A round was added to a neat straight line to express a soft sensibility. It is a neat and flexible font using a clean and stable type of module.

Beat is a quirky OCR-inspired face with a rounded, retro-electronic feel. All of the stem weights were drawn at random, but the ensuing chaos works amazingly well.

Alma Mono is a monospace typeface with a friendly personality. It comes in five weights and its rounded ends convey a more friendly atmosphere then a more mechanical monospace.

Rtoxina. Pixels get smooth. Rtoxina is a new member oft the Atoxina family with experimental character. This experimental pixelfont surprises with carefully rounded pixels. Avoid accidental cuts, using Rtoxina!

Ratatouille was inspired by wooden faces of old with pointed serifs. Very suitable for Packaging greeting cards magazines posters and Advertising Ads. Designed in four weights from Extra-Light to Bold including Italics, covering a large range of editorial and advertising applications.

Out with the old in with the BOLD. Raifin is a messy, gory and fantastical piece of work which shoves two fingers up at conformity. A title font, a copy font, a bonkers font. An experimentation of the rules, or lack thereof. Enjoy!

A loose sans for all mod happenings, beatnik poetry readings, hootenanny hoedowns and kartoon kapers. Ya dig? Also included is a flourished swash variation which is most definitely not intended for caps-only use.

Tasty Brownies is a whimsical and friendly handwritten font. Whether you’re looking for fonts for Instagram or scripts for DIY projects, this font will turn any creative idea into a true piece of art!

Seindah Cinttya results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!

Bang-Zoom! is a traditional comic book font based on lettering by award-winning illustrator and letterer Galen Showman. Its five weights and styles and smart OpenType features allow for professional comic book typesetting.

This funny script font based on the logo which we did. It will look great on the package, restaurant menus, logos and magazine headlines. A large number of ligatures help you vary your design.

School Desk JNL is a block-style sanserif based on die-cut cardboard letters used in classrooms during the 1940s and 1950s for making various projects and teaching children the basic shapes of letters.

Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

Here's a new take on an old dry-transfer standard from the 70s named Barrio. This unicase version features several handy ligatures not found in the original typeface, which will substitute in OpenType-savvy applications when the lowercase combos are typed. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Retro Signs JNL collects nearly 50 designs modeled from old water transfer sign decals once manufactured by the Duro Decal Company of Chicago, Illinois and adds in a generous amount of additional phrases newly-drawn in the same hand lettered style. These vintage sign panels are perfect for creating nostalgic signage to fit projects centered around the 1950s and early 1960s.

Cool Crayon is a nice typeface I created with the black crayola from my 3 year old son's crayola box. It was broken (because he tends to throw them around), but I managed to get the glyphs onto a sheet of paper. Cool Crayon is similar to Crayon Crumble, but is rounder and thicker. Cool Crayon comes with extensive language support.

This work is inspired by creatures that I have drawn for my six year old boy. The monsters can be found at chrismetcalfe.com. I wanted to take their hair/fur and translate the fun attitude to type. To be honest I think this font is used best as display type. However the fun attitude lends to many usages without structure.

RM Celtic is derived from a mix of Uncial, Carolingian, Insular and Half-Uncial characters that, together, provide a legible and useable font with a touch of that old Celtic magic. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Eckhardt Showcard JNL and Eckhardt Showcard Two JNL are drawn from more lettering found in an old sign painting book. Jeff Levine has continued naming a series of fonts for the late Albert Eckhardt, Jr. (1929-2005) who had owned Allied Signs in Miami, Florida from 1959 until his passing. Al was a talented lettering artist and a good friend to Jeff.

It began as a series of photographs of the rusty metal brand names on old tractors in a museum. When I scanned the photos and began to trace the letters, I found the rust and deterioration created a level of detail which gave my letters a psychotic anger which, as an art director in an advertising agency, I closely identified with.

Arcadian was first produced in wood type around 1870 by William H. Page & Company. It is a semi-ornamented face based on a French Clarendon, with dots added to the median and the tops and bottoms of the letters. It has a distinctly “Old West” feel, and was likely used to add a little pizzazz to advertising and broadsides of the time.

