Inspired by bold and slanted handwriting style, we present to you History Walker, a handwritten font with bold and slanted characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. History Walker is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

Viking Drink is a display font derivative from serif family of eight weights ranging from Regular to Bold and matching Italics, which gives it a full range of expression and suitability for advertising, interfaces and corporate design. Viking Drink provides 3 FREE weights ( Regular, Italic and Bold ). It has 17 ligatures that add powerful effect when used for creating logos or headlines. It also supports many languages.

Saddle up and embrace the untamed spirit of the Wild West with South Canyon, a captivating display font inspired by fearless cowboys and rugged landscapes. With its bold and distinctive letterforms, South Canyon brings an authentic and powerful presence to your designs. Choose between the regular version for a perfect balance of legibility and boldness or the stamp version for a vintage, weathered look.

Oase is Display Font This font describes about about huge, bold, brush, handmade, movie. FEATURES - Uppercase letters - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Oase works great in any branding, logotype, magazines, poster, social media posts, clothing, advertisements, product packaging, product designs, label, company profile, quotes and any projects that need Huge and Bold taste. Enjoy using! Thanks. HIRO.std

Brandbe is perfect for bright headlines, in web as well as in printing. FEATURES: Family includes three all-caps fonts: Three weights / Numbers & Punctuation / Extensive Language Support Brandbe Light - quiet but confident Brandbe Regular - the persuasive middleweight Brandbe Bold - bold and commanding USE: Brandbe works great in any branding, logos, magazines, packaging. Each style contains a set of 406 characters supporting 207 different languages..

Inspired by bold and rounded typefaces on signs from the 1970s, Salsiccia can promote both your hot dog stand and your international toy store enterprise. Its boldness and roundness is combined with classical proportions, with wide letters — like the O — next to little nubby ones — like the T. This not only looks nice, but helps us even out the white spaces across words and sentences.

Kithan is a font that provides three weights and three compressed from semi-fine to bold, while the compressed have a reduced contrast creating a tall and soft look. Bold font sizes allow letterforms to be appreciated, with the same restraint and focus. Creates a smooth texture for small font sizes and long reads. Kithan's theme is inspired by the Mexican currency of the year 2000.

Amberine is a captivating reverse contrast script font that defies convention with its unique and striking design. The thick, bold lines flow gracefully, creating a sense of dynamism and movement, while the delicate, thin strokes provide an elegant contrast. This font evokes a sense of drama and sophistication, making it perfect for titles, branding, invitations, and any design where you want to make a bold statement.

Introducing, Margadeth Bold Script Margadeth is a bold script that contain Uppercase, Lowercase, Numerals, Accents, Punctuations, 5 set alternates, Ligatures, Swash, and also Underline. You can use to make a logo for branding, best for apparel design, and quotes. This font also already PUA Encoded. Opentype feature, including 5 Set Alternates, Ligatures, End Swash, and Underlines. PUA Encoded Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Happy Designing!

NEW UPDATE : BOLD VERSION Modernline is an organic handwritten font that is suitable for branding, signature, wedding invitation, promotion, product packaging, and other needs. This font is modern, simple, but still authentic. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes. Now come with 2 weights, regular and bold.

Havelock Titling builds upon the essential geometry of Havelock , adding new weights for spacious, authoritative text. Made to combine with Havelock’s display capabilities for more traditional reading scenarios. Built on the same weight range as Rocinante Titling , which broadens your design options. Light matches Light, Bold matches Bold, and so on. Both Havelock and Havelock Titling collections are included in Havelock Complete for a lower price.

Lost Signal is a two-style display that's absolutely perfect for editorial headlines. Her bold and characterful figure makes her perfect for posters, extreme sports, automotive and magazine covers. Reserved for upper and lower case in each style, featuring fl and fi ligatures, this calm and bold typeface is a content creator's best friend. Including: Uppercase, Lowercase. Numbers, Punctuation & Symbols. Diacritic for Multilingual Support

Working at American Type Founders from a Bruce Foundry recutting, Morris Fuller Benton worked out the dramatics of the English Fat Face, and in 1928 produced Ultra Bodoni, a headline spectacular. Using Benton’s 1933 Ultra Bodoni Extra Condensed, Richard Lipton digitized Bodoni FB Bold Condensed, then took compression even further and designed Bodoni FB Bold Compressed, a real technical tour de force; FB 1992

The "Octavia VV" font family includes Regular, Italic, Bold, and Bold Italic fonts. Sans serif font type. The whole font family includes a large set of additional characters and letters with diacritics. Standard and Latin Extended support such languages - English, Danish, Spanish, German, Norwegian, Polish, Portuguese, French, Swedish. Standard and extended Cyrillic are supported by languages - Russian, Belarusian, Bulgarian, Macedonian, Serbian, Ukrainian, Kazakh, Kyrgyz.

