect choice for replicating broadsides, posters and anything needing a nostalgic look as if from the past.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Suitable for any occasion, Ozymandias is a caps and small caps font, available in solid and outline versions. The name is taken from a poem by Shelley. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Everybody has their own message. Everybody's different, everybody wants to be remarkable. Eyes catch everything from first sight. Fashion is a statement. Elevate your persona higher, classier, with KOUTURA. A tailored high-fashioned font to put make-up on your visual works. Make your fashion branding, logo, poster, clothing, magazine, lookbook, mood board, boutique glam in a secs after you type out the words straight from your keyboard.

Shikamaru is a Japanese-style typeface. Designed with minimalist rough stroke and Kanji letters inspired. This font is an all-caps font that has different shapes between the uppercase and lowercase. Simple and more Japanese feel! Shikamaru is perfect for display, especially for Japanese food, merchandise, logo, poster, short quote, movie, games, apparel. Equipped with stylistic alternates which came (and explored) from the Mandarin letters. PUA Encoded with multilingual support!

Say hello to The Stylist! A new signature font with a simple and classy style! Really befit to all your design project,like invitation card,product logo,quotes, business card, food brand logo ,website and much more. The stylist coming with open type features like stylistic set 01 and support PUA Encoded font files for use with software that doesn't support OpenType features such as Silhouette, Inkscape, etc

An image spotted in an online auction online of a 1940 Milton Bradley child's activity set consisting of wooden letters formed the basis for School Activities JNL, which is available in both regular and oblique versions. Although the basic characters feature chamfered corners, the nature of bending the steel rule dies to form the letters to be cut from the wood provided rounded edges as well, creating their unique look.

Great Warrior is a modern serif font family with a unique and classy style. It has a modern and vintage look. this font is suitable for many projects, for modern or even retro vintage design, branding, crafting, sticker, sublimation, wedding invitation, advertising, vintage mood boards, logotype, packaging, titles, editorial design, and many more. This font is PUA encoded, which means you can easily access all of the glyphs and swashes!

Cirth was invented by John Ronald Reuel Tolkien for use in his novels. It is modelled on the Anglo-Saxon Runic alphabet, and is used to write the language of the Dwarves (Khuzdul) in The Hobbit and The Lord of the Rings in inscriptions in wood and stone. It is also used as a alternative alphabet for English. The fonts here are both the hobbit version and the version for English.

Dansburg is an aesthetic vintage font, inspired from the past typography , elegant signage, gold leaf , sign painting and old label product. Dansburg comes with tons of alternates characters to make more eye cacthy . Dansburg Font is suitable for authentic logos, headings, sign painting, posters ,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. Finally BOOM..!! you get a great design for your project.

It's a mix of two simple fonts that can make your design projects amazing. You could say that it is beautiful and eye-catching for this one font. You can apply it to branding designs, social media posts, logos, posters, quotes, food menus, wedding invitations, book covers, video content etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Thanks.

Quickly Brown Bold Script Font This font describes about fun, bold, chubby, wide and easy to use. Quickly Brown inspired from Doodle and Junk Food. FEATURES - All Capital Bold - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Quickly Brown works great in any craft, logotype, magazine, quotes, social media and any projects that need all about Bold taste. Enjoy using! Thanks. HIRO.std

Carole is an interpretation by Matz Gasser of the old-style serif model. It explores the early serif typefaces and how handwriting still had a significant influence on the shapes. The result is a dynamic serif text font to use in small sizes and make reading comfortable. It was designed to work for text sizes, but you might find it in packaging or food brands because of its robust design features.

