Rosvard is our new old fashioned typeface. Inspired by vintage signages and brewery emblems. You could feel the vintage vibe on our preview images. Although you could use it to modern design as well. Since our last font just single font. We decide to make another layered font like we did in the past. This one in particular contains Stripe, Outline, Regular, Extrude and Shadow. You could combined all of them of just use two or three of them as you like. We also give you the separate ornaments we used for the preview image as an icon/dingbat font. You could mix and match each part to make your own badge / emblem. Because we believe you could do it.

The Aguas Frescas font family is an outline, hand-drawn display typestyle that reflects script handwriting with a lively, whimsical twist. It is a flowery little font that dances across headlines with a happy and likable good-natured attitude and a lyrical lilt. For extra OpenType tastiness, there are alternate versions of all the lowercase glyphs and a Contextual Alternates feature to make the letters flow together more smoothly and look more natural and handmade. And if you want to kick it up one notch further, you can combine the outline font Horchata with its “aguas frescas” companion font Tamarindo which is the solid, filled-in version of this font. Duplicate your text in overlapping layers of the two fonts for an brighter multi-color effect.

This is a new barely modulated, slightly narrow, sans serif font family. It has eight styles: thin, thin italic, regular, italic, bold, bold italic, black, & black italic grouped into two 4-font families: Amico Thin with the Bold; and Amico with the Black. Amico has the standard feature set developed at the end of 2007. It has many OpenType features and 654 character/glyphs: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters, ordinal numbers (1st-infinity): lining and oldstyle), and so on. It is designed for text use in body copy. However, Amico really shines as the choice for heads & subheads when using Amitale or Brinar for the text family.

This is Canada Type's second Helmut Matheis revival. Rhino is what Matheis did under the name Mobil for the Ludwig & Mayer foundry in 1960. It's an informal text face with some attractive irregularities relating to the traits of handwriting. The influence of the human hand can be clearly seen in letters like the A, J, Q, R, T and pretty much all of the lowercase. Though obviously inspired by and tooled after the human touch, Rhino's functionality extends to even a page or two of text setting. Aside from its functionality, Rhino gives short paragraphs what the classic immersive-reading fonts are not built for: immediate friendliness and natural humility. A few alternates and ligatures are included within the font.

This typeface was designed as the house style by and for design studio Mysterian. It was drafted and completed during most of 2020. The intention of the design of the forms was to develop a unique signification in the mind, but one that could have potential relevant associations such as with sci-fi. The solution, brought along with a fascination with this rarely seen pattern in type, was to taper round forms. The name 'Multipolar' was inspired by the term used by game theorist Daniel Schmachtenberger, which is a kind of event that seemed relevant to the Covid-period in which the font was made. Alternate characters include: Two Ampersands Upper and Lowercase PI Upper and Lowercase Eszett Latin Characters

The Sidetic language is a member of the extinct Anatolian branch of the Indo-European language family known from legends of coins dating to the period of approximately the 5th to 3rd centuries BCE found in Side at the Pamphylian coast, and two Greek–Sidetic bilingual inscriptions from the 3rd and 2nd centuries BCE respectively. The Greek historian Arrian in his Anabasis Alexandri (mid-2nd century CE) mentions the existence of a peculiar indigenous language in the city of Side. Sidetic was probably closely related to Lydian, Carian and Lycian. The Sidetic script is an alphabet of the Anatolian group. It has about 25 letters, only a few of which are clearly derived from Greek. Consensus is growing that the script has essentially been deciphered.

This is the elaborately expanded version of what is arguably the most classic and popular of all historic Dutch faces: Sjoerd Hendrik de Roos's Hollandse Mediaeval from 1912. Over the decades, many pressmen and typography connoisseurs have gushed loving prose about this typeface. An extended family of two weights, corresponding italics, small caps, four condensed fonts, four book fonts, a set of initials and some very Dutch ornaments, Dutch Mediaeval is a versatile workhorse that flows comfortably and artistically, with the elegance of the main weights nicely complemented by the sturdiness of the bolds. Very few text faces are this clean and inviting while being crafty as well. The Dutch Mediaeval family comes with quite a few OpenType features and extended Latin language support.