Plantin is a family of text typefaces created by Monotype in 1913. Their namesake, Christophe Plantin (Christoffel Plantijn in Dutch), was born in France during the year 1520. In 1549, he moved to Antwerp, located in present-day Belgium. There he began printing in 1555. For a brief time, he also worked at the University of Leiden, in the Netherlands. Typefaces used in Christophe Plantin's books inspired future typographic developments. In 1913, the English Monotype Corporation's manager Frank Hinman Pierpont directed the Plantin revival. Based on 16th century specimens from the Plantin-Moretus Museum in Antwerp, specifically a type cut by Robert Granjon and a separate cursive Italic, the Plantin" typeface was conceived. Plantin was drawn for use in mechanical typesetting on the international publishing markets. Plantin, and the historical models that inspired it, are old-style typefaces in the French manner, but with x-height that are larger than those found in Claude Garamond's work. Plantin would go on to influence another Monotype design, Times New Roman. Stanley Morison and Victor Larent used Plantin as a reference during that typeface's cutting. Like Garamond, Plantin is exceptionally legible and makes a classic, elegant impression. Plantin is indeed a remarkably accommodating type face. The firm modelling of the strokes and the serifs in the letters make the mass appearance stronger than usual; the absence of thin elements ensures a good result on coated papers; and the compact structure of the letters, without loss of size makes Plantin one of the economical faces in use. In short, it is essentially an all-purpose face, excellent for periodical or jobbing work, and very effective in many sorts of book and magazine publishing. Plantin's Bold weight was especially optimized to provide ample contrast: bulkiness was avoided by introducing a slight sharpening to the serifs' forms."

Plantin is a family of text typefaces created by Monotype in 1913. Their namesake, Christophe Plantin (Christoffel Plantijn in Dutch), was born in France during the year 1520. In 1549, he moved to Antwerp, located in present-day Belgium. There he began printing in 1555. For a brief time, he also worked at the University of Leiden, in the Netherlands. Typefaces used in Christophe Plantin's books inspired future typographic developments. In 1913, the English Monotype Corporation's manager Frank Hinman Pierpont directed the Plantin revival. Based on 16th century specimens from the Plantin-Moretus Museum in Antwerp, specifically a type cut by Robert Granjon and a separate cursive Italic, the Plantin" typeface was conceived. Plantin was drawn for use in mechanical typesetting on the international publishing markets. Plantin, and the historical models that inspired it, are old-style typefaces in the French manner, but with x-height that are larger than those found in Claude Garamond's work. Plantin would go on to influence another Monotype design, Times New Roman. Stanley Morison and Victor Larent used Plantin as a reference during that typeface's cutting. Like Garamond, Plantin is exceptionally legible and makes a classic, elegant impression. Plantin is indeed a remarkably accommodating type face. The firm modelling of the strokes and the serifs in the letters make the mass appearance stronger than usual; the absence of thin elements ensures a good result on coated papers; and the compact structure of the letters, without loss of size makes Plantin one of the economical faces in use. In short, it is essentially an all-purpose face, excellent for periodical or jobbing work, and very effective in many sorts of book and magazine publishing. Plantin's Bold weight was especially optimized to provide ample contrast: bulkiness was avoided by introducing a slight sharpening to the serifs' forms."