Alpharain is a modern and at the same time absolutely incredible Serif with reverse contrast. A bright font will give the mood to your project Thanks so much for checking out my shop, and please get in touch if you have any questions! Alpharain Font Features: - Full Set of standard alphabet and punctuation - Handwritten ligatures - PUA Encoded - no special software needed to access extra characters - Multilingual Characters AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠḠHĦIIJÍÎÏİÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ aáăâäàāąåãæbcćčçċdðďđeéěêëėèēęẽfgğģġḡhħiıíîïìijīįĩjȷkķlĺľļłmnńňņñoóôöòőōøõœpþ qrŕřŗsśšşșßtťţțuúûüùűūųůũvwẃŵẅẁxyýŷÿỳỹzźžż

The Kairos™ family from Terrance Weinzierl is that rare form of typeface that successfully melds design distinction and ease of use. While based on 19th century Grecian wood type forms, it performs admirably in a variety of applications, both in print and on screen. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended

PuffiClaude by Matt Desmond is a real piece of work. Great for funky display stuff, its got some jive junk hanging around every character. This OpenType font has many goodies including extra ligatures, superiors and inferiors, unlimited fractions, and a hip little smiley face. Hey, maybe it's a portrait of Claude! There are so many funky glyphs that it even supports Central European languages. Man, that's hip! Hook up.

In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face "Teutonic". This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions. Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Say hello to Suerte. This new typeface with inverted contrast and bifurcated serifs was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. Our aim was to develop a wood type typeface adding a new personality incorporating Tuscan serifs. The complete alphabet was designed with a flat long brush and Indian ink and then vectorized. Suerte contains a big set of icons and dingbats.

LALOU Greek Chubby Font is a fun decorative font. The font supports Greek character set and a Latin character set. This only uppercase font is ideal for bold graphic design statements. The cute, chubby feeling of the font makes it ideal for food packaging. Also, it can be used on social media content, for branding, poster design, for “hand-written” quotes and any other kind of product packaging

Introducing Rugfish, a playful chunky font with a cheerful and slightly infantile mood. This eclectic font is specially designed for vivid and eye-catching headers and allows you to do some crazy tricks with it like multi-colored letters or filling with patterns. Perfect for logo/emblem design, package design, etc. Also, it works really well if you are designing any kind of product for kids. Have fun using it!

Angel Script is a light, contemporary monoline script. There are approximately 695 individual glyphs complete with Stylistic and Contextual Alternates, Titling Alternates, Swashes and even Old Style Numerals. Needless to say, there’s a lot ‘under the hood’, and the typographic flexibility I wanted with earlier concepts shows in grand style with this release. The single weight font includes a complete Central European and Western diacritic set as well.

Hello Everyone, introduce our new product Cute Squishy This Is Simple Font with a natural feel. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. Cute Squishy is Inspired by Food Logo style and combination with Unique Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language.

Tarweed is based on a Gothic Tuscan style wood type. Its floral decorative stem endings are similar to the buds of the pungent Tarweed flower found at elevation in the Rockies. Useful for any 19th century-looking typographic design Tarweed’s style can be useful for flower shops, billiard halls, music venues, restaurants and more. Expertly crafted to be used at large sizes these fonts also work well in digital applications.

Carole is an interpretation by Matz Gasser of the old-style serif model. It explores the early serif typefaces and how handwriting still had a significant influence on the shapes. The result is a dynamic serif text font to use in small sizes and make reading comfortable. It was designed to work for text sizes, but you might find it in packaging or food brands because of its robust design features.

Uplink is decorative upright lettering with heavy calligraphic influences and clear friendly forms. Alternate forms with artificial "tail" connections, swashing their way from one letter across the vertical stroke of the next, add an unusual yet distinctly human detail to the forms that shape the words. Uplink's reserved humor can be a little tolerant of mechanical abuses like shearing or stretching, which makes it ideal for food product packaging design.

Inspired by a piece of cigarette pack lettering designed by the renowned poster and type designer A.M. Cassandre (perhaps best known for his Peignot typeface), Geetype evokes a 1920s & 30s mood and is an unusual, eye-catching single weight display face. Think vintage hand lettered poster campaigns, Hollywood's golden era and a time when smoking was positively encouraged. Think Greta Garbo, another 'g' with strong, emotional screen presence.

Luxgard is an authentic vintage font of 8 design styles (done as separate fonts) created for such areas as Media & Entertainment, Food & Drinks, Clothes, Music, Games & Applications, etc. with Multilingual support (Latin Extended). Well use in vintage labels, headers & titles, Posters, Street Signs and other Outdoor, Package Design. Please see the preview image with three letters S: You can make different combinations of these styles to get amazing looks of designs.