Royalbrick is a contemporary display unicase typeface. It is a part of upcoming type family — light and condensed style. The font was inspired by factory stamps’ typography on bricks made in 19-20 century on Russian manufactures — this kind of bricks was also called “royal bricks”. It has a unique image with “squashed” stems and dynamic expanding strokes, and there are also some kind of ancient Cyrillic’s vibes in it’s letterforms. It is an excellent example of combining national character with modern trends and expressive graphics. Royalbrick consist of extended Latin and Cyrillic, figures, two sets of punctuation (normal and "thin" with ss01), few ligatures and stylistic alternatives and a special set for letters with accents — ss02 named "Downstairs Accents". The font has 292 glyphs.

Sake Moru is a experimental display font. Sake Moru is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Outline Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font. Thanks and have fun!

Antique Price Tags JNL is a collection of fifty-two decorative price cards recreating the look and charm of turn-of-the-last-century mercantile shops. The design is a hybrid of the decorative frame and dollar sign of antique price cards spotted in an online auction, and prices modeled from some gummed numerals once made by the Tablet and Ticket Company of Chicago under the brand name “Willson’s Gummed Letters” (after the company’s founder). Also included in the font are blank price cards with only a dollar sign, a cents sign or an empty frame, as well as a solid black frame for creating a backfill color. A companion font is available with the numbers in white on black panel backgrounds.

Alfarn is based on capital letters that Bauhaus student Alfred Arndt (1898?1976) drew for a poster in 1923, designed to advertise a bakery in Jena, Thuringia. The poster is an example for what we call today ?Bauhaus features?: yellow circle, red square, black bars and an indication of geometric lettering that became so popular in the following years. C�line Hurka carefully analysed Arndt?s lettering and derived two weights in different widths: wide and condensed. She took on the characteristic bars and transformed them into an underlined weight of its own. Hurka also drew perfectly balanced small caps, which make up for a missing lower case. Alfarn captures the spirit of 1920s Bauhaus-influenced posters ? a timeless style quite suitable for contemporary designs.

The Ale symbol fonts designed by Alessio Leonardi supply a large range of different characters. The two "Ale Ornaments" fonts contain a large set of different spirals, which can be used on tapestries, or as placeholders in presentations. The four separate "Ale Signs" fonts contain a set of daily glyphs, like male and female, smoking and non-smoking, danger, ying and yang, arrows and mathematical signs. The "Ale Transport" font is a large collection of funny pictures for the various kinds of transportation available over air, land and water. Here you can see Alessio's Italian design joy, which he has presented in many ways. Have fun in discovering the various pictures such as the submarine on the railway, or the airplane with a "Do it again" banner.

The Chlorines are two unique fonts, for they look as if they have been corroded with some sort of caustic material. Could it have been chlorine? Who knows? Both fonts have a modern appeal to them and fancy up any document. And when you can pick both of 'em up for only $45 how can you resist that corrosive, yet clean appeal? Chlorine Sans is a unique font, for it looks as if it has been cleanly corroded with some sort of caustic material. Could it have been chlorine? Who knows? This font has a modern appeal to them and fancy up any document. And when you can pick it up for only $25 how can you resist that corrosive, yet clean appeal?

Pitmaster was designed with summertime barbecue in mind, with its straight pointed spurs Pitmaster is sure to get attention for any project western and BBQ related. Included in Pitmaster are a few alternates such as a half slab "A" and slab serif "I", also you'll find alternate "O, o" with spurs removed on one side or the other, this is useful when typing two O's together, you'll have the option of selecting one or both O's with the spurs removed between them for a closer fit on the letters. There's also alternate "D" with the right spur removed for a tighter fit with other letters if needed. Opentype case sensitive forms are also available. To all of you Pitmasters out there Keep On Smokin'

Black Pearl is a revival of an ornate calligraphic font possibly created between 1850 and 1870. I spent two years looking for all the letters of this font; once I found them all, I immediately went to work on recreating this old classic. I was not able to find any numbers for the font, so new to this style are numbers, some punctuation and currency symbols. The Truetype and OpenType formats include an extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys; a ship’s wheel, located on the asterisk key; and a boat anchor on the bracket keys.