“A picture is worth a thousand words” and here, that’s more than true. Take a look at Erotica’s Booklet; Erotica’s Poster Design and Erotica’s User’s Guide before reading below. THE STYLES The difference between Pro and Std styles is the quantity of glyphs. Therefore, Pro styles include all the decorative alternates and ligatures while Std styles are a reduced version of Pro ones. Big and Small styles were thought for better printing results. While Big is recommended to be printed in big sizes, Small may be printed in tiny sizes and will still show its hairlines well. INTRODUCTION I have always wondered if the circle could ever be considered as an imperfect shape. Thousands of years have passed and we still consider circles as synonyms of infinite beauty. Some believe that there is something intrinsically “divine” that could be found in them. Sensuality is many times related to perfectly shaped strong curves, exuberant forms and a big contrasts. Erotica is a font created with this in mind. THE PROCESS This story begins one fine day of March in 2012. I was looking for something new. Something which would express the deep love I feel regarding calligraphy in a new way. At that time, I was practicing a lot of roundhand, testing and feeling different kinds of nibs; hearing the sometimes sharp, sometimes soft, sound of them sliding on the paper. This kind of calligraphy has some really strict rules: An even pattern of repetition is required, so you have to be absolutely aware of the pressure of the flexible pen; and of the distance between characters. Also, learning copperplate can be really useful to understand about proportion in letters and how a minimum change of it can drastically affect the look of the word and text. Many times I would forget about type-design and I would let myself go(1): Nothing like making the pen dance when adding some accolades above and below the written word. Once something is mastered, you are able to break some rules. At least, that’s my philosophy. (2) After some research, I found that the world was in need of a really sexy yet formal copperplate. (3) I started Erotica with the idea of taking some rules of this style to the extreme. Some characters were drawn with a pencil first because what I had in mind was impossible to be made with a pen. (4) Finding a graceful way to combine really thick thicks with really thin hairlines with satisfactory results demanded months of tough work: The embryo of Erotica was a lot more bolder than now and had a shorter x-height. Changing proportions of Erotica was crucial for its final look. The taller it became the sexier it looked. Like women again? The result is a font filled with tons of alternates which can make the user think he/she is the actual designer of the word/phrase due to the huge amount of possibilities when choosing glyphs. To make Erotica work well in small sizes too, I designed Erotica Small which can be printed in tiny sizes without any problems. For a more elegant purpose, I designed Erotica Inline, with exactly the same features you can find in the other styles. After finishing these styles, I needed a partner for Erotica. Inspired again in some old calligraphic books I found that Bickham used to accompany his wonderful scripts with some ornated roman caps. Erotica Capitals follows the essentials of those capitals and can be used with or without its alternates to accompany Erotica. In 2013, Erotica received a Certificate of Excellence in Type Design in the 59th TDC Type Directors Club Typeface Design Competition. Meet Erotica, beauty and elegance guaranteed. Notes (1) It is supossed that I'm a typographer rather than a calligrapher, but the truth is that I'm in the middle. Being a graphic designer makes me a little stubborn sometimes. But, I found that the more you don't think of type rules, the more graceful and lively pieces of calligraphy can be done. (2) “Know the forms well before you attempt to make them” used to say E. A. Lupfer, a master of this kind of script a century ago. And I would add “And once you know them, it’s time to fly...” (3) Some script fonts by my compatriots Sabrina Lopez, Ramiro Espinoza and Alejandro Paul deserve a mention here because of their undeniable beauty. The fact that many great copperplate fonts come from Argentina makes me feel really proud. Take a look at: Parfumerie, Medusa, Burgues, Poem and Bellisima. (4) Some calligraphers, graphic and type designer experimented in this field in the mid-to-late 20th century and made a really playful style out of it: Letters show a lot of personality and sometimes they seem drawn rather than written. I want to express my sincere admiration to the fantastic Herb Lubalin, and his friends Tony DiSpigna, Tom Carnase, and of course my fellow countryman Ricardo Rousselot. All of them, amazing.

With Encercle Draft, you can create circles and other shapes containing numbers up to 999999. Here's how it works: hold shift and type the number of digits, followed by a number. If you want the number 25, hold shift, type 2 followed by 25. If you want the number 250, hold shift, type 3 followed by 250. You can also type letters, periods, slashes, hyphens, question marks and exclamation points. Create an inverse white-on-black effect using your application's Bold feature. Easily change shapes by selecting a different font style from your application's font menu. Encercle Draft is available in the following shapes. Circle Square Box (wide rectangle) Box with rounded ends (tab) Diamond Circle inside a diamond Hexagon Hexagon rotated Octagon Triangle up Triangle down Triangle right Triangle left Quote bubble with left tail Quote bubble with right tail Quote bubble with no no tail Cloud (thought bubble) Encercle Draft uses OpenType technology. Most current graphic design applications support basic OpenType features but there are a few exceptions including AutoCAD, SketchUp, Solidworks and Canva. Encercle Draft will work in Affinity, Inkscape, GIMP, Adobe apps (not Photoshop Elements), Microsoft apps (not Powerpoint), Sibelius and more. Encercle Draft includes a PDF manual with examples. There's also an advanced feature which allows you to create solid-colored backgrounds. For a thicker, sans-serif style, check out Encercle Sans. For more complex layered effects with a different selection of typefaces and shapes, check out Numbers with Rings. Encercle PDF user manual.