Say hello to HEARTBEAR! A new handwritten bold script font with a simple and classy style! Really befit to all your design project,like invitation card,product logo,quotes, business card, food brand logo and much more. Heartbear coming with open type features like stylistic set 01and stylistic alternates and support PUA Encoded font files for use with software that doesn't support OpenType features such as Silhouette, Inkscape, etc

The American Sign Museum in Cincinnati houses an amazing collection of vintage signage from all kinds of sources and covering many eras of retail advertising. Someone visiting the museum posted online an image of one particular piece of glass with hand lettering saying “gold leaf” in a bold Art Deco stencil style. Etched Stencil JNL was inspired by that image and is available in both regular and oblique versions.

Karmany is a hand drew font made with original brush shapes which make this font look beautiful and will match for your logo designs, flyers, brochures, signature, quote texts and also menu design for food and beverage. Karmany contains Uppercase & Lowercase, Numbers, Punctuation. It offers Multilingual Support, works on Mac and Windows OS and is easy to install. We hope you like it and thank you so much for your purchase.

DT Decopolis Hotel is a sharply stylised Sans Serif Art Deco font, crafted with a wide oval, dissected and contrasted against precision straight edges and pixel sharp corners. The Capitals have a raised centre line, aligning with the tall lowercase height. A nostalgic looking Art Deco font referencing the 1920's to 1940's during the Golden age of Hollywood, Art Moderne and the rise of luxury items from 100 years ago. Totally geometric with great variations in glyph widths designed to attract attention and create Headlines. DT Decopolis Hotel is a display font with clean simple lines, intended to create a sleek elegance that displays the sophistication of a by-gone era. With both upper and lower-case, this font is Great for Logotypes, Headlines, Strap-lines and smaller descriptive text to give that authentic Art Deco look and feel. Evoking the Art Deco Era of the Great Gatsby, glamorous Hotels and Movie Theatres of the period. Packed with over 500 glyphs, you will enjoy the uniqueness of this typeface! Inspired by 1920's Art Deco, Artisual Deco is a 2020's celebration dedicated to the hundred-year-old history of geometric design. This retro typeface will be the perfect fit for your logo designs or graphic project. DT Decopolis Hotel is a perfect choice for designs with a luxurious but minimalist look and feel. Useful in headlines, logos or product packaging it will match perfectly against sloped script fonts. The typeface works perfectly in both All-Caps or full Upper and lower case. Use with Contextual/Standard Ligatures turned on when possible. to allow the letters to match their neighbours. This will also enable larger Caps for the first letter of a new sentence.

It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .

Presenting Bones Stone! A Bold Script Font with more than 9 Alternates and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Bones Stone looks Authentic on design projects. So, Bones Stone Font can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Bones Stone also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ff, tt, and ll. WHAT'S INCLUDED? 1. Bones Stone Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Bones Stone Stylistic Alternate • The Second version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Bones Stone Stylistic Set • It comes with 12 stylistic glyphs. Just access using Opentype Tools. 5. Bones Stone Swash • It comes with 47 underline swashes. Just type c_1 until c_47 to feature all. Enjoy the Font and Happy Creating! Thank You Azetype Studio

Presenting Alingtone Font Duo! A Display Font with 2 Versions, Alternates, and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Alingtone looks Versatile on design projects. So, Alingtone Font can't wait to give its touch to all your design projects such as quotes, poster design, retro design, vintage design, business, advertisment, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Alingtone Script also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ll, oo, ii, nn, yy, ff, rr, tt, and ss. WHAT'S INCLUDED? 1. Alingtone Script • The First Version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Alingtone San • The Second Version comes with ALLCAPS, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Alingtone Script Alternate • It comes with uppercase, lowercase, numeral, punctuation, and symbols. 4. Alingtone Swash • It comes with 21 underline swashes. Just type c_1 until c_21 to feature all. Enjoy the Font and Happy Creating! Thank You Azetype Studio

Ablati is the commercial release of the font designed during the production of our new font design book, “Practical Font Design”. It is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Ablati is a very different direction for me. Designed to produce gaphics to use in the font design book, I was forced to really reconsider many of my working methods to make them work for outside readership. Like all designers, my internal design processes can get really sloppy. The book helped me clean up my act. Taking my inspiration from one of my favorite fonts of all time {though I've never really been able to use it much}, Romic, by Colin at Letraset, I decided to design a unilateral serif font. In most ways, this is a normal serif for me in that it has caps, lowercase, small caps with the appropriate figures for each case. This font has all the OpenType features in the new set developed for the book. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Several alternative forms, a dozen ornaments, and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy! The Oldstyle and Small Cap fonts are an attempt to have most of the OpenType characters available to people still using Type 1 and TrueType fonts.