A font is a crucial element of a design, but it can be a complicated challenge to choose a proper font for your project. An improper design will likely damage your whole designs and make your hard work useless. That is why Big Mock is the perfect font for you. Big Mock is a display font with strong characters and unique styles to assist you to pop up your messages easily. It exists in uppercases and thick weights to show bold, prominent displays. The similar letters’ proportions and the low contrasts will affect the legibility rates. You can use such a font for big text sizes to be greatly legible. Big Mock gives you an extra clipart as a bonus. You can also make use of the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Big Mock fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Nextir is an extraordinary brush sans serif font that commands attention and redefines modern typography. Designed with large letters and a thick weight, its distinctive square letter shapes are the epitome of strength and contemporary style. What sets Nextir apart from the ordinary is its brush detailing. This unique blend of brush strokes and sans serif elements adds a layer of organic texture to the font. The combination of large letters, thick weight, square shapes, and brush detailing creates a font that makes a striking statement with a contemporary edge. When you need a typeface that combines strength with artistic expression, Nextir is the perfect choice to infuse your designs with boldness, modernity, and a touch of handcrafted elegance. You can also enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Nextir fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Christmas Cypher is a street Xmas font. It merges the rebellious spirit of street art with the nostalgic cheer of the holiday season. This graffiti-inspired font embodies a dash of urban flair, perfect for designs that aim to stand out. Its bold strokes and sharp attitude, infused with a whimsical twist of Christmas elements, make it ideal for youthful and energetic designs. The font dances between traditional cheer and contemporary cool, bringing a fresh perspective to the visual language of Christmas. Use the included Icon font to make Christmas symbols. Use parenthesis symbols () [] {} to make stars around any word. Example: {Hiphop}[Style] The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Designed by Mans Greback, a typographer known for his attention to detail and passion for blending tradition with modern design trends, Christmas Cypher is more than a font – it's a declaration of celebration and creativity.

Adero is a futuristic and versatile display font family designed to meet the needs of modern design projects. With its wide and minimalist style, Adero offers designers a unique blend of futuristic and functional design elements that make it a perfect choice for a wide range of applications. Featuring nine weights, from Thin to Black, and matching obliques, Adero provides designers with a wide range of options to choose from when creating designs. The font’s letterforms are carefully crafted with attention to detail, resulting in a modern, clean look that is both attractive and easy to read. Adero’s minimalist design makes it ideal for a variety of design applications, including branding and logo design, product design, advertising, web and various digital design. The font’s wide proportions and large x-height make it a great choice for bold and attention-grabbing designs, while its sleek and functional style makes it perfect for more understated design applications. Whether you’re creating a futuristic poster or a sleek website design, Adero is a versatile and powerful tool that can help you achieve your design goals. With its unique blend of wide proportions, minimalist design, and futuristic style, Adero is an excellent choice for any modern design project.

Presenting the LAVOZA typeface from alitdesign. LAVOZA font is designed by combining a slant blackletter font with a classic serif font style. The Lavoza font is inspired by a classic roman design that we apply modern elements according to current trends. This bold classic concept will create a design that is frightening but still looks modern and elegant. The Lavoza font is perfect for the design of young people who dare to be different and unique from the current trending design concept. Lavoza font is highly recommended to be a collection of fonts for current or future design creation. LAVOZA is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern and brave concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "LAVOZA"contains 587 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Introducing Blackbill Script, an elegant and expressive script font that effortlessly captures the beauty of handwritten calligraphy. With its fluid strokes, delicate curves, and impeccable letterforms, Blackbill Script adds a touch of sophistication and charm to your designs. Whether you're creating wedding invitations, logos, packaging, or branding materials, this versatile script font will make your text stand out with its unique personality. The Uppercase and lowercase letters of Blackbill Script offer a seamless flow and harmonious balance, allowing you to create visually appealing typography. From romantic and graceful to bold and expressive, this font offers a wide range of styles to suit different design needs. With its inclusion of numbers and punctuations, Blackbill Script ensures that your message is conveyed with clarity and professionalism. With multilingual support, Blackbill Script enables you to reach a global audience and communicate in various languages. It ensures that your designs can resonate with diverse cultures and create an inclusive experience for your viewers. Blackbill Script features PUA encoding, providing easy access to a collection of alternate characters and ligatures. These decorative elements and letter variations add versatility and creative flair to your designs, allowing you to customize and personalize your text for a unique look.

Orangerie is a soft, delicate, and beautiful typeface that captures the essence of fashion, sweetness, and nature. Its flowing, thin lines evoke a sense of calm and loveliness, making it the perfect choice for romantic, professional, and light-hearted projects alike. Inspired by the serene beauty of blooming flowers in a sunlit orangerie, the typeface was meticulously crafted to convey a sense of warmth, tranquility, and sophistication. The result is a font that feels both contemporary and timeless, perfect for a wide range of applications, from branding and packaging to wedding invitations and personalized stationery. Use character ¤ to make decorative nature element such as leaves. Use multiple for different versions. Example: Sweet¤¤¤¤Morning (Download required.) This elegant font comes in four versatile styles: Regular, Bold, and their italic versions, allowing you to craft the perfect tone and atmosphere for your designs. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