A pixelated typeface with asymmetrical serifs intended to depict emojis in coarse mosaic shapes and represented in two styles that perfectly complement each other – Mono (casual font) and Mosaic (color font). The main font feature is a large set of pictograms, which are activated using the Stylistic Set and typed right in a text with a keywords like :smile: :happy: :sad: :pear: :rose: :horse: :bike: :house: and so on. Read more about Depicto font family concept, features, pictograms, color font, emoji skin tone, how to use it, and the applications support: https://michaelrafailyk.com/depicto See the complete list of 600+ pictograms: https://michaelrafailyk.com/typeface/specimen/Depicto.pdf Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ The promo image “Serpant Mosaics” used a photo of Nick Verlice from Pexels

In December 2013 two new weights - Thin & Ultra (with Italics) were added to the set, Small Caps included! The intention was to make a technical-looking sans with a warmer feel to it, balanced between hard geometric shapes and friendly curves with slightly narrower endings. It should be useful in a wide range of tasks, whether combining the eight weights with distinct italics for editorial design, setting multiple pages of text, making financial reports, or using the highly contrasted lights and blacks for display and packaging design. Argumentum has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Regas is a contemporary and classic display serif font. Regas is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Oblique Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font. Thanks and have fun!

Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain the same lowercase, alternates, and ligatures – the difference is in the capitals. By mixing both fonts you can create a variety of unique logos. Aloha Scripts Casual can be set in all caps for greater emphasis on captions. Both fonts contains over 100 alternate characters, as well as an assortment of ligatures, swashes and underlines. With over a year and a half in development, Aloha is bound to please. Great for logo design, signs, posters, culinary food packaging and so much more. Aloha!

Duluth, Minnesota's Horace P. Brouillet Syndicate (later known as Syndicuts, Inc.) was one of a number of stock cuts providers to the letterpress trade in the decades preceding paper, then electronic clip art. Brouillet's "Typeps" catalogs offered a wide range of images covering numerous subjects, as well as cartoons, catch words and automotive logos. Many of these images have been reproduced in a number of royalty-free clip art publications over the years. Twenty-Six of these newly-redrawn catch words are found within Business Helpers JNL in two styles. On the capital keys are the original white-on-black designs, modeled from the vintage source material. The lower case keys have the phrases separated from the decorative ovals and are in black type.

Ageya is a modern and elegant serif font. Ageya is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Oblique Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font. Thanks for purchasing and have fun!

Jonze & Jonzing from KC Fonts is an all uppercase based font that resembles a rubber stamp; Jonze being more on the saturated side and Jonzing on the rather dry. Both fonts each have four glyphs for each letter & two per number, which are accessed by uppercase, lowercase & Contextual Alternates. The Jonze family takes the grungy look that you love one step further by creating a handmade look for you by randomly cycling through Contextual Alternates & Double Letter Ligatures for a unique and authentic look to your creative. When not using the Contextual Alternates feature, you can still alternate between uppercase and lowercase letters to change it up or by accessing the Stylistic Alternates feature. The Jonze family has an extended character set for multilingual support.

Classic retro sans with some modern looks. Contrast vertical and horizontal lines in Bold style and elegant and airy Light style. This font has no lowercase letters, only the small caps which makes it very suitable for Headers, Logotypes, sub-headers, etc. This family has a French mid-century spirit with the alternate underlined O, inherent in that time, ligatures for L-pairs and T-pairs letters and some decorative alternates for A, C, H, J, O, Q, and U letters. The Le Bonjour has three widths: Bold, Regular and Light. Four styles for Bold and Regular: Clear, Offset Decor Line, Pressed and Stroke. And two styles for Light: Clear and Stroke. (the light style is too narrow for Offset decor and Press styles)

Wordmark is our new fully equipped branding tool. Designed with a refreshed humanist style, much loved by brands that need to deliver their message in a serious way, with a current look. Drawn by the cool eye of Gaspar Muñoz, expect this font to be as good or even better than its predecessor "Herokid". "Wordmark" is super complete; it includes condensed, thin, expanded, and heavy weights plus italics with two complementary systems that work together in a powerful way. "Wordmark Normal" offers great readability for text and signage, big or small. And "Wordmark Display", designed with a noticeably taller X height specifically made for headlines, big windows, and big screens. With 48 different styles keep it simple and make reliable designs with "Wordmark".