A mediterranean style sanserif in 4 styles The original idea of Costa was to create a contemporary mediterranean typeface style. Costa is a synthesis of the purity, as found on Greek capitals, and softness, found in Renaissance scripts. First thing was the design concept that take its roots on the Chancery script. Such writing style appeared during Italian Renaissance. Later few typefaces have been developed from such cursive models. Today most serifed typeface italic take their roots on such triangular structure we can find on gylphs like the n, p, or d. The Costa capitals remains close to pure sanserif models when the lowercases features an ending serif on many letters like the a, n, d, etc. This ending serif being more like a minimal brush effect, creating a visual contrast and referencing the exoticness of the typeface. Knowing that the Costa typeface family began life in the 90s as a bespoke typeface for Costa Crociere, an Italian cruise company — it suddenly makes sense and explains well why Jean François Porchez focused so much on Italian Chancery mixed to a certain exotism. The curvy-pointed terminals of the Costa n can obviously get find on other glyphs, such as the ending of the e, c and some capitals. So, the sanserif looks more soft and appealing, without to be to pudgy or spineless. The general effect, when set for text, remains a sanserif, even not like Rotis Semiserif. Costa is definitly not a classical typeface, or serif typeface which convey past, tradition, historicism as Garamond does beautifully. Because of the Costa crocieres original needs, Costa typeface was designed to be appropriate for any uses. Anytime you’re looking for good mood, qualitative effects, informal tone, cool atmosphere without to be unconvential or blowzy, Costa will convey to your design the required chic and nice atmosphere, from large headlines sizes, brands, to small text sizes. It’s a legible typeface, never boring. A style without neutrality which doesn’t fit comfortably into any typeface classification! Does it proves the novelty of its design and guarantees as well as its originality? Its up to you to be convinced. Barcelona trip Originally not planned, this need appeared because of a trip to Barcelona at the time of the project, where Jean François was giving a lecture. He wanted to pay an homage to that invitation to create something special. So, he designed during his flight some variations of the Spanish Ch, following ideas developed by the Argentinian type designer Rubén Fontana for his typeface called Fontana ND (published by the Barcelona foundry Bauer). Then, he presented during his lecture variations and asked to the audience which design fit the best to their language. They selected the design you can find in the fonts today. Read more about pairing Costa Type Directors Club 2000 Typographica: Our Favourite Typefaces 2004

In Adrian Frutiger, the discipline of a mathematically exact mind is joined with an unmistakable artistic sense. His independent work possesses the controllable language of letterforms. Personal and intensive, this work is the manifestation of his expressive will. Frutiger's precise sense of outline reveals itself two- or three-dimensionally in wood, stone, or bronze, on printing plates and in the form of reliefs. However, even his independent work can be understood as objectivized signs; in their symbolism, they are embedded in the fundamental questions of human existance. They might have developed in the spirit of playfulness, but their nature is always conceptual, directed towards a complex, yet harmonic, whole. Following function, form also necessarily follows the content of the language. The entire spiritual world becomes readable through letters. Essentially, Adrian Frutiger attempts to fathom the basic, central truth which defines our lives: change, growth, division - beginning and end. In a virtual synthesis, he seems to close the circle in which the world reflects itself in symbolic forms. Frutiger Stones is for Adrian Frutiger the example of his formal artistic sensibility par excellence. Searching for the fundamental elements in nature, he has discovered the pebble, rounded and polished over innumerable years by gently flowing water. And out of this, he has created his complete system, a ruralistic typeface of letters and symbols. It depicts animals and plants, as well as astrological and mythical signs. Because of its unique aura, Frutiger Stones is particularly well-suited to different purposes - in headlines and prominent pictograms, as symbol faces, illustrations, and more.