MGN Carleigh is a font that combines strength, beauty, and classic style in a unique and captivating way. The font has a bold and solid appearance, with a strong and commanding presence that makes it perfect for creating titles, headlines, and other prominent text. At the same time, the font has a certain elegance and beauty to it that makes it stand out from other more traditional fonts. Its classic elements give the font a timeless quality, making it suitable for designs that require a touch of vintage or retro feel. The shape of the MGN Carleigh font is both strong and refined, with a unique look that is both distinctive and memorable. The font has a certain energy and intensity to it, with a commanding presence that makes it perfect for use in designs where the text needs to be prominent and powerful. At the same time, the font is also beautiful and sophisticated, with a certain classic charm that makes it a great choice for designs that require a more traditional look. The combination of strength, beauty, and classic style in this font makes it a versatile choice for a wide range of design projects, from modern and edgy to classic and timeless.

BOOMSONG is a stunning font that combines the beauty of blackletter and the elegance of script styles. It features a unique mix of these two styles, creating a perfect balance between boldness and refinement. The font includes 858 glyphs, offering a wide range of options for all your design needs. With its unique alternates and ligatures, BOOMSONG allows you to create custom lettering that stands out and captures the eye. It supports PUA encoding, ensuring that you can access all glyphs and symbols, even in non-standard software. BOOMSONG is perfect for projects that require a touch of beauty and sophistication. Its concept of “beauty in the dark” adds an intriguing element to your designs, making them stand out from the rest. With support for multiple languages, BOOMSONG is a versatile font that can be used for various purposes, from branding to invitations, book covers, and more. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

The font package Helen Bg Family is in 5 weights and two widths, 18 styles: Thin, Thin Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black, Black Italic, Light Condensed, Light Condensed Italic, Condensed, Condensed Italic, Bold Condensed, Bold Condensed Italic, Black Condensed and Black Condensed Italic. Helen Bg is made with Bulgarian Design of Cyrillic and is recommended for the publications for Bulgaria. Other version with standard Cyrillic is available from HermesSoft Limited. Typeface design: Vassil Nikolov. Release date: 1991 - 96, HermesSOFT Design notes and Technical data Helen belongs to the typefaces from the humanistic sanserif grotesk fonts. The font is for wide use – from the classical typesetting to the display typography. In the Bulgarian Code Page are included all vowels with accents that are really necessary for the typesetting in Bulgarian language, and are not included in the Cyrillic Code Page: Helen Is available in OpenType PostScript and WEB font formats.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Introducing the Feruka sanserif font. All Capital sans is charming and valiant in its application, a font with a bold style and strong character that makes your design look bold and bold to convey messages to consumers in every design, this font is equipped with regular and bold thin variations to simplify and meet project needs you. We designed this san serif family font by paying attention to the combination of each letter to create a beautiful impression and appearance, making it easier to answer your needs, both formal and non-formal needs. This font is perfect for a wide variety of design projects, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, logotypes, and more. Of course, by using this font your various design projects will be perfect and amazing, because this font comes with a family of fonts, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Introducing Mottona Bold Script (OpenType Font) Mottona Bold Script is a modern script font, every single letters has been carefully crafted to make your text look beautiful. As a modern script style this font will be a perfect fit for a broad range of projects, like wedding invitations, greeting cards, posters, name cards, quotes, blog headers, branding, logo, fashion, apparel, stationery, etc. Mottona Bold Script allows you to customize your text by making use of the many character variations included: Stylistic Alternates in Stylistic Sets, Initial and Terminal Forms as well as ligatures can be activated in OpenType savvy applications like Adobe Photoshop, Adobe Illustrator or Adobe InDesign or accessed via glyphs panel. Just change the regular character variant to its design alternative to customize to the layout of your dreams! Files included: - Mottona Bold Features: - Basic Latin A-Z and a-z - Numbers & Symbols - Stylistic Set & Ligatures - PUA-encoded characters - Latin "Pro" characters Thanks for your visit :-)

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Introducing our newest font called Milayu, a Groovy Display font that will turn your every project into a bold and vibrant masterpiece. If you are looking for a way to give a strong, bold, and classic touch to your designs, Milayu is the perfect choice. Milayu comes in three different variants: Regular, Outline, and Shadow. This means you have the flexibility to bring different styles to each of your projects. Whether you want a strong, bold message, or a lighter look with an outline effect, Milayu has everything you need. What makes Milayu truly special are its abundant character ligatures and alternatives. This gives you the freedom to be creative and create unique and stylish designs. With multilingual support, Milayu is also ready to bring your message to the world. Milayu is the perfect choice for projects that require a bold, vibrant look. Let Milayu inspire your creativity and deliver your message in an unforgettable style.