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a 'Brave New World' sprit that harks back to the 1930s and possibly also to postwar rebuilding in the 1950s. Its clear legibility makes it ideal for poster work and titles, as well as for signage of any kind. Eight faces are offered, regular and italic, bold and bold italic, as well as a condensed face and a bold weight thereof. There are also two decorative forms- outline and embossed faces. All faces include a large character set and extensive Opentype features. A Demonstrater version of the regular face is also offered free of charge-this is fully licensed but has a signnificantly reduced character set.

The source of inspiration for MFC Patisserie Monogram is a letter set from the book, "Letters and Lettering" by Paul Carlyle & Guy Oring, published in 1938. This elegant decorative style was shown as Capitals & Numerals only, but we've expanded it out to include Capitals, Smallcaps, Numerals, an Ampersand, and ornamental parenthesis, brackets, and braces. MFC Patisserie Monogram can create one, two, or three letter monograms as well as basic headline and titling settings. It is a refined look that is as darling as it is delicate. The numeral set and bullet dividers allow for more detailed and personalized monograms. If you want an even more customized look, you can add any of a handful of brackets, braces, or parenthesis to surround your monograms in a complimenting style.

House Sans is a 100 style super-family made up of 5 widths, 10 weights plus matching italics in two design approaches through stylistic alternates to the E, F, L and e characters. The weights range from compressed to expanded, from thin to heavy creating a plethora of styles to create with. House Sans has a unique visual structure to key glyphs such as the A, M & Y that give the font a stand out feel while the contrasting horizontal bars provide a nice balance. The compressed weights are great for fitting in tight spaces whilst the Heavy styles are perfect for standing out from the crowd. The font features extensive support for European and Cyrillic languages, stylistic and discretionary ligatures, plus superiors, inferiors and fractions.

Nexa Script is a clean version of the famous multifaceted font system Nexa Rust . All fonts from the family was successfully designed to match perfect to the other two members of this huge font system - Nexa and Nexa Slab . You can be sure that Nexa Script is equipped with the most advanced typographic Open Type features such as extended sets of ligatures, fractions, alternate characters, superscripts and subscripts, etc. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Nexa Script font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.

Altissimo is a display type family, derived from the Ample typeface, it has large x-height, optical mono linear and a bit squarish in nature. It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message. It is graphically strong and commands viewer's attention. The overall appearance of this type is suitable in setting it as heading, title, headline, etc. The type family consists of seven weights viz. Thin, ExLight, Light, Regular, Medium, Bold and ExBold. Altissimo is designed by Aakash Soneri in a period between 2017 and 2018.

Eugene Grasset, the popular 19th-century Swiss graphic designer, dabbled in a multitude of disciplines such as ceramics, furniture, tapestry, jewelry and stamp design. Known mostly for his commercial posters and illustrations, he left a legacy of design that still fascinates scholars and professionals alike. One of the rarely mentioned Grasset treasures is the italic he designed in 1898 for use in two of his posters. Grasset's italic has an irregular quality that makes it seem much older than it is. It can be a very meaningful face in many contexts, such as map-related design or historical publications. Isla was digitized by Alfredo Graziani and completed by Alejandro Paul, maintaining the utmost respect for its historical flavor. The typeface includes a wealth of ligatures and alternates.