With Encercle Sans, you can create circles and other shapes containing numbers up to 999999. Here's how it works: hold shift and type the number of digits, followed by a number. If you want the number 25, hold shift, type 2 followed by 25. If you want the number 250, hold shift, type 3 followed by 250. You can also type letters, periods, slashes, hyphens, question marks and exclamation points. Create an inverse white-on-black effect using your application's Bold feature. Easily change shapes by selecting a different font style from your application's font menu. Encercle Sans is available in the following shapes. Circle Square Box (wide rectangle) Box with rounded ends (tab) Diamond Circle inside a diamond Hexagon Hexagon rotated Octagon Triangle up Triangle down Triangle right Triangle left Quote bubble with left tail Quote bubble with right tail Quote bubble with no no tail Cloud (thought bubble) Encercle Sans uses OpenType technology. Most current graphic design applications support basic OpenType features but there are a few exceptions including AutoCAD, SketchUp, Solidworks and Canva. Encercle Sans will work in Affinity, Inkscape, GIMP, Adobe apps (not Photoshop Elements), Microsoft apps (not PowerPoint), Sibelius and more. Encercle Sans includes a PDF manual with examples. There's also an advanced feature which allows you to create solid-colored backgrounds. For a thinner, classic architecture/drafting style, check out Encercle Draft. For more complex layered effects with a different selection of typefaces and shapes, check out Numbers with Rings. Encercle PDF user manual.

Mouvere – Old Style Serif Family, comes with four types of typefaces, Regular, Italic, Bold, and Bold Italic. This font is very suitable to be applied in various aspects of design, and your branding. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

NoExit is an industrial vernacular type system with multiple widths. Originally designed for the Chicago Athletic Association Hotel, its inspiration was an old sign that said “STAIRWAY” found the hotel’s old building. A pointed uppercase letter A stood up against the mechanic aspect of the rest of the letters, and that discrepancy was love at first sight. From that, we developed a type system in multiple widths and weights that looks best at large sizes. It’s an ideal typeface for signage systems, magazine headlines, posters and packaging.

The same procedure as every year? Again Christmas cards and greetings need to be designed... Sick of the usual Christmas imagery? Finally here is the ultimate typographical solution: 4 Christmas Pattern Fonts for display use. Playfull yet straight, Christmassy yet aesthetically pleasing. Pattern is the new sexy! Practical details: - Use in great display sizes only. The bigger – the better! - Fonts gain kind of "transparency" through the patterns – handy for use on top of images. - Characterset is caps only and supports Central, Eastern and Western European languages. - Entertaining 2 min movie explaining the basic concept and making of the Pattern Fonts. - Combine with "non-Christmassy" Pattern Fonts from the Pattern family. - Also available: a blank version in light, regular and bold.

Ariestha is a fancy script font, inspired by modern and retro typography. Carefully designed with bold strokes on the bottom of the letters and some playful touches of letter layout that allows you to make neat and flexible designs. Ariesta scripts comes with many variations of OpenType features which gives you the possible to explore more alternative looks in your design process. The OpenType features are accessible in Adobe Illustrator, Photoshop, InDesign and others. Very recommended for your headline in logotypes, sign painting, posters, die-cut craft, branding, storefront, and merchandise design! Ariestha Script has over 500+ Glyphs with 26 multi-lingual accents. Also with standard punctuation, uppercase and lowercase. There are stylistic alternates, contextual alternates, ligatures, stylistic set 01 - 04. Great design asset for your projects.