Zoya is a humanist sans serif typeface, a versatile font family that stands out with it's warm and natural feel. Humanist sans serifs have roots in calligraphy, their round, dynamic, open forms have higher stroke contrast than the other sans serif classifications. Can be used by any organization that wants to appear simultaneously modern, approachable, active and professional. FEATURES Four weights + Bold Outline / Italics / Numbers & Punctuation / Extensive Language Support / Long term support, free features and bug fixes The font family includes 10 fonts Zoya Light - delicate and edgy Zoya Bold - strong but approachable Zoya Regular and Semi Bold are the balance between the two Zoya Bold Outline - engaging + Italics USE Strong capitals and a smooth, open lowercase are effective in a variety of applications. This font is perfectly suited for headlines, posters, branding, packaging, presentations, logo, quotes, titles, magazines headings, web layouts, advertising, invitations, packaging design, books, and nearly any creative design.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: "My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!" Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Ghost Terror is a captivating display font that will haunt your designs with an eerie allure. Designed in uppercase and bold, this typeface commands attention and exudes an aura of fear. Each letter is meticulously crafted with a rounded shape, and some have sharp edges, adding a sense of unpredictability and suspense. The haunting brush details on each letter further enhance the font's chilling theme, immersing your audience in a world of ghostly terror. With its bold weight and rounded shape, this font brings a sense of familiarity while maintaining an air of otherworldly mystery. The mix of rounded shapes and sharp edges in this font adds a dynamic contrast, giving the font an unsettling and unpredictable appearance. The letters seem to dance between the realms of the living and the undead, capturing the essence of ghostly entities that lurk in the shadows. The brush details in Ghost Terror lend a haunting and handcrafted touch, as if the letters were inscribed by spectral beings. These eerie details add a sense of craftsmanship and an element of horror, creating an atmosphere of supernatural presence. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Ghost Terror fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.

Gin And Tonic is a classical serif typeface family. In a cocktail of soft arches and sharp corners, this traditional type has a multifaceted flavor, just like a well-balanced drink. Inspired by turn-of-the-century quality produce, Gin And Tonic is a genuine victorian typeface, that brings class and authenticity to any graphic project. The type of lettering that could be seen in an old-west saloon. This serif font is provided in eight styles: Thin, Regular, Bold and Thin Italic, Regular Italic, Bold Italic. As well as the Outlined style and its complementary Outline Italic. Write in CAPS for decorative conjunction words. Example: Gin AND Juice, Bird OF Prey (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

P22 Saarinen is a typeface based on the architectural lettering of Finnish American architect Eero Saarinen.The Saarinen fonts were created to help commemorate the 75th anniversary of Kleinhans Music Hall in Buffalo, NY, which was designed by Saarinen in collaboration with his father Eliel Saarinen and is recognized as one of the greatest concert halls ever built in the United States. Saarinen’s own lettering styles were combined with various lettering manual suggestion for proper lettering to create a flexible casual lettering style in regular and bold weights. The Pro fonts include multiple variations of each letter for a more natural lettering style as well as stylist in variants to achieve various highs for crossbars and other customizable variants. The Pro fonts also include Central European character set, fractions, small caps and an array of hand drawn directional arrows. Individual non-pro versions feature: Saarinen Regular - characters with low cross bars Saarinen Alt 1 - characters with high cross bars Saarinen Alt 2 - characters with mid cross bars and old style figures Saarinen Arrows - bold and regular arrows combined in one font

Designed by Olivier Gourvat in December 2015, Univia Pro is a new contemporary OpenType font family with modernity and versatility in mind. Distinctive with its pleasant look and extremely modern, Univia Pro has a lot of personality mostly achieved by smooth curves and round corners that forms a very identical style of the entire family. Univia Pro is perfect both for display and text use and due to its ultra modern look, it is more than excellent for e-books, web-sites, user interface font, mobile apps etc. The Univia Pro font family is heavily equipped with OpenType features: case sensitive, scientific superiors and inferiors, standard ligatures, old style, lining figures, proportional and tabular figures, slashed zeros, stylistic sets. It also provides broad language support. The font family offers 18 variations (9 weights plus italics): Thin, Thin Italic, Ultra Light, Ultra Light Italic, Light, Light Italic Book, Book Italic, Regular, Regular Italic, Bold, Bold Italic, Black, Black Italic, Ultra and Ultra Italic. Univia Pro supports Latin, Extended latin and Cyrillic languages.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.