The Parliament typeface was designed by Jonathan Hoefler beginning in 1995. A burlesque typeface in the Regency Blackletter style, Parliament was inspired by the ‘Four-line Pica Black No. 1’ typeface of William Caslon Jr (1821), whose enigmatic design for the letters E, G, I, N, V and Y hinted at a broader ambition to modernize the arcane shapes of the gothic alphabet’s capital letters. Parliament completes this project for the first time by including two sets of alphabets, one archaic and one modern, along with a third set of ‘small caps’ that restores to the blackletter the versatility of Roman type. Parliament was first used for the 1998 ATypI Conference in Lyon, and was published by Hoefler&Co in 2022.

Regysca is a modern and elegant serif font. Regysca is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in two styles, Regular and Oblique Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font. Thanks and have fun!

Linotte is a rounded sans in 7 styles designed by Joël Carrouché. Small irregularities give the typeface a warm and naive look, while the simple geometric construction provides good legibility in long texts and small sizes. Linotte is an ideal choice for food or kids related products, or anything that needs to convey a human and friendly feeling. Originally released in 2014, Linotte was updated in 2021 with Greek and Cyrillic support, two new styles, and other small additions. Linotte Semibold is 100% free for personal and commercial use. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows & icons, and a variety of advanced features like stylistic alternates, case-sensitive forms, sub and superscript, automatic fractions, etc.

New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.

Latvian designer and educator Gustav Grinbergs created Stencil Moonlight as an attempt to slightly lighten up the stencil type scene. Intended as a lively, semi-formal face, its shapes are smooth and compact. It leaves a very heavy feeling on the page, as its letters display a very fat bold design. Stencil Moonlight is available is two separate font styles, Regular and Small Caps. When used together, the Stencil Moonlight family can create the perfect combination for your next display need. Stencil Moonlight works best in larger sizes, where it is clear that its forms stem from an experiment with stencil design. Grinbergs recommends the face for application in package design, advertising, poster design, and perhaps even for the subtitling of foreign films!

A calligraphic script font Millettre is the last member of the trilogy of types designed by Lyudmila Mikhailova. First two fonts Milanette and Milafleur were released earlier. The font is based on author's lettering artworks which she did for many years for companies who produced greeting cards. The characters of the font have rough contours simulating lettering by a pointed pen on a rough paper. The character set covers standard Western, Central European and Cyrillic code pages. The default version of the font is presented by disconnected script, but connected variant is also included and organized as an alternative stylistic set. The font also contains some initial, finial and alternative forms of letters. Recommended for use in advertising and display typography. Released by ParaType in 2011.

Big Welly …in the United Kingdom we have a very British phrase which is ‘Give it some Welly (Wellie)’ this is often shouted to a person as encouragement or criticism, it asks for more effort to be put into whatever he or she is doing. The saying comes from an informal name for Wellington Boots; Wellies - named after The Duke of Wellington. Hence, ‘Big Welly’ the font, this font is bold and big on the one hand and handwritten on the other. These two attributes make this font ideal as a poster font or t-shirt font for instance to make your message really stand out. So, if you need a bit of added oomph in your design – look no further than ‘Big Welly’.

Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF. Fox TRF is upright italic typeface with light, regular and bold weight styles. The most distinguished Fox characteristic is the lowercase letters. Their curly, playful and vivid letter forms were derived from handwritten lettering then carefully shaped and adapted onto sans serif category. Fox typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.

Naïve is a serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. The three weights of this subtle Parisian hand-drawn font can be enhanced with two alternates fancy glyphs for each letter, the “Fantaisies”, to improve your designs and bring a more poetic and unusual feeling. We hope you will enjoy our work :) You could follow us on our Instagram: instagram.com/sc.type Merci beaucoup! Note: This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all!

Margic TP - Magic of typeface with 2 types of characters. There are two types of letters by activating stylistic alternates you will get a very contrasting feel than regular letters. It was also followed by the addition of swash, many ligatures, and many languages. Standard glyphs uppercase and lowercase letters Numerals, a large range of punctuation and ligatures. Swashes, Stylistic Set Multilingual Works on PC & Mac. Simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿¡ Image used: All photographs/pictures/logo/vectors used in the preview are not included, they are intended for illustration purposes only. Thank you