Delugional is an Atlantis theme typeface, it's character set is an imaginary alphabet inspired by Greek style scripts mixed with Classic Latin. This font is a display font family of two weights, Regular and Bold. It can be used for various creative/mythological and fantasy theme projects from book covers to games or movie titles. There are some OpenType features such as Stylistic Alternates and Discretionary Ligatures along with some extra symbols like sun, moon, snake and the stylised map of Atlantis in place of stylistic set 02 of uppercase "O". I have also created a font presentation video you can view it on youtube here: https://youtu.be/f7bKdoffWnI I hope you enjoy this one as much as I did while creating, Good luck with your project!

This Deco delight is based on logotype lettering for Crosley Radios from the 1930s. By aLtErNaTiNg upper and lowercase letters (brackets and braces, too), you can maintain the flow of the lightning bolts through the letters. Additionally, inline hyphens can be found at the ASCII circumflex and ASCII tilde positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Introducing Andhibath Bold Script Font, a captivating script typeface that exudes elegance and versatility. With its bold strokes and graceful curves, this font is perfect for adding a touch of sophistication to your design projects. Whether you're creating invitations, branding materials, packaging, or any other creative work, Andhibath will elevate your designs with its unique charm. The Andhibath font features both uppercase and lowercase letters, allowing you to mix and match different letterforms for a customized look. It also includes numbers and punctuation, ensuring that your compositions are comprehensive and well-rounded. With multilingual support, you can effortlessly incorporate various languages into your designs, making it suitable for projects with a global reach. One of the standout features of Andhibath is its PUA encoding. This means that accessing the font's special ligatures and glyphs is a breeze, giving you even more creative possibilities. The ligatures add a natural and handcrafted feel to your text, enhancing its visual appeal. With its script style, Andhibath captures the essence of handwritten elegance. It is ideal for a wide range of design applications, from wedding stationery and logos to social media graphics and advertising materials. The versatility of this font allows you to adapt it to different themes and moods, whether you're aiming for a classic, modern, or whimsical look. Experience the beauty and versatility of Andhibath Bold Script Font. Let its graceful curves and bold presence make a lasting impression in your designs.

TXT101 is a fresh, friendly typeface for mock text and borders. As a retro-cool digital successor to the pencil marks that were hand-drawn as placeholder text in the analog era, TXT101 includes 52 styles, from Arch to Zigzag, with a couple of loops, several slants, and a swell set of waves. If your final copy is TBD, use TXT101 to mock up roman, bold, italic or light. TXT101 looks GR8 and is EZ to set. BWTM! Corner pieces make TXT101 a complete and charming bordering typeface. All patterns come in four weights, so you can make frames and borders for everything from little labels to big broadsides. Corners (north, south, east, west) are TTLY a snap to select from their own stylistic sets. DIY: MIX & MATCH TO CREATE COOL PATTERNS! Many styles have aligning baselines, so glyphs will connect. Single- and double-line variations abound, and you can combine weights (light, regular, bold, black) as well as styles. BTW, feel free to insert word spaces or leave them out.

Opal Pro is a text family designed by Hannes von Döhren in 2008. It gives every text a noble character. The typeface has long ascenders that clearly rise above the capital letters and a low x-height. Opal’s letters sport inktraps at stroke junctions, which on one hand create a cutout feeling and on the other hand strengthens the image in larger point sizes. In total, the letterforms have clear emphasis on their verticals and horizontals; they do not fear the weight on their curves. In addition to the Italic and Bold, the Opal type family includes a Script face, whose letterforms include connections, similar to handwriting. On top of that, the typeface possesses swash letters for italic and script, small caps, many ligatures and borders & ornaments. With a little bit of care, designers will be able to create the finest of traditional, elegant work with this family.

Introducing Burge – Cute Serif Font Meet Burge Cute Serif Font, the adorable serif font with round serifs that adds a charming touch to your designs. Playful and Cute Design Burge features soft, round serifs that give it a playful and cute appearance. Its letterforms are carefully crafted to evoke a sense of charm and friendliness. This font is perfect for creating eye-catching titles that capture attention. Versatile Usage Burge’s versatility shines in a variety of design projects. Whether it’s used in posters, invitations, or social media graphics, this font adds a delightful flair. Its rounded serifs ensure legibility even at smaller sizes. Whimsical Appeal Burge’s whimsical charm appeals to a wide audience. It avoids complex details, making it user-friendly for designers of all levels. This font brings a touch of cuteness to your creative endeavors, making your titles stand out.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

Bratislava is a rounded and elongated art deco typeface, based on several posters from the 1920's. Bratislava is slender and elegant and would look good on packaging and posters.

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.